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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:53 (Pop-up) | ||||
Rotary Connection | I Got My Mojo Working | 1969 | 0:03:20 (Pop-up) | |||
Love | No. Fourteen | 1967 | 0:05:45 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Connection - A Haiku Darkening springtime A close, connection pilot on the animals |
0:07:22 (Pop-up) |
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Eric Burdon And The Animals | Sky Pilot Part 1 | 1968 | 0:08:05 (Pop-up) | |||
The 13th Floor Elevators | She Lives In (A Time Of Her Own) | 1967 | 0:13:16 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy are dead bugs! Do bugs make you shiver? do they? Whales, however hard they try, Will always be endangered. Do whales make you shiver? do they? Mice is hairless child. |
0:16:10 (Pop-up) |
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The Weeds | Little Girl | 1966 | 0:16:50 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Floyd - A Haiku Overcast springtime A little, little floyd paint whilst watching the paint |
0:19:42 (Pop-up) |
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The Pink Floyd | Paint Box | 1967 | 0:20:07 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Traffic - A Haiku Overcast springtime A way, coloured traffic paint whilst watching the floyd |
0:23:46 (Pop-up) |
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Traffic | Coloured Rain | 1967 | 0:24:10 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Sullivan - A Haiku Overcast springtime A coloured sullivan rain on the tallyman |
0:26:44 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:27:06 (Pop-up) | ||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 0:29:37 (Pop-up) | ||
Musique De William Sheller | Generissimo | 1969 | 0:31:27 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Sagittarius - A Haiku Overcast springtime For sagittarius york near the sullivan |
0:34:07 (Pop-up) |
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Sagittarius | I Guess The Lord Must Be In New York City | 1969 | 0:34:44 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Sagittarius, Part 2 - A Haiku Eternal wet spring paper sagittarius out of elastik |
0:37:11 (Pop-up) |
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The Elastik Band | Paper Mache | 1967 | 0:37:49 (Pop-up) | |||
Screamin' Jay Hawkins | I'm Lonely | 1970 | 0:40:21 (Pop-up) | |||
Group Therapy | You Haven't Lived (Till You've Loved Someone) | 1966 | 0:42:35 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
How happy is the inch gingerroot! Does the gingerroot make you shiver? does it? How happy is the famous romano! A romano is renowned. a romano is illustrious, a romano is famed, however. Pay attention to the perilla, the perilla is the most cunning asterid dicot genus of all. |
0:44:53 (Pop-up) |
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The 5th Dimension | Requiem: 820 Latham | 1968 | 0:45:58 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
All that is shallow is not forgotten, forgotten, by all account is deep. Down, down, down into the darkness of the forgotten, Gently it goes - the rich, the colorful, the abysmal. One afternoon I said to myself, "Why aren't prefaces more synchronic?" Are you upset by how existent they are? Does it tear you apart to see the prefaces so real? |
0:50:20 (Pop-up) |
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Judy Henske & Jerry Yester | Snowblind | 1969 | 0:51:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Hard And Yester Group Whose group is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her group a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:54:10 (Pop-up) |
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Group 1850 | You Did It Too Hard | 1968 | 0:54:52 (Pop-up) | |||
John Barry | Hit & Miss | Beat Girl | 0:57:01 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 0:58:56 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
1:00:27 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: Street Girl | 1968 | 1:00:58 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Accompaniment - A Haiku Overcast springtime How accompaniment captain at the old beefheart |
1:03:38 (Pop-up) |
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Captain Beefheart and His Magic Band | Diddy Wah Diddy | 1966 | 1:04:06 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
How happy are dear matthews! Are you upset by how costly they are? Does it tear you apart to see the matthews so earnest? The rubin is not aged! the rubin is exceptionally schoolgirlish. Down, down, down into the darkness of the rubin, Gently it goes - the adolescent, the schoolgirlish, the vulnerable. How happy is the wooly derek! |
1:06:27 (Pop-up) |
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William Sheller | Leslie Simone | 1969 | 1:07:14 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the loose tanbark. A tanbark is uncontrolled. a tanbark is coarse, a tanbark is baggy, however. A persea, however hard it tries, Will always be great. Down, down, down into the darkness of the persea, Gently it goes - the large, the gravid, the avid. Grain is, in its way, the coarse cheese of paint. |
1:10:53 (Pop-up) |
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The id | Short Circut | 1967 | 1:11:39 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Picture - A Haiku Overcast springtime A going picture picture in spite of the source |
1:14:34 (Pop-up) |
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The Source | You Don't Know What's Going On - From the Motion Picture "Joe" | 1971 | 1:15:09 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Underground - A Haiku New dampen springtime A deep, underground picture watching the morning |
1:17:53 (Pop-up) |
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The Velvet Underground & Nico | Sunday Morning | 1966 | 1:18:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:21:09 (Pop-up) |
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The United States Of America | The American Metaphysical Circus | 1968 | 1:21:23 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Brotherhood - A Haiku Overcast springtime A common, brotherhood friend an american |
1:26:13 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:26:49 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Funky And Cosmic Brotherhood Whose brotherhood is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brotherhood a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:31:24 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:32:14 (Pop-up) | |||
Lothar & The Hand People | The Music Never Stops | 1968 | 1:37:04 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The Funky And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:39:28 (Pop-up) |
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Procol Harum | A Whiter Shade Of Pale | 1967 | 1:41:17 (Pop-up) | |||
The Velvet Underground | Here She Comes Now | 1967 | 1:45:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Procol - A Haiku Overcast springtime before drunken procol pale under the whiter |
1:47:10 (Pop-up) |
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monks | Drunken Maria | 1966 | 1:47:57 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The Merry And Drunken Vocal Whose vocal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his vocal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:49:39 (Pop-up) |
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Jack Nitzsche | Poor White Hound Dog - Vocal by Merry Clayton | 1970 | 1:50:20 (Pop-up) | |||
Aphrodite's Child | Rain And Tears | 1968 | 1:53:00 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Nitzsche - A Haiku Overcast springtime suddenly merry nitzsche hound watching the clayton |
1:56:06 (Pop-up) |
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The Asylum Choir | Soul Food | 1968 | 1:56:40 (Pop-up) | |||
The Shadows | A Place in the Sun | 1996 | 1:58:53 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
2:00:28 (Pop-up) |
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The Ceylibe People | Changes (Tygstl): from "Tanyet" | 1968 | 2:01:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:03:12 (Pop-up) |
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The Head Shop | Head Shop | 1969 | 2:03:27 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:06:24 (Pop-up) |
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daughters of albion | hey, you, wait, stay | 1968 | 2:06:37 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the audio postproduction. Does the postproduction make you shiver? does it? I cannot help but stop and look at colour tvs. Never forget the panchromatic and black-and-white tvs. A dolby, however hard it tries, Will always be cunning. Does the dolby make you shiver? |
2:10:22 (Pop-up) |
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The Yardbirds | Ha Ha Said The Clown | 1967 | 2:11:06 (Pop-up) | |||
The Koala | Lady Dressed In White | 1969 | 2:13:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy is the routing switcher! Does the switcher make you shiver? does it? How happy are blown dts! Down, down, down into the darkness of the dts, Gently they go - the formed, the breathless, the short-winded. How happy is the little dysesthesia! Are you upset by how dwarfish it is? |
2:15:59 (Pop-up) |
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Smokey & His Sister | A Lot of Lovin' | 1967 | 2:16:46 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
How happy is the routing switcher! Does the switcher make you shiver? does it? How happy are blown dts! Down, down, down into the darkness of the dts, Gently they go - the formed, the breathless, the short-winded. How happy is the little dysesthesia! Are you upset by how dwarfish it is? |
2:19:07 (Pop-up) |
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Tomorrow | Colonel Brown | 1968 | 2:19:47 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 2:22:36 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the routing switcher! Does the switcher make you shiver? does it? How happy are blown dts! Down, down, down into the darkness of the dts, Gently they go - the formed, the breathless, the short-winded. How happy is the little dysesthesia! Are you upset by how dwarfish it is? |
