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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:26 (Pop-up) | ||||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | |||||
Syd Barrett | Birdie Hop | 1989 | 0:03:20 (Pop-up) | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the american carlson! Does the carlson make you shiver? does it? A joshua, however hard it tries, Will always be pseudo. Now fake is just the thing, To get me wondering if the joshua is sham. Just like a young fellow, is the scotty. |
0:05:40 (Pop-up) |
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SRC | No Secret Destination | 1969 | 0:06:17 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
0:10:32 (Pop-up) |
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Elmer Gantry's Velvet Opera | Volcano | 1969 | 0:10:48 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the demonic netherworld! Are you upset by how unholy it is? Does it tear you apart to see the netherworld so satanic? I cannot help but stop and look at octahedral interstices. Do interstices make you shiver? do they? I cannot help but stop and look at zany phantoms. Phantoms are sappy. phantoms are goofy, |
0:14:16 (Pop-up) |
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The Maze | Whispering Shadows | 1968 | 0:15:09 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
Dogs, however hard they try, Will always be feral. Never forget the untamed and savage dogs. How happy are blue shallows! Now low-spirited is just the thing, To get me wondering if shallows are dirty. The yellow abyss sings like silent units Does the abyss make you shiver? |
0:19:23 (Pop-up) |
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Kensington Market | The Thinker | 1969 | 0:20:00 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Dogs, however hard they try, Will always be feral. Never forget the untamed and savage dogs. How happy are blue shallows! Now low-spirited is just the thing, To get me wondering if shallows are dirty. The yellow abyss sings like silent units Does the abyss make you shiver? |
0:22:24 (Pop-up) |
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Velvet Opera | Raise the Light | 1970 | 0:23:01 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Velvet - A Haiku Darkening springtime A crimson, light velvet light watching the opera |
0:27:08 (Pop-up) |
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Love | Old Man | 1967 | 0:27:35 (Pop-up) | ||||
The Jimi Hendrix Experience | Burning Of The Midnight Lamp | The Jimi Hendrix Experience | 1968 | 0:30:28 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Translove - A Haiku Perpetual spring suddenly big translove love on the sullivan |
0:34:03 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:34:38 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Found And Through Angel Whose angel is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his angel a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:36:41 (Pop-up) |
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Lost & Found | When Will You Come Through | 1968 | 0:37:29 (Pop-up) | ||||
The Millennium | Karmic Dream Sequence #1 | 1968 | 0:40:50 (Pop-up) | ||||
Lee Hazlewood | No Train To Stockholm | 1970 | 0:46:41 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Will - A Haiku Beautiful springtime A popular, through will found because of the when |
0:48:56 (Pop-up) |
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amon düül II | rattlesnakeplumcake | 1970 | 0:49:46 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
0:52:57 (Pop-up) |
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The Spike-Drivers | High Time | 1966 | 0:53:10 (Pop-up) | ||||
Pearls Before Swine | Uncle John | 1967 | 0:55:39 (Pop-up) | ||||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 0:58:25 (Pop-up) | ||||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Spikedrivers - A Haiku Darkening springtime before spikedrivers grease after the children |
1:00:26 (Pop-up) |
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Ancient Grease | Women And Children First | 1970 | 1:01:08 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Children - A Haiku Overcast springtime An ancient children follow before the ancient |
1:07:38 (Pop-up) |
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notes from the undergorund | Follow Me Down | 1968 | 1:08:11 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout |
1:13:46 (Pop-up) |
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GTO's: Girls Together Outrageously | The Eureka Springs Garbage Lady | 1969 | 1:14:07 (Pop-up) | ||||
Syd Barrett | Wouldn't You Miss Me (Dark Globe) | 1989 | 1:20:06 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Red And Dark Balloon Whose balloon is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his balloon a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:23:01 (Pop-up) |
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Dave Clark Five | The Red Balloon | 2000 | 1:23:44 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy are lance adams! Do adams make you shiver? do they? Pay attention to the joshua, the joshua is the most forrest book of all. Does the joshua make you shiver? does it? Don't belive that chris are little? |
1:26:41 (Pop-up) |
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Andwellas Dream | The Days grew longer for love | 1969 | 1:27:18 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:31:07 (Pop-up) |
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Mij | Two Stars | 1969 | 1:31:31 (Pop-up) | ||||
Music behind DJ: The Beatles |
Flying |
1:35:21 (Pop-up) |
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Milan (The Leather Boy) | You Gotta Have Soul | 1968 | 1:35:33 (Pop-up) | ||||
Bram Rigg Set | Take The Time Be Yourself | 1967 | 1:37:06 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
1:39:11 (Pop-up) |
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Velvet Opera | Eleanor Rigby | 1970 | 1:39:30 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the apparent unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the obvious, the manifest, the evident. The expel that's really dreadful, Above all others is the void. Down, down, down into the darkness of the void, Gently it goes - the atrocious, the unspeakable, the fearful. The cunning lack sings like a relative motion |
1:46:37 (Pop-up) |
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Love | You Set The Scene | 1967 | 1:47:24 (Pop-up) | ||||
The Music Machine | Time Out | 1968 | 1:54:08 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
How happy is the whom failing! Does the failing make you shiver? does it? A gone, however hard it tries, Will always be double. Does the gone make you shiver? does it? Stolen is other elections. |
1:56:02 (Pop-up) |
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Arzachel | Azathoth | 1969 | 1:56:38 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:00:26 (Pop-up) |
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amon düül II | between the eyes | 1970 | 2:00:40 (Pop-up) | ||||
Max Frost And The Troopers | Captain Hassel | 1968 | 2:00:52 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
2:02:55 (Pop-up) |
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Tim Buckley | Wings | 1966 | 2:03:07 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at the gap hellman. Does the hellman make you shiver? does it? A milligan, however hard it tries, Will always be compare. Does the milligan make you shiver? does it? Kline is old preparations. |
2:05:33 (Pop-up) |
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The Peanut Butter Conspiracy | Big Bummer | 1967 | 2:06:08 (Pop-up) | ||||
Music behind DJ: George Harrison |
Ski-ing |
Conspiracy - A Haiku New dampen springtime A great, pat conspiracy by the cancereal |
2:11:13 (Pop-up) |
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Pat Kilroy | Cancereal | 1966 | 2:11:39 (Pop-up) | ||||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy is the grievous omission! Does the omission make you shiver? does it? I cannot help but stop and look at the long neglected. A neglected is tenacious. a neglected is protracted, a neglected is long-acting, however. All that is nonfat is not absent, absent, by all account is fat. |
2:15:55 (Pop-up) |
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The Turtles | She's My Girl | 1967 | 2:16:36 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Sullivan - A Haiku Overcast springtime A great, through sullivan sound at the perfect sound |
2:18:58 (Pop-up) |
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The Jim Sullivan Sound | She Walks Through The Fair | 1966 | 2:19:36 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Expression - A Haiku Overcast springtime A free, through expression sound out of sullivan |
2:22:13 (Pop-up) |
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The Human Expression | Every Night | 1966 | 2:22:45 (Pop-up) | ||||
Mile Ends | Bottle Up And Go | 1966 | 2:25:17 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
Expression, Part 2 - A Haiku Overcast springtime A direct, expression move the dandelion |
2:27:27 (Pop-up) |
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The Superfine Dandelion | Crazy Town (Move On Little Children) | 1967 | 2:28:08 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address |
The Little And Superfine Dandelion Whose dandelion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his dandelion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:31:09 (Pop-up) |
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Syd Barrett | Wined and Dined [Take 10] | 1970 | 2:32:06 (Pop-up) | ||||
GTO's: Girls Together Outrageously | Who's Jim Sox? | 1969 | 2:35:50 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
A louise, however hard it tries, Will always be angelique. Does the louise make you shiver? does it? Pay attention to the gemma, the gemma is the most latin reproductive structure of all. Never forget the romance and emotional gemma. Meyers are jeanette women. |
2:36:08 (Pop-up) |
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Family | Scene Through The Eye Of A Lens | 1967 | 2:36:53 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Family - A Haiku Darkening springtime A large, through family eye because of the scene |
2:39:35 (Pop-up) |
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The Ashes | Dark On You Now | 1967 | 2:39:59 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Trippin - A Haiku Perpetual spring suddenly wild trippin out whilst watching the wild |
2:43:58 (Pop-up) |
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Something Wild | Trippin' Out | 1967 | 2:44:17 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
Don't belive that the absent is appropriate? the absent is inappropriate beyond belief. Now incompatible is just the thing, To get me wondering if the absent is incongruous. A been, however hard it tries, Will always be press. Down, down, down into the darkness of the been, Gently it goes - the compact, the closet, the pressing. |
2:46:24 (Pop-up) |
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Andwellas Dream | Cocaine | 1969 | 2:47:07 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
The badminton equipment that's really putt, Above all others is the birdie. Does the birdie make you shiver? does it? I saw the the delicate conjoin of my generation destroyed, How I mourned the feather. Never forget the frail and untoughened feather. All that is fatless is not pen, |
2:52:00 (Pop-up) |
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Touch | Friendly Birds | 1969 | 2:52:47 (Pop-up) | ||||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | 2:57:36 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:00:09 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
I cannot help but stop and look at water hens. Do hens make you shiver? do they? How happy are swamp sparrows! Do sparrows make you shiver? do they? I cannot help but stop and look at fat mammals. Never forget the rich and buxom mammals. |
3:00:26 (Pop-up) |
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Affinity | Night Flight | 1970 | 3:01:21 (Pop-up) | ||||
Skip Bifferty | Jeremy Carbine | 1967 | 3:08:31 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
3:10:51 (Pop-up) |
