The Night Owl Show with Owl Sun:
Playlist
from March 31, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:21 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:47 (Pop-up) | ||||
| Syd Barrett |
Wolfpack [Take 2]
|
1970 |
|
0:03:14 (Pop-up) | ||
| Faine Jade |
Ballad Of The Bad Guys
|
1968 |
|
0:06:52 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Twentieth - A Haiku Perpetual spring suddenly twentieth head after the wolfpack |
|
0:11:14 (Pop-up) |
||
| Twentieth Century Zoo |
It's All in My Head
|
1969 |
|
0:11:43 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Twentieth, Part 2 - A Haiku Early dampness spring suddenly twentieth head at the old nothing |
|
0:17:42 (Pop-up) |
||
| Finch |
Nothing In The Sun
|
1968 |
|
0:18:07 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Professor - A Haiku Perpetual spring An old, found professor found at the old nothing |
|
0:22:14 (Pop-up) |
||
| Lost and Found |
Professor Black
|
2008 |
|
0:22:36 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Professor, Part 2 - A Haiku New dampness springtime A first, found professor found before the children |
|
0:25:08 (Pop-up) |
||
| Tuesday's Children |
She
|
1968 |
|
0:25:36 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
0:28:23 (Pop-up) |
|||
| Tintern Abbey |
Beeside
|
1967 |
|
0:28:45 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Don't belive that the imo is least? the imo is most beyond belief. Now nigh is just the thing, To get me wondering if the imo is least. How happy is the seton gordon! Does the gordon make you shiver? does it? One afternoon I said to myself, |
|
0:32:04 (Pop-up) |
||
| Pink Floyd |
Point Me At The Sky
|
Point Me At The Sky / Careful With That Axe Eugene | 1968 |
|
0:32:41 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
How happy are this thats! Do thats make you shiver? do they? An orton, however hard it tries, Will always be english. Does the orton make you shiver? does it? One afternoon I said to myself, |
|
0:36:06 (Pop-up) |
||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
0:37:03 (Pop-up) | |
| Bruno Nicolai |
De Sade '70
|
1970 |
|
0:39:09 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
0:42:19 (Pop-up) |
|||
| the stooges |
1969
|
1969 |
|
0:42:42 (Pop-up) | ||
| The Jelly Bean Bandits |
Country Woman
|
1967 |
|
0:46:44 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
How happy is the presidential stolen! Does the stolen make you shiver? does it? Don't belive that the absentee is inconspicuous? the absentee is conspicuous beyond belief. Are you upset by how flaunty it is? Does it tear you apart to see the absentee so marked? I saw the the yellow departure of my generation destroyed, |
|
0:49:08 (Pop-up) |
||
| The 13th Power |
Free Lovin'
|
1968 |
|
0:49:57 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Drinking - A Haiku Depressing springtime A drinking drinking power at the old power |
|
0:52:18 (Pop-up) |
||
| Jeff Beck |
I've Been Drinking
|
1968 |
|
0:52:41 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
0:55:56 (Pop-up) | |
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
0:58:27 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
One afternoon I said to myself, "Why isn't the aaron more untruthful?" Down, down, down into the darkness of the aaron, Gently it goes - the faithful, the reliable, the dependable. I cannot help but stop and look at the poor ernie. Are you upset by how hard up it is? Does it tear you apart to see the ernie so pitiful? The yellow pete sings like a curly brace |
|
1:00:15 (Pop-up) |
||
| Iota |
R.I.P.
|
1969 |
|
1:01:17 (Pop-up) | ||
| Groep 1850 |
Mother No-Head
|
1967 |
|
1:04:29 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy is the republican lincoln! Does the lincoln make you shiver? does it? I saw the the humphrey urban center of my generation destroyed, How I mourned the durham. Does the durham make you shiver? does it? Pay attention to the idaho, |
|
1:07:49 (Pop-up) |
||
| Buffalo Springfield |
Broken Arrow
|
1967 |
|
1:08:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Springfield - A Haiku Overcast springtime A wrapped springfield buffalo after the joyfull |
|
1:15:43 (Pop-up) |
||
| Joyfull Noise |
Wrapped in the Hide Of a Yellow Cow
|
1968 |
|
1:16:08 (Pop-up) | ||
| The Spike Drivers |
Baby Won't You Let Me Tell You
|
1966 |
|
1:20:20 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Regalia - A Haiku Beautiful springtime A full, wrapped regalia frank under the peaches |
|
1:22:39 (Pop-up) |
||
| Frank Zappa |
Peaches En Regalia
|
1969 |
|
1:23:12 (Pop-up) | ||
| The Velvet Underground |
Candy Says
|
1969 |
|
1:26:39 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:30:40 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
The scarcity that's really glaring, Above all others is the paucity. Are you upset by how flagrant it is? Does it tear you apart to see the paucity so conspicuous? How happy is the mere omission! Now bare is just the thing, To get me wondering if the omission is simple. How happy is the yellow presence! |
|
1:31:48 (Pop-up) |
||
| Alice Cooper |
Reflected
|
Reflected | 1969 |
|
1:32:44 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at the fresh prime. Are you upset by how stale it is? Does it tear you apart to see the prime so refreshed? How happy are succulent plants! Are you upset by how juicy they are? Does it tear you apart to see the plants so lush? Petals are daisy dress. daisy dress are petals. |
|
1:35:56 (Pop-up) |
||
| The Wild Flowers |
More Than Me
|
1967 |
|
1:36:38 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Harrisson - A Haiku Perpetual spring before sound harrisson sound after the kitchen |
|
1:39:32 (Pop-up) |
||
| Dont Tread On Me |
Land Of Extremes
|
1:41:07 (Pop-up) | ||||
| Steve Ellis & The Starfires |
Looking Thru Me
|
1995 | 1:44:08 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land
|
Why would you think the omission is undesigned? the omission is the most intentional mistake of all. Down, down, down into the darkness of the omission, Gently it goes - the wilful, the intended, the knowing. I cannot help but stop and look at the latter left. Down, down, down into the darkness of the left, Gently it goes - the later, the former, the last. The big neglected sings like primary sources |
|
1:46:53 (Pop-up) |
||
| Tintern Abbey |
Vacuum Cleaner
|
1967 |
|
1:47:47 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:50:49 (Pop-up) |
|||
| Delia Derbyshire & Anthony Newley |
Moogies Bloogies
|
1966 |
|
1:51:03 (Pop-up) | ||
| Bruno Nicolai |
Criminal Sex
|
1970 |
|
1:53:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
A paucity, however hard it tries, Will always be seeming. Never forget the apparent and ostensible paucity. The presence is not recessive! the presence is exceptionally sovereign. Down, down, down into the darkness of the presence, Gently it goes - the low-level, the sovereign, the recessive. The error that's really cunning, |
|
1:55:52 (Pop-up) |
||
| Group 1850 |
Reborn
|
1968 |
|
1:56:44 (Pop-up) | ||
| Chapparal Trio |
Roxanne
|
1968 | 1:59:59 (Pop-up) | |||
| The London Studio Group |
The Wild One
|
2:02:28 (Pop-up) | ||||
| The Leathercoated Minds |
Sunset And Clark
|
2:05:08 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Sidewalks - A Haiku Depressing springtime A paved, moving sidewalks floor out of studio |
|
2:06:58 (Pop-up) |
||
| The Moving Sidewalks |
99th Floor
|
99th Floor |
|
2:07:32 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Sidewalks, Part 2 - A Haiku Perpetual spring A paved, moving sidewalks black under the upchurch |
|
2:10:09 (Pop-up) |
||
| Phil Upchurch |
Black Gold
|
Upchurch |
|
2:10:47 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
A wolfe, however hard it tries, Will always be 12th. Does the wolfe make you shiver? does it? I cannot help but stop and look at the beautiful barrett. Now elegant is just the thing, To get me wondering if the barrett is aesthetic. A mccarthy, however hard it tries, |
|
2:14:59 (Pop-up) |
||
| Al Stewart |
Turn Into Earth
|
1966 |
|
2:15:39 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
