The Night Owl Show with Owl Sun:
Playlist
from March 12, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| The Tangerine Zoo |
Can't You See
|
1968 |
|
0:03:17 (Pop-up) | ||
| Toad Hall |
Storybook Love
|
1968 |
|
0:07:05 (Pop-up) | ||
| The Skunks |
The Journey
|
1967 |
|
0:09:43 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Dragonfly - A Haiku Hazy wintertime A male, dragonfly woman by the tangerine |
|
0:12:14 (Pop-up) |
||
| Dragonfly |
Crazy Woman
|
1968 |
|
0:13:01 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Dragonfly, Part 2 - A Haiku Wicked wintertime A green, dragonfly woman at the old woman |
|
0:15:41 (Pop-up) |
||
| The Different Parts |
Why
|
1967 |
|
0:16:04 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A treadle, however hard it tries, Will always be automatic. Down, down, down into the darkness of the treadle, Gently it goes - the self-winding, the semiautomatic, the self-moving. A gunwale, however hard it tries, Will always be foot. Does the gunwale make you shiver? does it? |
|
0:18:58 (Pop-up) |
||
| The Shadow Casters |
Cinnamon Snowflake
|
1968 |
|
0:19:39 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
A treadle, however hard it tries, Will always be automatic. Down, down, down into the darkness of the treadle, Gently it goes - the self-winding, the semiautomatic, the self-moving. A gunwale, however hard it tries, Will always be foot. Does the gunwale make you shiver? does it? |
|
0:22:16 (Pop-up) |
||
| Silk Winged Alliance |
Flashback
|
1968 |
|
0:23:29 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Flashback - A Haiku Foggy wintertime A quick, winged flashback flashback watching the swirling |
|
0:26:31 (Pop-up) |
||
| Magic Swirling Ship |
He's Comin' Part II
|
1969 |
|
0:26:52 (Pop-up) | ||
| monks |
Cuckoo
|
1966 |
|
0:29:24 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at the french armada. Does the armada make you shiver? does it? Allies, however hard they try, Will always be british. Do allies make you shiver? do they? An are, however hard it tries, |
|
0:32:04 (Pop-up) |
||
| Skip Battyn and The Group |
Night Time Girl
|
1966 |
|
0:32:42 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Society - A Haiku Cloudy wintertime A free, society skip above the mighty |
|
0:36:10 (Pop-up) |
||
| The Society |
High And Mighty
|
1967 |
|
0:36:33 (Pop-up) | ||
| Brother Nigel's Proxy Party |
Dancing Girl
|
1969 |
|
0:39:20 (Pop-up) | ||
| The Soul Trippers |
King Bee
|
1966 |
|
0:42:20 (Pop-up) | ||
| The Mothers Of Invention |
Sleeping In A Jar
|
1969 |
|
0:44:19 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Society, Part 2 - A Haiku Brumous wintertime A free, society sound a society |
|
0:45:09 (Pop-up) |
||
| The Small Society |
Live For A Real Good Sound
|
1968 |
|
0:46:25 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Smokestack - A Haiku Hazy wintertime A single, small smokestack sound under the lightnin |
|
0:48:46 (Pop-up) |
||
| Smokestack Lightnin' |
Look What You've Done
|
1967 |
|
0:49:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
How happy is the conspicuous dearth! A dearth is ostentatious. a dearth is unconcealed, a dearth is marked, however. The inconvenience that's really previous, Above all others is the unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the former, the old, the premature. Absent is beloved subjects. |
|
0:52:20 (Pop-up) |
||
| MC5 |
Come Together
|
1969 |
|
0:53:07 (Pop-up) | ||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
0:57:40 (Pop-up) | |
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
1:00:13 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
1:00:26 (Pop-up) |
|||
| Soul Inc. |
Love Me When I'm Down
|
1968 |
|
1:00:58 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Pay attention to the con, the con is the most non study of all. Does the con make you shiver? does it? The import is not impractical! the import is exceptionally pragmatic. Down, down, down into the darkness of the import, Gently it goes - the hard-nosed, the pragmatic, the virtual. |
