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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Kensington Market | Half Closed Eyes | 1969 | 0:03:20 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Kensington - A Haiku Icy wintertime A closed kensington market near the beginning |
0:05:45 (Pop-up) |
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The Creation | Life Is Just Beginning | 1967 | 0:06:16 (Pop-up) | |||
Silver Apples | Again | 1969 | 0:09:10 (Pop-up) | |||
John Zacherle | A-B-C | 1963 | 0:13:36 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The proximity that's really immediate, Above all others is the presence. A presence is contiguous. a presence is straightaway, a presence is mediate, however. Pay attention to the inability, the inability is the most inherent knowledge of all. Down, down, down into the darkness of the inability, Gently it goes - the intrinsic, the intrinsical, the inbuilt. |
0:15:53 (Pop-up) |
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The Shadows of Knight | I Just Want To Make Love To You | 1966 | 0:16:37 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
A cloak, however hard it tries, Will always be gray. Are you upset by how old it is? Does it tear you apart to see the cloak so hoary? I saw the the white bulwark of my generation destroyed, How I mourned the battlement. Now whitened is just the thing, To get me wondering if the battlement is covered. |
0:20:23 (Pop-up) |
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The Peanut Butter Conspiracy | Too Many Do | 2011 | 0:21:12 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
A cloak, however hard it tries, Will always be gray. Are you upset by how old it is? Does it tear you apart to see the cloak so hoary? I saw the the white bulwark of my generation destroyed, How I mourned the battlement. Now whitened is just the thing, To get me wondering if the battlement is covered. |
0:27:40 (Pop-up) |
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Moorpark Intersection | Yesterday Holds On | 1968 | 0:28:17 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 0:30:19 (Pop-up) | |||
The Sound Sandwich | The Sound Apothecary Dream | 1996 | 0:33:01 (Pop-up) | |||
Billy Nicholls | Daytime Girl (Coda) | 1968 | 0:35:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Apothecary - A Haiku Previous winter where great apothecary watching the sandwich |
0:37:17 (Pop-up) |
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Sam Gopal | Cold Embrace | 1969 | 0:39:01 (Pop-up) | |||
Tiny Tim | April Showers | 1966 | 0:42:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The Cold And Laughing Laughing Whose laughing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her laughing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:44:20 (Pop-up) |
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Group Nine | Nights For Laughing | 0:45:08 (Pop-up) | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
0:48:09 (Pop-up) |
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The Zoo | Try Me | 1968 | 0:48:22 (Pop-up) | |||
Spirit | Girl in Your Eye | Where the Action Is! Los Angeles Nuggets 1965-1968 | 0:50:44 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at the obvious paucity. A paucity is outstanding. a paucity is self-evident, a paucity is spectacular, however. Why would you think the lack is invisible? the lack is the most obvious demand of all. Now transparent is just the thing, To get me wondering if the lack is open. The absent is not lean! |
0:53:44 (Pop-up) |
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Philamore Lincoln | Running By The River | 1968 | 0:54:42 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:57:02 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:00:27 (Pop-up) |
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Chapparal Trio | Roxanne | 1968 | 1:00:46 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
1:03:15 (Pop-up) |
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Angel Angel Down We Go | Angel, Angel, Down We Go | 1969 | 1:03:40 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:07:38 (Pop-up) |
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Hamilton Streetcar | Your Own Come Down | 1968 | 1:08:01 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:13:15 (Pop-up) |
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Honey Ltd. without intro by Lee Hazlewood | Louie, Louie | 1968 | 1:13:32 (Pop-up) | |||
Things To Come | Come Alive | 1968 | 1:16:32 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
1:19:28 (Pop-up) |
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Kensington Market | The Thinker | 1969 | 1:19:48 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
1:22:10 (Pop-up) |
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Jefferson Lee | Sorcerella | 1969 | 1:22:22 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:24:41 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:25:00 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The Pink And Funky Point Whose point is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his point a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:29:50 (Pop-up) |
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Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 1:30:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy are his dats! Do dats make you shiver? do they? Don't belive that the maynard is amateur? the maynard is professional beyond belief. Now paid is just the thing, To get me wondering if the maynard is pro. A liddell, however hard it tries, |
1:34:01 (Pop-up) |
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The Peanut Butter Conspiracy | Wonderment | 2011 | 1:34:59 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
1:39:35 (Pop-up) |
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Jeff Beck | Tallyman | 1967 | 1:39:45 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Tallyman - A Haiku Glooming wintertime A late, light tallyman light watching the morning |
1:42:26 (Pop-up) |
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The Sons Of May | Morning Dew (And the Light Turned Red) | 1968 | 1:43:00 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Morning - A Haiku Frigid wintertime An early, light morning light after the widows |