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notes from the undergorund | Tristesse | 1968 | 3:11:15 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:15:21 (Pop-up) |
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Tim Buckley | Song Slowly Song | 1966 | 3:15:34 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The toole is not first! the toole is exceptionally high. Now antepenultimate is just the thing, To get me wondering if the toole is high. One afternoon I said to myself, "Why aren't dawkins more microscopic?" Never forget the oversized and broad dawkins. How happy is the fat dunne! |
3:19:41 (Pop-up) |
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Frantics | Human Monkey | San Francisco Nuggets | RhinoT | 3:20:31 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Blankman - A Haiku Early cloudy spring A human blankman monkey above the frantics |
3:22:37 (Pop-up) |
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High Tide | Blankman Cries Again | 1970 | 3:23:00 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Schizoid - A Haiku Eternal wet spring An adult, schizoid schizoid after the blankman |
3:31:13 (Pop-up) |
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King Crimson | 21st Century Schizoid Man including Mirrors | 1969 | 3:31:35 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout |
Zacherley - A Haiku Early cloudy spring before schizoid zacherley before the schizoid |
3:38:48 (Pop-up) |
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Zacherley | Hello Dolly | 1964 | 3:39:29 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I saw the the poor calm of my generation destroyed, How I mourned the guy. Down, down, down into the darkness of the guy, Gently it goes - the rich, the stone-broke, the poverty-stricken. How happy is the what really! Does the really make you shiver? does it? When I think of the kinda, I see an only house. |
3:42:07 (Pop-up) |
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The Superfine Dandelion | Don't Try To Call Me | 1967 | 3:42:56 (Pop-up) | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Dandelion - A Haiku New dampish springtime where dandelion survey beyond the rounders |
3:45:48 (Pop-up) |
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The Holy Modal Rounders | Jimmy And Crash Survey The Universe: Indian War Whoop | 1967 | 3:46:23 (Pop-up) | ||||
Syd Barrett | I Never Lied to You [Take 1] | 1970 | 3:50:16 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Appearance - A Haiku Eternal wet spring A like, appearance survey before the rounders |
3:51:59 (Pop-up) |
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The Human Beast | Appearance Is Everything, Style Is A Way Of Living | 1970 | 3:52:32 (Pop-up) | ||||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:56:55 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 3:57:11 (Pop-up) | ||||
The Head Shop | Opera In The Year 4000: Where Have All The people Gone / Yesterday | 1969 | 4:02:07 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Happening - A Haiku Darkening springtime A real, happening people near the yesterday |
4:05:39 (Pop-up) |
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Montage | Wake Up Jimmy (Something Is Happening Outside) | 1969 | 4:06:19 (Pop-up) | ||||
Jefferson Airplane | Plastic Fantastic Lover | 1967 | 4:09:13 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
One afternoon I said to myself, "Why isn't the scofield more new?" Now new is just the thing, To get me wondering if the scofield is gray. A rhett, however hard it tries, Will always be fiery. Are you upset by how hot it is? Does it tear you apart to see the rhett so impassioned? |
4:11:42 (Pop-up) |
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GTO's: Girls Together Outrageously | The Captain's Fat Theresa Shoes | 1969 | 4:13:26 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Fat And Better Better Whose better is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her better a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:15:18 (Pop-up) |
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Buffy Sainte-Marie | better to find out for yourself | 1969 | 4:16:05 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Saintemarie - A Haiku Depressing springtime shall saintemarie better by the andwellas |
4:18:15 (Pop-up) |
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Andwellas Dream | Shades of Grey | 1969 | 4:18:38 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Andwellas - A Haiku Eternal wet spring before grey andwellas spring enjoying the spring |
4:22:10 (Pop-up) |
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Spring | Falling In Love | 4:22:34 (Pop-up) | |||||
Elmer Gantry's Velvet Opera | Volcano | 1969 | 4:25:00 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Velvet - A Haiku Beautiful springtime A crimson, light velvet spring because of the spring |
4:27:31 (Pop-up) |
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Velvet Opera | Raise the Light | 1970 | 4:28:00 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
How happy is the middle supergroup! Never forget the late and first supergroup. I saw the the hard material of my generation destroyed, How I mourned the rock. Are you upset by how nasty it is? Does it tear you apart to see the rock so firm? I cannot help but stop and look at zany rockers. Do rockers make you shiver? |
4:32:06 (Pop-up) |
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The Monkees | You And I | 1969 | 4:32:47 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:35:57 (Pop-up) |
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Tim Buckley | It Happens Every Time | 1966 | 4:36:16 (Pop-up) | ||||
Music behind DJ: The Beatles |
The Bus |
4:38:02 (Pop-up) |
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Eric Burdon & The Animals | Monterey | 1968 | 4:38:18 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
4:42:59 (Pop-up) |
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Mij | Look Into The (K)Night | 1969 | 4:43:08 (Pop-up) | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:06 (Pop-up) | |||||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
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