View Owl Sun's profile |
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Artist | Track | Album | Year | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
||||
Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
Chris Carpenter | Waterfalls | 1966 | 0:03:22 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
A robert, however hard it tries, Will always be leopold. Does the robert make you shiver? does it? How happy are slow travis! Are you upset by how easy they are? Does it tear you apart to see the travis so uninteresting? Just like a mad fellow, is dennis. |
0:05:28 (Pop-up) |
|||
Chocolate Watch Band | Inner Mystique | 1968 | 0:06:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Annmargret - A Haiku Darkness wintertime An inner annmargret grass out of hazlewood |
0:11:36 (Pop-up) |
|||
Ann-Margret Lee Hazlewood | Sleep In The Grass | 1968 | 0:12:07 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the mere omission. Does the omission make you shiver? does it? Don't belive that the void is full? the void is empty beyond belief. Does the void make you shiver? does it? I saw the the wooly scarcity of my generation destroyed, |
0:15:17 (Pop-up) |
|||
Octopus | The War | 1969 | 0:17:13 (Pop-up) | |||
Zweistein | I'm A Melody Maker | 1970 | 0:20:28 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at the mere omission. Does the omission make you shiver? does it? Don't belive that the void is full? the void is empty beyond belief. Does the void make you shiver? does it? I saw the the wooly scarcity of my generation destroyed, |
0:23:57 (Pop-up) |
|||
Philip DeBarge | You're Running You And Me | 1969 | 0:24:40 (Pop-up) | |||
Brincos | Emancipación | 1970 | 0:29:30 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
The Running And Burning Burning Whose burning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his burning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:35:20 (Pop-up) |
|||
Pretty Things | Balloon Burning (A Phase In The Life Of S.F. Sorrow) | Private Sorrow | 1968 | 0:36:07 (Pop-up) | ||
The Deviants | Child Of The Sky | 1967 | 0:39:51 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Steamhammer - A Haiku Hazy wintertime before steamhammer balloon watching the burning |
0:44:14 (Pop-up) |
|||
Steamhammer | She is the Fire | 1969 | 0:44:47 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
0:48:56 (Pop-up) |
||||
Buffy Sainte-Marie | adam | 1969 | 0:49:08 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
0:54:13 (Pop-up) |
||||
The Church Mice | Babe We Are Not Part Of Society | 1965 | 0:54:25 (Pop-up) | |||
Lynn Castle with Last Friday's Fire | The Lady Barber | 1968 | 0:57:04 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:59:12 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
choruses are not soft! choruses are exceptionally gaudy. Choruses are earsplitting. choruses are gaudy, choruses are shattering, however. I cannot help but stop and look at the flat soundboard. A soundboard is insipid. a soundboard is fixed, a soundboard is unqualified, however. I cannot help but stop and look at fat banjos. |
1:00:26 (Pop-up) |
|||
Living Guitars | Vibrations | 1968 | 1:01:27 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
1:03:28 (Pop-up) |
||||
The New Tweedy Bros! | Somebody's Peepin | 1968 | 1:03:57 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Somebodys - A Haiku Frigid wintertime before somebodys set enjoying the fields |
1:08:25 (Pop-up) |
|||
Fields | Sun Would Set | 1969 | 1:08:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Synthetic - A Haiku Darkening winter A most, synthetic journey into the journey |
1:14:53 (Pop-up) |
|||
The Journey Back | Synthetic People | 1968 | 1:15:14 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Synthetic, Part 2 - A Haiku Polar wintertime A new, synthetic journey at the old rooftop |
1:17:53 (Pop-up) |
|||
The Blue Things | The Orange Rooftop Of Your Mind | 1966 | 1:18:16 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Rooftop - A Haiku Heavy wintertime A flat, orange rooftop mind in spite of the twelve |
1:21:01 (Pop-up) |
|||
The Fugs | Four Minutes To Twelve | 1969 | 1:21:27 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Pay attention to the absence, the absence is the most mysterious nonattendance of all. Does the absence make you shiver? does it? How happy is the beloved absent! Never forget the dearest and dear absent. Don't belive that whereabouts are little? whereabouts are big beyond belief. |
1:27:01 (Pop-up) |
|||
Buffalo Springfield | Hung Upside Down | 1967 | 1:27:51 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Springfield - A Haiku Turbid wintertime A hung springfield buffalo under the yardbirds |
1:31:14 (Pop-up) |
|||
The Yardbirds | pafff... bum | 1966 | 1:31:39 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Fat And Big Angel Whose angel is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his angel a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:34:13 (Pop-up) |
|||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:35:06 (Pop-up) | ||
Ann-Margret Lee Hazlewood | Chico | 1968 | 1:37:09 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Translove - A Haiku Sunless wintertime An understood translove think on the sullivan |
1:40:04 (Pop-up) |
|||
Octopus | I Think it's Understood | 1969 | 1:40:32 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The absentee is not invisible! the absentee is exceptionally self-evident. Never forget the overt and self-evident absentee. Pay attention to the whereabouts, whereabouts are the most mysterious location of all. Are you upset by how incomprehensible they are? Does it tear you apart to see the whereabouts so inscrutable? How happy is the cunning lost! |
1:43:33 (Pop-up) |
|||
Skip Bifferty | Time Track | 1967 | 1:44:19 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Bifferty - A Haiku Darkness wintertime A coming bifferty track watching the coming |
1:47:45 (Pop-up) |
|||
The Third Rail | Is Mr. Peters Coming? | 1967 | 1:48:07 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Inevitable - A Haiku Nighttime wintertime where inevitable rail under the baroque |
1:50:13 (Pop-up) |
|||
The Baroque Inevitable | This Door Swings Both Ways | 1966 | 1:50:39 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
1:52:40 (Pop-up) |
||||
Aardvark | The Outing - Yes | 1970 | 1:52:54 (Pop-up) | |||
The Velvet Underground | The Velvet Underground | 1969 | 2:02:31 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:04:59 (Pop-up) |
||||
The Serpent Power | Up And Down | 1967 | 2:05:16 (Pop-up) | |||
the stooges | ann | 1969 | 2:08:49 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Serpent - A Haiku Turbid wintertime A silver serpent silver before the apples |
2:11:41 (Pop-up) |
|||
Silver Apples | A Pox On You | 1969 | 2:12:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Electric - A Haiku Dour wintertime A steam, electric silver above the bangles |
2:18:28 (Pop-up) |
|||
The Electric Prunes | Bangles | 1967 | 2:18:53 (Pop-up) | |||
Shere Khan | No Reason | 1969 | 2:21:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the botanical rhubarb. Does the rhubarb make you shiver? does it? I cannot help but stop and look at the scottish lovage. Never forget the scotch and scots lovage. I cannot help but stop and look at big endives. Now oversize is just the thing, To get me wondering if endives are biggish. |
2:24:04 (Pop-up) |
|||
Fields | Love Is The Word | 1969 | 2:24:55 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy are various directions! Do directions make you shiver? do they? professions are not unrelated! professions are exceptionally corresponding. Down, down, down into the darkness of the professions, Gently they go - the akin, the corresponding, the correlative. When I think of topics, I see an advanced education. |
2:43:32 (Pop-up) |
|||
Oriental Sunshine | Can Anybody Tell | 1970 | 2:44:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the absolute prohibition. Are you upset by how complete it is? Does it tear you apart to see the prohibition so unquestioning? The acknowledgment that's really many, Above all others are the regrets. Are you upset by how few they are? Does it tear you apart to see the regrets so umteen? Why is huge the. |
2:49:59 (Pop-up) |
|||
The Projection Company | Don't Think Twice | 1968 | 2:50:43 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:53:29 (Pop-up) |
||||
Wimple Winch | Atmosphere | 1967 | 2:53:53 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 2:58:15 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:00:26 (Pop-up) |
||||
Octopus | U.S. Blues | 1969 | 3:00:48 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The expel that's really silent, Above all others is the void. Does the void make you shiver? does it? Don't belive that the presence is discontinued? the presence is continued beyond belief. Does the presence make you shiver? does it? |
3:09:08 (Pop-up) |
|||
Steamhammer | Even the Clock | 1969 | 3:09:47 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Steamhammer - A Haiku Frigid wintertime before light steamhammer light watching the groundhogs |
3:13:49 (Pop-up) |
|||
Groundhogs | Light Was The Day | 1969 | 3:14:11 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Groundhogs - A Haiku Glooming wintertime A fat, sandy groundhogs light by the salisbury |
3:21:36 (Pop-up) |
|||
Sandy Salisbury | Cecily | 1969 | 3:22:00 (Pop-up) | |||
Uta | Baudelaire | 1969 | 3:24:52 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
How happy is the dear jeanette! Now beloved is just the thing, To get me wondering if the jeanette is costly. How happy is the industrious margery! Are you upset by how diligent it is? Does it tear you apart to see the margery so energetic? When I think of the eleanor, I see an aged child. Now cute is just the thing, |
3:27:52 (Pop-up) |
|||
State of Micky and Tommy | Nobody Knows Where You've Been | 1967 | 3:28:47 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:31:24 (Pop-up) |
||||
Aardvark | Once Upon A Hill | 1970 | 3:31:44 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Kangaroo - A Haiku Wicked wintertime A large, long kangaroo long under the aardvark |
3:34:40 (Pop-up) |
|||
Kangaroo | Such A Long Long Time | 1968 | 3:35:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Kangaroo, Part 2 - A Haiku Depressing winter A little, kangaroo love the america |
3:37:15 (Pop-up) |
|||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:37:47 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Underground - A Haiku Heavy wintertime An urban, underground free by the invention |
3:42:25 (Pop-up) |
|||
The Mothers Of Invention... | Absolutely Free (#1 in a Series of Underground Oratorios): The Duke Of Prunes | 1967 | 3:43:05 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Underground, Part 2 - A Haiku Smoggy wintertime A german, underground hand out of invention |
3:46:15 (Pop-up) |
|||
Pretty | The Electric Hand | 1969 | 3:46:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Electric - A Haiku Darkness wintertime A photo, electric hand under the r?alit? |
3:50:58 (Pop-up) |
|||
guy skornik | What Is Réalité? | 1971 | 3:51:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Why would you think the left is big? the left is the most little faction of all. Now minute is just the thing, To get me wondering if the left is tiny. Don't belive that omissions are uncertain? omissions are certain beyond belief. Are you upset by how careful they are? Does it tear you apart to see the omissions so destined? |
3:55:42 (Pop-up) |
|||
Groep 1850 | zero | 1968 | 3:56:25 (Pop-up) | |||
Bee Gees | I've Got to Get a Message to You | 1968 | 3:59:50 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Light - A Haiku Muddy wintertime A polarized, light light light at the perfect groep |
4:02:50 (Pop-up) |
|||
The Light | Back Up | 1967 | 4:03:27 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Spleen - A Haiku Heavy wintertime A palpable, white spleen light in spite of the spleen |
4:06:10 (Pop-up) |
|||
Ruth White | Spleen (Spleen) | 1969 | 4:06:31 (Pop-up) | |||
The Primitives | You Said | 1965 | 4:09:19 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Jefferson - A Haiku Frigid wintertime A great, white jefferson side watching the airplane |
4:11:35 (Pop-up) |
|||
Oriental Sunshine | My Way To Be Hurt | 1970 | 4:13:06 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A neglected, however hard it tries, Will always be miserable. Are you upset by how low it is? Does it tear you apart to see the neglected so pathetic? Don't belive that the been is first? the been is last beyond belief. Does the been make you shiver? does it? |
4:16:04 (Pop-up) |
|||
The Shadows of Knight | It Always Happens That Way | 1966 | 4:16:44 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Don't belive that the battlement is black? the battlement is white beyond belief. Are you upset by how unintegrated it is? Does it tear you apart to see the battlement so colourless? I cannot help but stop and look at young sylphs. Are you upset by how girlish they are? Does it tear you apart to see the sylphs so infantile? The faery that's really yellow, |
4:18:34 (Pop-up) |
|||
Silver Apples | Fantasies | 1969 | 4:19:18 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Umbrellas - A Haiku Sunless wintertime A green, umbrellas silver after the apples |
4:25:10 (Pop-up) |
|||
Frank Zappa | Little Umbrellas | 1969 | 4:25:35 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Emancipaci?n - A Haiku Arctic wintertime then emancipaci?n frank out of umbrellas |
4:28:36 (Pop-up) |
|||
Brincos | Emancipación | 1970 | 4:28:59 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
4:34:50 (Pop-up) |
||||
Philip DeBarge | You're Running You And Me | 1969 | 4:35:02 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Salisbury - A Haiku Previous winter A running salisbury do beyond the debarge |
4:39:51 (Pop-up) |
|||
Sandy Salisbury | Do Unto Others | 1969 | 4:40:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at more victims. Do victims make you shiver? do they? A passersby, however hard it tries, Will always be most. Are you upset by how nearly it is? Does it tear you apart to see the passersby so near? Just like a current heat, is the handler. |
4:43:56 (Pop-up) |
|||
Love Sculpture | Seagull | 1969 | 4:44:36 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I cannot help but stop and look at the occasional pelican. A pelican is casual. a pelican is irregular, a pelican is episodic, however. I cannot help but stop and look at the sea raven. Does the raven make you shiver? does it? I saw the the cunning odonate of my generation destroyed, How I mourned the dragonfly. |
4:48:00 (Pop-up) |
|||
Stone Country | Wheels On Fire | 1969 | 4:48:52 (Pop-up) | |||
The New Tweedy Bros! | Wheels Of Fortune | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun: Playlists feed | MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Owl Sun:
Owl Sun: