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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:21 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:47 (Pop-up) | ||||
The Kitchen Cinq | (Ellen's Fancies) Ride The Wind | 1967 | 0:03:14 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
0:05:29 (Pop-up) |
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Love Sculpture | Nobody's Talking | 1969 | 0:05:43 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:09:18 (Pop-up) |
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Buffy Sainte-Marie | he's a keeper of the fire | 1969 | 0:09:30 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
0:13:28 (Pop-up) |
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The Fugs | Children Of The Dream | 1969 | 0:13:48 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
0:19:37 (Pop-up) |
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Morgen | Of Dreams | Morgen | 0:19:57 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
0:23:16 (Pop-up) |
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St. Valentines Day Massacre | Brother Can You Share A Dime | 1967 | 0:23:30 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The absentee is not unimportant! the absentee is exceptionally polar. An absentee is eminent. an absentee is polar, an absentee is noteworthy, however. How happy are exact whereabouts! Whereabouts are perfect. whereabouts are rigorous, whereabouts are accurate, however. Disappearances are unexplained basis. |
0:26:22 (Pop-up) |
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Tom Dae Turned On | I Shall Walk | 1970 | 0:27:10 (Pop-up) | |||
The Electric Prunes | Train for Tomorrow | 1967 | 0:31:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The absentee is not unimportant! the absentee is exceptionally polar. An absentee is eminent. an absentee is polar, an absentee is noteworthy, however. How happy are exact whereabouts! Whereabouts are perfect. whereabouts are rigorous, whereabouts are accurate, however. Disappearances are unexplained basis. |
0:34:03 (Pop-up) |
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Stix & Stonz | Take A Bus | 1969 | 0:34:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Instrumental - A Haiku Eternal springtime A non, instrumental take after the allan |
0:37:04 (Pop-up) |
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Davie Allan And The Arrows | The Dark Alley - Instrumental | 1967 | 0:37:41 (Pop-up) | |||
Group 1850 | Little Fly | 1968 | 0:40:21 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Restless And Instrumental Instrumental Whose instrumental is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his instrumental a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:44:45 (Pop-up) |
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The Restless Feelin's | A Million Things | 1966 | 0:45:37 (Pop-up) | |||
The Third Rail | No Return | 1967 | 0:47:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Whose instrumental is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his instrumental a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:49:44 (Pop-up) |
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Hair | Pleasant Street | 1970 | 0:50:27 (Pop-up) | |||
The Shadows | Dance On | 1996 | 0:56:40 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:58:59 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:00:21 (Pop-up) |
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The Truth | P.S. (Prognosis Stegnoisis) | 1967 | 1:00:50 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Stegnoisis - A Haiku Perpetual spring A tweedy stegnoisis drone on the prognosis |
1:03:54 (Pop-up) |
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The New Tweedy Bros! | Her Darkness In December (Drone Song) | 1968 | 1:04:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
December - A Haiku Early dampen spring A late, december enjoy watching the darkness |
1:10:08 (Pop-up) |
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The Legend | Enjoy Yourself | 1968 | 1:10:32 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
1:14:01 (Pop-up) |
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The Crystal Rain | Hey Ma Ma | 1969 | 1:14:25 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Crystal - A Haiku Beautiful springtime A crystal crystal people under the people |
1:17:57 (Pop-up) |
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The Hello People | Let's Go Hide In The Forest | 1967 | 1:18:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The traveller that's really happy, Above all others is the absentee. Now joyful is just the thing, To get me wondering if the absentee is glad. Don't belive that whereabouts are inexact? whereabouts are exact beyond belief. Never forget the photographic and correct whereabouts. When I think of the failing, I see a horses lost. |
1:20:56 (Pop-up) |
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Love Sculpture | Why (How-Now) | 1969 | 1:21:38 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:29:17 (Pop-up) |
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Buffy Sainte-Marie | poppies (for mr. allerton) | 1969 | 1:29:40 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Don't belive that the failing is unsympathetic? the failing is sympathetic beyond belief. Never forget the charitable and harmonious failing. I cannot help but stop and look at the long gone. Does the gone make you shiver? does it? A stolen, however hard it tries, Will always be yellow. |
1:32:51 (Pop-up) |
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SRC | Black Sheep | 1968 | 1:33:32 (Pop-up) | |||
The Factory | Try A Little Sunshine | 1969 | 1:37:13 (Pop-up) | |||
The Electric Prunes | Antique Doll | 1967 | 1:40:40 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Jefferson - A Haiku Darkening springtime A little jefferson side before the airplane |
1:43:44 (Pop-up) |
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Nimrod | The Bird | 1969 | 1:45:22 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:48:27 (Pop-up) |
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by east of eden | Bathers | 1969 | 1:48:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Underground - A Haiku Eternal springtime A polish, underground free beyond the velvet |
1:53:32 (Pop-up) |
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The Velvet Underground | I'm Set Free | 1969 | 1:53:55 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:57:56 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Underground, Part 2 - A Haiku Darkening springtime A polish, underground free by the annmargret |
2:00:22 (Pop-up) |
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Lee Hazlewood Ann-Margret | No Regrets | 1969 | 2:00:56 (Pop-up) | |||
The Wimple Winch | Save My Soul | 1966 | 2:04:34 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Underground - A Haiku Darkening springtime An urban, underground make out of annmargret |
2:07:37 (Pop-up) |
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The Mothers Of Invention... | The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It | 1967 | 2:08:14 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Underground, Part 2 - A Haiku Overcast springtime An urban, underground make a millennium |
2:15:43 (Pop-up) |
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The Third Rail | Overdose Of Love | 1968 | 2:17:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Overdose - A Haiku Depressing springtime A lethal, third overdose on the asylum |
2:19:37 (Pop-up) |
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The Asylum Choir | Thieves In The Choir | 1968 | 2:19:57 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Orchestra - A Haiku Eternal springtime A moody orchestra knight on the afternoon |
2:23:52 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Afternoon: Forever Afternoon (Tuesday?) : Time to get away | 1967 | 2:24:30 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The Mammoth And Mammoth Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:32:51 (Pop-up) |
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Mammoth | Mammoth | 1970 | 2:33:43 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Brainticket - A Haiku Depressing springtime A mammoth brainticket black above the mammoth |
2:37:07 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:37:27 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Incorporation - A Haiku Overcast springtime then incorporation sound the satisfaction |
2:41:28 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 2:41:54 (Pop-up) | |||
The J. & B. | There She Goes | 1966 | 2:44:59 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Incorporation, Part 2 - A Haiku Beautiful springtime when incorporation sound the satisfaction |
2:47:35 (Pop-up) |
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The Electric Prunes | Try Me on For Size | 1967 | 2:49:00 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Dissevelt - A Haiku Beautiful springtime suddenly dissevelt size on the dissevelt |
2:51:17 (Pop-up) |
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The Sonic Vibrations Of Tom Dissevelt & Kid Baltan | Tom Dissevelt: Sonik Re-Entry | 1959 | 2:51:44 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Dissevelt, Part 2 - A Haiku Overcast springtime before dissevelt design near the dissevelt |
2:54:15 (Pop-up) |
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Lazy Nickels | 35 Design | 1970 | 2:54:45 (Pop-up) | |||
The Mothers Of Invention | Mother People | 1969 | 2:56:53 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:58:35 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Nickels - A Haiku Overcast springtime A last, best nickels design despite the nimrod |
3:00:22 (Pop-up) |
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Nimrod | Don't let it get the best of you | 1969 | 3:01:01 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Jerks, however hard they try, Will always be awkward. Never forget the inapt and unmanageable jerks. How happy is the dark figger! Does the figger make you shiver? does it? How happy is the yellow shmuck! Are you upset by how yellowish it is? |
3:03:15 (Pop-up) |
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The Mind Garage | Asphalt Mother | 1968 | 3:03:54 (Pop-up) | |||
Dragonfly | Celestial Empire | 1969 | 3:08:54 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the new bleriot. A bleriot is green. a bleriot is newborn, a bleriot is unprecedented, however. The seadog is not young! the seadog is exceptionally honest-to-god. Are you upset by how moth-eaten it is? Does it tear you apart to see the seadog so honest-to-god? I cannot help but stop and look at the cunning fibreglass. |
3:11:23 (Pop-up) |
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The Wimple Winch | Everybody's Worried 'Bout Tomorrow | 1966 | 3:13:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Everybodys - A Haiku Beautiful springtime feeling everybodys near the tomorrow |
3:15:57 (Pop-up) |
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The Sound Of Feeling | Spleen | 1968 | 3:16:23 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Motions - A Haiku Perpetual spring before feeling motions sound before the wedding |
3:19:10 (Pop-up) |
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The Motions | Wedding Of The 100 Brides | 1969 | 3:19:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:22:13 (Pop-up) |
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dayde | Cocaine | 1970 | 3:22:35 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
3:31:07 (Pop-up) |
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Uranus And The Five Moons | Your Groove | 1967 | 3:31:20 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Anyways, however hard they try, Will always be right. Do anyways make you shiver? do they? How happy are inc hes! Do hes make you shiver? do they? The cunning ritchie sings like senate friends |
3:34:03 (Pop-up) |
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Aorta | What's In My Mind's Eye | 1969 | 3:34:36 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Third - A Haiku Perpetual spring A posterior, third third rail after the choir |
3:37:28 (Pop-up) |
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The Third Rail | She Ain't No Choir Girl | 1968 | 3:37:52 (Pop-up) | |||
The Tower | Slow Motion Mind | 1968 | 3:41:47 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the obvious absence! Down, down, down into the darkness of the absence, Gently it goes - the tangible, the evident, the flagrant. I cannot help but stop and look at strange disappearances. Are you upset by how curious they are? Does it tear you apart to see the disappearances so funny? When I think of the gone, I see a many kiss. Never forget the attractive and clever gone. |
3:44:01 (Pop-up) |
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The Doors | Moonlight Drive | 1967 | 3:45:03 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:47:59 (Pop-up) |
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St. Giles's System | Swedish Tears | 1969 | 3:48:13 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Swedish - A Haiku Perpetual spring A standard, choice swedish choose enjoying the choice |
3:51:58 (Pop-up) |
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The Deep | Your Choice To Choose | 1966 | 3:52:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Thinking - A Haiku Beautiful springtime A free, thinking thinking choose watching the fridays |
3:54:18 (Pop-up) |
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Last Friday's Fire | What Is She Thinking Of | 1967 | 3:54:41 (Pop-up) | |||
The Shadows | Dance On | 1996 | 3:57:15 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 3:59:34 (Pop-up) | ||
Suzi Jane Hokom | Goode Tyme Music | 1967 | 4:06:08 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
I saw the the cooked bear of my generation destroyed, How I mourned the fruit. Never forget the barbecued and baked fruit. A clementine, however hard it tries, Will always be fairy. Does the clementine make you shiver? does it? fruits are not big! |
4:08:00 (Pop-up) |
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Kensington Market | Cartoon | 1969 | 4:08:41 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Kensington - A Haiku Eternal springtime A north, kensington market the capilouto |
4:11:13 (Pop-up) |
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The Orange Wedge | From The Womb To The Tomb | 1968 | 4:13:29 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Mother - A Haiku Perpetual spring An orange mother mother watching the orange |
4:16:15 (Pop-up) |
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The Apryl Fool | The Lost Mother Land (Part 1) | 1969 | 4:16:34 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Funkadelic - A Haiku Depressing springtime before fool funkadelic into the maggot |
4:23:42 (Pop-up) |
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Funkadelic | Maggot Brain | 1971 | 4:24:07 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
The reggae is not unmelodic! the reggae is exceptionally unmelodic. Are you upset by how mellifluous it is? Does it tear you apart to see the reggae so unmelodic? One afternoon I said to myself, "Why isn't the strummer more complex?" Never forget the swordlike and perfoliate strummer. I cannot help but stop and look at the cunning backbeat. |
4:34:22 (Pop-up) |
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The Quiet Jungle | Everything | 1967 | 4:35:19 (Pop-up) | |||
Stix & Stonz | Take A Bus | 1969 | 4:37:48 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The phoebe is not achromatic! the phoebe is exceptionally unclean. Does the phoebe make you shiver? does it? bluejays are not aged! bluejays are exceptionally youthful. Are you upset by how teenage they are? Does it tear you apart to see the bluejays so youthful? |
4:40:00 (Pop-up) |
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Buffy Sainte-Marie | he's a keeper of the fire | 1969 | 4:40:44 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
4:43:54 (Pop-up) |
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The Thyme | Somehow | 1968 | 4:44:05 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Conspiracy - A Haiku Beautiful springtime A great, found conspiracy despite the butter |
4:47:22 (Pop-up) |
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The Peanut Butter Conspiracy | You Can't Be Found | 1967 | 4:48:05 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:46 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners |
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