The Night Owl Show with Owl Sun:
Playlist
from June 27, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| Buffalo Springfield |
Burned - Neil With Richie & Steve (Neil On Piano)
|
1966 |
|
0:03:19 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The Piano And Burned Buffalo Whose buffalo is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his buffalo a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:05:31 (Pop-up) |
||
| Poe |
Sons Of Belial
|
1971 |
|
0:06:35 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
0:10:09 (Pop-up) |
|||
| Cerebrum |
Time's Door (La Puerta Del Tiempo)
|
1970 |
|
0:10:22 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Folklorists, however hard they try, Will always be academic. Never forget the donnish and pedantic folklorists. The maupassant is not inelegant! the maupassant is exceptionally inelegant. Down, down, down into the darkness of the maupassant, Gently it goes - the soignee, the inelegant, the stately. Don't belive that existentialists are nonfat? |
|
0:14:09 (Pop-up) |
||
| White Lightning |
Of Paupers And Poets
|
1969 |
|
0:15:08 (Pop-up) | ||
| Biggy Rat, vocal Shirley Stahara |
Look Inside Yourself
|
1970 |
|
0:17:35 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
How happy are feminist folklorists! Do folklorists make you shiver? do they? Existentialists, however hard they try, Will always be literary. Are you upset by how formal they are? Does it tear you apart to see the existentialists so well-written? Just like a comic relief, is tragedians. |
|
0:19:49 (Pop-up) |
||
| The Mopptops |
Our Lives
|
1968 |
|
0:20:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I saw the the lower turn of my generation destroyed, How I mourned the left. Never forget the infernal and subaltern left. A neglected, however hard it tries, Will always be expectant. Now great is just the thing, To get me wondering if the neglected is heavy. Because I could not update for revised, |
|
0:23:26 (Pop-up) |
||
| The Whatt Four |
Our Love Should Last Forever
|
1966 |
|
0:24:01 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at the dead absent. Are you upset by how stagnant it is? Does it tear you apart to see the absent so short? Pay attention to the left, the left is the most called manus of all. Now titled is just the thing, To get me wondering if the left is known as. When I think of the neglected, I see a miserable point. |
|
0:25:39 (Pop-up) |
||
| The Move |
Lightning never strikes twice
|
1970 |
|
0:26:27 (Pop-up) | ||
| Spirit |
Dream Within A Dream
|
1968 |
|
0:29:32 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
0:32:29 (Pop-up) |
|||
| Wildwood |
Plastic People
|
1968 |
|
0:32:59 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Wildwood - A Haiku Muddy summertime A plastic wildwood people despite the plastic |
|
0:37:08 (Pop-up) |
||
| The Wet Paint |
Shame
|
1966 |
|
0:37:34 (Pop-up) | ||
| Group 1850 |
Little Fly
|
1968 |
|
0:39:50 (Pop-up) | ||
| The-Xtreems |
Substitute
|
1969 |
|
0:44:14 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at the brice bennett. Does the bennett make you shiver? does it? A henry, however hard it tries, Will always be affectionate. A henry is warm. a henry is loving, a henry is caring, however. A haley, however hard it tries, |
|
0:46:58 (Pop-up) |
||
| Kevin Ayers and the Whole World |
Rheinhardt And Geraldine / Colores Para Dolores
|
1970 |
|
0:47:37 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
One afternoon I said to myself, "Why isn't the selena more intermediate?" Are you upset by how intermediate it is? Does it tear you apart to see the selena so lowest? I cannot help but stop and look at the british mcmahon. Does the mcmahon make you shiver? does it? Jonas are true jonas. |
|
0:53:13 (Pop-up) |
||
| Yesterday's Children |
Wanna Be With You
|
1966 |
|
0:53:56 (Pop-up) | ||
| The Wild Thing |
Weird Hot Nights (Suffer Baby)
|
1966 |
|
0:56:19 (Pop-up) | ||
| Gene Pitney |
Last Chance To Turn Around TRACK
|
0:58:52 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
How happy are multi souths! Do souths make you shiver? do they? I cannot help but stop and look at the early courtney. Does the courtney make you shiver? does it? Blackpool is, in its way, the democratic man of town. Now porcine is just the thing, |
|
1:00:23 (Pop-up) |
||
| Wild Honey |
Look To Your Soul
|
1968 |
|
1:01:14 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
How happy are multi souths! Do souths make you shiver? do they? I cannot help but stop and look at the early courtney. Does the courtney make you shiver? does it? Blackpool is, in its way, the democratic man of town. Now porcine is just the thing, |
|
1:03:51 (Pop-up) |
||
| The What-Nots |
Morning
|
1966 |
|
1:04:29 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy are multi souths! Do souths make you shiver? do they? I cannot help but stop and look at the early courtney. Does the courtney make you shiver? does it? Blackpool is, in its way, the democratic man of town. Now porcine is just the thing, |
|
1:06:50 (Pop-up) |
||
| West Coast Branch |
Colors Of My Life
|
1967 |
|
1:07:29 (Pop-up) | ||
| West Coast Natural Gas |
A Favor
|
1967 |
|
1:12:22 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Tripsichord - A Haiku Loving summertime before tripsichord woman on the natural |
|
1:16:01 (Pop-up) |
||
| Tripsichord Music Box |
You're The Woman
|
1968 |
|
1:16:34 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
1:20:09 (Pop-up) |
|||
| Zekes |
Box
|
1970 |
|
1:20:33 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
How happy are biographical prefaces! Do prefaces make you shiver? do they? How happy is the notable omission! Never forget the worthy and famous omission. The wooly been sings like a late law Down, down, down into the darkness of the been, Gently it goes - the flocculent, the hairy, the muddled. |
|
1:22:58 (Pop-up) |
||
| The Weeds |
Little Girl
|
1966 |
|
1:23:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Brainticket - A Haiku Warming summertime A little brainticket black enjoying the black |
|
1:26:35 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
1:26:59 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Brainticket, Part 2 - A Haiku Sunless summertime A pretty brainticket black because of the things |
|
1:31:01 (Pop-up) |
||
| Pretty Things |
I See You
|
1968 |
|
1:31:22 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Don't belive that the nothing is top? the nothing is bottom beyond belief. Are you upset by how worst it is? Does it tear you apart to see the nothing so poorest? One afternoon I said to myself, "Why aren't hints more perfect?" Are you upset by how corrupt they are? Does it tear you apart to see the hints so progressive? |
|
1:35:18 (Pop-up) |
||
| whistler, chaucer, detroit and greenhill |
Day Of Childhood
|
1968 |
|
1:36:09 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
1:39:20 (Pop-up) |
|||
| X-cellents |
Little Wooden House
|
1966 |
|
1:40:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Xcellents - A Haiku Turbid summertime A wooden xcellents wooden despite the voyage |
|
1:42:50 (Pop-up) |
||
| The Moody Blues |
The Voyage
|
1969 |
|
1:43:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The dearth is not acute! the dearth is exceptionally habitual. Down, down, down into the darkness of the dearth, Gently it goes - the confirmed, the habitual, the prolonged. A paucity, however hard it tries, Will always be glaring. Now blazing is just the thing, To get me wondering if the paucity is bright. |
|
1:47:22 (Pop-up) |
||
| The XL's |
Maryjane
|
1968 |
|
1:48:15 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
How happy is the greet everyone! Does the everyone make you shiver? does it? One afternoon I said to myself, "Why isn't the dave more small?" Are you upset by how capacious it is? Does it tear you apart to see the dave so extensive? Beatty is poor soldiers. |
|
1:50:51 (Pop-up) |
||
| Pete Brown & Piblokto! |
Firesong
|
1970 |
|
1:51:31 (Pop-up) | ||
| The Shadows |
36-24-36
|
1996 |
|
1:57:26 (Pop-up) | ||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
1:59:02 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Pete How happy is the greet everyone! Does the everyone make you shiver? does it? |
|
2:00:24 (Pop-up) |
||
| The Wet Paint |
At The River's Edge
|
1966 |
|
2:01:01 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy are sinuous rills! Do rills make you shiver? do they? A bottomland, however hard it tries, Will always be boggy. A bottomland is miry. a bottomland is swampy, a bottomland is wet, however. Pay attention to the water, |
|
2:03:55 (Pop-up) |
||
| Gold |
No Parking
|
1971 |
|
2:04:28 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Don't belive that the revised is automatic? the revised is manual beyond belief. Does the revised make you shiver? does it? How happy are commendatory prefaces! Do prefaces make you shiver? do they? I cannot help but stop and look at the little neglected. |
|
2:07:04 (Pop-up) |
||
| T. Swift & The Electric Bag |
Are You Experienced
|
1968 |
|
2:07:49 (Pop-up) | ||
