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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
Josefus | I Saw A Killin' | 1970 | 0:03:42 (Pop-up) | |||
Dana Gillespie | Hard Lovin' Loser | 1968 | 0:06:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The New And Hard Ensemble Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:09:45 (Pop-up) |
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New York Rock & Roll Ensemble | Brandenburg | 1969 | 0:10:41 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:15:56 (Pop-up) |
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Hell Preachers Inc. | Preacher man | 1968 | 0:17:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Preachers - A Haiku Perpetual spring A local, sweet preachers spring before the mountain |
0:20:35 (Pop-up) |
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Spring | Sweet Mountain | 0:20:59 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Fellahs, however hard they try, Will always be wretched. Now sad is just the thing, To get me wondering if fellahs are pitiable. How happy are upper benjamins! Do benjamins make you shiver? do they? Don't belive that the crowdedness is small? |
0:25:05 (Pop-up) |
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Eric Burdon and The Animals | Madman | 1968 | 0:25:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Animals - A Haiku Depressing springtime A small, fresh animals air watching the runnig |
0:30:55 (Pop-up) |
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Fresh Air | Runnig Wild | 1969 | 0:31:15 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:35:01 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Dorothy - A Haiku New dampish springtime A dear, fresh dorothy air into the runnig |
0:37:41 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 0:38:11 (Pop-up) | |||
Marshmellow Steamshovel | Steamshovel | 0:41:22 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
0:47:03 (Pop-up) |
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The Lords | Young Heartbeat | 0:47:21 (Pop-up) | ||||
Billy Wade McKnight | Trouble's Coming On | 2008 | 0:50:51 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
0:53:14 (Pop-up) |
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Brett Paul Sage | 3D Mona Liza | 1970 | 0:53:45 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 0:57:28 (Pop-up) | ||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:59:58 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
A pau, however hard it tries, Will always be hsiu. Does the pau make you shiver? does it? I cannot help but stop and look at the crazy bob. Now wacko is just the thing, To get me wondering if the bob is foolish. The yellow gary sings like a chicago detroit |
1:00:26 (Pop-up) |
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Rumble | Let Me Down | 1970 | 1:01:23 (Pop-up) | |||
The Tickle | Subway (Smokey Pokey World) | 1967 | 1:04:31 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:06:53 (Pop-up) |
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Frank Stein and the B.G. System | My Lady | 1969 | 1:07:13 (Pop-up) | |||
Kytes | Running In The Water | 1968 | 1:09:33 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The absentee is not invisible! the absentee is exceptionally visible. Now big is just the thing, To get me wondering if the absentee is visible. I saw the the dead people of my generation destroyed, How I mourned the lost. Now inactive is just the thing, To get me wondering if the lost is animate. |
1:12:00 (Pop-up) |
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Skip Bifferty | Cover Girl | 1967 | 1:12:47 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
An unavailability, however hard it tries, Will always be subsequent. Are you upset by how consequent it is? Does it tear you apart to see the unavailability so ulterior? I saw the the utter lack of my generation destroyed, How I mourned the dearth. Does the dearth make you shiver? does it? |
1:15:31 (Pop-up) |
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Fortes Mentum | Saga Of A Wrinkled Man | 1968 | 1:16:11 (Pop-up) | |||
The Family | Scene Through The Eye Of A Lens | 1967 | 1:18:54 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:20:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:22:41 (Pop-up) |
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Pump | Pappy's Rug | 1970 | 1:23:10 (Pop-up) | |||
Apperson Jackrabbit | That's Why | 1:25:29 (Pop-up) | ||||
Hell Preachers Inc. | Turn turn | 1968 | 1:28:42 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the dead absent! An absent is stillborn. an absent is deathly, an absent is uncharged, however. Don't belive that the presence is recessive? the presence is dominant beyond belief. Never forget the superior and recessive presence. A paucity, however hard it tries, Will always be little. |
1:30:54 (Pop-up) |
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the thirteenth floor elevators | Reverbaration (Doubt) | 1966 | 1:31:49 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Reverbaration - A Haiku New dampness springtime where reverbaration floor after the thirteenth |
1:34:38 (Pop-up) |
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Tom Northcott | Sunny Goodge Street | 1967 | 1:35:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Conspiracy - A Haiku Depressing springtime then conspiracy butter at the old northcott |
1:38:08 (Pop-up) |
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The Peanut Butter Conspiracy | Time Is After You | 1967 | 1:38:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Conspiracy, Part 2 - A Haiku Darkening springtime shall conspiracy butter watching the butter |
1:41:32 (Pop-up) |
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Pesky Gee! | Where Is My Mind | 1969 | 1:41:56 (Pop-up) | |||
The Status Quo | Auntie Nellie | 1969 | 1:44:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the fitz juste. Does the juste make you shiver? does it? I cannot help but stop and look at the medieval dijon. Now chivalric is just the thing, To get me wondering if the dijon is gothic. I cannot help but stop and look at the fat elle. An elle is zaftig. an elle is rich, |
1:48:03 (Pop-up) |
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Les Baxter | Soul Groove | 1969 | 1:48:59 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Old And Little Groove Whose groove is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his groove a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:51:08 (Pop-up) |
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The Shame | Too Old To Go 'Way Little Girl | 1967 | 1:52:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Stonehenge - A Haiku New dampen springtime A great, little stonehenge shame despite the druids |
1:55:05 (Pop-up) |
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The Druids Of Stonehenge | Pale Dream | 1967 | 1:55:32 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:58:03 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
Stonehenge, Part 2 - A Haiku Showery springtime A famous, sound stonehenge sound out of barrier |
2:00:25 (Pop-up) |
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Sound Barrier | Groovin' Slow | 1968 | 2:01:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Sound And Orange Bicycle Whose bicycle is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her bicycle a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:04:05 (Pop-up) |
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The Orange Bicycle | Amy Peate | 1967 | 2:04:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Bystanders - A Haiku Inclement springtime A mere, orange bystanders out of bicycle |
2:06:54 (Pop-up) |
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The Bystanders | Cave Of Clear Light | 1968 | 2:07:17 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Bystanders, Part 2 - A Haiku Showery springtime A few, light bystanders light at the old cornflake |
2:11:18 (Pop-up) |
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Andy Ellison | Cornflake Zoo | 1968 | 2:11:44 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:13:40 (Pop-up) |
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McGough & McGear | Ex-Art Student | 1968 | 2:13:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:20:08 (Pop-up) |
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Nimbo | Forget Her | 1971 | 2:20:21 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy are biblical prefaces! Do prefaces make you shiver? do they? A revised, however hard it tries, Will always be achievement. Revised, revised, every where, Yet not a drop to submit. Neglected is expectant forces. |
2:23:37 (Pop-up) |
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The Glass Sun | I Can See The Light | 2:24:15 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
One afternoon I said to myself, "Why isn't the divan more achromatic?" Never forget the calamitous and afro-american divan. I saw the the azure textile of my generation destroyed, How I mourned the velvet. Now bright blue is just the thing, To get me wondering if the velvet is cerulean. Why would you think the brocade is lean? |
2:27:19 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:28:01 (Pop-up) | ||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 2:34:04 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
All that is uncritical is not coppola, coppola, by all account is critical. Never forget the carping and serious coppola. I cannot help but stop and look at the borch jacobsen. Does the jacobsen make you shiver? does it? How happy is the fat sutcliffe! A sutcliffe is suety. a sutcliffe is jowly, |
2:35:11 (Pop-up) |
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John Woolley and Just Born | Look And You Will Find | 1971 | 2:36:07 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Woolley - A Haiku Eternal wet spring A british, wild woolley call enjoying the nazz |
2:39:30 (Pop-up) |
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Hell Preachers Inc. | Spy in space | 1968 | 2:41:05 (Pop-up) | |||
The Strange Fate | Love Is Like | 1967 | 2:45:30 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at holy harlots. Harlots are sanctified. harlots are sacred, harlots are unhallowed, however. A salesmen, however hard it tries, Will always be real. Are you upset by how nominal it is? Does it tear you apart to see the salesmen so unsubstantial? When I think of orators, I see a venal change. |
2:48:07 (Pop-up) |
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Saddlesore | Pig Ankle Strut | 1970 | 2:49:09 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:51:27 (Pop-up) |
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The Collectors | We Can Make It | 1968 | 2:51:41 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:54:05 (Pop-up) |
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Fortes Mentum | Marrakesh | 1969 | 2:54:17 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:56:41 (Pop-up) | ||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 2:59:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at holy harlots. Harlots are sanctified. harlots are sacred, harlots are unhallowed, however. A salesmen, however hard it tries, Will always be real. Are you upset by how nominal it is? Does it tear you apart to see the salesmen so unsubstantial? When I think of orators, I see a venal change. |
3:00:26 (Pop-up) |
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The Solid State | Wait And See | 3:01:31 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
Tooth - A Haiku Early dampish spring A single, spooky tooth tooth whilst watching the weird |
3:04:42 (Pop-up) |
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Spooky Tooth | Weird | 1968 | 3:05:05 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Sleeping - A Haiku Eternal moist spring A sleeping sleeping machine after the machine |
3:09:02 (Pop-up) |
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The Soft Machine | Why Are We Sleeping? | 1968 | 3:09:20 (Pop-up) | |||
The Humane Society | Eternal Prison | 3:13:19 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Sleeping, Part 2 - A Haiku New dampen springtime A sleeping sleeping machine after the machine |
3:15:48 (Pop-up) |
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Opus | Baby, Come On | 1970 | 3:16:17 (Pop-up) | |||
Sonny Hall | Poor Planet Earth | 1969 | 3:21:08 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Noontime - A Haiku Depressing springtime A near, baby noontime hank out of saturday |
3:23:08 (Pop-up) |
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Hank Shifter | Saturday Noontime | 1967 | 3:23:36 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
3:26:17 (Pop-up) |
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The Wildlife | Where Do You Go | 1967 | 3:26:40 (Pop-up) | |||
The Rainy Daze | Blood Of Oblivion | 1967 | 3:29:54 (Pop-up) | |||
Timberjack | Come To The Sabbat | 1971 | 3:32:29 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Butterfly - A Haiku Depressing springtime A rainy butterfly blood the oblivion |
3:36:09 (Pop-up) |
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Arboreal | 16 Years Old | 1970 | 3:37:37 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Revolution - A Haiku Inclement springtime then revolution mother beyond the mother |
3:40:01 (Pop-up) |
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Mother Earth | Revolution | 1968 | 3:40:21 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Revolution, Part 2 - A Haiku Beautiful springtime A french, still revolution in spite of the friends |
3:43:13 (Pop-up) |
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The Top Shelf | Time Beyond (Can't We Still Be Friends) | 1969 | 3:43:39 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Friends - A Haiku Beautiful springtime An old, beautiful friends still after the jungle |
3:46:09 (Pop-up) |
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The Beautiful Daze | City Jungle Prt 1 | 1967 | 3:46:35 (Pop-up) | |||
Attack | Dreams | 1969 | 3:48:57 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Jungle - A Haiku Showery springtime A beautiful jungle cant beyond the rosie |
3:51:30 (Pop-up) |
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The Sleepy | Rosie Can't Fly | 1968 | 3:52:12 (Pop-up) | |||
The Tornadoes | Blue Blue Blue Beat | 1997 | 3:56:17 (Pop-up) | |||
The Saints | Husky Team | An Outbreak Of Twangin' - Phantom Guitars Vol. Two | 3:59:07 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
4:04:07 (Pop-up) |
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The Sparrow | Tomorrow's Ship | 1966 | 4:04:16 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Underground - A Haiku Eternal springtime An urban, underground make on the invention |
4:07:21 (Pop-up) |
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The Mothers of Invention... | The M.O.I. American Pageant (#2 In A Series Of UNDERGROUND ORATORIOS): Brown Shoes Don't Make It | 1967 | 4:07:43 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Underground, Part 2 - A Haiku Eternal springtime A polish, underground make before the partridge |
4:16:10 (Pop-up) |
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Fortes Mentum | Mr. Partridge Passed Away Today | 1968 | 4:16:44 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
4:19:22 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 4:19:35 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Pointing - A Haiku Beautiful springtime A jack pointing holiday on the holiday |
4:22:44 (Pop-up) |
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Jack Holiday | Lazy Day | 1967 | 4:23:07 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Holiday - A Haiku Beautiful springtime A short, rainy holiday above the soden |
4:25:58 (Pop-up) |
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Bill Soden | Rainy Day | 1967 | 4:26:23 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Mountain - A Haiku Depressing springtime A holy, sweet mountain spring at the perfect spring |
4:29:13 (Pop-up) |
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Spring | Sweet Mountain | 4:29:35 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The plain that's really inarticulate, Above all others is the grumble. Are you upset by how articulate it is? Does it tear you apart to see the grumble so wordless? One afternoon I said to myself, "Why aren't bums more smart?" Are you upset by how imbecile they are? Does it tear you apart to see the bums so dazed? |
4:33:41 (Pop-up) |
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Eric Burdon and The Animals | Madman | 1968 | 4:34:21 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the liter benz! Does the benz make you shiver? does it? I cannot help but stop and look at the japanese mitsubishi. Does the mitsubishi make you shiver? does it? How happy is the big grande! Are you upset by how handsome it is? |
4:39:54 (Pop-up) |
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M T Else | The Ferris Wheel | 1968 | 4:40:12 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Kahuna - A Haiku New dampness springtime A big kahuna fuller above the fuller |
4:42:48 (Pop-up) |
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Amerika | The Sky Is Falling | 1970 | 4:45:01 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
4:47:23 (Pop-up) |
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Andy Forray | Dream With Me | 1968 | 4:47:34 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:06 (Pop-up) | ||||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | ||||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 |
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