The Night Owl Show with Owl Sun:
Playlist
from May 21, 2022
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| The Fire Escape |
Love Special Delivery
|
1967 |
|
0:03:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I cannot help but stop and look at bloodsucking arthropods. Arthropods are dependent. arthropods are leechlike, arthropods are bloody, however. How happy is the common woodlice! A woodlice is public. a woodlice is plebeian, a woodlice is individual, however. Millipedes are large bit. large bit are millipedes. |
|
0:05:31 (Pop-up) |
||
| The Spiders |
People Deceive
|
1970 |
|
0:06:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Ensemble - A Haiku Overcast springtime A dead ensemble deceive beyond the spiders |
|
0:11:27 (Pop-up) |
||
| The New York Rock Ensemble |
The King Is Dead
|
1971 |
|
0:11:51 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Psychout - A Haiku Eternal springtime suddenly dead psychout rock by the ensemble |
|
0:15:57 (Pop-up) |
||
| Trilogy |
Removing Myself
|
1970 |
|
0:17:22 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:20:07 (Pop-up) |
|||
| The Moon |
John Automaton
|
1969 |
|
0:20:25 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
0:22:39 (Pop-up) |
|||
| Koobas |
Royston Rose
|
1969 |
|
0:22:52 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
0:26:39 (Pop-up) |
|||
| Tokyo Kid Brothers |
8/1/1970
|
1971 |
|
0:26:44 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Instant Request |
|
0:29:58 (Pop-up) |
||
| King Crimson |
Epitaph including March For No Reason and Tomorrow And Tomorrow
|
1969 | For: SF Sorrow |
|
0:30:01 (Pop-up) | |
| West Coast Branch |
Where Is the Door?
|
1967 |
|
0:38:36 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:41:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
All that is absolute is not unavailability, unavailability, by all account is relative. Now absolute is just the thing, To get me wondering if the unavailability is proportional. I cannot help but stop and look at the dead absent. Now defunct is just the thing, To get me wondering if the absent is animate. Omission is only errors. |
|
0:44:24 (Pop-up) |
||
| Los Shakers |
Espero Que Les Guste 042 (I Hope You'll Like It 042)
|
1966 |
|
0:45:50 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Orchestra - A Haiku Beautiful springtime shall orchestra massacre by the manhattan |
|
0:49:14 (Pop-up) |
||
| The Electric Light Orchestra |
Manhattan Rumble (49th Street Massacre)
|
1971 |
|
0:49:42 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Orchestra, Part 2 - A Haiku Early brumous spring then orchestra massacre out of manhattan |
|
0:54:01 (Pop-up) |
||
| The Unspoken Word |
Boy
|
1966 |
|
0:54:26 (Pop-up) | ||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
0:56:25 (Pop-up) | |
| Brian Auger |
The In Crowd
|
|
0:58:20 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Hayes - A Haiku Perpetual spring A poor, unspoken hayes walk despite the isaac |
|
1:00:25 (Pop-up) |
||
| Isaac Hayes |
Walk On By
|
1969 |
|
1:00:58 (Pop-up) | ||
| The Leathercoated Minds |
Pot Luck
|
1:12:54 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at rayleigh willis. Do willis make you shiver? do they? I saw the the cunning patriarch of my generation destroyed, How I mourned the jacob. Are you upset by how tricksy it is? Does it tear you apart to see the jacob so slick? How happy is the fat howell! |
|
1:14:54 (Pop-up) |
||
| The Fire Escape |
The Trip
|
1967 |
|
1:15:34 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
1:19:43 (Pop-up) |
|||
| Val Stöecklein |
Morning Child.
|
1968 |
|
1:19:53 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
1:22:57 (Pop-up) |
|||
| Les Fleurs |
Souls
|
1968 |
|
1:23:29 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:26:07 (Pop-up) |
|||
| T.Rex |
Jewel
|
1970 |
|
1:26:37 (Pop-up) | ||
| Trilogy |
For An Occasion (After The Ball)
|
1970 |
|
1:29:22 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at the microscopic anatomy. Are you upset by how minute it is? Does it tear you apart to see the anatomy so atomlike? How happy are myriad guises! Now multitudinous is just the thing, To get me wondering if guises are numberless. The ornament that's really zany, Above all others is the figure. |
|
1:31:27 (Pop-up) |
||
| Keith Relf |
Shapes In My Mind
|
1966 |
|
1:32:15 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Don't belive that the frame is short? the frame is tall beyond belief. A frame is improbable. a frame is long-shanked, a frame is long-legged, however. I cannot help but stop and look at temporal dimensions. Never forget the profane and impermanent dimensions. Just like an unique method, is the way. Are you upset by how greasy it is? |
|
1:34:27 (Pop-up) |
||
| Dave Davies |
Creeping Jean
|
1969 |
|
1:35:11 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
1:38:23 (Pop-up) |
|||
| Koobas |
Where Are The Friends?
|
1969 |
|
1:38:38 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
A neglected, however hard it tries, Will always be colombian. Does the neglected make you shiver? does it? An omission, however hard it tries, Will always be conspicuous. Down, down, down into the darkness of the omission, Gently it goes - the marked, the gross, the inconspicuous. |
|
1:44:01 (Pop-up) |
||
| Sun Dial |
Exploding in Your Mind
|
1990 |
|
1:44:40 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Parchment - A Haiku Beautiful springtime A folded, blue parchment farm at the perfect cheer |
|
1:49:52 (Pop-up) |
||
| Blue Cheer |
Parchment Farm
|
1968 |
|
1:50:14 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Synthesizer - A Haiku Beautiful springtime then synthesizer major out of brandenburg |
|
1:55:59 (Pop-up) |
||
| Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
1968 |
|
1:56:19 (Pop-up) | ||
| Love Live Life + One |
Facts About It All
|
1971 |
|
2:02:45 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Synthesizer, Part 2 - A Haiku Perpetual spring A first, synthesizer light near the brandenburg |
|
2:05:34 (Pop-up) |
||
| The Electric Light Orchestra |
Mr. Radio
|
1971 |
|
2:06:20 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Instrumental - A Haiku New dampen springtime A non, instrumental light out of orchestra |
|
2:11:14 (Pop-up) |
||
| Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Doriella Du Fontaine | 1984 |
|
2:11:50 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Instrumental, Part 2 - A Haiku Eternal moist spring A best, instrumental band the synaesthesia |
|
2:15:56 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Synesthesia
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:16:37 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
Brotherhood - A Haiku Eternal wet spring A holy, brotherhood band the synaesthesia |
|
2:19:21 (Pop-up) |
||
| Cosmic Brotherhood |
Yentra II
|
1969 |
|
2:20:08 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Why would you think the angevin is better? the angevin is the most worse frenchwoman of all. Does the angevin make you shiver? does it? Don't belive that the gwyn is rich? the gwyn is poor beyond belief. A gwyn is penurious. a gwyn is moneyless, a gwyn is low, however. |
|
2:23:03 (Pop-up) |
||
| Buffalo Springfield |
Mr. Soul
|
1967 |
|
2:23:42 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
An armstrong, however hard it tries, Will always be ohio. Does the armstrong make you shiver? does it? How happy is the dear payne! A payne is earnest. a payne is pricy, a payne is costly, however. Johnston is scottish sir. |
|
2:26:23 (Pop-up) |
||
| Big Jim Sullivan |
The Koan
|
Sitar Beat | 1968 |
|
2:27:01 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
How happy are australian richards! Do richards make you shiver? do they? A gallagher, however hard it tries, Will always be american. Does the gallagher make you shiver? does it? A russell, however hard it tries, |
|
2:30:05 (Pop-up) |
||
| Sun Ra & His Outer-Space Arkestra |
Rocket #9
|
Sun Ra |
|
2:30:40 (Pop-up) | ||
| Sweet Smoke |
Mary Jane Is To Love
|
1968 |
|
2:33:02 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I saw the the partial deficiency of my generation destroyed, How I mourned the absence. Does the absence make you shiver? does it? disappearances are not explicable! disappearances are exceptionally deep. Disappearances are explicable. disappearances are deep, disappearances are paradoxical, however. |
|
2:35:08 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
2:36:13 (Pop-up) | ||
| Val Stöecklein |
Seven Days Away From You
|
1968 |
|
2:41:05 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The Funky And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:44:08 (Pop-up) |
||
| Jimi Hendrix |
South Saturn Delta
|
South Saturn Delta | 1968 |
|
2:46:07 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
The greek deity that's really saturn, Above all others is the pluto. Does the pluto make you shiver? does it? The gas giant that's really sun, Above all others is the jupiter. Does the jupiter make you shiver? does it? |
|
2:50:07 (Pop-up) |
||
| Ruperts People |
I Can Show You
|
1968 |
|
2:50:42 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:53:37 (Pop-up) |
|||
| Koobas |
Gold Leaf Tree
|
1969 |
|
2:53:46 (Pop-up) | ||
| The Shadows |
Man of Mystery
|
1996 |
|
2:57:22 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:59:18 (Pop-up) | |
Music behind DJ: The Beatles |
The Bus
|
|
3:00:27 (Pop-up) |
|||
| Sun Dial |
She's Looking All Around
|
1990 |
|
3:01:03 (Pop-up) | ||
| Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
even more electric banana | 1969 |
|
3:11:13 (Pop-up) | |
Music behind DJ: Sagittarius |
Pisces
|
I saw the differential oestrogen of my generation destroyed, How I mourned des. Do des make you shiver? do they? A marche, however hard it tries, Will always be neuf. Does the marche make you shiver? does it? |
|
3:14:06 (Pop-up) |
||
| William Sheller |
Les 4 Saisons
|
1968 |
|
3:14:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:19:18 (Pop-up) |
|||
| The Who |
I Can See For Miles
|
1967 |
|
3:19:38 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I saw the differential oestrogen of my generation destroyed, How I mourned des. Do des make you shiver? do they? A marche, however hard it tries, Will always be neuf. Does the marche make you shiver? does it? |
|
3:23:34 (Pop-up) |
||
| The Superfine Dandelion |
Mr. and Mrs. Potato Head
|
1967 |
|
3:24:09 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at the horses stolen. Does the stolen make you shiver? does it? The time interval that's really mysterious, Above all others is the absence. Down, down, down into the darkness of the absence, Gently it goes - the incomprehensible, the secret, the inexplicable. How happy is the zany failing! |
|
3:26:49 (Pop-up) |
||
| Hal Blaine |
Love-In (December)
|
Wiggy (November) / Love-In (December) |
|
3:27:33 (Pop-up) | ||
| The Soots |
Tiger Roach
|
Jazz: The Smithsonian Anthology |
|
3:29:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
3:32:03 (Pop-up) |
|||
| The Byrds |
Lady Friend
|
Lady Friend | 1967 |
|
3:32:27 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Pay attention to the norse, the norse is the most gothic germanic of all. Never forget the strange and nonmodern norse. A woolf, however hard it tries, Will always be modernist. Does the woolf make you shiver? does it? When I think of the murchison, I see a carbonaceous children. |
|
3:34:54 (Pop-up) |
||
| The Plague |
Here Today, Gone Tomorrow
|
1968 |
|
3:35:33 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I cannot help but stop and look at the greatest failing. Never forget the superlative and best failing. The deceased is not middle! the deceased is exceptionally ripe. Now belated is just the thing, To get me wondering if the deceased is ripe. Just like a vain reason, is whereabouts. Whereabouts are stout. whereabouts are gross, |
|
3:37:59 (Pop-up) |
||
| featuring John Zacherle |
The Ha-Ha-Ha
|
Monster Mash |
|
3:38:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I cannot help but stop and look at brief prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the short, the abbreviated, the concise. I cannot help but stop and look at the thrombocytopenia absent. Does the absent make you shiver? does it? wooly omissions sings like conspicuous analysis Never forget the muzzy and soft omissions. |
|
3:42:09 (Pop-up) |
||
| The Flower Pot |
Gentle People
|
1967 |
|
3:43:05 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Don't belive that crows are tamed? crows are wild beyond belief. Never forget the passionate and furious crows. I cannot help but stop and look at nesting geese. Do geese make you shiver? do they? wooly gulls sings like breasted chicks Are you upset by how muddled they are? |
|
3:45:53 (Pop-up) |
||
| The Birds |
How Can It Be
|
1965 |
|
3:46:42 (Pop-up) | ||
| Grateful Dead |
The Golden Road (To Unlimited Devotion)
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:49:36 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
The aquatic bird that's really migratory, Above all others is the waterfowl. Never forget the unsettled and nonmigratory waterfowl. Sparrows, however hard they try, Will always be tailed. Do sparrows make you shiver? do they? How happy are cunning gulls! |
|
3:51:42 (Pop-up) |
||
| Crazy Elephant |
Come To The Farm
|
1969 |
|
3:52:42 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Connection - A Haiku Early brumous spring A direct, connection farm out of everyman |
|
3:55:56 (Pop-up) |
||
| the new Rotary Connection |
Song For Everyman
|
1971 |
|
3:56:20 (Pop-up) | ||
| Fifty Foot Hose....... |
Red The Sign Post
|
1968 |
|
4:02:15 (Pop-up) | ||
| George Harrison |
Wonderwall To Be Here
|
Wonderwall Music | 1968 |
|
4:04:35 (Pop-up) | |
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Aphrodites - A Haiku Eternal springtime For aphrodites people by the connection |
|
4:05:57 (Pop-up) |
||
| Aphrodite's Child |
The Other People
|
1968 |
|
4:06:43 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Don't belive that widows are independent? widows are dependent beyond belief. Are you upset by how babelike they are? Does it tear you apart to see the widows so myrmecophilous? I cannot help but stop and look at armed bulgarians. Bulgarians are thorny. bulgarians are one-armed, bulgarians are armless, however. Clansmen is albanian voice. |
|
4:09:46 (Pop-up) |
||
| The Common People |
I Have Been Alone
|
1969 |
|
4:10:32 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Because I could not submit for revised, it did kindly submit for me. Does the revised make you shiver? does it? I cannot help but stop and look at previous prefaces. Are you upset by how late they are? Does it tear you apart to see the prefaces so former? Omissions are unimportant exceptions. |
|
4:13:42 (Pop-up) |
||
| Maffitt |
Kingswood Manor
|
1968 |
|
4:14:24 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
4:18:15 (Pop-up) |
|||
| The Norman Haines Band |
When I Came Down
|
1971 |
|
4:18:24 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
4:22:16 (Pop-up) |
|||
| Pearls Before Swine |
Drop Out!
|
1967 |
|
4:22:27 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
4:26:20 (Pop-up) |
|||
| Marlena Shaw |
Woman Of The Ghetto
|
1969 |
|
4:26:42 (Pop-up) | ||
| Tokyo Kid Brothers |
8/1/1970
|
1971 |
|
4:32:36 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
All that is appropriate is not absent, absent, by all account is inappropriate. Down, down, down into the darkness of the absent, Gently it goes - the incongruous, the incorrect, the appropriate. Omissions, however hard they try, Will always be unimportant. Now insignificant is just the thing, To get me wondering if omissions are piffling. |
|
4:35:50 (Pop-up) |
||
| West Coast Branch |
Where Is the Door?
|
1967 |
|
4:36:50 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Flying - A Haiku New hazy springtime A low, flying flying branch in spite of the branch |
|
4:39:27 (Pop-up) |
||
| Ill Wind |
High Flying Bird
|
1968 |
|
4:39:58 (Pop-up) | ||
| the Barracuda |
The Dance At St. Francis
|
The Dance At St. Francis |
|
4:45:44 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Creamcheese - A Haiku Eternal springtime An underground creamcheese wind on the underground |
|
4:47:56 (Pop-up) |
||
| The Mothers Of Invention... |
The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Son Of Suzy Creamcheese
|
1967 |
|
4:48:31 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:04 (Pop-up) | ||||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
|||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun:
Playlists feed | 
MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Owl Sun:
SF Sorrow:
Requesting epitaph by
King Crimson
Tome:
Tome:
Owl Sun:
SF Sorrow:
Owl Sun:
Tome:
Tome:
SF Sorrow:
Owl Sun:
Owl Sun: