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Wrap up your weekend with an excursion through the flowery underbelly of the 60s and 70s where the roots are deep, the weeds are plentiful and the grass is high. Sunday will never be the same.
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|---|
Delia Derbyshire | Doctor Who (Opening Title Theme, 1970) | 0:00:00 (Pop-up) | |||||
Karel Černoch & Juventus | Procitnutí | Beat-line Supraphon 1968 | Supraphon | 1968 | 0:01:23 (Pop-up) | ||
The Beatles | I Me Mine | Let It Be... Naked | Parlophone | 2003 | 0:04:20 (Pop-up) | ||
Paul Brett's Sage | The Sun Died | Paul Brett's Sage | Janus Records | 1970 | 0:07:00 (Pop-up) | ||
The United States Of America | You Can Never Come Down | The United States Of America | Columbia | 1968 | 0:10:23 (Pop-up) | ||
Elton John | Watching The Planes Go By (Band version) | Jewel Box | UMC, EMI | 2020 | from 1965-1968 | 0:12:52 (Pop-up) | |
The Jimi Hendrix Experience | Little Wing | Axis: Bold as Love | Reprise Records | 1967 | 0:17:00 (Pop-up) | ||
Syd Barrett | Late Night (take 2) | The Madcap Laughs | Harvest | 1970 | 0:19:20 (Pop-up) | ||
Simon & Garfunkel | Blessed | Sounds of Silence | Columbia | 1966 | 0:22:29 (Pop-up) | ||
Extradition | I Feel The Sun | Hush | Sweet Peach | 1971 | 0:25:37 (Pop-up) | ||
Music behind DJ: Music Box |
She's A Rainbow (instrumental) |
0:31:11 (Pop-up) |
|||||
The Millennium | Karmic Dream Sequence #1 | Begin | Columbia | 1968 | 0:38:01 (Pop-up) | ||
Kevin Ayers | Song For Insane Times | Joy Of A Toy | Harvest | 1969 | 0:43:47 (Pop-up) | ||
Please | No More White Horses | 1968/69 | Essex Records | 1996 | 0:47:42 (Pop-up) | ||
Fotheringay | The Pond and The Stream | The Music Weaver (Sandy Denny Remembered) | Island Remasters | 2008 | from 1970 | 0:51:05 (Pop-up) | |
Carmen Maki Blues Creation | St. James Infirmary | Carmen Maki Blues Creation | Denon | 1971 | 0:54:21 (Pop-up) | ||
Silver Apples | Fantasies | Contact | Kapp Records | 1969 | 1:00:59 (Pop-up) | ||
Ash Ra Tempel | Day-Dream | Starring Rosi | Cosmic Music | 1973 | 1:06:56 (Pop-up) | ||
Carole King | Feeling Sad Tonight | Rhymes & Reasons | Ode Records | 1972 | 1:12:23 (Pop-up) | ||
Dark | Live For Today | Dark Round The Edges | S.I.S. Records | 1972 | 1:15:25 (Pop-up) | ||
Music behind DJ: Dick Hyman |
Honey West |
1:23:51 (Pop-up) |
|||||
The Rolling Stones | She's a Rainbow | Their Satanic Majesties Request | London Records | 1967 | 1:28:45 (Pop-up) | ||
Graham Gouldman | Bus Stop | The Graham Gouldman Thing | RCA Victor | 1968 | 1:32:58 (Pop-up) | ||
Donovan | Hampstead Incident (mono) | Mellow Yellow | Epic | 1967 | 1:35:14 (Pop-up) | ||
Tomorrow's Gift | Prayin' To Satan | Tomorrow's Gift | +plus+ | 1970 | 1:39:50 (Pop-up) | ||
Elvis Presley | Suspicious Minds | Suspicious Minds (single) | RCA Victor | 1969 | 1:45:04 (Pop-up) | ||
Jennifer (Warnes) | We're Not Gonna Take it (From the Rock Opera "Tommy") | See Me, Feel Me, Touch Me, Heal Me! | Parrot Records | 1969 | 1:49:32 (Pop-up) | ||
Lou Reed | Satellite of Love | Transformer | RCA Victor | 1972 | 1:52:34 (Pop-up) | ||
Music behind DJ: The Electronic Concept Orchestra |
Atlantis (instrumental) |
1:56:16 (Pop-up) |
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Listener comments!
Kat in Chicago:
Scott67:
🍻😎🤙🍌
Robm:
@Julie anyone who plays the theme song from doctor who is all right with me
Julie:
Julie:
Robm:
Robm:
Revolution Rabbit Nov63:
Scott67:
Julie:
PaulRobeson1922:
Julie:
Robm:
Kat in Chicago:
Robm:
Barno in Akron:
Revolution Rabbit Nov63:
Yeah but you pay for HBO...
Julie:
Robm:
Aitch:
PaulRobeson1922:
Hi Ya’ll!
Julie:
PaulRobeson1922:
But 1st
Robm:
Julie:
PaulRobeson1922:
Revolution Rabbit Nov63:
Kat in Chicago:
Robm:
Kat in Chicago:
Julie:
Revolution Rabbit Nov63:
PaulRobeson1922:
Kat in Chicago:
Julie:
Robm:
Kat in Chicago:
Revolution Rabbit Nov63:
Julie:
Revolution Rabbit Nov63:
Robm:
Kat in Chicago:
Revolution Rabbit Nov63:
Robm:
Julie:
PaulRobeson1922:
PaulRobeson1922:
Robm:
Kat in Chicago:
Kat in Chicago:
Scott67:
Julie:
step 2 get a radio show
step 3 collect more music for show
step 4 be broke with many records
Revolution Rabbit Nov63:
PaulRobeson1922:
Julie:
Julie:
PaulRobeson1922:
Robm:
@julie step 5 die broke:)
PaulRobeson1922:
Julie:
Robm:
Dean:
Kat in Chicago:
Julie:
Revolution Rabbit Nov63:
It's the trilogy, really : AYE? / Axis / ElectricLady.