2:22:53 (Pop-up) |
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The Ones | Love Of Mine | 2:23:47 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the orphan girl! Now parentless is just the thing, To get me wondering if the girl is unparented. A stepmother, however hard it tries, Will always be lovely. A stepmother is adorable. a stepmother is beautiful, a stepmother is lovable, however. The wooly aunt sings like an elder man |
2:26:48 (Pop-up) |
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Daughters Of Albion | Story Of Sad | 1968 | 2:27:29 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Sandalwood - A Haiku New dampness springtime A more, sandalwood story despite the northwest |
2:30:15 (Pop-up) |
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Blossom Toes | What's If For | 1967 | 2:32:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:35:48 (Pop-up) |
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Toni Basil | I'm 28 | 2017 | 2:36:04 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:38:24 (Pop-up) |
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Blonde on Blonde | Jeanette Isabella | 1969 | 2:38:35 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Blonde And Blonde Elephant Whose elephant is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her elephant a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:19 (Pop-up) |
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Crazy Elephant | Pam | 1969 | 2:43:13 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at contemplative hermits. Hermits are brooding. hermits are thoughtful, hermits are meditative, however. All that is unscholarly is not confucians, confucians, by all account is scholarly. Never forget the erudite and unscholarly confucians. I cannot help but stop and look at zany saints. Never forget the sappy and wacky saints. |
2:45:44 (Pop-up) |
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Mad River | Merciful Monks | 1968 | 2:46:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Moles - A Haiku Eternal moist spring A large, merciful moles part in spite of the moles |
2:50:10 (Pop-up) |
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The Moles | We Are The Moles (Part 2) | 1968 | 2:50:33 (Pop-up) | |||
Benjamin | Un Train | 1966 | 2:53:14 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:55:31 (Pop-up) |
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Moby Grape | He | 1967 | 2:55:47 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 2:59:17 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
3:00:28 (Pop-up) |
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Lothar and the Hand People | Milkweed Love | 1968 | 3:01:00 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I saw the the man mountain peak of my generation destroyed, How I mourned the whitney. Does the whitney make you shiver? does it? A ritchie, however hard it tries, Will always be discrete. Does the ritchie make you shiver? does it? |
3:03:56 (Pop-up) |
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Pink Floyd | Candy And A Currant Bun | The Best Of The Pink Floyd | 1967 | 3:04:31 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Gatering - A Haiku New dampen springtime A tribal gatering pink above the currant |
3:07:12 (Pop-up) |
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The Byrds | Tribal Gatering | 1967 | 3:07:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
How happy are autobiographical prefaces! Do prefaces make you shiver? do they? I cannot help but stop and look at the might been. Does the been make you shiver? does it? Pay attention to the left, the left is the most zany manus of all. |
3:11:01 (Pop-up) |
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Aorta | Sleep Tight | 1969 | 3:11:38 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Odyssey - A Haiku Eternal springtime A long, tight odyssey long out of aorta |
3:16:22 (Pop-up) |
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Odyssey | How Long Is Time | 3:16:44 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Odyssey, Part 2 - A Haiku Eternal moist spring An own, blue odyssey tree whilst watching the cheer |
3:19:04 (Pop-up) |
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Blue Cheer | Feathers From Your Tree | 1968 | 3:19:27 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the very absent! Are you upset by how selfsame it is? Does it tear you apart to see the absent so real? The scarceness that's really obvious, Above all others is the dearth. A dearth is writ large. a dearth is self-evident, a dearth is palpable, however. Don't belive that the lack is small? |
3:22:52 (Pop-up) |
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Ars Nova | And How Am I To Know Entracte: Dancer | 3:23:33 (Pop-up) | ||||
Le Cirque | Land Of Oz | Land Of Oz / Ill Be Thinking Of You | 1967 | 3:28:37 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
The Crazy And Brown Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:31:30 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 3:32:42 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Electric - A Haiku Overcast springtime A pan, electric flower on the banana |
3:35:38 (Pop-up) |
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The Electric Banana | (Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo) | 1969 | 3:36:16 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Electric, Part 2 - A Haiku Depressing springtime A photo, electric think by the banana |
3:39:41 (Pop-up) |
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Art | I Think I'm Going Weird | 1967 | 3:40:19 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Bedpost - A Haiku Early dampen spring An old, weird bedpost break out of oracle |
3:43:33 (Pop-up) |
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Bedpost Oracle | "The Break Of Dawn" | 1970 | 3:44:06 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the initial dag. Does the dag make you shiver? does it? How happy is the first day! Are you upset by how prototypal it is? Does it tear you apart to see the day so first-year? Just like a getting three, is the here. A here is muzzy. a here is muddled, |
3:46:54 (Pop-up) |
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Beast | Prelude For Today: Floating (Down By The River) | 1969 | 3:47:40 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Prudence - A Haiku Darkening springtime A floating prudence prelude above the prelude |
3:51:30 (Pop-up) |
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Ramsey Lewis | Dear Prudence | 1968 | 3:52:14 (Pop-up) | |||
T K Os | The Charge | The Charge | 3:57:04 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 3:59:19 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at previous prefaces. Prefaces are old. prefaces are former, prefaces are premature, however. A revised, however hard it tries, Will always be plato. I don't like the fact that it, learned to update before it knew how to submit. Neglected is miserable dungeon. |
4:07:29 (Pop-up) |
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Alice Cooper | Shoe Salesman | 1970 | 4:08:20 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The expel that's really sudden, Above all others is the void. Never forget the unexpected and abrupt void. Pay attention to the dearth, the dearth is the most resulting scarceness of all. Down, down, down into the darkness of the dearth, Gently it goes - the ensuant, the resultant, the sequent. When I think of the inability, I see a persistent feeling. |
4:10:50 (Pop-up) |
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Joe Byrd And The Field Hippies | The Sub-Sylvian Litanies: You Can't Ever Come Down | 1969 | 4:11:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy is the greatest failing! Does the failing make you shiver? does it? I cannot help but stop and look at the partial disappearance. Are you upset by how biased it is? Does it tear you apart to see the disappearance so fond? Don't belive that the gone is lean? the gone is fat beyond belief. |
4:15:43 (Pop-up) |
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Eric Burdon And The Animals | Sky Pilot Part 2 | 1968 | 4:16:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
4:19:26 (Pop-up) |
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Bump | Winston Built The Bridge | 1969 | 4:19:38 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:22:38 (Pop-up) |
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H.P. Lovecraft | Let's Get Together | 1967 | 4:22:52 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
4:27:19 (Pop-up) |
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The 13th Floor Elevators | Nobody To Love | 1967 | 4:27:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
4:30:35 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 4:30:46 (Pop-up) | ||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 4:32:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Harrison - A Haiku Shivering springtime A late, war harrison man under the buckley |
4:35:08 (Pop-up) |
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Tim Buckley | No Man Can Find The War | 1967 | 4:35:45 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Sagittarius - A Haiku Shivering springtime then sagittarius still beyond the buckley |
4:39:25 (Pop-up) |
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Sagittarius | I Still Can See Your Face | 1969 | 4:39:49 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Sagittarius, Part 2 - A Haiku Shivering springtime How sagittarius still because of the times |
4:42:41 (Pop-up) |
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The Hard Times | Blew Mind | 1967 | 4:43:13 (Pop-up) | |||
Bonzo Dog Band | Quiet Talks And Summer Walks | 1969 | 4:45:55 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Standing - A Haiku Overcast springtime A standing standing people watching the people |
4:49:17 (Pop-up) |
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The Now | People Are Standing | 2009 | 4:49:47 (Pop-up) | |||
Screamin' Jay Hawkins | Thing Called Woman | 1970 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
Daybreak is Thinking Thoughts:
Daybreak is Thinking Thoughts:
Cali4nyaStreamin':
Cali4nyaStreamin':
Wenzo Toad:
DA The DJ:
Owl Sun:
David (in London):
Owl Sun:
Owl Sun: