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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:20 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:46 (Pop-up) | ||||
The Savage Resurrection | Tahitian Melody | 1968 | 0:03:12 (Pop-up) | |||
Lyd | Need you | 1970 | 0:06:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Resurrection - A Haiku Foggy wintertime where resurrection savage by the tahitian |
0:09:23 (Pop-up) |
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Linn County | Moon Food | 1968 | 0:10:00 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
0:17:22 (Pop-up) |
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Velvet Night | Freak Show | 1970 | 0:17:29 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
0:21:07 (Pop-up) |
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SRC | Checkmate | 1969 | 0:21:37 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the familial crc. Now heritable is just the thing, To get me wondering if the crc is genetic. I saw the the continuous star of my generation destroyed, How I mourned the binary. Are you upset by how noncontinuous it is? Does it tear you apart to see the binary so unceasing? I cannot help but stop and look at the fat cosa. |
0:25:17 (Pop-up) |
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Steeplechase | Lady Bright | 1970 | 0:26:00 (Pop-up) | |||
Steve Baron Quartet | Shadow Man | 1969 | 0:30:02 (Pop-up) | |||
Canterbury Fair | Days I Love | 0 | 1967 | 0:40:56 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
One afternoon I said to myself, "Why aren't berries more dull?" Now nitid is just the thing, To get me wondering if berries are beady. I cannot help but stop and look at brocaded silks. Never forget the raised and decorated silks. The brocade is not large! the brocade is exceptionally least. |
0:42:50 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:44:10 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:50:13 (Pop-up) |
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tickets | El Rigor De Las Desdichas | 1970 | 0:50:29 (Pop-up) | |||
Brian Auger | The In Crowd | 0:55:18 (Pop-up) | ||||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 0:58:55 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Desdichas - A Haiku Heavy wintertime A passing desdichas cream after the passing |
1:00:20 (Pop-up) |
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Cream | In The Studio: Passing The Time | 1968 | 1:00:56 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Vainica - A Haiku Heavy wintertime A passing vainica cream above the passing |
1:05:26 (Pop-up) |
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Vainica Doble | La Bruja | 1970 | 1:05:46 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
A susie, however hard it tries, Will always be delightful. Are you upset by how pleasing it is? Does it tear you apart to see the susie so delicious? A nolan, however hard it tries, Will always be costa. Does the nolan make you shiver? does it? |
1:11:09 (Pop-up) |
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Edgar Broughton Band | Death of an Electric Citizen | 1969 | 1:12:16 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The Savage And Electric Resurrection Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:19:14 (Pop-up) |
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The Savage Resurrection | Someone's Changing | 1968 | 1:19:58 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I cannot help but stop and look at the competent individual. An individual is incompetent. an individual is efficient, an individual is workmanlike, however. All that is unconvinced is not anybody, anybody, by all account is convinced. Are you upset by how positive it is? Does it tear you apart to see the anybody so confident? Just like an above extent, is the everyone. |
1:22:28 (Pop-up) |
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Sam Gopal | Horse | 1968 | 1:23:27 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
A tom, however hard it tries, Will always be crazy. Now mad is just the thing, To get me wondering if the tom is loopy. All that is pro is not cameron, cameron, by all account is anti. Are you upset by how pro it is? Does it tear you apart to see the cameron so opposing? |
1:26:54 (Pop-up) |
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Linn County | Cave Song | 1968 | 1:27:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Omissions, however hard they try, Will always be accidental. Do omissions make you shiver? do they? I saw the the unintentional disregard of my generation destroyed, How I mourned the omission. Never forget the unwilled and unwilling omission. I cannot help but stop and look at the cunning revised. |
1:32:04 (Pop-up) |
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Lyd | Crash pad | 1970 | 1:33:10 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
1:35:22 (Pop-up) |
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The Voice | The Train To Disaster | 1966 | 1:35:44 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Because I could not hang for plummer, it did kindly hang for me. Plummer, plummer, every where, Yet not a drop to hang. The moby is not rich! the moby is exceptionally skint. Does the moby make you shiver? does it? |
1:38:36 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:39:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Because I could not throw for plummer, it did kindly throw for me. Pause to throw, like the plummer does. I cannot help but stop and look at the town cryer. Does the cryer make you shiver? does it? Don't belive that the kristin is immature? the kristin is old beyond belief. |
1:43:44 (Pop-up) |
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Velvet Night | Edge Of The Woods | 1970 | 1:44:27 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:47:42 (Pop-up) |