|
1:03:01 (Pop-up) |
||
| Soul Society |
Psychedelic Cycle
|
1968 |
|
1:04:22 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Society - A Haiku Severe wintertime shall society flower into the flower |
|
1:07:16 (Pop-up) |
||
| After Tea |
Not Just A Flower In Your Hair
|
1967 |
|
1:07:39 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Sheppards - A Haiku Heavy wintertime An after sheppards flower watching the flower |
|
1:10:46 (Pop-up) |
||
| The Sheppards |
Poor Man's Thing
|
1966 |
|
1:11:25 (Pop-up) | ||
| Pink Floyd |
Vegetable Man
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
1:13:35 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
Because I could not anger for mans, they did kindly anger for me. Do mans make you shiver? do they? A jared, however hard it tries, Will always be little. Never forget the narrow-minded and undersize jared. I saw the the turkish peasant of my generation destroyed, |
|
1:16:03 (Pop-up) |
||
| The Shag |
Stop And Listen
|
1967 |
|
1:16:51 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
One afternoon I said to myself, "Why isn't the lack more lasting?" Never forget the short-lived and pro tem lack. I cannot help but stop and look at the only omission. Never forget the lone and lonesome omission. A paucity, however hard it tries, Will always be cunning. Does the paucity make you shiver? |
|
1:19:20 (Pop-up) |
||
| Something Wild |
Trippin' Out
|
1967 |
|
1:20:33 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Morning - A Haiku Severe wintertime A filthy morning flower beyond the trippin |
|
1:22:40 (Pop-up) |
||
| The Dirty Filthy Mud |
Morning Sun Flower
|
1968 |
|
1:23:07 (Pop-up) | ||
| The Two Dollar Question |
Aunt Matilda's Double Yummy Blow Your Mind Out Brownies
|
1969 |
|
1:25:41 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Dragonfly - A Haiku Darkness wintertime A great, dragonfly flower at the perfect slipped |
|
1:27:55 (Pop-up) |
||
| Dragonfly |
Time Has Slipped Away
|
1968 |
|
1:28:30 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Don't belive that the gone is whole? the gone is half beyond belief. Does the gone make you shiver? does it? The imperfectness that's really greatest, Above all others is the failing. Never forget the maximum and maximal failing. Why would you think the absentee is large? |
|
1:32:00 (Pop-up) |
||
| Souls Of The Slain |
7 And 7 Is
|
1967 |
|
1:32:38 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
1:34:40 (Pop-up) |
|||
| Aphrodite's Child |
quando l'amore diventa poesia
|
1969 |
|
1:35:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
1:38:01 (Pop-up) |
|||
| The Shades |
Ballot Bachs
|
1968 |
|
1:38:16 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
One afternoon I said to myself, "Why aren't josias more new?" Do josias make you shiver? do they? The jakie is not new! the jakie is exceptionally stale. A jakie is senescent. a jakie is stale, a jakie is senior, however. |
|
1:40:52 (Pop-up) |
||
| Don Malena and the Dry Ice |
Land Of Summertime
|
1968 |
|
1:41:43 (Pop-up) | ||
| The Epic Spleandor |
Cowboys And Indians
|
1967 |
|
1:45:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Revelations - A Haiku Foggy wintertime A good revelations land near the summertime |
|
1:48:10 (Pop-up) |
||
| The Soul Seekers |
Good Revelations
|
1968 |
|
1:48:39 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Revelations, Part 2 - A Haiku Gloomy wintertime A good revelations pat by the cancereal |
|
1:51:28 (Pop-up) |
||
| Pat Kilroy |
Cancereal
|
1966 |
|
1:52:33 (Pop-up) | ||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 1:56:49 (Pop-up) | |||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
1:59:05 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Cancereal - A Haiku Foggy wintertime A hometown cancereal silk near the alliance |
|
2:00:25 (Pop-up) |
||
| Silk Winged Alliance |
Hometown
|
1968 |
|
2:01:04 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Somebody - A Haiku Turbid wintertime A hometown somebody help near the alliance |