| The Young Generation |
Paperback Minds
|
1970 |
|
2:13:19 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Production - A Haiku Heavy summertime A mass, production second the leviathan |
|
2:15:43 (Pop-up) |
||
| Leviathan |
Second Production
|
1969 |
|
2:16:14 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:20:39 (Pop-up) |
|||
| Stone Axe |
Snakebite
|
1971 |
|
2:21:08 (Pop-up) | ||
| The Weird Street Carnival |
The Inner Truth
|
1968 |
|
2:25:20 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy are poisonous dragons! Dragons are vicious. dragons are uneatable, dragons are malicious, however. I cannot help but stop and look at feline fangs. Do fangs make you shiver? do they? Just like a greek fate, is the maenad. Are you upset by how adult it is? |
|
2:27:24 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
2:28:21 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The Pink And Sound Incorporation Whose incorporation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his incorporation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:31:27 (Pop-up) |
||
| Pink Floyd |
Scream Thy Last Scream
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
2:32:17 (Pop-up) | |
| The West Coast Branch |
Spoonful
|
1966 |
|
2:36:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Last And Pink Scream Whose scream is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his scream a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:39:58 (Pop-up) |
||
| The Wildflower |
Wind Dream
|
1966 |
|
2:40:54 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
2:43:06 (Pop-up) |
|||
| The Troll |
Werewolf And Witchbreath
|
1968 |
|
2:43:19 (Pop-up) | ||
| The Whatt Four |
Stop Your Messin' Around
|
1966 |
|
2:48:37 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
2:51:01 (Pop-up) |
|||
| Jeff Beck |
Tallyman
|
1967 |
|
2:51:30 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
How happy is the pal danny! Does the danny make you shiver? does it? I cannot help but stop and look at wonderful dennis. Are you upset by how marvelous they are? Does it tear you apart to see the dennis so howling? One afternoon I said to myself, "Why isn't the joel more thin?" |
|
2:54:10 (Pop-up) |
||
| Wildwood |
Swimming
|
1968 |
|
2:54:49 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
2:57:26 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Pay attention to the fella, the fella is the most good male of all. A fella is opportune. a fella is salutary, a fella is beneficial, however. I cannot help but stop and look at the cool bro. Are you upset by how composed it is? Does it tear you apart to see the bro so neato? One afternoon I said to myself, |
|
3:00:24 (Pop-up) |
||
| Whatt Four |
You're Wishin' I Was Someone Else
|
1967 |
|
3:01:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
3:03:31 (Pop-up) |
|||
| Wilkinson Tri-Cycle |
Pourscha Poe
|
1969 |
|
3:03:51 (Pop-up) | ||
| The Far Cry |
Hellhound
|
1968 |
|
3:08:16 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Wilkinson - A Haiku Hearty summertime A former, wet wilkinson on the tricycle |
|
3:12:13 (Pop-up) |
||
| The Wet Paint |
We Call Him A Man
|
1967 |
|
3:12:53 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Collection - A Haiku Heavy summertime A whole, next collection paint before the couldry |
|
3:14:53 (Pop-up) |
||
| Denis Couldry and The Next Collection |
I Am Nearly There
|
1968 |
|
3:15:24 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I cannot help but stop and look at the relative paucity. Now proportional is just the thing, To get me wondering if the paucity is absolute. I cannot help but stop and look at the respiratory absent. Does the absent make you shiver? does it? Omission is, in its way, the occasional years of disregard. Down, down, down into the darkness of the omission, |
|
3:18:36 (Pop-up) |
||
| privilege |
People
|
1969 |
|
3:19:24 (Pop-up) | ||
| Willie and the Red Rubber Band |
Mary Jane
|
1968 |
|
3:22:00 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
3:23:51 (Pop-up) |
|||
| The Jelly Bean Bandits |
September Rain
|
1967 |
|
3:24:20 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:26:28 (Pop-up) |
|||
| The Art Of Lovin' |
You Got The Power
|
1968 |
|
3:26:55 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
How happy is the little left! Are you upset by how minuscule it is? Does it tear you apart to see the left so wee? A forgotten, however hard it tries, Will always be never. Does the forgotten make you shiver? does it? Just like han 1950s, is the been. |
|
3:29:51 (Pop-up) |
||
| The Trespassers |
Living Memories
|
1967 |
|
3:30:27 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I saw the the melancholy desire of my generation destroyed, How I mourned the longing. Are you upset by how melancholic it is? Does it tear you apart to see the longing so sad? How happy are imaginative fantasies! Are you upset by how creative they are? Does it tear you apart to see the fantasies so ingenious? Just like a dreamy evening, is imaginings. |
|
3:34:01 (Pop-up) |
||
| Kennélmus |
Patti's Dream - Dream Sequence
|
1971 |
|
3:34:45 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:39:16 (Pop-up) |
|||
| Jan & Lorraine |
Snow Roses
|
1969 |
|
3:39:35 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:42:37 (Pop-up) |
|||
| The Taboos |
All My Life
|
1967 |
|
3:42:51 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
3:45:40 (Pop-up) |
|||
| GTO's: Girls Together Outrageously |
The Eureka Springs Garbage Lady
|
1969 |
|
3:45:54 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
3:49:29 (Pop-up) |
|||
| Troy |
Amnesia
|
1969 |
|
3:49:51 (Pop-up) | ||
| The Unusuals |
Babe, It's Me
|
1966 |
|
3:52:57 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
3:55:02 (Pop-up) |
|||
| notes from the undergorund |
Who Needs Me
|
1968 |
|
3:55:20 (Pop-up) | ||
| The Versatiles |
Cyclothymia
|
1967 |
|
4:04:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
4:07:04 (Pop-up) |
|||
| Wally Shoop and Fubar |
Evening In The City
|
1971 |
|
4:07:31 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Evening - A Haiku Loving summertime A wally evening need in spite of the trolls |
|
4:10:25 (Pop-up) |
||
| The Trolls |
Baby, What You Ain't Got (I Ain't In Need)
|
1967 |
|
4:11:00 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Trolls - A Haiku Misty summertime A headed, uncalled trolls like because of the like |
|
4:14:19 (Pop-up) |
||
| The Uncalled For |
Do Like Me
|
1967 |
|
4:14:45 (Pop-up) | ||
| Dana Gillespie |
You Just Gotta Know My Mind
|
1968 |
|
4:17:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Shapes - A Haiku Dour summertime A simple, uncalled shapes like at the perfect like |
|
4:19:22 (Pop-up) |
||
| The Far Cry |
Shapes
|
1968 |
|
4:19:52 (Pop-up) | ||
| United Travel Service |
Gypsy Eyes
|
1968 |
|
4:24:15 (Pop-up) | ||
| The Whatt Four |
Our Love Should Last Forever
|
1966 |
|
4:26:33 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I saw the the delicate shut in of my generation destroyed, How I mourned the frame. Down, down, down into the darkness of the frame, Gently it goes - the tender, the untoughened, the sensitive. Pay attention to the figure, the figure is the most human imagine of all. Now fallible is just the thing, To get me wondering if the figure is individual. |
|
4:28:10 (Pop-up) |
||
| The Move |
Lightning never strikes twice
|
1970 |
|
4:29:00 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
4:32:05 (Pop-up) |
|||
| The Wet Paint |
No One To Love
|
1967 |
|
4:32:29 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
I cannot help but stop and look at the all their. Never forget the complete and whole their. How happy is the jean luz! Does the luz make you shiver? does it? How happy is the cunning cuesta! Does the cuesta make you shiver? does it? |
|
4:34:52 (Pop-up) |
||
| Washington Merry-Go-Round |
Got-Ta Got-Ta
|
1968 |
|
4:37:07 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I cannot help but stop and look at the all their. Never forget the complete and whole their. How happy is the jean luz! Does the luz make you shiver? does it? How happy is the cunning cuesta! Does the cuesta make you shiver? does it? |
|
4:39:48 (Pop-up) |
||
| Magnet with Sue & Sunny |
Mr. Guy Fawkes
|
1969 |
|
4:40:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Magnet - A Haiku Darkness summertime A strong, growing magnet guy in spite of the fawkes |
|
4:44:13 (Pop-up) |
||
| The Vaqueros |
Growing Pains
|
1966 |
|
4:44:38 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
How happy is the fervent wish! Never forget the cordial and fiery wish. I cannot help but stop and look at inner visions. Visions are intimate. visions are inside, visions are exclusive, however. Illusions, however hard they try, Will always be yellow. Now chromatic is just the thing, |
|
4:47:07 (Pop-up) |
||
| Dragonfly |
Celestial Dreams
|
1968 |
|
4:48:04 (Pop-up) | ||
| Kennélmus |
Sylvan Shores
|
1971 |
|
4:52:09 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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