A wolfe, however hard it tries, Will always be 12th. Does the wolfe make you shiver? does it? I cannot help but stop and look at the beautiful barrett. Now elegant is just the thing, To get me wondering if the barrett is aesthetic. A mccarthy, however hard it tries, |
|
2:18:28 (Pop-up) |
||
| Groep 1850 |
frozen mind
|
1968 |
|
2:19:06 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The Frozen And Animal Animal Whose animal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her animal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:22:43 (Pop-up) |
||
| Kim Fowley |
Animal Man
|
Impossible But True: The Kim Fowley Story |
|
2:23:29 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The Small And Animal Animal Whose animal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her animal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:26:04 (Pop-up) |
||
| Small Faces |
Lazy Sunday
|
1968 |
|
2:27:02 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Sunday - A Haiku Eternal moist spring A fourth, small sunday power despite the lovin |
|
2:30:02 (Pop-up) |
||
| The Art Of Lovin' |
You Got The Power
|
1968 |
|
2:30:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The Topless And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:33:22 (Pop-up) |
||
| The Electric Eclectics of Dick Hyman |
Topless Dancers Of Corfu
|
Moog - The Electric Eclectics Of Dick Hyman |
|
2:34:11 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The Electric And Experimental Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:38:28 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Buddha
|
Vol. 2 |
|
2:39:22 (Pop-up) | ||
| The Brain Train |
Me
|
1967 |
|
2:41:24 (Pop-up) | ||
| monks |
Monk Time
|
Black Monk Time |
|
2:43:45 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
2:46:25 (Pop-up) |
|||
| Dragonfly |
Celestial Dreams
|
1968 |
|
2:46:40 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:50:44 (Pop-up) |
|||
| Morgen |
Of Dreams
|
Morgen |
|
2:51:07 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
2:54:26 (Pop-up) |
|||
| by paul beaver & bernard l. krause |
Peace Three
|
Beaver Patrol |
|
2:54:38 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
2:57:29 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:00:09 (Pop-up) |
|||
| The id |
The Rake
|
The Inner Sounds Of The Id |
|
3:00:35 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Country - A Haiku Overcast springtime A native, blonde country rake in spite of the blonde |
|
3:02:30 (Pop-up) |
||
| Blonde On Blonde |
Country Life
|
All Day, All Night / Country Life |
|
3:03:12 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
3:06:43 (Pop-up) |
|||
| Al Kooper |
Camille
|
I Stand Alone |
|
3:06:59 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Camille - A Haiku Early dampness spring A little, sound camille sound beyond the dupree |
|
3:10:51 (Pop-up) |
||
| Simon Dupree And The Big Sound |
Like The Sun Like The Fire
|
Kites | 1968 |
|
3:11:15 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
Captive - A Haiku Perpetual spring An apparent captive sound above the dupree |
|
3:13:32 (Pop-up) |
||
| Eire Apparent |
Captive In The Sun
|
1969 |
|
3:13:58 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Captive, Part 2 - A Haiku Overcast springtime An apparent captive game above the simple |
|
3:19:26 (Pop-up) |
||
| The Moody Blues |
A Simple Game
|
This Is The Moody Blues |
|
3:19:52 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Blackberry - A Haiku Beautiful springtime A simple blackberry move at the old simple |
|
3:23:27 (Pop-up) |
||
| The Move |
Blackberry Way
|
Blackberry Way |
|
3:23:53 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
An off, however hard it tries, Will always be one. An off is unitary. an off is peerless, an off is matchless, however. I saw the the all discover of my generation destroyed, How I mourned the out. Are you upset by how complete it is? Does it tear you apart to see the out so whole? |
|
3:27:25 (Pop-up) |
||
| Grains Of Sand |
Drop Down Sometime
|
1967 |
|
3:28:12 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Status - A Haiku Early dampness spring A low, sometime status live in spite of the grains |
|
3:30:17 (Pop-up) |
||
| The Status Quo |
When My Mind Is Not Live
|
1968 |
|
3:30:43 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
How happy are unaided senses! Never forget the unassisted and naked senses. A mood, however hard it tries, Will always be exalted. Down, down, down into the darkness of the mood, Gently it goes - the rarefied, the rarified, the high-minded. big hearts sings like a cheerful smile Hearts are biggish. hearts are deep, |
|
3:33:37 (Pop-up) |
||
| Spirits And Worm |
Fanny Firecracker
|
Spirits & Worm |
|
3:34:30 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Firecracker - A Haiku Beautiful springtime A round firecracker round by the mulberry |
|
3:38:05 (Pop-up) |
||
| Traffic |
Here We Go 'Round The Mulberry Bush
|
Here We Go Round The Mulberry Bush |
|
3:38:25 (Pop-up) | ||
| We The People |
For No One To See
|
1967 |
|
3:40:38 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Hallucinations - A Haiku Overcast springtime shall hallucinations round near the mulberry |
|
3:42:36 (Pop-up) |
||
| Hal Blaine |
Hallucinations (April)
|
Psychedelic Percussion |
|
3:43:19 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
3:45:33 (Pop-up) |
|||
| The Jelly Bean Bandits |
Generation
|
1967 |
|
3:45:50 (Pop-up) | ||
| Jefferson Airplane |
Two Heads
|
Jefferson Airplane's Golden Album |
|
3:48:43 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:51:56 (Pop-up) |
|||
| Sagittarius |
Navajo Girl
|
In My Room / Navajo Girl |
|
3:52:13 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:54:47 (Pop-up) |
|||
| The Third Bardo |
Rainbow Life
|
1967 |
|
3:55:04 (Pop-up) | ||
| The Shadows |
Atlantis
|
1996 |
|
3:57:14 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Stephanie - A Haiku Overcast springtime An old, blonde stephanie wheel before the spinning |
|
4:03:34 (Pop-up) |
||
| Love |
Stephanie Knows Who
|
Stephanie Knows Who |
|
4:04:06 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at unintended omissions. Never forget the causeless and uncaused omissions. Don't belive that the been is red? the been is white beyond belief. Does the been make you shiver? does it? How happy is the cunning forgotten! Does the forgotten make you shiver? |
|
4:06:30 (Pop-up) |
||
| Twice As Much |
Night Time Girl
|
Twice As Much |
|
4:07:21 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Dimension - A Haiku Darkening springtime A second, fifth dimension whilst watching the byrds |
|
4:10:47 (Pop-up) |
||
| The Byrds |
5 D (Fifth Dimension)
|
Fifth Dimension |
|
4:11:23 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Why would you think the dearth is lasting? the dearth is the most temporary scarcity of all. Now pro tempore is just the thing, To get me wondering if the dearth is transient. How happy is the dreadful void! Down, down, down into the darkness of the void, Gently it goes - the abominable, the unspeakable, the alarming. An absent, however hard it tries, |
|
4:13:53 (Pop-up) |
||
| The Group Image |
The Treat
|
1968 |
|
4:14:39 (Pop-up) | ||
| Emil Richards |
Ruby (July)
|
New Sound Element "Stones" |
|
4:20:04 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
4:22:33 (Pop-up) |
|||
| Kaleidoscope |
Faintly Blowing
|
Faintly Blowing |
|
4:22:54 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Kaleidoscope - A Haiku Depressing springtime A found kaleidoscope found out of professor |
|
4:26:59 (Pop-up) |
||
| Lost and Found |
Professor Black
|
2008 |
|
4:27:23 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Professor - A Haiku Overcast springtime A young, found professor found into the children |
|
4:29:56 (Pop-up) |
||
| Tuesday's Children |
She
|
1968 |
|
4:30:19 (Pop-up) | ||
| Gandalf |
Golden Earrings
|
Gandalf |
|
4:33:06 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Butterfly - A Haiku Perpetual spring A large, butterfly iron despite the children |
|
4:35:47 (Pop-up) |
||
| Tomorrow |
Revolution
|
Dance Tonight! Revolution Tomorrow! |
|
4:36:39 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Revolution - A Haiku New dampness springtime A brown revolution school by the piblokto |
|
4:40:21 (Pop-up) |
||
| Pete Brown & Piblokto! |
Thing May Come And Things May Go, But The Art School Dance Goes On Forever
|
1970 |
|
4:40:49 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
American - A Haiku Early dampish spring A young, american school by the electric |
|
4:45:42 (Pop-up) |
||
| The Electric Flag; An American Music Band |
Sittin' In Circles
|
Greatest Hits (An American Music Band) |
|
4:46:10 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:58 (Pop-up) | ||||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
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Listener comments!
Owl Sun:
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TroyD8:
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