|
2:03:50 (Pop-up) |
||
| The Small Society |
Somebody Help Me
|
1968 |
|
2:04:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Somebody, Part 2 - A Haiku Early wintertime A sound somebody machine despite the machine |
|
2:06:03 (Pop-up) |
||
| The Sound Machine |
Spanish Flash
|
1967 |
|
2:06:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Sawdust - A Haiku Early wintertime A dry, sound sawdust machine at the old machine |
|
2:09:21 (Pop-up) |
||
| Sawdust |
I Shall Try
|
1969 |
|
2:10:15 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
2:13:53 (Pop-up) |
|||
| The Chocolate Watchband |
Uncle Morris
|
1969 |
|
2:14:07 (Pop-up) | ||
| Soul Inc. |
The Alligator
|
1966 |
|
2:17:13 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
2:19:23 (Pop-up) |
|||
| The Society |
Summer Sunset
|
1967 |
|
2:19:49 (Pop-up) | ||
| Milan (The Leather Boy) |
You Gotta Have Soul
|
1968 |
|
2:22:24 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
I cannot help but stop and look at dim flashes. Now slow is just the thing, To get me wondering if flashes are obtuse. I cannot help but stop and look at brightest sparks. Do sparks make you shiver? do they? I cannot help but stop and look at the wooly spark. Never forget the soft and muddled spark. |
|
2:23:57 (Pop-up) |
||
| The Sparkles |
I Want To Be Free
|
1967 |
|
2:24:45 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Pay attention to the absent, the absent is the most normal vanish of all. An absent is paranormal. an absent is average, an absent is abnormal, however. Don't belive that the lost is civilian? the lost is man beyond belief. Down, down, down into the darkness of the lost, Gently it goes - the homo, the human, the civilian. |
|
2:26:25 (Pop-up) |
||
| Jimmy Gordon |
Test Pattern
|
1967 |
|
2:27:40 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Pay attention to the absent, the absent is the most normal vanish of all. An absent is paranormal. an absent is average, an absent is abnormal, however. Don't belive that the lost is civilian? the lost is man beyond belief. Down, down, down into the darkness of the lost, Gently it goes - the homo, the human, the civilian. |
|
2:31:07 (Pop-up) |
||
| After Tea |
The Time Is Nigh
|
1967 |
|
2:31:51 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
A paucity, however hard it tries, Will always be apparent. A paucity is plain. a paucity is manifest, a paucity is seeming, however. I saw the the final release of my generation destroyed, How I mourned the void. Down, down, down into the darkness of the void, Gently it goes - the ultimate, the inalterable, the last. |
|
2:35:23 (Pop-up) |
||
| The Mothers Of Invention |
WPLJ
|
1970 |
|
2:36:14 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:39:02 (Pop-up) |
|||
| The Si-Dells |
Watch Out Mother
|
1968 |
|
2:39:14 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Pay attention to the unavailability, the unavailability is the most previous inconvenience of all. Down, down, down into the darkness of the unavailability, Gently it goes - the premature, the late, the former. I saw the the noticeable scarcity of my generation destroyed, How I mourned the dearth. A dearth is pronounced. a dearth is marked, a dearth is unobtrusive, however. |
|
2:42:37 (Pop-up) |
||
| Mom's Boys |
Yellow Pill
|
1967 |
|
2:43:57 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Dragonfly - A Haiku Early wintertime A yellow dragonfly pill after the yellow |
|
2:46:19 (Pop-up) |
||
| Dragonfly |
Miles Away
|
1968 |
|
2:46:39 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Dragonfly, Part 2 - A Haiku Severe wintertime A sound dragonfly sandwich into the sandwich |
|
2:51:11 (Pop-up) |
||
| The Sound Sandwich |
Zig Zag News
|
1967 |
|
2:51:46 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Sandwich - A Haiku Early wintertime A cold, sound sandwich sandwich whilst watching the myddle |
|
2:55:04 (Pop-up) |
||
| The Myddle Class |
Who Does He Love
|
1967 |
|
2:55:37 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
2:57:37 (Pop-up) | ||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
3:00:06 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:00:26 (Pop-up) |
|||
| The Skunks |
When I Need Her
|
1967 |
|
3:01:33 (Pop-up) | ||
| Snow |
Song Of The Sirens
|
1968 |
|
3:04:54 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at the vicious lurch. A lurch is savage. a lurch is depraved, a lurch is roughshod, however. The hemp that's really optical, Above all others is the gage. Never forget the visual and optic gage. Cannabis, however hard they try, Will always be yellow. |
|
3:07:22 (Pop-up) |
||
| Fifty Foot Hose |
Red The Signpost
|
3:08:08 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly
|
Signpost - A Haiku Dampish wintertime A paper signpost signpost betrayed by the smubbs |
|
3:11:05 (Pop-up) |
||
| The Smubbs |
White Paper Sail
|
1969 |
|
3:11:39 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Brummels - A Haiku Gloomy wintertime A paper brummels paper because of the reigns |
|
3:14:10 (Pop-up) |
||
| The Beau Brummels |
She Reigns
|
1966 |
|
3:14:44 (Pop-up) | ||
| The Sandals |
Cloudy
|
1967 |
|
3:17:37 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I cannot help but stop and look at the prolonged dearth. Down, down, down into the darkness of the dearth, Gently it goes - the elongated, the lengthy, the protracted. The knowledge that's really apparent, Above all others is the inability. Now visible is just the thing, To get me wondering if the inability is patent. Pay attention to the unavailability, |
|
3:19:46 (Pop-up) |
||
| Sunshine Trolley |
Cover Me Baby
|
1970 |
|
3:21:08 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at the che sen. Does the sen make you shiver? does it? The book that's really mighty, Above all others is the tome. Are you upset by how powerful it is? Does it tear you apart to see the tome so right? The little kun sings like a mang society |
|
3:24:15 (Pop-up) |
||
| The Family |
San Francisco Waits
|
1968 |
|
3:24:50 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at the genuine paucity. Are you upset by how counterfeit it is? Does it tear you apart to see the paucity so literal? An absent, however hard it tries, Will always be strong. Does the absent make you shiver? does it? When I think of the presence, I see an overwhelming number. |
|
3:27:39 (Pop-up) |
||
| The Superfine Dandelion |
Don't Try To Call Me
|
1967 |
|
3:28:21 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at conflicting messages. Never forget the self-contradictory and inconsistent messages. Statements, however hard they try, Will always be meaningful. Never forget the pregnant and significant statements. I cannot help but stop and look at fat times. Never forget the blubbery and chubby times. Refresh until you're happy with your poem. |
|
3:31:12 (Pop-up) |
||
| The Rites |
Things
|
1967 |
|
3:31:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I cannot help but stop and look at conflicting messages. Never forget the self-contradictory and inconsistent messages. Statements, however hard they try, Will always be meaningful. Never forget the pregnant and significant statements. I cannot help but stop and look at fat times. Never forget the blubbery and chubby times. Refresh until you're happy with your poem. |
|
3:35:07 (Pop-up) |
||
| The Rockets |
Hole In My Pocket
|
1968 |
|
3:36:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Rockets - A Haiku Foggy wintertime A range, fly rockets pocket after the pocket |
|
3:38:48 (Pop-up) |
||
| The La De Das |
Come and Fly With Me
|
1969 |
|
3:39:23 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Servants - A Haiku Dampness wintertime A senior, fly servants come into the sunday |
|
3:43:17 (Pop-up) |
||
| Sunday Servants |
I'm Puttin' You On
|
1966 |
|
3:43:41 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at funeral tues. Do tues make you shiver? do they? All that is unhallowed is not antonio, antonio, by all account is holy. Down, down, down into the darkness of the antonio, Gently it goes - the unhallowed, the sanctified, the hallowed. Just like a mad thing, is the cuz. |
|
3:45:48 (Pop-up) |
||
| The 23Rd Turnoff |
Leave Me Here
|
1967 |
|
3:46:39 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Helping - A Haiku Dampen wintertime A second helping second above the turnoff |
|
3:49:27 (Pop-up) |
||
| The Second Helping |
Let Me In
|
1966 |
|
3:50:32 (Pop-up) | ||
| Salt |
Long Way To Go
|
1970 |
|
3:53:17 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Helping, Part 2 - A Haiku Dampness wintertime A second helping second on the bolero |
|
3:56:02 (Pop-up) |
||
| Jeff Beck |
Beck's Bolero
|
1967 |
|
3:56:37 (Pop-up) | ||
| The Strange Fate |
Love Is Like
|
1967 |
|
3:59:40 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
4:02:16 (Pop-up) |
|||
| The Roosters |
Love Machine
|
1968 |
|
4:02:34 (Pop-up) | ||
| The Regiment |
My Soap Won't Float
|
1967 |
|
4:05:11 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
How happy is the summary linux! A linux is succinct. a linux is compendious, a linux is compact, however. The waterproof that's really valid, Above all others is the mac. Does the mac make you shiver? does it? Just like a pre stage, is the netscape. |
|
4:07:22 (Pop-up) |
||
| Raw Edge |
October Country
|
1968 |
|
4:08:05 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Pay attention to the friday, the friday is the most black weekday of all. Now negro is just the thing, To get me wondering if the friday is dark. I saw the the english magnetomotive force unit of my generation destroyed, How I mourned the gilbert. Does the gilbert make you shiver? does it? |
|
4:11:24 (Pop-up) |
||
| Section Five |
Pushers Route
|
1967 |
|
4:12:33 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:15:25 (Pop-up) |
|||
| Max Frost And The Troopers |
Captain Hassel
|
1968 |
|
4:15:37 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
4:17:54 (Pop-up) |
|||
| Snow |
Caterpillar
|
1968 |
|
4:18:24 (Pop-up) | ||
| Sweet Marie |
Remember Mary
|
1970 |
|
4:20:42 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
4:24:05 (Pop-up) |
|||
| The Shadow Casters |
Cinnamon Snowflake
|
1968 |
|
4:24:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I saw the the adjustable support of my generation destroyed, How I mourned the tailstock. Down, down, down into the darkness of the tailstock, Gently it goes - the changeable, the changeful, the adaptable. Pay attention to the chamfer, the chamfer is the most tapered cut of all. Never forget the pointed and narrow chamfer. Shifters are adjustable systems. |
|
4:26:55 (Pop-up) |
||
| Silk Winged Alliance |
Flashback
|
1968 |
|
4:28:10 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
How happy are suspicious disappearances! Now shady is just the thing, To get me wondering if disappearances are leery. Pay attention to the deceased, the deceased is the most private mortal of all. Now insular is just the thing, To get me wondering if the deceased is closed-door. Lost is, in its way, the six team of people. |
|
4:31:12 (Pop-up) |
||
| The Recurring Love Habit |
Faiola Bros
|
1967 |
|
4:31:53 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
4:35:18 (Pop-up) |
|||
| The Rock Shop |
State Of Your Mind
|
1967 |
|
4:35:34 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Doubt - A Haiku Severe wintertime A little, about doubt doubt in spite of the state |
|
4:38:49 (Pop-up) |
||
| The Other Half |
No Doubt About It
|
1967 |
|
4:39:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Aircoach - A Haiku Dour wintertime A wondering aircoach doubt beyond the royal |
|
4:42:07 (Pop-up) |
||
| Royal Aircoach |
Wondering Why
|
1968 |
|
4:43:00 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Hazlewood - A Haiku Dampish wintertime A senior, hazlewood sand under the aircoach |
|
4:46:02 (Pop-up) |
||
| Nancy Sinatra & Lee Hazlewood |
Sand
|
1968 |
|
4:46:25 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:04 (Pop-up) | ||||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
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