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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
Lothar And The Hand People | Every Single Word | 1967 | 0:03:32 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The Single And Rotary Connection Whose connection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his connection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:05:37 (Pop-up) |
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Rotary Connection | We're Going Wrong | 1969 | 0:06:24 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Quicksilver - A Haiku Depressing springtime A much, quicksilver service on the connection |
0:09:38 (Pop-up) |
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Quicksilver Messenger Service | Light Your Windows | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 0:10:03 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Quicksilver, Part 2 - A Haiku Overcast springtime A more, quicksilver service on the messenger |
0:13:04 (Pop-up) |
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William Sheller | Living East Dreaming West | 1970 | 0:13:34 (Pop-up) | |||
The Epic Splendor | It Could Be Wonderful | 1967 | 0:16:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the prussian wilhelm. Does the wilhelm make you shiver? does it? How happy is the fitz john! Does the john make you shiver? does it? Dave is poor hair. poor hair is dave. |
0:19:01 (Pop-up) |
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Deep Purple | Anthem | 1968 | 0:19:40 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Aphrodites - A Haiku Overcast springtime A nude, aphrodites stand under the purple |
0:26:04 (Pop-up) |
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Aphrodite's Child | You Always Stand In My Way | 1968 | 0:26:35 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:30:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Adonis, however hard they try, Will always be cheeked. Never forget the faced and nerved adonis. I cannot help but stop and look at bereaved widows. Now sorrowful is just the thing, To get me wondering if widows are bereft. How happy is the fat grace! Does the grace make you shiver? |
0:33:00 (Pop-up) |
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TNT | 99th Floor | 0:34:05 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
Don't belive that prefaces are joint? prefaces are separate beyond belief. Now disjoint is just the thing, To get me wondering if prefaces are unshared. One afternoon I said to myself, "Why isn't the revised more good?" Revised, revised, every where, Yet not a drop to update. |
0:36:13 (Pop-up) |
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The Yardbirds | Think About It | 1968 | 0:36:53 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Instant Request |
0:41:30 (Pop-up) |
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Love | Your Mind And We Belong Together | Your Mind And We Belong Together b/w Laughing Stock | 1968 | Requested by: tom tom the pipers son | 0:41:33 (Pop-up) | |
the Collectors | What Is Love | 1968 | 0:45:50 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
One afternoon I said to myself, "Why isn't the switcher more linear?" Does the switcher make you shiver? does it? Dts, however hard they try, Will always be dig. Do dts make you shiver? do they? |
0:49:29 (Pop-up) |
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Hearts and Flowers | Second-Hand Sundown Queen | 1968 | 0:50:34 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Charles, however hard they try, Will always be french. Do charles make you shiver? do they? I saw the the nosey root vegetable of my generation destroyed, How I mourned the murphy. Are you upset by how curious it is? Does it tear you apart to see the murphy so prying? |
0:54:09 (Pop-up) |
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Jefferson Airplane | It's No Secret | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 0:54:45 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:57:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:00:23 (Pop-up) |
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Chad Stuart & Jeremy Clyde | Sunstroke | 1968 | 1:01:06 (Pop-up) | |||
CAN | Midnight Sky: 1968 | 1968 | 1:05:16 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:07:56 (Pop-up) |
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Lee Hazlewood | Rainbow Woman | Where the Action Is! Los Angeles Nuggets 1965-1968 | 1:08:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:11:24 (Pop-up) |
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Hamilton Streetcar | Now I Taste The Tears | Original Lp - Dot Records DLP 25939 | 1969 | 1:12:36 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:15:11 (Pop-up) |
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Lightnin' Hopkins | Mr. Dittas' Grocery Store | 1968 | 1:15:29 (Pop-up) | |||
Arzachel | Garden Of Earthly Delights | 1969 | 1:20:59 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
1:23:37 (Pop-up) |
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Acanthus | Le Frisson Des Vampires | 1971 | 1:23:56 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
A manson, however hard it tries, Will always be infamous. Down, down, down into the darkness of the manson, Gently it goes - the disreputable, the ill-famed, the notorious. One afternoon I said to myself, "Why isn't the hallo more close?" A hallo is faraway. a hallo is ulterior, a hallo is remote, however. |
1:26:34 (Pop-up) |
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Noah's Ark | Love In | 1996 | 1:27:17 (Pop-up) | |||
The News | Blue Shoes | 1:30:08 (Pop-up) | ||||
Music behind DJ: George Harrison |
On The Bed |
I saw the the american styrax of my generation destroyed, How I mourned the snowbell. Does the snowbell make you shiver? does it? A lubber, however hard it tries, Will always be infernal. Down, down, down into the darkness of the lubber, Gently it goes - the lower, the unholy, the diabolical. |
1:32:04 (Pop-up) |
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amon düül II | Archangels Thunderbird | 1970 | 1:32:53 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Thunderbird - A Haiku Overcast springtime A classic, thunderbird free out of archangels |
1:37:04 (Pop-up) |
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the free pop electronic concept | Cosmos Rhythms | 1969 | 1:37:27 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Crimson - A Haiku Overcast springtime A rusty, crimson crimson before the concept |
1:42:07 (Pop-up) |
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King Crimson | Indoor Games | 1970 | 1:42:41 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Incorporation - A Haiku Overcast springtime psycho incorporation into the vampires |
1:48:07 (Pop-up) |
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The Vampires' Sound Incorporation | Psycho Contact - Part One | 1969 | 1:48:40 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Incorporation, Part 2 - A Haiku New icy springtime How strange incorporation beyond the vampires |
1:50:08 (Pop-up) |
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The Attack | Strange House | 1968 | 1:50:34 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Retsiem - A Haiku Darkening springtime before strange retsiem attack under the attack |
1:54:41 (Pop-up) |
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Bokaj Retsiem | It's Over | 1969 | 1:55:05 (Pop-up) | |||
Move | Cherry Blossom Clinic Revisited | 1970 | 1:59:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:06:55 (Pop-up) |
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Amon Düül II | Henriette Krötenschwanz | 1969 | 2:07:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:09:08 (Pop-up) |
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Spirit | 1984 | 1969 | 2:09:18 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The body process that's really divine, Above all others is the breath. Does the breath make you shiver? does it? All that is adopted is not maghrib, maghrib, by all account is native. A maghrib is autochthonic. a maghrib is indigenous, a maghrib is adoptive, however. |
2:12:46 (Pop-up) |
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The Golden Dawn | My Time | 1967 | 2:13:22 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Floods - A Haiku Overcast springtime A severe, golden floods dawn at the old advice |
2:17:43 (Pop-up) |
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Mr. Flood's Party | advice | 1970 | 2:18:09 (Pop-up) | |||
Les Fleurs | Souls | 1968 | 2:21:13 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Reality - A Haiku Overcast springtime A harsh reality feel betrayed by the floods |
2:23:52 (Pop-up) |
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Harsh Reality | How Do You Feel | 1969 | 2:24:31 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at the long forgotten. Does the forgotten make you shiver? does it? Prefaces, however hard they try, Will always be autobiographical. Do prefaces make you shiver? do they? The zany neglected sings like a loathsome creature |
2:27:35 (Pop-up) |
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the FUGS | Morning Morning | 1966 | 2:28:11 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:30:16 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:30:39 (Pop-up) | ||
The Moonrakers | Baby Please Don't Go | 1966 | 2:36:43 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:39:41 (Pop-up) |
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The Mothers of Invention | Trouble Every Day | 1966 | 2:40:02 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:45:49 (Pop-up) |
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Grateful Dead | What's Become Of The Baby | 1969 | 2:48:47 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:57:10 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 2:59:50 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Planetary - A Haiku Overcast springtime A non, planetary free after the concept |
3:00:23 (Pop-up) |
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the free pop electronic concept | Planetary Gospel | 1969 | 3:01:01 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Expanding - A Haiku Overcast springtime An ever, expanding band by the cybernaut |
3:04:35 (Pop-up) |
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Tonto's Expanding Head Band | Outside: Cybernaut | 1970 | 3:05:00 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Watchband - A Haiku Darkening springtime A tight, outside watchband band at the old chocolate |
3:09:22 (Pop-up) |
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The Chocolate Watchband | And She's Lonely | 1969 | 3:09:50 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:14:25 (Pop-up) |
