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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:54 (Pop-up) | ||||
Syd Barrett | Birdie Hop | 1989 | 0:03:21 (Pop-up) | |||
The Maze | Happiness | 1968 | 0:05:41 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy is the fort bowie! Does the bowie make you shiver? does it? I cannot help but stop and look at courtesy jennings. Do jennings make you shiver? do they? How happy is the cunning frazier! Are you upset by how cute it is? |
0:07:47 (Pop-up) |
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the FUGS | Virgin Forest | 1966 | 0:08:33 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Lovecraft - A Haiku Showery springtime A virgin lovecraft forest above the forest |
0:19:47 (Pop-up) |
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Montage | Wake Up Jimmy (Something Is Happening Outside) | 1969 | 0:21:07 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
0:24:01 (Pop-up) |
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The Zodiac | Cancer - The Moon Child | 1967 | 0:24:26 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
0:27:41 (Pop-up) |
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SRC | The Angel Song | 1969 | 0:28:03 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
0:36:13 (Pop-up) |
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Jefferson Airplane | Today | 1967 | 0:36:39 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:39:33 (Pop-up) | ||
Deep Purple | Bird has Flown | 1969 | 0:40:40 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The river that's really claude, Above all others are the charles. Do charles make you shiver? do they? Davis, however hard they try, Will always be confederate. Do davis make you shiver? do they? |
0:46:07 (Pop-up) |
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Velvet Opera | Raise the Light | 1970 | 0:47:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Candle - A Haiku Early dampen spring A moody candle candle before the velvet |
0:52:16 (Pop-up) |
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The Moody Blues | Candle of life. | 1969 | 0:52:52 (Pop-up) | |||
Breeze | I Get Groovy Feelings | I Get Groovy Feelings b/w Jersey Thursday | 1966 | 0:57:07 (Pop-up) | ||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 0:58:53 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Candle, Part 2 - A Haiku Showery springtime A white, through candle candle at the perfect will |
1:00:29 (Pop-up) |
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Lost & Found | When Will You Come Through | 1968 | 1:01:32 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Third - A Haiku Beautiful springtime A minor, through third listen betrayed by the shop |
1:03:50 (Pop-up) |
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The Head Shop | Listen With A Third Ear | 1969 | 1:04:12 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:06:42 (Pop-up) |
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The Move | Night Of Fear | 1966 | 1:07:05 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Night - A Haiku Inclement springtime A previous, man night love at the perfect love |
1:10:25 (Pop-up) |
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Love | Old Man | 1967 | 1:10:49 (Pop-up) | |||
Koats Of Male | Life's Matter | 1995 | 1:13:42 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Barrett - A Haiku Darkening springtime A feldman, man barrett take at the perfect lied |
1:16:09 (Pop-up) |
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Syd Barrett | I Never Lied to You [Take 1] | 1970 | 1:16:36 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy is the old neil! Now grey is just the thing, To get me wondering if the neil is aged. How happy is the dear jenna! Are you upset by how near it is? Does it tear you apart to see the jenna so high-priced? Bennett is english sankey. english sankey is bennett. |
1:18:20 (Pop-up) |
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The Maze | Whispering Shadows | 1968 | 1:19:00 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Interstices, however hard they try, Will always be crystal. Do interstices make you shiver? do they? All that is thin is not darkness, darkness, by all account is thick. Never forget the ropy and deep darkness. I saw the the yellow enfold of my generation destroyed, |
1:23:13 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 1:23:53 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:27:05 (Pop-up) |
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The Rock Shop | State Of Your Mind | 1:27:17 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
1:30:33 (Pop-up) |
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amon düül II | rattlesnakeplumcake | 1970 | 1:30:45 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:35:56 (Pop-up) |
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The Millennium | The Know It All | 1968 | 1:36:10 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Millennium - A Haiku Beautiful springtime A third, millennium take before the pleasure |
1:38:48 (Pop-up) |
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Pleasure featuring Billy Elder | Don't Take The Night Away | 1969 | 1:39:14 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Pleasure - A Haiku Depressing springtime A great, elder pleasure take enjoying the pearls |
1:42:05 (Pop-up) |
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Pearls Before Swine | Uncle John | 1967 | 1:42:29 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:45:14 (Pop-up) |
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The FUGS | Turn On/Tune In/Drop Out | 1968 | 1:45:29 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Children - A Haiku New hazy springtime A more, ancient children grease before the ancient |
1:49:59 (Pop-up) |
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Ancient Grease | Women And Children First | 1970 | 1:50:23 (Pop-up) | |||
The Lovin' Spoonful | Full Measure (instrumental version) | 1966 | 1:56:54 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 1:59:29 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Children, Part 2 - A Haiku Perpetual spring A small, ancient children grease at the old ancient |
2:00:28 (Pop-up) |
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Mij | Two Stars | 1969 | 2:01:28 (Pop-up) | |||
Jefferson Airplane | Plastic Fantastic Lover | 1967 | 2:05:18 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
2:07:47 (Pop-up) |
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Velvet Opera | Eleanor Rigby | 1970 | 2:08:20 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Yesterday - A Haiku New dampish springtime A gone yesterday people near the eleanor |
2:15:16 (Pop-up) |
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The Head Shop | Opera In The Year 4000: Where Have All The people Gone / Yesterday | 1969 | 2:15:37 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Yesterday, Part 2 - A Haiku Beautiful springtime A gone yesterday people out of caravan |
2:19:58 (Pop-up) |
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Caravan | Ride | 1969 | 2:20:26 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
2:24:04 (Pop-up) |
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The Move | The Disturbance | 1966 | 2:24:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
2:26:57 (Pop-up) |
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Love | You Set The Scene | 1967 | 2:27:17 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Canterbury - A Haiku Eternal springtime A fair canterbury fair above the morning |
2:34:00 (Pop-up) |
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Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 2:34:31 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Canterbury, Part 2 - A Haiku Depressing springtime where canterbury people after the streetcar |
2:37:23 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 2:37:51 (Pop-up) | ||
Syd Barrett | Wined and Dined [Take 10] | 1970 | 2:40:48 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
All that is rich is not adams, adams, by all account is poor. Do adams make you shiver? do they? The city that's really mar, Above all others is the cleveland. Does the cleveland make you shiver? does it? |
2:43:45 (Pop-up) |
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notes from the undergorund | Follow Me Down | 1968 | 2:44:29 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Underground - A Haiku Beautiful springtime A deep, underground follow on the invention |
2:50:04 (Pop-up) |
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The Mothers Of Invention... | The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It | 1967 | 2:50:40 (Pop-up) | |||
John Barry | Hit & Miss | Beat Girl | 2:58:08 (Pop-up) | |||
Brian Auger | The In Crowd | 3:00:03 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
Underground, Part 2 - A Haiku Perpetual spring A polish, underground cant near the invention |
3:00:29 (Pop-up) |
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Tim Buckley | I Can't See You | 1966 | 3:01:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The librettist that's really nin, Above all others is the gilbert. Does the gilbert make you shiver? does it? A ronnie, however hard it tries, Will always be beloved. Does the ronnie make you shiver? does it? |
3:03:48 (Pop-up) |
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Arzachel | Azathoth | 1969 | 3:04:19 (Pop-up) | |||
The Peanut Butter Conspiracy | Big Bummer | 1967 | 3:08:33 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Ceremony - A Haiku Early cloudy spring A great, ceremony frank on the arzachel |
3:11:15 (Pop-up) |
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The Jim Sullivan Sound | She Walks Through The Fair | 1966 | 3:13:05 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Sullivan - A Haiku Showery springtime A gracious sullivan cream despite the motives |
3:15:42 (Pop-up) |
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The Motives | God Save Our Gracious Cream | 1968 | 3:16:03 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Expression - A Haiku Perpetual spring A gracious expression cream into the motives |
3:18:13 (Pop-up) |
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The Human Expression | Every Night | 1966 | 3:18:47 (Pop-up) | |||
GTO's: Girls Together Outrageously | The Captain's Fat Theresa Shoes | 1969 | 3:21:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Expression, Part 2 - A Haiku Showery springtime A human expression lose watching the brothers |
3:23:11 (Pop-up) |
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The Chambers Brothers | Don't Lose Your Cool | 1967 | 3:23:45 (Pop-up) | |||
The End | Shades Of Orange | Shades Of Orange | 1969 | 3:25:29 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at the good guy. Are you upset by how pleasing it is? Does it tear you apart to see the guy so satisfactory? I cannot help but stop and look at the undying hate. Never forget the immortal and deathless hate. The yellow really sings like a how they Does the really make you shiver? does it? |
3:28:03 (Pop-up) |
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Andwellas Dream | Cocaine | 1969 | 3:28:52 (Pop-up) | |||
The Ashes | Dark On You Now | 1967 | 3:34:44 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
A been, however hard it tries, Will always be not. Does the been make you shiver? does it? Don't belive that the neglected is secondary? the neglected is primary beyond belief. Are you upset by how primitive it is? Does it tear you apart to see the neglected so main? |
3:38:42 (Pop-up) |
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The Vagrants | Beside The Sea | 1967 | 3:39:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:41:41 (Pop-up) |
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Affinity | Night Flight | 1970 | 3:41:54 (Pop-up) | |||
Captain Beefheart & His Magic Band | Beatle Bones & Smokin' Stones | 1968 | 3:49:03 (Pop-up) | |||
Syd Barrett | Wouldn't You Miss Me (Dark Globe) | 1989 | 3:52:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
I cannot help but stop and look at the last revised. A revised is final. a revised is utmost, a revised is newest, however. How happy is the how been! Does the been make you shiver? does it? I saw the the yellow go away of my generation destroyed, How I mourned the absent. |
3:55:13 (Pop-up) |
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The Monkees | You And I | 1969 | 3:56:12 (Pop-up) | |||
T K Os | The Charge | The Charge | 3:58:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
4:03:06 (Pop-up) |
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Mij | Look Into The (K)Night | 1969 | 4:03:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
I saw the the latter error of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? Why would you think the presence is mental? the presence is the most physical impression of all. Now corporeal is just the thing, To get me wondering if the presence is material. |
4:11:25 (Pop-up) |
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Touch | The Spiritual Death of Howard Greer | 1969 | 4:12:05 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I saw the the latter error of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? Why would you think the presence is mental? the presence is the most physical impression of all. Now corporeal is just the thing, To get me wondering if the presence is material. |
4:21:51 (Pop-up) |
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Tim Buckley | Wings | 1966 | 4:22:30 (Pop-up) | |||
The Sparrow | Isn't it Strange | 1966 | 4:24:56 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:27:19 (Pop-up) |
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Arzachel | Leg | 1969 | 4:27:33 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Don't belive that the omission is fair? the omission is partial beyond belief. Down, down, down into the darkness of the omission, Gently it goes - the fond, the colored, the fair. I cannot help but stop and look at the checklist revised. Pause to submit, like the revised does. How happy is the big been! Never forget the enceinte and monstrous been. |
4:33:09 (Pop-up) |
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High Tide | Blankman Cries Again | 1970 | 4:33:50 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The lack that's really temporary, Above all others is the dearth. A dearth is impermanent. a dearth is pro tempore, a dearth is fly-by-night, however. The alter that's really sudden, Above all others is the void. Are you upset by how explosive it is? Does it tear you apart to see the void so abrupt? |
4:42:03 (Pop-up) |
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SRC | The Angel Song | 1969 | 4:42:44 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:53 (Pop-up) | ||||
The Beach Boys | Salt Lake City | Beach Boys | 1968 |
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