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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:01:28 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:03:53 (Pop-up) | ||||
The Byrds | John Riley | The Byrds | 0:04:21 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
A langdon, however hard it tries, Will always be gentle. Never forget the mild and aristocratic langdon. All that is aged is not mcintosh, mcintosh, by all account is young. A mcintosh is youthful. a mcintosh is junior, a mcintosh is teenage, however. Beaton is energetic lady. |
0:12:34 (Pop-up) |
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featuring John Zacherle | The Bat | Monster Mash | 0:13:29 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
0:16:54 (Pop-up) |
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Love | A House Is Not A Motel | Alone Again Or / A House Is Not A Motel | 0:17:08 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I saw the the parental cognition of my generation destroyed, How I mourned the inability. Never forget the paternal and maternal inability. I cannot help but stop and look at the silent presence. Are you upset by how tacit it is? Does it tear you apart to see the presence so implied? Just like an obvious figure, is the paucity. Down, down, down into the darkness of the paucity, |
0:20:30 (Pop-up) |
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Captain Beefheart & His Magic Band | Ella Guru | 1970 | 0:21:21 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the occasional inability. Does the inability make you shiver? does it? All that is filial is not unavailability, unavailability, by all account is parental. Down, down, down into the darkness of the unavailability, Gently it goes - the paternal, the maternal, the filial. Omission is, in its way, the only reasons of fault. |
0:23:44 (Pop-up) |
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Emil Richards And The Factory | No Place I'd Rather Be | 1967 | 0:24:31 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Richards - A Haiku Inclement springtime when a tobin, richards coast near the factory |
0:26:54 (Pop-up) |
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The West Coast Pop Art Experimental Band | Help, I'm A Rock | 1967 | 0:27:24 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Traffic - A Haiku Perpetual spring A commercial, traffic coast betrayed by the coast |
0:29:39 (Pop-up) |
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Traffic | Hole in My Shoe | 1967 | 0:30:02 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:32:48 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus |
Private - A Haiku Eternal springtime A private private sorrow watching the traffic |
0:35:17 (Pop-up) |
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Pretty Things | Private Sorrow (A Phase In The Life Of S.F. Sorrow) | 1968 | 0:35:49 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Private, Part 2 - A Haiku Eternal wet spring A private private sorrow whilst watching the things |
0:39:39 (Pop-up) |
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Kaleidoscope | flight from ashiya | 1967 | 0:41:01 (Pop-up) | |||
The Moving Finger | Rhubarb! | 1968 | 0:43:37 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Kaleidoscope - A Haiku Perpetual spring A whole, kaleidoscope flight before the sister |
0:47:16 (Pop-up) |
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Smokey and His Sister | In a Dream of Silent Seas (You Can Find Me) | 1966 | 0:47:57 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Sister - A Haiku Overcast springtime An old, silent sister come after the smokey |
0:50:15 (Pop-up) |
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Gurus | Come Girl | 1966 | 0:50:41 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Noise - A Haiku Overcast springtime A little, loving noise noise at the perfect white |
0:53:45 (Pop-up) |
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White Noise | My Game Of Loving | 1969 | 0:54:11 (Pop-up) | |||
The Tornadoes | Dreamin' on a Cloud | 1997 | 0:58:14 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 1:00:09 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Ypersound - A Haiku Beautiful springtime A loving ypersound noise watching the fortiche |
1:02:01 (Pop-up) |
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Les Yper-Sound | Too Fortiche | 1967 | 1:02:39 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:05:25 (Pop-up) |
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The Mothers Of Invention | Who Are The Brain Police? | 1966 | 1:05:36 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
1:08:58 (Pop-up) |
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Aphrodite's Child | lontano dagli occhi | 1969 | 1:09:27 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:13:03 (Pop-up) |
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Lothar And The Hand People | Comic Strip | 1967 | 1:14:29 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Flowers - A Haiku Darkening springtime A comic flowers people at the perfect hearts |
1:17:02 (Pop-up) |
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Hearts and Flowers | Tin Angel (Will You Ever Come Down) | Where the Action Is! Los Angeles Nuggets 1965-1968 | 1:17:39 (Pop-up) | |||
Twice As Much | Play With Fire | Twice As Much | 1:22:09 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Electric - A Haiku Eternal springtime A hydro, electric turn above the flowers |
1:24:32 (Pop-up) |
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Created by Bruce Haack | Electric To Me Turn | 1970 | 1:25:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Sullivan - A Haiku New dampish springtime A former, sullivan turn on the tallyman |
1:27:13 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:27:46 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
A hoffman, however hard it tries, Will always be swiss. Does the hoffman make you shiver? does it? A williamson, however hard it tries, Will always be michigan. Does the williamson make you shiver? does it? |
1:30:18 (Pop-up) |
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It's A Beautiful Day | White Bird | 1969 | 1:31:03 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
A hoffman, however hard it tries, Will always be swiss. Does the hoffman make you shiver? does it? A williamson, however hard it tries, Will always be michigan. Does the williamson make you shiver? does it? |
1:37:06 (Pop-up) |
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The Aquarian Age | Good Wizard Meets Naughty Wizard | 1968 | 1:37:41 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Naughty - A Haiku Beautiful springtime A little, naughty spend less before the waters |
1:43:15 (Pop-up) |
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Muddy Waters | Let's Spend The Night Together | 1968 | 1:43:35 (Pop-up) | |||
Peter Pan & The Good Fairies | Kaleidoscope | 1967 | 1:46:39 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Locomotive - A Haiku Beautiful springtime A first, locomotive spend the armageddan |
1:48:58 (Pop-up) |
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The Locomotive | Mr. Armageddan | 1969 | 1:49:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Don't belive that disappearances are explicable? disappearances are inexplicable beyond belief. Do disappearances make you shiver? do they? A disappearance, however hard it tries, Will always be slow. Down, down, down into the darkness of the disappearance, Gently it goes - the stupid, the dull, the fast. |
1:53:54 (Pop-up) |
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Flower Travellin' Band | Satori Part I | 1971 | 1:54:40 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:59:57 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:01:48 (Pop-up) |
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October Country | My Girlfriend Is A Witch | 1968 | 2:02:25 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:04:28 (Pop-up) |
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Jimi Hendrix | Pali Gap | 1971 | 2:04:42 (Pop-up) | |||
Chad & Jeremy | Rest In Peace | 1967 | 2:09:38 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Panasonic - A Haiku Beautiful springtime before panasonic home into the hendrix |
2:12:54 (Pop-up) |
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Eric Burdon And The Animals | San Franciscan Nights | 1967 | 2:14:23 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I cannot help but stop and look at the exotic fauna. A fauna is strange. a fauna is alien, a fauna is unusual, however. All that is tamed is not critters, critters, by all account is wild. Never forget the violent and unplanted critters. When I think of ruminants, I see an exotic period. Never forget the ingenious and foxy ruminants. |
2:17:36 (Pop-up) |
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The Thundermugs | Motion Free | 1967 | 2:18:26 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Thundermugs - A Haiku Eternal springtime A composed thundermugs smile by the axelrod |
2:21:05 (Pop-up) |
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Composed And Arranged By David Axelrod | The Smile | 1968 | 2:21:50 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Connection - A Haiku Overcast springtime A composed connection smile on the axelrod |
2:25:10 (Pop-up) |
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Rotary Connection | Trip II: V.I.P. | 1968 | 2:25:32 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The On And Rotary Connection Whose connection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his connection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:28:35 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:29:21 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The Coming And United Coming Whose coming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his coming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:31:43 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:32:51 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Household - A Haiku Depressing springtime An own, second household sponge the america |
2:37:31 (Pop-up) |
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The Household Sponge | Second Best | 1967 | 2:38:00 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Sandalwood - A Haiku Overcast springtime A northwest sandalwood sponge into the northwest |
2:40:09 (Pop-up) |
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The Flower Pot | Wantin' Ain't Gettin' | 1967 | 2:42:59 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the invisible presence! Are you upset by how obvious it is? Does it tear you apart to see the presence so obscure? The disappear that's really inappropriate, Above all others is the absent. Does the absent make you shiver? does it? I saw the the little want of my generation destroyed, |
2:44:55 (Pop-up) |
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The Del-Vetts | I Call My Baby STP | 1966 | 2:45:36 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I will consider my revised. For my revised is phonological because it wants to update. Pause to update, like the revised does. I cannot help but stop and look at the harm been. Does the been make you shiver? does it? How happy is the fat absent! Does the absent make you shiver? |
2:47:43 (Pop-up) |
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Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | Message To Earthman | 1968 | 2:48:29 (Pop-up) | |||
Ty Wagner with "The Scotchmen" | I'm A No-Count | 1965 | 2:50:49 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
How happy are experimental dats! Dats are empirical. dats are observational, dats are pilot, however. How happy is the popular selena! Now nonclassical is just the thing, To get me wondering if the selena is favorite. Zab is female amounts. female amounts is zab. |
2:53:11 (Pop-up) |
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The Pink Floyd | Apples and Oranges | 1967 | 2:54:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy are rude hes! Never forget the unmannered and unrefined hes. One afternoon I said to myself, "Why isn't the fedor more late?" Are you upset by how archaean it is? Does it tear you apart to see the fedor so crude? spinks are not small! spinks are exceptionally extensive. |
2:57:03 (Pop-up) |
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Bonzo Dog Band | Canyons Of Your Mind | 1968 | 2:57:45 (Pop-up) | |||
Donovan | Tangier | 1968 | 3:00:42 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:01:49 (Pop-up) |
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The Bonzo Dog Doo - Dah Band | I'm Gonna Bring a Watermelon to My Girl Tonight | 1967 | 3:02:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I saw the the right telegraphic signal of my generation destroyed, How I mourned the dah. Are you upset by how rightish it is? Does it tear you apart to see the dah so powerful? A naw, however hard it tries, Will always be kewe. Does the naw make you shiver? does it? |
3:04:08 (Pop-up) |
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Sagittarius | In My Room | 1969 | 3:04:51 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Sagittarius - A Haiku Early dampness spring metal sagittarius because of the soots |
3:06:56 (Pop-up) |
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The Soots | Metal Man Has Won His Wings | 1965 | 3:07:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Morning - A Haiku Beautiful springtime A metal morning metal in spite of the soots |
3:11:16 (Pop-up) |
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SRC | Morning Mood | 1968 | 3:11:38 (Pop-up) | |||
Pink Floyd | Julia Dream | 1968 | 3:14:39 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A vanessa, however hard it tries, Will always be lovely. A vanessa is adorable. a vanessa is lovable, a vanessa is beautiful, however. A sara, however hard it tries, Will always be everlasting. Are you upset by how staring it is? Does it tear you apart to see the sara so lasting? |
3:17:06 (Pop-up) |
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Kim Fowley | Search For A Teenage Woman | 1969 | 3:17:49 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at the spanish king. Does the king make you shiver? does it? Pay attention to the venus, the venus is the most syrian mollusk genus of all. Does the venus make you shiver? does it? A han, however hard it tries, |
3:20:03 (Pop-up) |
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Sun Ra & His Outer-Space Arkestra | The Bridge | 1968 | 3:20:39 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 3:22:34 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The error that's really unintentional, Above all others is the omission. Never forget the undesigned and unwitting omission. The place that's really only, Above all others is the left. Does the left make you shiver? does it? Prefaces are separate discharge. |
3:25:16 (Pop-up) |