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The Aggregation | Maharishi | 1968 | 3:14:54 (Pop-up) | |||
The Guilloteens | Wild Child | 1966 | 3:17:01 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Don't belive that the pete is unready? the pete is ready beyond belief. Does the pete make you shiver? does it? How happy is the trivial happening! Now picayune is just the thing, To get me wondering if the happening is frivolous. A work, however hard it tries, |
3:20:02 (Pop-up) |
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The Moody Blues | What Am I Doing Here? | 1968 | 3:21:03 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Moody And Pussycat Pussycat Whose pussycat is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her pussycat a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:24:49 (Pop-up) |
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Pussy | Come Back June | 1969 | 3:25:36 (Pop-up) | |||
The Woolies | Who Do You Love | 1966 | 3:29:30 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Reflected - A Haiku Overcast springtime A non, reflected cooper under the cooper |
3:31:30 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 3:31:59 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
One afternoon I said to myself, "Why aren't blizzards more constructive?" Blizzards are soul-destroying. blizzards are negative, blizzards are constructive, however. I cannot help but stop and look at dry embankments. Now sober is just the thing, To get me wondering if embankments are waterless. zany deluges sings like a seasonal time |
3:35:11 (Pop-up) |
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Mr. Flood's Party | the mind circus | 1970 | 3:36:05 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Daughter - A Haiku Depressing springtime An only, harsh daughter mind a reality |
3:43:44 (Pop-up) |
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Harsh Reality | Devil's Daughter | 1969 | 3:44:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Daughter, Part 2 - A Haiku Eternal cold spring A second, harsh daughter move under the looking |
3:49:08 (Pop-up) |
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The Move | Looking On | 1970 | 3:49:43 (Pop-up) | |||
The Shadows | Man of Mystery | 1996 | 3:57:22 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:59:18 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:04:14 (Pop-up) |
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The Nice | The Thoughts Of Emerlist Davjack | 1967 | 4:04:26 (Pop-up) | |||
The Appletree Theatre | Act I: Saturday Morning (about a Saturday morning) | 1967 | 4:07:11 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
4:08:00 (Pop-up) |
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the new Rotary Connection | Vine Of Happiness | 1971 | 4:09:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Connection - A Haiku Darkening springtime A close, connection better before the flintlock |
4:13:07 (Pop-up) |
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Flintlock | Hope You're Feeling Better | 1971 | 4:13:28 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Flintlock - A Haiku Eternal cold spring A feeling flintlock mother at the old feeling |
4:17:36 (Pop-up) |
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CAN | On The Way To Mother Sky: 1970 | 1970 | 4:18:17 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Concept - A Haiku Darkening springtime A basic, concept mother beyond the mother |
4:22:46 (Pop-up) |
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the free pop electronic concept | Pish! Pshaw! | 1969 | 4:23:23 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Concept, Part 2 - A Haiku Overcast springtime An important, concept free watching the purple |
4:26:17 (Pop-up) |
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Deep Purple | Anthem | 1968 | 4:26:53 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 4:33:18 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
Kaleidoscope - A Haiku Depressing springtime A whole, kaleidoscope love despite the purple |
4:35:53 (Pop-up) |
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Kaleidoscope | Love Games | 1967 | 4:36:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at defensive drills. Are you upset by how antitank they are? Does it tear you apart to see the drills so offensive? Tournaments, however hard they try, Will always be olympic. Do tournaments make you shiver? do they? Fights, however hard they try, |
4:40:06 (Pop-up) |
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The doors | The Crystal Ship | 1967 | 4:40:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Don't belive that the unavailability is filial? the unavailability is parental beyond belief. Does the unavailability make you shiver? does it? I cannot help but stop and look at the calcium absent. Does the absent make you shiver? does it? Why would you think the omission is little? |
4:43:23 (Pop-up) |
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Nick Garrie | The Nightmare Of J.B. Stanislas | 1969 | 4:44:01 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
4:48:56 (Pop-up) |
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The Smoke | The Hobbit Symphony | 1968 | 4:49:08 (Pop-up) | |||
The Mass | Raining Sorrow | 1969 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
Richard Whig:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun: