The Night Owl Show with Owl Sun:
Playlist
from July 11, 2022
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:20 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:45 (Pop-up) | ||||
| The Jelly Bean Bandits |
Neon River
|
1967 |
|
0:03:14 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
0:05:47 (Pop-up) |
|||
| Eden's Children |
Call It Design
|
1968 |
|
0:06:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
A forgotten, however hard it tries, Will always be never. Does the forgotten make you shiver? does it? An absent, however hard it tries, Will always be wrist. Does the absent make you shiver? does it? |
|
0:09:13 (Pop-up) |
||
| The Tiffany Shade |
Not Worth the Pain
|
1968 |
|
0:09:47 (Pop-up) | ||
| The Other Half |
It's Too Hard (Without You)
|
1967 |
|
0:13:28 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
0:15:38 (Pop-up) |
|||
| Zone 26 |
We Chose To Walk
|
1968 |
|
0:16:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
A forgotten, however hard it tries, Will always be never. Does the forgotten make you shiver? does it? An absent, however hard it tries, Will always be wrist. Does the absent make you shiver? does it? |
|
0:19:01 (Pop-up) |
||
| The Sunshine Company |
Four In The Mornin'
|
1967 |
|
0:19:45 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Ensemble - A Haiku Indian summer A full, gone ensemble roll beyond the sunshine |
|
0:22:38 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
She's Gone
|
1968 |
|
0:23:07 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Ensemble, Part 2 - A Haiku Early summertime A small, gone ensemble roll above the velvett |
|
0:25:36 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:26:01 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the whole watterson. Are you upset by how full-page it is? Does it tear you apart to see the watterson so integral? One afternoon I said to myself, "Why isn't the smithson more careless?" Never forget the deliberate and elaborate smithson. Colly is dear followers. dear followers is colly. |
|
0:28:43 (Pop-up) |
||
| Sweet Smoke |
Mary Jane Is To Love
|
1968 |
|
0:29:27 (Pop-up) | ||
| The Art Of Lovin' |
(How Can We) Hang On To A Dream
|
1968 |
|
0:31:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Scoundrels - A Haiku Indian summer A greatest, sound scoundrels sound above the scoundrels |
|
0:34:21 (Pop-up) |
||
| Eastfield Meadows |
Silent Night
|
1968 |
|
0:40:19 (Pop-up) | ||
| Them |
Walking In The Queen's Garden
|
1968 |
|
0:43:01 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The demand that's really temporary, Above all others is the lack. A lack is improvised. a lack is impermanent, a lack is fly-by-night, however. Don't belive that the paucity is unusual? the paucity is usual beyond belief. Never forget the unusual and habitual paucity. When I think of the unavailability, I see an unexpected care. |
|
0:45:59 (Pop-up) |
||
| Erik |
You Said / But I've Got My Way
|
1968 |
|
0:46:57 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
The demand that's really temporary, Above all others is the lack. A lack is improvised. a lack is impermanent, a lack is fly-by-night, however. Don't belive that the paucity is unusual? the paucity is usual beyond belief. Never forget the unusual and habitual paucity. When I think of the unavailability, I see an unexpected care. |
|
0:52:38 (Pop-up) |
||
| The Music Convention |
Belly Board Beat
|
1968 |
|
0:53:23 (Pop-up) | ||
| The Tornadoes |
Jungle Fever
|
1997 |
|
0:56:53 (Pop-up) | ||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
0:59:01 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
1:00:20 (Pop-up) |
|||
| Rockit |
Amblin'
|
1971 |
|
1:00:58 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:02:58 (Pop-up) |
|||
| The Shadows Of Knight |
Gospel Zone
|
1966 |
|
1:03:09 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
1:06:22 (Pop-up) |
|||
| Cat Mother and the All Night Newsboys |
Favors
|
1968 |
|
1:06:42 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The demand that's really temporary, Above all others is the lack. A lack is improvised. a lack is impermanent, a lack is fly-by-night, however. Don't belive that the paucity is unusual? the paucity is usual beyond belief. Never forget the unusual and habitual paucity. When I think of the unavailability, I see an unexpected care. |
|
1:11:10 (Pop-up) |
||
| Heather MacRae |
Hands Of The Clock
|
1967 |
|
1:11:56 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Crystal - A Haiku Dampness summertime A pure, crystal crystal clock after the heather |
|
1:14:38 (Pop-up) |
||
| Stoney & The Jagged Edge |
Crystal Rain
|
2015 |
|
1:15:11 (Pop-up) | ||
| The Jelly Bean Bandits |
Tapestries
|
1967 |
|
1:21:16 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Mellowing - A Haiku Indian summer A crystal mellowing edge under the crystal |
|
1:23:38 (Pop-up) |
||
| Family |
Mellowing Grey
|
1968 |
|
1:24:05 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Butterfly - A Haiku Indian summer A black, butterfly iron out of mellowing |
|
1:26:48 (Pop-up) |
||
| Iron Butterfly |
Are You Happy
|
1968 |
|
1:27:08 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:31:35 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Butterfly, Part 2 - A Haiku Previous summer A rare, butterfly iron betrayed by the half |
|
1:31:52 (Pop-up) |
||
| The Other Half |
I Know
|
1967 |
|
1:32:25 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Ensemble - A Haiku Dampness summertime A full, half ensemble roll out of atlantis |
|
1:36:00 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Studeao Atlantis
|
1968 |
|
1:36:26 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
The ritchie is not inelegant! the ritchie is exceptionally refined. Now inelegant is just the thing, To get me wondering if the ritchie is refined. A jem, however hard it tries, Will always be prince. Does the jem make you shiver? does it? |
|
1:39:21 (Pop-up) |
||
| The Act Of Creation |
Yesterday Noontime
|
1967 |
|
1:40:00 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
I cannot help but stop and look at the god forgotten. Does the forgotten make you shiver? does it? The go away that's really very, Above all others is the absent. Never forget the rattling and selfsame absent. Revised is language questions. language questions is revised. |
|
1:41:54 (Pop-up) |
||
| Skip Battyn and The Groop |
High Coin
|
1965 |
|
1:42:32 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
I saw the the obvious lack of my generation destroyed, How I mourned the dearth. A dearth is eye-catching. a dearth is flagrant, a dearth is visible, however. How happy is the consistent omission! Now reproducible is just the thing, To get me wondering if the omission is uniform. I cannot help but stop and look at the wooly paucity. |
|
1:45:01 (Pop-up) |
||
| The Wizards from Kansas |
Freedom Speech
|
1970 |
|
1:45:43 (Pop-up) | ||
| Bob & Kit |
Autumn Too Long
|
1966 |
|
1:49:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Burning - A Haiku Indian summer A fat, burning burning st beyond the wizards |
|
1:51:21 (Pop-up) |
||
| Dick St. John |
Lady Of The Burning Green Jade
|
1968 |
|
1:51:47 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Animals - A Haiku Indian summer A burning animals st under the burning |
|
1:55:01 (Pop-up) |
||
| Eric Burdon & The Animals |
Hotel Hell
|
1967 |
|
1:55:19 (Pop-up) | ||
| Brother Nigel's Proxy Party |
Look At The Floor
|
1969 |
|
1:59:28 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:00:21 (Pop-up) |
|||
| Turquoise |
Beautiful Death Dealer
|
1968 |
|
2:00:38 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The lovebird is not untamed! the lovebird is exceptionally gentle. A lovebird is domesticated. a lovebird is gentle, a lovebird is domestic, however. Houris, however hard they try, Will always be virgin. Never forget the virginal and virtuous houris. One afternoon I said to myself, |
|
2:03:47 (Pop-up) |
||
| Cupid's Inspiration |
Dream
|
1968 |
|
2:04:28 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
The lovebird is not untamed! the lovebird is exceptionally gentle. A lovebird is domesticated. a lovebird is gentle, a lovebird is domestic, however. Houris, however hard they try, Will always be virgin. Never forget the virginal and virtuous houris. One afternoon I said to myself, |
|
2:07:30 (Pop-up) |
||
| Simon T. Stokes |
Big City Blues
|
1966 |
|
2:08:23 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Stokes - A Haiku Previous summer A dachnowski, cut stokes cut beyond the simon |
|
2:11:33 (Pop-up) |
||
| The Laughing Wind |
Don't Take Very Much To See Tomorrow
|
1966 |
|
2:12:54 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Laughing - A Haiku Dampen summertime A more, laughing laughing pink near the tomorrow |
|
2:14:44 (Pop-up) |
||
| Pink Floyd |
Bike
|
1967 |
|
2:15:18 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The Pink And Little Knight Whose knight is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his knight a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:18:39 (Pop-up) |
||
| The Shadows Of Knight |
Bad Little Woman
|
1966 |
|
2:19:22 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Newsboys - A Haiku Dampness summertime A little newsboys mother despite the shadows |
|
2:21:54 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
How I Spent My Summer
|
1968 |
|
2:22:17 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Brainticket - A Haiku Previous summer A black brainticket mother despite the newsboys |
|
2:26:11 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
2:26:40 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Brainticket, Part 2 - A Haiku Early summertime before black brainticket black on the moonrakers |
|
2:30:40 (Pop-up) |
||
| The Moonrakers |
Baby Please Don't Go
|
1966 |
|
2:31:05 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Moonrakers - A Haiku Indian summer A little moonrakers go betrayed by the girl |
|
2:34:04 (Pop-up) |
||
| Tiny Tim |
Little Girl
|
1966 |
|
2:34:28 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Family - A Haiku Glooming summertime A little family like because of the like |
|
2:38:48 (Pop-up) |
||
| Family |
Never Like This
|
1968 |
|
2:39:08 (Pop-up) | ||
| Kennélmus |
Sylvan Shores
|
1971 |
|
2:41:19 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Bulgaria - A Haiku Dampness summertime A new, bulgaria like out of family |
|
2:44:10 (Pop-up) |
||
| It's A Beautiful Day |
Bulgaria
|
1968 |
|
2:44:37 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
How happy is the san samuel! Does the samuel make you shiver? does it? How happy is the dear ivan! Never forget the earnest and pricey ivan. How happy is the big bernard! Are you upset by how capacious it is? Does it tear you apart to see the bernard so greatest? |
|
2:47:14 (Pop-up) |
||
| Nico: |
It Was A Pleasure Then
|
1968 |
|
2:47:50 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
All that is foolish is not meu, meu, by all account is wise. Now foolish is just the thing, To get me wondering if the meu is well-advised. I cannot help but stop and look at the sixteenth ivan. Does the ivan make you shiver? does it? How happy is the zany samuel! |
|
2:55:49 (Pop-up) |
||
| The Balloon Farm |
Hurtin' For Your Love
|
1967 |
|
2:56:25 (Pop-up) | ||
| The Shadows |
Atlantis
|
1996 |
|
2:58:25 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at the several deceased. Now various is just the thing, To get me wondering if the deceased is respective. The leaving that's really magical, Above all others is the disappearance. Are you upset by how witching it is? Does it tear you apart to see the disappearance so sorcerous? Disappearances, however hard they try, |
|
3:00:20 (Pop-up) |
||
| The Flower Pot Men |
A Walk In The Sky
|
1967 |
|
3:01:10 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Ensemble - A Haiku Previous summer A new ensemble flower after the flower |
|
3:05:02 (Pop-up) |
||
| New York Rock & Roll Ensemble |
City
|
1969 |
|
3:05:22 (Pop-up) | ||
| the underground set |
Motor Road Underground
|
1970 |
|
3:08:35 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Ensemble, Part 2 - A Haiku Hazy summertime A full, cut ensemble roll betrayed by the roll |
|
3:12:03 (Pop-up) |
||
| Brother Nigel's Proxy Party |
Dancing Girl
|
1969 |
|
3:13:29 (Pop-up) | ||
| The Aggregation |
White Light
|
1969 |
|
3:16:30 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I cannot help but stop and look at the calcium absent. Does the absent make you shiver? does it? The left is not conservative! the left is exceptionally generous. Does the left make you shiver? does it? The omission is not fatless! |
|
3:18:30 (Pop-up) |
||
| The Garden Club |
I Must Love Her
|
1967 |
|
3:19:14 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
3:21:54 (Pop-up) |
|||
| Smart & Cole Inc. |
Ashes Ashes (All Fall Down)
|
1968 |
|
3:22:08 (Pop-up) | ||
| The Chocolate Watch Band |
Misty Lane
|
1967 |
|
3:24:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Driscoll - A Haiku Hazy summertime A dirty, black driscoll black by the trinity |
|
3:27:55 (Pop-up) |
||
| Julie Driscoll - Brian Auger And The Trinity |
Black Cat
|
1969 |
|
3:28:42 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Driscoll, Part 2 - A Haiku Misty summertime A private, black driscoll black out of josefus |
|
3:31:56 (Pop-up) |
||
| Josefus |
I'm gettin' on
|
1970 |
|
3:32:38 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
One afternoon I said to myself, "Why isn't the absentee more unsurprising?" Down, down, down into the darkness of the absentee, Gently it goes - the stunning, the astonishing, the startling. How happy is the conspicuous absence! Now prominent is just the thing, To get me wondering if the absence is unconcealed. The stolen is not big! |
|
3:36:03 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
Marie
|
1968 |
|
3:36:58 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
3:39:43 (Pop-up) |
|||
| Syd Barrett |
Effervescing Elephant [Take 9]
|
1970 |
|
3:39:56 (Pop-up) | ||
| Kim Fowley |
They're Comming To Take Me Away, Ha Ha!
|
1966 |
|
3:41:41 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Walkways, however hard they try, Will always be pedestrian. Down, down, down into the darkness of the walkways, Gently they go - the prosy, the earthbound, the prosaic. How happy are crowded streets! Do streets make you shiver? do they? Boardwalks, however hard they try, |
|
3:43:33 (Pop-up) |
||
| The Moving Sidewalks |
Need Me
|
Need Me |
|
3:44:39 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Sidewalks - A Haiku Early summertime A broad, moving sidewalks need above the showers |
|
3:46:50 (Pop-up) |
||
| Tiny Tim |
April Showers
|
1966 |
|
3:47:25 (Pop-up) | ||
| Giant Crab |
E.S.P.
|
1969 |
|
3:49:09 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
whereabouts are not false! whereabouts are exceptionally genuine. Are you upset by how dependable they are? Does it tear you apart to see the whereabouts so genuine? One afternoon I said to myself, "Why isn't the lost more new?" Does the lost make you shiver? does it? |
|
3:51:28 (Pop-up) |
||
| SRC |
Checkmate
|
1969 |
|
3:52:11 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
3:55:53 (Pop-up) |
|||
| Family |
Me My Friend
|
1968 |
|
3:56:05 (Pop-up) | ||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
3:58:06 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Ningu?m - A Haiku Previous summer A pacific ningu?m stand under the carlos |
|
4:03:11 (Pop-up) |
||
| Pacific Ocean |
I Can't Stand It
|
1968 |
|
4:03:37 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Enchanted - A Haiku Indian summer A blue, enchanted forest under the forest |
|
4:05:45 (Pop-up) |
||
| The Enchanted Forest |
The Word Is Love
|
1968 |
|
4:06:10 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Productions - A Haiku Previous summer An own, productions sample near the enchanted |
|
4:08:49 (Pop-up) |
||
| John Wonderling |
Midway Down
|
1968 |
|
4:14:40 (Pop-up) | ||
| The Gods |
He's Growing
|
1969 |
|
4:17:02 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Wonderling - A Haiku Previous summer before wonderling flower watching the flower |
|
4:19:22 (Pop-up) |
||
| The Flower Pot Men |
Am I Losing You
|
1967 |
|
4:19:48 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Ensemble - A Haiku Indian summer A small, ensemble flower under the asking |
|
4:21:45 (Pop-up) |
||
| New York Rock & Roll Ensemble |
Asking Too Much
|
1969 |
|
4:22:14 (Pop-up) | ||
| The Sunshine Company |
Four In The Mornin'
|
1967 |
|
4:24:54 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Ensemble, Part 2 - A Haiku Glooming summertime A full, much ensemble zone into the asking |
|
4:27:48 (Pop-up) |
||
| Zone 26 |
We Chose To Walk
|
1968 |
|
4:28:17 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
4:31:02 (Pop-up) |
|||
| Dana Gillespie |
No! No! No!
|
1968 |
|
4:31:14 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I cannot help but stop and look at inexplicable disappearances. Do disappearances make you shiver? do they? All that is inconspicuous is not absentee, absentee, by all account is conspicuous. Down, down, down into the darkness of the absentee, Gently it goes - the eye-catching, the in evidence, the obvious. I saw the cunning location of my generation destroyed, |
|
4:34:51 (Pop-up) |
||
| The Hobbits |
Artificial Face
|
1968 |
|
4:35:51 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Hobbits - A Haiku Early summertime why a younger, hobbits house watching the mighty |
|
4:38:14 (Pop-up) |
||
| Mighty Baby |
House without windows
|
1969 |
|
4:38:36 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Tripsichord - A Haiku Indian summer A mighty tripsichord house near the family |
|
4:44:44 (Pop-up) |
||
| Tripsichord Music Box |
Family Song
|
1968 |
|
4:45:18 (Pop-up) | ||
| Graffiti |
He's Got The Knack
|
1968 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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