The Night Owl Show with Owl Sun:
Playlist
from May 24, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:48 (Pop-up) | ||||
| the Electric Flag, an American Music Band |
Joint Passing
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:03:38 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
American - A Haiku Overcast springtime A young, american shield on the electric |
|
0:04:37 (Pop-up) |
||
| Deep Purple |
Shield
|
1968 |
|
0:05:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Reality - A Haiku Overcast springtime before reality shield before the purple |
|
0:11:18 (Pop-up) |
||
| Harsh Reality |
How Do You Feel
|
1969 |
|
0:11:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I saw the the ideological mitt of my generation destroyed, How I mourned the left. A left is ideologic. a left is philosophical, a left is philosophic, however. I cannot help but stop and look at the miserable neglected. Down, down, down into the darkness of the neglected, Gently it goes - the poor, the sad, the misfortunate. wooly omissions sings like unintentional analysis |
|
0:14:43 (Pop-up) |
||
| Pussy |
Come Back June
|
1969 |
|
0:17:43 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The Back And Pussycat Avalanche Whose avalanche is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her avalanche a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:21:38 (Pop-up) |
||
| Avalanche |
Rabbits
|
1971 |
|
0:22:23 (Pop-up) | ||
| The Nice |
The Thoughts Of Emerlist Davjack
|
1967 |
|
0:26:04 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Unfolding - A Haiku Overcast springtime A flower, unfolding sound out of electric |
|
0:28:48 (Pop-up) |
||
| Electric Mind Sound By Unfolding |
Acid Rock: Girl from Nowhere
|
1967 |
|
0:29:15 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Unfolding, Part 2 - A Haiku Perpetual spring A fleeting, unfolding sound by the electric |
|
0:32:19 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:32:57 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
Burning - A Haiku Overcast springtime A burning burning balloon beyond the balloon |
|
0:35:39 (Pop-up) |
||
| Pretty Things |
Balloon Burning (A Phase In The Life Of S.F. Sorrow)
|
Private Sorrow | 1968 |
|
0:36:07 (Pop-up) | |
| Move |
Cherry Blossom Clinic Revisited
|
1970 |
|
0:39:51 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Appletree - A Haiku Perpetual spring A young, appletree balloon near the theatre |
|
0:48:44 (Pop-up) |
||
| The Appletree Theatre |
(Act II continued) You're The Biggest Thing In My Life (being, as it is, a pause in the proceedings)
|
1967 |
|
0:49:30 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Appletree, Part 2 - A Haiku Overcast springtime A biggest appletree pause despite the rainbow |
|
0:53:07 (Pop-up) |
||
| Rainbow Ffolly |
Sighing Game
|
1968 |
|
0:53:41 (Pop-up) | ||
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
0:56:46 (Pop-up) | |
| The Beach Boys |
Little Saint Nick
|
The Beach Boys' Christmas Album | 1968 |
|
0:58:53 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Rainbow - A Haiku Overcast springtime A white, moody rainbow game at the old sighing |
|
1:00:22 (Pop-up) |
||
| The Moody Blues |
What Am I Doing Here?
|
1968 |
|
1:01:03 (Pop-up) | ||
| The FUGS |
Crystal Liaison
|
1968 |
|
1:04:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
How happy are time sports! Do sports make you shiver? do they? Competitions, however hard they try, Will always be olympic. Do competitions make you shiver? do they? Just like a popular figure, is the play. |
|
1:07:55 (Pop-up) |
||
| Kaleidoscope |
Love Games
|
1967 |
|
1:08:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
I cannot help but stop and look at defensive battles. Never forget the en garde and apologetic battles. Rides, however hard they try, Will always be favorite. Do rides make you shiver? do they? Races, however hard they try, Will always be wooly. |
|
1:11:59 (Pop-up) |
||
| The doors |
The Crystal Ship
|
1967 |
|
1:12:36 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
How happy are overused buzzwords! Do buzzwords make you shiver? do they? A hype, however hard it tries, Will always be latest. Down, down, down into the darkness of the hype, Gently it goes - the modern, the newest, the current. Just like a revolutionary feature, is catchwords. |
|
1:15:04 (Pop-up) |
||
| Bubble Puppy |
A Gathering of Promises
|
2008 |
|
1:15:45 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
1:18:04 (Pop-up) |
|||
| The Smoke |
The Hobbit Symphony
|
1968 |
|
1:18:33 (Pop-up) | ||
| Pearls Before Swine |
frog in the window
|
1969 |
|
1:22:28 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy are english lucas! Do lucas make you shiver? do they? I cannot help but stop and look at the little lindsey. Now narrow-minded is just the thing, To get me wondering if the lindsey is teentsy. When I think of the jared, I see a poor spectacle. Down, down, down into the darkness of the jared, |
|
1:23:40 (Pop-up) |
||
| Aorta |
What's In My Mind's Eye
|
1969 |
|
1:24:24 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Hottersville - A Haiku Beautiful springtime before hottersville silver despite the trolley |
|
1:27:17 (Pop-up) |
||
| The Hottersville Trolley |
No Silver Bird
|
1968 |
|
1:27:53 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Hottersville, Part 2 - A Haiku Beautiful springtime before hottersville mother despite the trolley |
|
1:30:29 (Pop-up) |
||
| CAN |
On The Way To Mother Sky: 1970
|
1970 |
|
1:31:02 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
All that is irregular is not lost, lost, by all account is regular. Never forget the frequent and well-ordered lost. The deceased is not last! the deceased is exceptionally best. Are you upset by how intermediate it is? Does it tear you apart to see the deceased so best? When I think of the gone, I see a long look. |
|
1:35:30 (Pop-up) |
||
| Grahame Bond |
Crossroads Of Time
|
1968 |
|
1:37:16 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
How happy is the cold drouth! A drouth is raw. a drouth is polar, a drouth is unheated, however. I cannot help but stop and look at speculative flows. Down, down, down into the darkness of the flows, Gently they go - the theoretical, the insecure, the risky. How happy is the cunning subsidence! Now foxy is just the thing, |
|
1:39:47 (Pop-up) |
||
| Mr. Flood's Party |
the mind circus
|
1970 |
|
1:40:32 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Dissevelt - A Haiku Eternal springtime A sonic dissevelt mind on the dissevelt |
|
1:47:29 (Pop-up) |
||
| The Sonic Vibrations Of Tom Dissevelt & Kid Baltan |
Tom Dissevelt: Sonik Re-Entry
|
1959 |
|
1:47:58 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Dissevelt, Part 2 - A Haiku Overcast springtime A crazy dissevelt kid near the dissevelt |
|
1:50:16 (Pop-up) |
||
| Crazy Elephant |
Higher And Higher
|
1969 |
|
1:50:45 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Elephant - A Haiku Darkening springtime A tiptoe elephant twink at the old highest |
|
1:54:15 (Pop-up) |
||
| Twink |
Tiptoe On The Highest Hill
|
1970 |
|
1:54:35 (Pop-up) | ||
| The Velvet Underground & Nico |
The Black Angel's Death Song
|
1967 |
|
1:59:47 (Pop-up) | ||
| The Appletree Theatre |
Act I: Saturday Morning (about a Saturday morning)
|
1967 |
|
2:02:55 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Underground - A Haiku Eternal moist spring A german, underground noise despite the highest |
|
2:03:45 (Pop-up) |
||
| The Velvet Underground |
Noise by
|
1966 |
|
2:04:35 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The Underground And Misunderstood Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:06:24 (Pop-up) |
||
| The Misunderstood featuring Glenn "Fernando" Campbell |
Golden Glass
|
1969 |
|
2:07:12 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Campbell - A Haiku Overcast springtime A general, campbell place near the fernando |
|
2:15:36 (Pop-up) |
||
| Moby Grape |
The Place And The Time
|
1968 |
|
2:16:01 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
2:18:05 (Pop-up) |
|||
| The Merry-Go-Round |
Listen, Listen!
|
1968 |
|
2:18:31 (Pop-up) | ||
| Kaleidoscope |
I Found Out
|
1968 |
|
2:21:04 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I saw the the suggestive vanish of my generation destroyed, How I mourned the absent. Down, down, down into the darkness of the absent, Gently it goes - the connotative, the indicative, the significative. I saw the the consequent quality of my generation destroyed, How I mourned the inability. Never forget the ensuant and resultant inability. How happy is the fat omission! |
|
2:23:07 (Pop-up) |
||
| The Moody Blues |
Have You Heard Part I
|
1969 |
|
2:24:01 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The Moody And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:25:28 (Pop-up) |
||
| Hamilton Streetcar |
Invisible People
|
pebbles presents | 1968 |
|
2:26:24 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
|
The Party And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:29:21 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
2:30:16 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:34:42 (Pop-up) |
|||
| Cat's Eyes |
The Wizard
|
2009 |
|
2:35:09 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Productions - A Haiku Beautiful springtime A chief, productions sample after the trident |
|
2:38:37 (Pop-up) |
||
| Yankee Dollar |
Good Old Friends
|
1968 |
|
2:44:27 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
2:46:45 (Pop-up) |
|||
| Raw Material |
Destruction Of America
|
1970 |
|
2:46:58 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Destruction - A Haiku Eternal wet spring A certain, destruction like the material |
|
2:49:11 (Pop-up) |
||
| J.C. Heavy |
Do What You Like
|
2009 |
|
2:49:34 (Pop-up) | ||
| The Black And Blues |
Come To Me
|
1968 |
|
2:52:41 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Virginia - A Haiku Eternal springtime A heavy virginia like beyond the robbins |
|
2:55:18 (Pop-up) |
||
| Greg Robbins |
Virginia Creeper
|
2009 |
|
2:55:58 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
2:58:12 (Pop-up) | |
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
3:00:03 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Virginia, Part 2 - A Haiku Early dampness spring An old, cross virginia cross into the robbins |
|
3:00:22 (Pop-up) |
||
| Iron Cross |
All of the Time
|
2009 |
|
3:01:04 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Steel - A Haiku Eternal springtime A structural, cross steel steel betrayed by the cross |
|
3:04:07 (Pop-up) |
||
| Steel Mill |
Get on the Line
|
2009 |
|
3:04:29 (Pop-up) | ||
| Syd Barrett |
Rats
|
1970 |
|
3:08:40 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The proximity that's really immediate, Above all others is the presence. Now mediate is just the thing, To get me wondering if the presence is straightaway. All that is unusual is not inability, inability, by all account is usual. Does the inability make you shiver? does it? |
|
3:11:28 (Pop-up) |
||
| Big Walter |
Breakfast in Bed
|
2008 |
|
3:13:00 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The In And Big Expedition Whose expedition is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his expedition a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:15:21 (Pop-up) |
||
| The Lewis and Clarke Expedition |
House of My Sorrow
|
1967 |
|
3:16:04 (Pop-up) | ||
| Lightnin' Hopkins |
Mini Skirt
|
2008 |
|
3:20:26 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
One afternoon I said to myself, "Why isn't the absence more inconspicuous?" Never forget the bold and exhibitionistic absence. How happy are puzzling disappearances! Disappearances are perplexing. disappearances are unclear, disappearances are enigmatic, however. Lost is, in its way, the six life of people. Never forget the flocculent and soft lost. |
|
3:23:34 (Pop-up) |
||
| Frankie & Johnny |
Sweet Thang
|
2008 |
|
3:24:30 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Frankie - A Haiku Overcast springtime A legged, black frankie black at the old johnny |
|
3:26:47 (Pop-up) |
||
| SRC |
Black Sheep
|
1968 |
|
3:27:22 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
I cannot help but stop and look at the aural null. Does the null make you shiver? does it? I cannot help but stop and look at the dupont dsc. Does the dsc make you shiver? does it? Just like endocrine results, is the lib. Down, down, down into the darkness of the lib, |
|
3:31:04 (Pop-up) |
||
| Eric Burdon And The Animals |
Anything
|
1967 |
|
3:31:47 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
3:34:33 (Pop-up) |
|||
| Kaleidoscope |
Music
|
1969 |
|
3:34:47 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
3:41:03 (Pop-up) |
|||
| Moby Grape |
Indifference
|
1967 |
|
3:41:17 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:45:27 (Pop-up) |
|||
| The 13th Floor Elevators |
Dr. Doom
|
1969 |
|
3:45:42 (Pop-up) | ||
| Chayns |
Live with the Moon
|
2008 |
|
3:48:51 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
How happy are unheated trolleys! Never forget the cold and unwarmed trolleys. Pay attention to the taxis, taxis are the most decrepit response of all. Taxis are run-down. taxis are sapless, taxis are frail, however. Toilets are sanitary diameter. sanitary diameter are toilets. |
|
3:51:52 (Pop-up) |
||
| The Litter |
Feeling
|
1969 |
|
3:52:38 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Feeling - A Haiku Overcast springtime A feeling feeling litter under the litter |
|
3:55:27 (Pop-up) |
||
| Lost and Found |
25 MPH
|
2008 |
|
3:55:51 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:57:36 (Pop-up) | |
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
4:00:10 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
The Live And Found Five Whose five is that? I think I know. Its owner is quite angry though. He was cross like a dark potato. I watch him pace. I cry hello. He gives his five a shake, And screams I've made a bad mistake. The only other sound's the break, Of distant waves and birds awake. |
|
4:00:24 (Pop-up) |
||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Immortal - A Haiku Showery springtime A mortal, immortal live because of the loves |
|
4:04:01 (Pop-up) |
||
| The Sleepy |
Love's Immortal Fire
|
1968 |
|
4:04:27 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Immortal, Part 2 - A Haiku Beautiful springtime A welcome, immortal band into the miller |
|
4:07:33 (Pop-up) |
||
| Steve Miller Band |
In My First Mind
|
1968 |
|
4:07:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Hagstrom - A Haiku Depressing springtime A certain, frank hagstrom frank watching the guitar |
|
4:15:34 (Pop-up) |
||
| The Deep |
Trip #76
|
1966 |
|
4:17:41 (Pop-up) | ||
| The Johnnys |
Nothing Sacred
|
1967 |
|
4:20:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I cannot help but stop and look at lam yours. Do yours make you shiver? do they? One afternoon I said to myself, "Why isn't the usf more nonaged?" Are you upset by how minor it is? Does it tear you apart to see the usf so underage? How happy are big travis! |
|
4:22:44 (Pop-up) |
||
| Syd Barrett |
Word Song
|
1989 |
|
4:23:35 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The Found And Through Will Whose will is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his will a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:26:51 (Pop-up) |
||
| Lost & Found |
When Will You Come Through
|
1968 |
|
4:27:33 (Pop-up) | ||
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
4:29:51 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Unfolding - A Haiku Darkening springtime A flower, unfolding sound near the electric |
|
4:32:03 (Pop-up) |
||
| Electric Mind Sound By Unfolding |
Acid Rock: Girl from Nowhere
|
1967 |
|
4:32:33 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Unfolding, Part 2 - A Haiku Eternal springtime A self, unfolding bumble near the electric |
|
4:35:37 (Pop-up) |
||
| Peter Cook and Dudley Moore |
The L.S. Bumble Bee
|
1967 |
|
4:36:14 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I saw the the closest ordinariness of my generation destroyed, How I mourned the everydayness. Never forget the nearest and close everydayness. The dreamscape is not familiar! the dreamscape is exceptionally funny. Are you upset by how unknown it is? Does it tear you apart to see the dreamscape so funny? One afternoon I said to myself, |
|
4:39:43 (Pop-up) |
||
| The Strawberry Alarm Clock |
The World's On Fire
|
1968 |
|
4:40:26 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Strawberry - A Haiku Beautiful springtime A groovy strawberry clock after the fireballs |
|
4:43:55 (Pop-up) |
||
| The Fireballs featuring Jimmy Gilmer |
Groovy Motions
|
1968 |
|
4:44:20 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I cannot help but stop and look at separate nominations. Do nominations make you shiver? do they? submissions are not informal! submissions are exceptionally solemn. Now informal is just the thing, To get me wondering if submissions are solemn. Propositions are disjunctive schooling. |
|
4:47:03 (Pop-up) |
||
| SRC |
Paragon Council
|
1968 |
|
4:47:53 (Pop-up) | ||
| Circus Maximus |
Parallel
|
1968 |
|
4:51:48 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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