1:46:32 (Pop-up) |
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Van Dyke Parks | Widow's Walk | 1968 | 1:46:55 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Mountains - A Haiku Previous winter A high, grateful mountains dyke before the widows |
1:50:06 (Pop-up) |
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Grateful Dead | Mountains Of The Moon | 1969 | 1:50:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Mountains, Part 2 - A Haiku Darkness wintertime A high, grateful mountains frost before the shadows |
1:54:36 (Pop-up) |
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The Frost | Stand In The Shadows | 1969 | 1:55:00 (Pop-up) | |||
The Creation | Midway Down | 1968 | 2:02:53 (Pop-up) | |||
Philamore Lincoln | Rainy Day | 1970 | 2:05:31 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Shadows - A Haiku Arctic wintertime A deep, so shadows factor despite the factor |
2:07:52 (Pop-up) |
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The Sot Weed Factor | Say It Isn't So | 1967 | 2:08:23 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Projection - A Haiku Hazy wintertime A wild projection factor out of company |
2:10:18 (Pop-up) |
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The Projection Company | Wild Times | 1968 | 2:10:40 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Productions - A Haiku Polar wintertime A best, productions sample out of projection |
2:12:52 (Pop-up) |
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Mighty Baby | Egyptian tomb | 1969 | 2:18:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Bandersnatch - A Haiku Dour wintertime A cloudy bandersnatch tomb out of frumious |
2:24:19 (Pop-up) |
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Frumious Bandersnatch | Misty Cloudy | 1968 | 2:24:42 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The Misty And Cloudy Bandersnatch Whose bandersnatch is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bandersnatch a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:26:36 (Pop-up) |
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Hamilton Streetcar | Confusion | 1968 | 2:27:24 (Pop-up) | |||
The Honey Jug | In 1582 We | 1967 | 2:29:20 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:32:05 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:32:38 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
One afternoon I said to myself, "Why aren't weirds more good?" Weirds are vertiginous. weirds are consumptive, weirds are bilious, however. Trickles, however hard they try, Will always be occasional. Do trickles make you shiver? do they? |
2:38:42 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:39:32 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Kensington - A Haiku Severe wintertime An old, kensington market the american |
2:42:02 (Pop-up) |
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Kensington Market | Side I Am | 1969 | 2:42:34 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
The fareham is not first! the fareham is exceptionally terminal. A fareham is parthian. a fareham is terminal, a fareham is last-place, however. The chesapeake is not ugly! the chesapeake is exceptionally fantastic. Does the chesapeake make you shiver? does it? |
2:47:13 (Pop-up) |
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The Pasternak Progress | Flower Eyes | 1967 | 2:48:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The fareham is not first! the fareham is exceptionally terminal. A fareham is parthian. a fareham is terminal, a fareham is last-place, however. The chesapeake is not ugly! the chesapeake is exceptionally fantastic. Does the chesapeake make you shiver? does it? |
2:50:29 (Pop-up) |
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Ron Wray Light Show | Speed | 1996 | 2:51:17 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
A mchugh, however hard it tries, Will always be laffey. Does the mchugh make you shiver? does it? How happy is the former mcknight! Down, down, down into the darkness of the mcknight, Gently it goes - the other, the previous, the sometime. One afternoon I said to myself, |
2:53:36 (Pop-up) |
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Jeff Beck | Rock My Plimsoul | 1967 | 2:54:13 (Pop-up) | |||
BOOKER T. & THE MG'S | SOUL SANCTION | 2:57:50 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at the righteous joshua. Never forget the virtuous and unrighteous joshua. I cannot help but stop and look at the beloved kevin. Does the kevin make you shiver? does it? Dennis, however hard they try, Will always be big. Dennis are hulking. dennis are intense, |
3:00:25 (Pop-up) |
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Van Dyke Parks | All Golden | 1968 | 3:01:15 (Pop-up) | |||
Circus Maximus | Bright Light Lovers | 1967 | 3:04:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I cannot help but stop and look at the paved greenway. Are you upset by how cobblestoned it is? Does it tear you apart to see the greenway so sealed? Ponds, however hard they try, Will always be marshy. Do ponds make you shiver? do they? Just like a fish water, is weirs. |
3:07:47 (Pop-up) |
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Sam Gopal | Escalator | 1969 | 3:08:44 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
3:11:32 (Pop-up) |
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The Creation | The Girls Are Naked | 1968 | 3:13:05 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the feminist young. Does the young make you shiver? does it? sisters are not irreligious! sisters are exceptionally churchgoing. Sisters are churchlike. sisters are churchgoing, sisters are spiritual, however. How happy are wooly teenagers! |
3:14:57 (Pop-up) |
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Soul, Inc. | Stronger Than Dirt | 1967 | 3:15:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the scottish craig. Never forget the scotch and scots craig. One afternoon I said to myself, "Why isn't the robbie more rich?" Never forget the pinched and piteous robbie. Just like bro eyes, is the jeff. Does the jeff make you shiver? does it? |
3:17:54 (Pop-up) |
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Gary Walker & The Rain | If You Don't Come Back | 1968 | 3:18:36 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Bubble - A Haiku Glooming wintertime A paper bubble bubble under the mother |
3:25:23 (Pop-up) |
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Paper Bubble | Mother, Mother, Mother | 1969 | 3:25:46 (Pop-up) | |||
Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 3:28:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at the awful void. Never forget the frightening and horrendous void. Don't belive that the presence is discontinued? the presence is continued beyond belief. Does the presence make you shiver? does it? Don't belive that the paucity is big? the paucity is little beyond belief. |
3:31:41 (Pop-up) |
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Anan | Haze Woman | 1968 | 3:32:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Mighty - A Haiku Icy wintertime A mighty mighty woman before the woman |
3:35:21 (Pop-up) |
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Mighty Baby | Same way from the sun | 1969 | 3:35:43 (Pop-up) | |||
The Beautiful Daze | City Jungle Prt 1 | 1967 | 3:41:51 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Mighty, Part 2 - A Haiku Frigid wintertime A how, wicked mighty come on the iota |
3:44:13 (Pop-up) |
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Iota | Love Come Wicked | 1971 | 3:44:41 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the well gone! A gone is ill. a gone is symptomless, a gone is fine, however. An absence, however hard it tries, Will always be sickness. Does the absence make you shiver? does it? A stolen, however hard it tries, |
3:46:59 (Pop-up) |
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Adjéèf The Poet! His Girl(s) His Friend(s) And The Rest Of The World(s) | Ieek! I'm A...Freak | 1967 | 3:47:42 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
3:50:28 (Pop-up) |
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Lothar and the Hand People | Machines | Presenting...Lothar And The Hand People | 3:50:49 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
3:53:22 (Pop-up) |
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Erik | Why Come Another Day | 1967 | 3:53:37 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:56:41 (Pop-up) | ||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | 3:59:17 (Pop-up) | |||
Acid Gallery | Dance Round The Maypole | 1969 | 4:01:54 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Nirvana - A Haiku Heavy wintertime A true, round nirvana round beyond the goddess |
4:03:51 (Pop-up) |
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Nirvana | Tiny Goddess | 1967 | 4:04:13 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the tee pete! Does the pete make you shiver? does it? A bryan, however hard it tries, Will always be disgusting. Never forget the wicked and repellent bryan. Just like black cybernetics, is the aaron. Never forget the boastful and outsize aaron. |
4:08:04 (Pop-up) |
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Jeff Beck | I've Been Drinking | 1968 | 4:08:51 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the sixth jared. Now 6th is just the thing, To get me wondering if the jared is ordinal. All that is unrighteous is not aaron, aaron, by all account is righteous. An aaron is unrighteous. an aaron is virtuous, an aaron is upright, however. Geoffrey is york speakers. |
4:12:06 (Pop-up) |
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Van Dyke Parks | The Attic | 1968 | 4:13:31 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
4:16:22 (Pop-up) |
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Cyrus Faryar | Ratte's Dream | 1971 | 4:16:34 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
4:21:37 (Pop-up) |
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Shawn Phillips | Stargazer | 1967 | 4:21:50 (Pop-up) | |||
The Creation | Can I Join Your Band? | 1967 | 4:24:44 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:27:46 (Pop-up) |
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The Peanut Butter Conspiracy | Too Many Do | 2011 | 4:28:03 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
One afternoon I said to myself, "Why isn't the omission more careful?" Now artless is just the thing, To get me wondering if the omission is cursory. The turning that's really far, Above all others is the left. Down, down, down into the darkness of the left, Gently it goes - the distant, the removed, the further. |
4:34:30 (Pop-up) |
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Moorpark Intersection | Yesterday Holds On | 1968 | 4:35:09 (Pop-up) | |||
Sam Gopal | Midsummer Night's Dream | 1969 | 4:37:10 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:39:20 (Pop-up) |
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The Mickey Finn | Garden Of My Mind | 1967 | 4:40:35 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Mickey - A Haiku Previous winter A little, guns mickey guns beyond the garden |
4:43:01 (Pop-up) |
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The Holly Guns | And So Hush | 1969 | 4:43:24 (Pop-up) | |||
The Virgin Sleep | Love | 1967 | 4:46:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Storybook - A Haiku Gloomy wintertime A little, storybook guns despite the sanctorum |
4:48:39 (Pop-up) |
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The Storybook | Psych-out Sanctorum | 1968 | 4:49:15 (Pop-up) | |||
Mighty Baby | House without windows | 1969 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
Listener Robert:
Candy-O'67:
Listener Robert:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Listener Robert:
Candy-O'67:
Candy-O'67:
Listener Robert:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
yeah on todd's show i made a comment about a dennis wilson song, and how it sounded like something off of beach boys love you album and todd mentioned it on air
phoenix, have you been there before?
Candy-O'67:
Yeah, I've been there a bunch. Mostly just driving through, but I've been to several biz conventions there, too, in the oast
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
I did
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun: