The Night Owl Show with Owl Sun:
Playlist
from February 13, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:52 (Pop-up) | ||||
| The 13th Floor Elevators |
Till Then
|
1969 |
|
0:03:19 (Pop-up) | ||
| Bee Gees |
Craise Finton Kirk Royal Acade
|
1967 |
|
0:06:30 (Pop-up) | ||
| Captain Beefheart & His Magic Band |
Sugar 'N Spikes
|
1970 |
|
0:08:45 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Elevators - A Haiku Early wintertime A late elevators floor watching the barrett |
|
0:11:51 (Pop-up) |
||
| Syd Barrett |
late night
|
1970 |
|
0:12:29 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The Late And Loud Night Whose night is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his night a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:15:37 (Pop-up) |
||
| The Merry-Go-Round |
She Laughed Loud
|
1967 |
|
0:16:21 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
0:19:02 (Pop-up) |
|||
| Pearls Before Swine |
Morning Song
|
1967 |
|
0:19:28 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
0:23:26 (Pop-up) |
|||
| H.P. Lovecraft |
electrollentando
|
Original Lp - Phillips Records PHS 600-279 | 1968 |
|
0:23:40 (Pop-up) | |
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:30:07 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
0:32:49 (Pop-up) |
|||
| The Pretty Things |
Mr. Evasion
|
Defecting Grey / Mr. Evasion | 1968 |
|
0:33:19 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Fragmentary - A Haiku Hazy wintertime A mere, fragmentary march on the ultimate |
|
0:36:43 (Pop-up) |
||
| Ultimate Spinach |
Fragmentary March Of Green
|
1968 |
|
0:37:10 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Fragmentary, Part 2 - A Haiku Foggy wintertime A first, fragmentary plane by the hurricane |
|
0:44:44 (Pop-up) |
||
| The Red Crayola with the Familiar Ugly |
Hurricane Fighter Plane: "When The Ride Is Over You Can Go To Sleep"
|
1967 |
|
0:45:09 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Impression - A Haiku Severe wintertime A deep, impression sugar out of hurricane |
|
0:48:40 (Pop-up) |
||
| The Sugar Cube Blues Band |
My Last Impression
|
1968 |
|
0:49:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The Last And Poor Impression Whose impression is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his impression a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:52:41 (Pop-up) |
||
| Spirit |
Poor Richard
|
1968 |
|
0:53:37 (Pop-up) | ||
| Cindy und Bert and the Jay Five |
Der Hund Von Baskerville (Paranoid)
|
1971 |
|
0:56:06 (Pop-up) | ||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 0:58:50 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The Poor And Spooky Offering Whose offering is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his offering a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:00:27 (Pop-up) |
||
| Performed by Spooky Tooth |
Offering
|
1969 |
|
1:01:22 (Pop-up) | ||
| The Electric Prunes |
Sanctus
|
1968 |
|
1:04:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The Okay And Spooky Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:07:38 (Pop-up) |
||
| The Mothers of Invention |
Help I'm A Rock: I. Okay To Tap Dance II. In Memoriam, Edgar Varèse
|
1966 |
|
1:08:40 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Generation - A Haiku Muddy wintertime A green generation dance out of invention |
|
1:14:13 (Pop-up) |
||
| St. John Green |
7th Generation Mutation
|
1968 |
|
1:14:39 (Pop-up) | ||
| The Delrays |
Lollipop Lady
|
1968 |
|
1:17:52 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Generation, Part 2 - A Haiku Early wintertime A next, generation sound out of unfolding |
|
1:20:03 (Pop-up) |
||
| Electric Mind Sound By Unfolding |
Acid Rock: I've got a Zebra - She can Fly
|
1967 |
|
1:20:44 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Firefighter - A Haiku Heavy wintertime A former, firefighter sound out of unfolding |
|
1:25:50 (Pop-up) |
||
| The Zodiac |
Aries - The Fire-Fighter
|
1967 |
|
1:26:31 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
1:29:37 (Pop-up) |
|||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
1:29:49 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
1:33:00 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
The omani is not late! the omani is exceptionally former. Down, down, down into the darkness of the omani, Gently it goes - the middle, the former, the precocious. A colly, however hard it tries, Will always be dear. A colly is earnest. a colly is heartfelt, a colly is beloved, however. |
|
1:34:50 (Pop-up) |
||
| The Who |
Armenia City In The Sky
|
1967 |
|
1:35:46 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Scoundrels - A Haiku Hazy wintertime A many, sound scoundrels sound under the scoundrels |
|
1:39:32 (Pop-up) |
||
| H.P. Lovecraft |
mobius trip
|
Original Lp - Phillips Records PHS 600-279 | 1968 |
|
1:45:45 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
|
1:48:26 (Pop-up) |
|||
| Family |
How Hi-The-Lie
|
1969 |
|
1:48:43 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
All that is gradual is not eddie, eddie, by all account is sudden. Does the eddie make you shiver? does it? One afternoon I said to myself, "Why isn't the robbie more uncertain?" Now for sure is just the thing, To get me wondering if the robbie is incertain. |
|
1:53:36 (Pop-up) |
||
| Pink Floyd |
Astronomy Domine
|
1967 |
|
1:54:11 (Pop-up) | ||
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
1:58:16 (Pop-up) | |
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Radiation - A Haiku Severe wintertime why radiation contain the astronomy |
|
2:00:23 (Pop-up) |
||
| The Red Crayola with the Familiar Ugly |
Transparent Radiation: "Red Signs Out-Side, Which I Contain"
|
1967 |
|
2:00:50 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Radiation, Part 2 - A Haiku Rainy wintertime For radiation contain by the familiar |
|
2:03:20 (Pop-up) |
||
| country joe And The Fish |
Bass Strings
|
1966 |
|
2:03:52 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Pay attention to the son, the son is the most prodigal male offspring of all. Are you upset by how lavish it is? Does it tear you apart to see the son so overgenerous? Don't belive that the portamento is unmoving? the portamento is moving beyond belief. Does the portamento make you shiver? does it? |
|
2:07:46 (Pop-up) |
||
| The Byrds |
Dolphin's Smile
|
1967 |
|
2:08:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
How happy is the contemporary sydenham! Down, down, down into the darkness of the sydenham, Gently it goes - the synchronal, the coeval, the contemporaneous. A cunha, however hard it tries, Will always be portuguese. Does the cunha make you shiver? does it? Immanuel is dear importance. |
|
2:10:44 (Pop-up) |
||
| Spirit |
Girl In Your Eye
|
1968 |
|
2:11:23 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Invention - A Haiku Snow-clad wintertime A pure, invention spirit after the mothers |
|
2:14:35 (Pop-up) |
||
| The Mothers Of Invention |
The Idiot Bastard Son
|
1968 |
|
2:14:59 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
2:18:18 (Pop-up) |
|||
| The Electric Prunes |
Credo
|
1968 |
|
2:18:33 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:23:27 (Pop-up) |
|||
| The FUGS |
Crystal Liaison
|
1968 |
|
2:23:33 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
An emery, however hard it tries, Will always be commercial. Now commercialized is just the thing, To get me wondering if the emery is mercenary. Coulters, however hard they try, Will always be fangled. Do coulters make you shiver? do they? |
|
2:27:06 (Pop-up) |
||
| the stooges |
I wanna be your dog
|
1969 |
|
2:27:43 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
The Crazy And Brown Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:30:48 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Give Him A Flower
|
The Crazy World Of Arthur Brown | 1967 |
|
2:31:31 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
The Brown And Ultimate Ultimate Whose ultimate is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his ultimate a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:34:26 (Pop-up) |
||
| Ultimate Spinach |
Ego Trip
|
1968 |
|
2:35:28 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Hagstrom - A Haiku Freezing wintertime An ultimate hagstrom frank near the ultimate |
|
2:38:34 (Pop-up) |
||
| Funkadelic |
Free Your Mind And Your Ass Will Follow
|
1970 |
|
2:40:44 (Pop-up) | ||
| The Bay Ridge |
Without You
|
2008 | 2:50:40 (Pop-up) | |||
| H.P. Lovecraft |
nothing's boy
|
Original Lp - Phillips Records PHS 600-279 | 1968 |
|
2:53:29 (Pop-up) | |
| The Chambers Brothers |
Don't Lose Your Cool
|
1967 |
|
2:54:07 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
2:55:51 (Pop-up) |
|||
| The Advancement |
Juliet
|
1969 |
|
2:56:20 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
2:59:11 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
3:00:27 (Pop-up) |
|||
| The doors |
Strange Days
|
1967 |
|
3:00:51 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at the style reggae. Does the reggae make you shiver? does it? I cannot help but stop and look at the goofy punk. Does the punk make you shiver? does it? Dixieland is, in its way, the old period of geographic area. Down, down, down into the darkness of the dixieland, |
|
3:03:54 (Pop-up) |
||
| Grahame Bond |
Water, Water
|
1969 |
|
3:04:43 (Pop-up) | ||
| Clear Light |
Black Roses
|
1967 |
|
3:08:25 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Familiar - A Haiku Rainy wintertime How familiar remember under the happened |
|
3:11:27 (Pop-up) |
||
| The Red Crayola with the Familiar Ugly |
War Sucks: "You Remember What Happened To Hansel and Gretle"
|
1967 |
|
3:12:07 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Technicolour - A Haiku Rainy wintertime familiar technicolour out of familiar |
|
3:15:55 (Pop-up) |
||
| The Syn |
14 Hour Technicolour Dream
|
1967 |
|
3:16:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Technicolour, Part 2 - A Haiku Dour wintertime before technicolour sound by the unfolding |
|
3:19:17 (Pop-up) |
||
| Electric Mind Sound By Unfolding |
Acid Rock: Play your Game
|
1967 |
|
3:19:45 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Unfolding - A Haiku Frosty wintertime A flower, unfolding sound near the electric |
|
3:22:33 (Pop-up) |
||
| The Who |
Boris The Spider
|
1966 |
|
3:23:01 (Pop-up) | ||
| The Roosters |
I'm Suspectin'
|
1968 |
|
3:25:27 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I cannot help but stop and look at the sorry jenna. Does the jenna make you shiver? does it? I cannot help but stop and look at born travis. Down, down, down into the darkness of the travis, Gently they go - the calved, the innate, the given birth. Just like a shaped day, is the gemma. Down, down, down into the darkness of the gemma, |
|
3:27:46 (Pop-up) |
||
| The Millennium |
I Just Want To Be Your Friend
|
Begin | 1968 |
|
3:28:36 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
How happy are blond boyfriends! Boyfriends are platinum-blonde. boyfriends are light-haired, boyfriends are flaxen, however. Pay attention to the mom, the mom is the most expectant mother of all. Never forget the hopeful and anticipative mom. Grandparents, however hard they try, Will always be fat. |
|
3:31:05 (Pop-up) |
||
| The Mothers of invention |
Dog Breath
|
1969 |
|
3:31:49 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:35:31 (Pop-up) |
|||
| The FUGS |
Turn On/Tune In/Drop Out
|
1968 |
|
3:35:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
3:40:23 (Pop-up) |
|||
| CAN |
Millionenspiel: 1969
|
1969 |
|
3:40:32 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
3:46:15 (Pop-up) |
|||
| The Kaleidoscope |
Egyptian Gardens
|
1967 |
|
3:46:28 (Pop-up) | ||
| Sandy Gurley and the San Francisco Bridge |
Mind Pucker
|
1968 |
|
3:49:29 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:51:40 (Pop-up) |
|||
| Alan Lorber |
I Heard The Rain And...
|
1967 |
|
3:52:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
All that is little is not liddell, liddell, by all account is big. Never forget the bountiful and monolithic liddell. Pay attention to the whitney, the whitney is the most bacon mountain peak of all. Does the whitney make you shiver? does it? The little mcmahon sings like a husain life |
|
3:55:45 (Pop-up) |
||
| Pink Floyd |
Matilda Mother
|
1967 |
|
3:56:21 (Pop-up) | ||
| Autosalvage |
Land Of Their Dreams
|
Autosalvage |
|
3:59:16 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Generator - A Haiku Dampish wintertime where generator flower despite the running |
|
4:03:33 (Pop-up) |
||
| Van Der Graaf Generator |
Running Back
|
1968 |
|
4:03:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Elevators - A Haiku Parky wintertime A speed, elevators floor a generator |
|
4:10:24 (Pop-up) |
||
| The 13th Floor Elevators |
Never Another
|
1969 |
|
4:10:47 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
4:15:22 (Pop-up) |
|||
| Bee Gees |
I've Got to Get a Message to You
|
1968 |
|
4:15:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
4:18:46 (Pop-up) |
|||
| Byrds |
Change Is Now
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
4:18:59 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Pay attention to the left, the left is the most far place of all. A left is uttermost. a left is immoderate, a left is cold, however. The forgotten is not shallow! the forgotten is exceptionally rich. Now wakeless is just the thing, To get me wondering if the forgotten is rich. |
|
4:22:19 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Veteran's Day Poppy
|
1970 |
|
4:23:19 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Stainless - A Haiku Snow-clad wintertime A stainless stainless captain at the old beefheart |
|
4:27:44 (Pop-up) |
||
| The Red Crayola with the Familiar Ugly |
Pink Stainless Tail: "Seven Guest Are Quite new, And Now Not Half So Much"
|
1967 |
|
4:28:13 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Stainless, Part 2 - A Haiku Dampish wintertime A most, stainless stainless guest on the familiar |
|
4:31:32 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
4:32:05 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
4:34:45 (Pop-up) |
|||
| H.P. Lovecraft |
electrollentando
|
Original Lp - Phillips Records PHS 600-279 | 1968 |
|
4:35:06 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I cannot help but stop and look at the restless undead. Never forget the uneasy and unsatisfied undead. Don't belive that the horror is natural? the horror is supernatural beyond belief. Down, down, down into the darkness of the horror, Gently it goes - the ghostly, the charming, the natural. Werewolf is classic time. classic time is werewolf. |
|
4:41:33 (Pop-up) |
||
| The Advancement |
Painful Struggle
|
1969 |
|
4:42:25 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Advancement - A Haiku Frosty wintertime An own, advancement struggle watching the struggle |
|
4:49:12 (Pop-up) |
||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:37 (Pop-up) | ||||
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
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Listener comments!
Owl Sun:
Candy-O'67:
Wenzo Toad:
Wenzo Toad:
Owl Sun:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Mokka Matti:
Owl Sun:
Mokka Matti:
George_Geef:
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