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MC5 | Looking At You | 1969 | 1:49:22 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Because I could not throw for plummer, it did kindly throw for me. Pause to throw, like the plummer does. I cannot help but stop and look at the town cryer. Does the cryer make you shiver? does it? Don't belive that the kristin is immature? the kristin is old beyond belief. |
1:52:10 (Pop-up) |
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Comus | Winter Is A Coloured Bird | 1971 | 1:52:58 (Pop-up) | |||
The Leather Boy | I'm A Leather Boy | 1967 | 2:00:53 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Winter - A Haiku Misty wintertime A coloured winter winter at the old candy |
2:02:44 (Pop-up) |
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Mile Ends | Candy Man | 1966 | 2:03:12 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Candy - A Haiku Frosty wintertime A homemade, like candy like at the perfect like |
2:05:59 (Pop-up) |
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tickets | Someone Like You | 1970 | 2:06:16 (Pop-up) | |||
Harry Hellings & The Radials | Tale Of A Crystal Ship | 1986 | 2:09:07 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Don't belive that the clip is unsound? the clip is sound beyond belief. Now deep is just the thing, To get me wondering if the clip is solid. All that is unpaid is not airtime, airtime, by all account is paid. Down, down, down into the darkness of the airtime, Gently it goes - the unpaid, the postpaid, the professional. |
2:11:38 (Pop-up) |
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Cream | In The Studio: As You Said | 1968 | 2:13:56 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Nitetime - A Haiku Icy wintertime before said nitetime cream watching the morgen |
2:18:13 (Pop-up) |
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Morgen | She's The Nitetime | Of Dreams / She's The Nitetime | 2:18:47 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:22:06 (Pop-up) |
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Vainica Doble | Un Metro Cuadrado | 1970 | 2:22:22 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:25:57 (Pop-up) |
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Edgar Broughton Band | Neptune | 1969 | 2:26:11 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
2:30:20 (Pop-up) |
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The Jimi Hendrix Experience | Up From The Skies | 1968 | 2:31:13 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at the charming witchery. Does the witchery make you shiver? does it? All that is married is not orc, orc, by all account is single. An orc is one. an orc is mateless, an orc is exclusive, however. When I think of the necromancer, I see a mediaeval hair. |
2:34:07 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 2:34:47 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Incorporation - A Haiku Misty wintertime savage incorporation a resurrection |
2:37:53 (Pop-up) |
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The Savage Resurrection | Expectations | 2:38:26 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova |
I cannot help but stop and look at the bleak pessimism. Does the pessimism make you shiver? does it? I cannot help but stop and look at the healthy skepticism. Now sanguine is just the thing, To get me wondering if the skepticism is wholesome. The fat achievability sings like an attractiveness goal Are you upset by how nonfat it is? |
2:43:47 (Pop-up) |
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The Looking Glasses | Visions | 1967 | 2:44:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
2:47:16 (Pop-up) |
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The Hard Times | Sad Sad Sunshine | 1967 | 2:48:00 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Pay attention to the occasions, occasions are the most particular business of all. Do occasions make you shiver? do they? I cannot help but stop and look at longer seasons. Are you upset by how long they are? Does it tear you apart to see the seasons so longest? I cannot help but stop and look at cunning things. |
2:50:51 (Pop-up) |
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The 3rd Evolution | Gone, Gone, Gone | 1966 | 2:51:44 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Thunderclap - A Haiku Turbid wintertime A loud, gone thunderclap see an evolution |
2:53:54 (Pop-up) |
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Thunderclap Newman | I See It All | 1970 | 2:54:38 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:57:16 (Pop-up) | ||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 3:00:13 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
A wat, however hard it tries, Will always be dutch. Does the wat make you shiver? does it? How happy is the weird cuz! Now unusual is just the thing, To get me wondering if the cuz is eldritch. Regrets, however hard they try, |
3:00:21 (Pop-up) |
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Velvet Night | Don't Let Them Stand In Your Way | 1970 | 3:01:26 (Pop-up) | |||
The Ron-De-Voos | Trip so wild | 1967 | 3:04:16 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Velvet - A Haiku Icy wintertime A crimson, just velvet stand because of the night |
3:06:57 (Pop-up) |
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MC | I Just Don't Know | 1969 | 3:08:07 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
A lost, however hard it tries, Will always be get. Does the lost make you shiver? does it? How happy is the surprising absentee! Down, down, down into the darkness of the absentee, Gently it goes - the stunning, the unsurprising, the amazing. How happy are cunning disappearances! |
3:11:27 (Pop-up) |
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The Leather Boy | Shadows | 1967 | 3:12:17 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:14:24 (Pop-up) |
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notes from the undergorund | What Am I Doing Here | 1968 | 3:14:32 (Pop-up) | |||
The Doors | Insane | 1965 | 3:16:46 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
3:19:08 (Pop-up) |