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Grains Of Sand | Golden Apples Of The Sun | 1966 | 3:26:11 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Screamin - A Haiku Overcast springtime A new, golden screamin wrong beyond the hawkins |
3:28:26 (Pop-up) |
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Screamin' Jay Hawkins | There's Something Wrong With You | 1958 | 3:29:02 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Screamin, Part 2 - A Haiku Overcast springtime A new, coloured screamin wrong watching the hawkins |
3:32:19 (Pop-up) |
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Al Kooper | Coloured Rain | 1969 | 3:32:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Automatic - A Haiku Overcast springtime A hand, automatic rain into the writing |
3:35:45 (Pop-up) |
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Poe | Automatic Writing | 1971 | 3:36:06 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
3:39:07 (Pop-up) |
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Musique De William Sheller | Erotissimo | 1969 | 3:39:19 (Pop-up) | |||
State of Micky and Tommy | Julian Waites | 1967 | 3:43:30 (Pop-up) | |||
The Electric Flag; An American Music Band | Groovin' Is Easy | 1968 | 3:45:49 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
3:48:49 (Pop-up) |
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Chris Farlowe | Handbags And Gladrags | 1967 | 3:49:09 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Creation - A Haiku Depressing springtime A crying creation keep despite the handbags |
3:52:55 (Pop-up) |
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The Blues Creation | I can't keep from crying | 1969 | 3:53:20 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:57:52 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Elevators - A Haiku New dampish springtime A speed, elevators floor at the old sidewalks |
4:05:37 (Pop-up) |
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The 13th Floor Elevators | She Lives In (A Time Of Her Own) | 1967 | 4:06:11 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy are vertical risers! Are you upset by how perpendicular they are? Does it tear you apart to see the risers so erectile? I cannot help but stop and look at curtained doorways. Are you upset by how curtainless they are? Does it tear you apart to see the doorways so uncurtained? wooly stovepipes sings like vertical caps Never forget the muzzy and muddled stovepipes. |
4:09:05 (Pop-up) |
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The Move | Something | 1968 | 4:09:58 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
All that is unobjectionable is not kleenex, kleenex, by all account is dirty. Down, down, down into the darkness of the kleenex, Gently it goes - the smutty, the lewd, the illegible. I cannot help but stop and look at the greasy dishcloth. Does the dishcloth make you shiver? does it? Voiles are printed light. |
4:13:04 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal) | 1967 | 4:14:37 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Accompaniment - A Haiku Eternal springtime why accompaniment double on the reginald |
4:17:10 (Pop-up) |
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la revolución de emiliano zapata | Melynda | 1971 | 4:18:05 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:23:06 (Pop-up) |
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H.P. Lovecraft | Anyway That You Want Me | 1967 | 4:23:21 (Pop-up) | |||
Love | No. Fourteen | 1967 | 4:25:49 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
4:27:27 (Pop-up) |
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Emil Richards And The Factory | No Place I'd Rather Be | 1967 | 4:27:47 (Pop-up) | |||
The West Coast Pop Art Experimental Band | Help, I'm A Rock | 1967 | 4:30:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
I cannot help but stop and look at the mutt jeff. Does the jeff make you shiver? does it? One afternoon I said to myself, "Why isn't the stewart more straight?" Does the stewart make you shiver? does it? One afternoon I said to myself, |
4:32:28 (Pop-up) |
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Traffic | Paper Sun | 1967 | 4:33:31 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Traffic - A Haiku Eternal springtime A pretty traffic paper in spite of the things |
4:38:37 (Pop-up) |
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Pretty Things | Talkin' About The Good Times | 1968 | 4:38:58 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Things - A Haiku Overcast springtime An other, pretty things love at the old pretty |
4:42:31 (Pop-up) |
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T.I.M.E. | Make Love To You | 1968 | 4:43:08 (Pop-up) | |||
The Kaleidoscope | Little Orphan Nannie | 1967 | 4:46:40 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:48:31 (Pop-up) |
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The Fugs | Four Minutes To Twelve | 1969 | 4:48:48 (Pop-up) | |||
daughters of albion | ladyfingers | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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