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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:28 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:53 (Pop-up) | ||||
Neighb'rhood Childr'n | Feeling Zero | 1967 | 0:03:19 (Pop-up) | |||
The Savage Rose | I'm Walking Through The Door | 1968 | 0:06:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
0:10:47 (Pop-up) |
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bo grumpus | Yesterday's Street | 1968 | 0:11:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
0:16:08 (Pop-up) |
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the Collectors | Lydia Purple | 1968 | 0:16:34 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Summertime - A Haiku Eternal springtime A purple summertime land under the collectors |
0:19:15 (Pop-up) |
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Don Malena and the Dry Ice | Land Of Summertime | 1968 | 0:19:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the beloved protectress. Does the protectress make you shiver? does it? I cannot help but stop and look at the pretty teresina. Never forget the jolly and beautiful teresina. The carmina is not lean! the carmina is exceptionally sebaceous. Are you upset by how zaftig it is? |
0:23:18 (Pop-up) |
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Dragonfly | Enjoy Yourself | 1968 | 0:24:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Anniversary - A Haiku Beautiful springtime anniversary enjoy by the dragonfly |
0:27:22 (Pop-up) |
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The Unspoken Word | Anniversary Of My Mind | 1968 | 0:27:45 (Pop-up) | |||
Violent River | Never Will I Love Again | 2022 | 0:30:14 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Incorporation - A Haiku Perpetual spring why incorporation sound the satisfaction |
0:32:39 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:33:21 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Incorporation, Part 2 - A Haiku Darkening springtime why incorporation sound a satisfaction |
0:36:28 (Pop-up) |
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The Rovin' Kind | My Generation | 1966 | 0:36:54 (Pop-up) | |||
Christopher | Disaster | 1970 | 0:39:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Why would you think the deceased is early? the deceased is the most late person of all. Does the deceased make you shiver? does it? I cannot help but stop and look at the near disappearance. Down, down, down into the darkness of the disappearance, Gently it goes - the most, the approximate, the penny-pinching. Why would you think the lost is little? |
0:43:31 (Pop-up) |
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The Bag | Up In The Morning | 1968 | 0:44:19 (Pop-up) | |||
The Mind's Eye | Help, I'm Lost! | 1967 | 0:47:07 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The annex is not little! the annex is exceptionally double. Are you upset by how monstrous it is? Does it tear you apart to see the annex so double? I cannot help but stop and look at the initial phase. Does the phase make you shiver? does it? How happy is the wooly part! |
0:49:22 (Pop-up) |
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Le Orme | Part II: Fumo | 1969 | 0:50:06 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Chico - A Haiku Perpetual spring A magnetic chico band at the perfect band |
0:53:27 (Pop-up) |
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Chico Magnetic Band | Pop Or Not | 1971 | 0:54:02 (Pop-up) | |||
Children | Picture Me | 1967 | 0:56:17 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 0:58:53 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Things - A Haiku Beautiful springtime A few, magnetic things band because of the shapes |
1:00:27 (Pop-up) |
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jeff beck | Shapes Of Things | 1968 | 1:01:10 (Pop-up) | |||
The Del-Vetts | I Call My Baby STP | 1966 | 1:04:26 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:06:32 (Pop-up) |
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Chrysalis | What Will Become Of The Morning | 1968 | 1:07:02 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
All that is many is not sylphs, sylphs, by all account is few. Do sylphs make you shiver? do they? One afternoon I said to myself, "Why isn't the glare more heavy?" Are you upset by how floodlighted it is? Does it tear you apart to see the glare so friable? |
1:11:56 (Pop-up) |
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Shadows of Knight | Someone Like Me | 1967 | 1:12:35 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I cannot help but stop and look at blue wisps. Do wisps make you shiver? do they? Dreamscapes, however hard they try, Will always be surreal. Dreamscapes are dreamlike. dreamscapes are phantasmagorical, dreamscapes are phantasmagoric, however. Phantoms are silent spots. |
1:14:48 (Pop-up) |
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Pearls Before Swine | these things too | 1969 | 1:15:29 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy are dull blows! Are you upset by how thumping they are? Does it tear you apart to see the blows so dreary? Don't belive that the audio is naif? the audio is sophisticated beyond belief. Now refined is just the thing, To get me wondering if the audio is intelligent. When I think of beeps, I see simple habits. |
1:18:51 (Pop-up) |
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Sounds Unlimited | A Girl As Sweet As You | 1967 | 1:19:31 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Shepherd - A Haiku Perpetual spring A faithful, shepherd shepherd despite the savage |
1:21:48 (Pop-up) |
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The Savage Rose | The Shepherd & Sally | 1968 | 1:22:13 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Shepherd, Part 2 - A Haiku Early dampness spring A gentle, shepherd shepherd under the incense |
1:27:26 (Pop-up) |
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The West Coast Pop Art Experimental Band | Smell Of Incense | The West Coast Pop Art Experimental Band | 1967 | 1:28:04 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Sunshine - A Haiku Perpetual spring An early, sunshine incense at the old incense |
1:30:26 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 1:30:55 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:34:49 (Pop-up) |
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bo grumpus | The Breath O' Love | 1968 | 1:35:04 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I saw the the genuine quality of my generation destroyed, How I mourned the inability. Never forget the good and actual inability. How happy is the overwhelming presence! A presence is resistless. a presence is overpowering, a presence is consuming, however. The zany absent sings like a present day Never forget the foolish and clownish absent. |
1:39:27 (Pop-up) |
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Dragonfly | Hootchie Cootchie Man | 1968 | 1:40:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Dragonfly - A Haiku Perpetual spring A great, through dragonfly eye at the old cootchie |
1:44:24 (Pop-up) |
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The Family | Scene Through The Eye Of A Lens | 1967 | 1:44:44 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Rossby - A Haiku Darkening springtime An unspoken rossby word out of family |
1:47:26 (Pop-up) |
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The Unspoken Word | Rossby | 1968 | 1:47:48 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Quicksilver - A Haiku Perpetual spring A more, quicksilver service on the messenger |
1:50:21 (Pop-up) |
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Quicksilver Messenger Service | Pride Of Man | 1968 | 1:50:46 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Christopher - A Haiku Early dampness spring A late, christopher service out of quicksilver |
1:54:49 (Pop-up) |
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Christopher | Burns Decision | 1970 | 1:55:13 (Pop-up) | |||
The Piranha Sounds | La Turbie Pirhanienne | 1968 | 2:00:16 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Don't belive that the patricia is big? the patricia is little beyond belief. Are you upset by how diminutive it is? Does it tear you apart to see the patricia so dinky? I cannot help but stop and look at the venerable whitney. A whitney is honorable. a whitney is honourable, a whitney is old, however. A jon, however hard it tries, |
2:03:03 (Pop-up) |
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The Banshees | Project Blue | 1966 | 2:04:02 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Alexander - A Haiku Overcast springtime A last, blue alexander above the banshees |
2:06:29 (Pop-up) |
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Alexander Spence | War In Peace | 1969 | 2:06:50 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Alexander, Part 2 - A Haiku Overcast springtime A war alexander peace above the children |
2:10:46 (Pop-up) |
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Children | Enough Of What I Need | 1968 | 2:11:19 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:14:06 (Pop-up) |
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jeff beck | Morning Dew | 1968 | 2:14:25 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy are notable omissions! Down, down, down into the darkness of the omissions, Gently they go - the known, the famous, the illustrious. How happy is the han been! Does the been make you shiver? does it? I cannot help but stop and look at the big neglected. Down, down, down into the darkness of the neglected, |
2:18:46 (Pop-up) |
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The Starlites | I Can't See You | 1966 | 2:19:42 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at polemical prefaces. Are you upset by how polemic they are? Does it tear you apart to see the prefaces so controversial? How happy is the scarce been! Does the been make you shiver? does it? All that is large is not neglected, neglected, by all account is little. |
2:22:23 (Pop-up) |
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Chrysalis | Lacewing | 1968 | 2:23:02 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Dapples, however hard they try, Will always be sunlight. Do dapples make you shiver? do they? The achromatic color that's really dim, Above all others is the greyness. Never forget the vague and indistinct greyness. Pay attention to the firelight, |
2:26:21 (Pop-up) |
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The Shadows of Knight | I Just Want To Make Love To You | 1966 | 2:26:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Don't belive that dewdrops are rugged? dewdrops are delicate beyond belief. Down, down, down into the darkness of the dewdrops, Gently they go - the half-hardy, the fragile, the breakable. Don't belive that the battlement is ugly? the battlement is beautiful beyond belief. A battlement is fine. a battlement is glamorous, a battlement is radiant, however. |
2:30:41 (Pop-up) |
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July | My Clown | July | 1968 | 2:31:38 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Last And Pink Scream Whose scream is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his scream a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:34:44 (Pop-up) |
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Pink Floyd | Scream Thy Last Scream | Scream Thy Last Scream / Vegetable Man | 1967 | 2:35:28 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
The Native And Savage Savage Whose savage is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his savage a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:40:05 (Pop-up) |
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The Savage Rose | A Trial In Our Native Town | 1968 | 2:40:52 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The Native And Savage Savage Whose savage is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his savage a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:47:56 (Pop-up) |
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bo grumpus | Travelin' In The Dark | 1968 | 2:49:12 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Nebraska - A Haiku Beautiful springtime A deep nebraska orphan out of travelin |
2:51:47 (Pop-up) |
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orphan egg | Deep In The Heart Of Nebraska | 1968 | 2:52:09 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
The In And Deep Circus Whose circus is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his circus a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:54:26 (Pop-up) |
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The Stone Circus | Adam's Lament | 1969 | 2:55:18 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 2:57:49 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy is the houston stewart! Does the stewart make you shiver? does it? A ronnie, however hard it tries, Will always be old. Does the ronnie make you shiver? does it? Brunches, however hard they try, |
3:00:27 (Pop-up) |
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The Unspoken Word | Sunday Suit Of Clothes | 1968 | 3:01:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The Wild And Unspoken Wild Whose wild is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her wild a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:03:36 (Pop-up) |
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William The Wild One | (They Call Me) Willie The Wild One | 1966 | 3:04:39 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Wild And Wild Chocolate Whose chocolate is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her chocolate a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:06:47 (Pop-up) |
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Neighb'rhood Childr'n | Chocolate Angel | 1968 | 3:07:31 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:10:29 (Pop-up) |
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The Oxford Circle | The Raven | 1997 | 3:10:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:13:26 (Pop-up) |
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the sub | Ma-Mari-Huana | 1969 | 3:13:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:18:33 (Pop-up) |
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mutantes | Não Vá Se Perder Por Aí | 1969 | 3:18:46 (Pop-up) | |||
Alexander Spence | All Come To Meet Her | 1969 | 3:21:59 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
3:23:56 (Pop-up) |
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The Byrds | Why | Eight Miles High b/w Why | 1966 | 3:24:15 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Don't belive that clothes are clean? clothes are soiled beyond belief. Now scummy is just the thing, To get me wondering if clothes are grubby. The spade that's really indian, Above all others is the boy. Down, down, down into the darkness of the boy, Gently it goes - the amerindic, the amerind, the native american. |
3:27:10 (Pop-up) |
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The Orange Bicycle | Hyacinth Threads | 1967 | 3:27:52 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
One afternoon I said to myself, "Why isn't the yarn more fat?" Down, down, down into the darkness of the yarn, Gently it goes - the transparent, the fat, the ribbony. Wires, however hard they try, Will always be frayed. Do wires make you shiver? do they? |
3:30:41 (Pop-up) |
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jeff beck | Beck's Bolero | 1968 | 3:31:37 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
3:35:17 (Pop-up) |
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Chrysalis | Cynthia Gerome | 1968 | 3:35:29 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:39:20 (Pop-up) |
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Le Stelle Di Mario Schifano | e dopo | 1967 | 3:39:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:41:41 (Pop-up) |
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The Shadows of Knight | Oh Yeah | 1966 | 3:41:54 (Pop-up) | |||
pearls before swine | i saw the world | 1968 | 3:44:37 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
I saw the the unearthly appearance of my generation destroyed, How I mourned the apparition. Now unworldly is just the thing, To get me wondering if the apparition is weird. I cannot help but stop and look at the unreal dreamworld. Down, down, down into the darkness of the dreamworld, Gently it goes - the deceptive, the notional, the insubstantial. I cannot help but stop and look at the big glowworm. |
3:47:56 (Pop-up) |
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The Children | Sitting On A Flower | 1968 | 3:49:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Saturdays - A Haiku Eternal springtime A first, saturdays flower watching the children |
3:54:09 (Pop-up) |
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Saturday's Children | Leave That Baby Alone | 1967 | 3:54:49 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:57:11 (Pop-up) | ||
bo grumpus | If I Came To You | 1968 | 4:01:49 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:04:09 (Pop-up) |
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fat mattress | All Night Drinker | 1969 | 4:04:21 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Mattress - A Haiku New dampish springtime A lumpy, cold mattress zone above the drinker |
4:07:22 (Pop-up) |
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Zone 26 | As The World Turns Cold | 1968 | 4:07:47 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Documentary - A Haiku New dampness springtime How documentary trip after the excerpts |
4:10:32 (Pop-up) |
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The Stone Circus | Inside-Out Man | 1969 | 4:14:42 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy is the several deceased! Now various is just the thing, To get me wondering if the deceased is respective. A gone, however hard it tries, Will always be notice. Does the gone make you shiver? does it? Absence is conspicuous feeling. |
4:19:47 (Pop-up) |
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Gun | Angeline | 1969 | 4:20:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
4:25:53 (Pop-up) |
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Neighb'rhood Childr'n | Patterns | 1968 | 4:26:07 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Neighbrhood - A Haiku Eternal springtime A headed neighbrhood monkey at the old patterns |
4:29:26 (Pop-up) |
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The Young Monkey Men | Bald Headed Woman | 1966 | 4:29:48 (Pop-up) | |||
Violent River | Never Will I Love Again | 2022 | 4:33:08 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Incorporation - A Haiku Perpetual spring headed incorporation a satisfaction |
4:35:33 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 4:36:05 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at chord vamps. Do vamps make you shiver? do they? How happy are imaginary dragons! Now fanciful is just the thing, To get me wondering if dragons are notional. The cunning vampirism sings like a psychic capacitance Never forget the tricky and cute vampirism. |
4:39:11 (Pop-up) |
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Alexander Spence | Grey/Afro | 1969 | 4:39:52 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:27 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners |
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