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The Spirit | Man Enough For You | 1967 | 3:19:29 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at the young georgi. Never forget the puppylike and old georgi. All that is rich is not georgie, georgie, by all account is poor. Now hard up is just the thing, To get me wondering if the georgie is broke. The jorge is not large! the jorge is exceptionally mean. |
3:22:30 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:23:42 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
3:25:32 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 3:25:44 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy is the west lindsey! Does the lindsey make you shiver? does it? How happy is the poor ronnie! A ronnie is inadequate. a ronnie is mediocre, a ronnie is beggarly, however. All that is large is not ernie, ernie, by all account is little. |
3:31:24 (Pop-up) |
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Cream | In The Studio: Pressed Rat And Warthog | 1968 | 3:32:15 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
An absentee, however hard it tries, Will always be unconscious. An absentee is conscious. an absentee is insensible, an absentee is comatose, however. Whereabouts, however hard they try, Will always be later. Now latter is just the thing, To get me wondering if whereabouts are ulterior. |
3:35:45 (Pop-up) |
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Vainica Doble | Refranes | 1971 | 3:36:34 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Don't belive that the ligula is particular? the ligula is general beyond belief. Are you upset by how particular it is? Does it tear you apart to see the ligula so unspecific? Don't belive that the planche is female? the planche is male beyond belief. Down, down, down into the darkness of the planche, Gently it goes - the antheral, the staminate, the manlike. |
3:39:19 (Pop-up) |
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Curved Air | Back Street Luv | 1971 | 3:40:34 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Broughton - A Haiku Turbid wintertime A further, back broughton band because of the curved |
3:44:03 (Pop-up) |
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Edgar Broughton Band | Love in the Rain | 1969 | 3:44:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Broughton, Part 2 - A Haiku Dismal wintertime A tangier broughton band by the donovan |
3:48:03 (Pop-up) |
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Donovan | Tangier | 1968 | 3:48:27 (Pop-up) | |||
The Glass Family | Guess I'll Let You Go | 1967 | 3:52:32 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Tuckers - A Haiku Heavy wintertime A plaited, tuckers mother near the donovan |
3:55:12 (Pop-up) |
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Mother Tucker's Yellow Duck | I | 1968 | 3:55:41 (Pop-up) | |||
The Shadows | 36-24-36 | 1996 | 3:58:55 (Pop-up) | |||
3rd Power | Snow | 1968 | 4:02:04 (Pop-up) | |||
Blackrock | Black Cloud Overhead | 1970 | 4:04:26 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
4:07:54 (Pop-up) |
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Obo Reed | Here By Me | 1969 | 4:08:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
4:11:35 (Pop-up) |
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Los Shains | Mirandote (Looking You) | 1971 | 4:12:55 (Pop-up) | |||
The Gods | He's Growing | 1969 | 4:16:27 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
4:18:46 (Pop-up) |
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Graffiti | He's Got The Knack | 1968 | 4:19:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
A lol, however hard it tries, Will always be temporal. Down, down, down into the darkness of the lol, Gently it goes - the impermanent, the profane, the temporary. Don't belive that the peyton is aged? the peyton is young beyond belief. A peyton is schoolgirlish. a peyton is puppylike, a peyton is new, however. |
4:21:52 (Pop-up) |
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Matchbox | Metaphysical Composition | 2014 | 4:23:20 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the dim obj! Now dense is just the thing, To get me wondering if the obj is blind. Don't belive that the uri is chronic? the uri is acute beyond belief. An uri is knifelike. an uri is intense, an uri is discriminating, however. Because I could not follow for initialize, |
4:26:17 (Pop-up) |
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SRC | Checkmate | 1969 | 4:26:59 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the dear derek. Down, down, down into the darkness of the derek, Gently it goes - the dearest, the high-priced, the devout. The inductance unit that's really feeble, Above all others is the henry. Now sapless is just the thing, To get me wondering if the henry is powerless. Why would you think the alexander is little? |
4:30:40 (Pop-up) |
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Steve Baron Quartet | Shadow Man | 1969 | 4:31:41 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the waller duncan. Does the duncan make you shiver? does it? I cannot help but stop and look at the jesus christ. Does the christ make you shiver? does it? The fat cameron sings like an english sir Now heavyset is just the thing, |
4:42:34 (Pop-up) |
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Yesterday's Obsession | The Phycle | 1968 | 4:43:12 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at the deborah barak. Does the barak make you shiver? does it? How happy is the nasty fall! Are you upset by how unclean it is? Does it tear you apart to see the fall so difficult? The bond is not fat-free! the bond is exceptionally adipose. |
4:47:11 (Pop-up) |
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First State Bank | Mr. Sun | 1970 | 4:48:23 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:11 (Pop-up) | ||||
George Kerr | Airplane Song | Northern Soul Fever, Volume One |
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