Axis is like his Pepper Summer of Love album. Tho it came out late '67.
The middle one ...the Axis.
Julie:
Julie:
Robm:
Julie:
Mr Fab:
PaulRobeson1922:
Revolution Rabbit Nov63:
Spector did a great job of what he was *asked* to do - as Lennon said - go thru masses of tape no one wanted to deal with. Problem is - the Spector style was the Opposite of McCartney's intention for the project: Raw Live with no Studio stuff. But Glynn Johns presented them with that & they freaked & rejected it...
Julie:
Robm:
Hey mr fab
PaulRobeson1922:
Revolution Rabbit Nov63:
PaulRobeson1922:
Julie:
Julie:
Dean:
That Spector was nuts is of no matter to me. That he was self-centered and egotistical bothers me when it comes to appreciating his work.
Ken From Hyde Park:
Julie:
Mr Fab:
Revolution Rabbit Nov63:
Also - not every track is equal. Spector probly elevated say 'Two Of Us' rather masterfully - in just terms of sheer listening ...while his 'Long & Winding Road' production is a bit much ...& a particular thorn in Macca's craw.
As for the moral problem with Spector - he's dead, the work remains ...I'd like to see the Truth get aired & acknowledged primarily. Which I think it basically is?
Julie:
PaulRobeson1922:
Pulled from a inspired talk Bucky Fuller gave in 1967: published as “Operating Manual for Spaceship Earth”
I remember Bucky’s definition of True wealth as, Wealth cannot work backwards: you cannot alter one iota of yesterday: true wealth is anything that can physically and metaphysically move us further into the future’
HERE is what Bucky wrote-
-Now, I’m going to have a man in a shipwreck. He’s rated as a very rich man, worth over a
billion dollars by all of society’s accredited conceptions of real wealth. He has taken with him on
his voyage all his stocks and bonds, all his property deeds, all his checkbooks, and, to play it
safe, has brought along a lot of diamonds and gold bullion.
The ship burns and sinks, and there are no lifeboats, for they, too, have burned. If our billionaire holds on to his gold, he’s going to
sink a little faster than the others. So I would say he hadn’t much left either of now or tomorrow in which to articulate his wealth, and since wealth cannot work backwardly his kind of wealth is vitally powerless. It is really a worthless pile of chips of an arbitrary game which we are playing and does not correspond to the accounting processes of our real universe’s
evolutionary transactions. Obviously the catastrophied billionaire’s kind of wealth has no control
over either yesterday, now, or tomorrow. He can’t extend his life with that kind of wealth unless
he can persuade the one passenger who has a life-jacket to yield that only means of extending
one life in exchange for one crazy moment’s sense of possession of all the billionaire’s
sovereign-powers-backed legal tender, all of which the catastrophy-disillusioned and only
moments earlier "powerfully rich" and now desperately helpless man would thankfully trade for
the physical means of extending the years of his life; or of his wife.
…True democracy discovers by patient experiment and
unanimous acknowledgement what the laws of nature or universe may be for the physical
support and metaphysical satisfaction of the human intellect’s function in universe.
I now go on to speculate that I think that what we all really mean by wealth is as follows:
"Wealth is our organized capability to cope effectively with the environment in sustaining our healthy regeneration and decreasing both the physical and metaphysical restrictions of the
forward days…
Julie:
Revolution Rabbit Nov63:
There's plenty of Songs there. & from the Get Back sessions - others could've been chosen.
Songwriting was not their problem even @ that challenging stage...
PaulRobeson1922:
Julie:
Julie:
PaulRobeson1922:
PaulRobeson1922:
Julie:
Revolution Rabbit Nov63:
Julie:
Kat in Chicago:
Revolution Rabbit Nov63:
...geez she really was short ! Like that album painting...
Julie:
Scott67:
🍻😎🤙🌏🌻🦜🦜🦜
Julie:
Dean:
Thus, my take on Spector's LIB regards the document itself at the point of my consumption of it, and not Spector's or Paul's or anybody's intentional plan. I hear it as a work of its time, and I enjoy it quite a bit.
Revolution Rabbit Nov63:
Julie:
Phillippe Bastille:
Julie:
Scott67:
Revolution Rabbit Nov63:
Dean:
But I know my love of the album is a function of having experienced its momentous release at the time when I acquired it. I'm "biased" or, perhaps, "experienced."
Julie:
Revolution Rabbit Nov63:
Kat in Chicago:
Julie:
Kat in Chicago:
Revolution Rabbit Nov63:
Yes - don't mean to distract from the Playlist !
Julie:
Julie:
Revolution Rabbit Nov63:
Kat in Chicago:
Julie:
Kat in Chicago:
Revolution Rabbit Nov63:
Julie:
Revolution Rabbit Nov63:
Julie:
Kat in Chicago:
Julie:
Revolution Rabbit Nov63:
Julie:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Julie:
Julie:
Kat in Chicago:
Julie:
Julie:
Revolution Rabbit Nov63:
Kat in Chicago:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Kat in Chicago:
Julie:
Julie:
Dean:
Holy moly, a 1970 Tomorrow's Gift album! They weren't half bad.
Kat in Chicago:
Julie:
Kat in Chicago:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Julie:
Phillippe Bastille:
Julie:
Kat in Chicago:
Santos L Halper:
Kat in Chicago:
Revolution Rabbit Nov63:
Julie: