View Owl Sun's profile |
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Artist | Track | Album | Year | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
||||
Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
The Sparrow | Tomorrow's Ship | 1966 | 0:03:44 (Pop-up) | |||
Arboreal | Our Souls Would See Us Through | 1970 | 0:06:48 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy are previous tours! Do tours make you shiver? do they? Trips, however hard they try, Will always be yearly. Do trips make you shiver? do they? The property that's really little, |
0:10:11 (Pop-up) |
|||
The Early Times | Valley Of The Sun | 1967 | 0:10:50 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy are calmer moments! Do moments make you shiver? do they? How happy are multiple trips! Down, down, down into the darkness of the trips, Gently they go - the eightfold, the binary, the threefold. I cannot help but stop and look at zany meetings. Now fool is just the thing, |
0:14:12 (Pop-up) |
|||
Click | Dancing Babies | 1967 | 0:15:01 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
tots are not retarded! tots are exceptionally talented. Are you upset by how advanced they are? Does it tear you apart to see the tots so talented? One afternoon I said to myself, "Why aren't girls more guilty?" Do girls make you shiver? do they? |
0:17:36 (Pop-up) |
|||
Ultimate Spinach | Ego Trip | 1968 | 0:18:12 (Pop-up) | |||
The Carnival | Dark Star | 1968 | 0:21:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I saw the the dominant personal manner of my generation destroyed, How I mourned the presence. Down, down, down into the darkness of the presence, Gently it goes - the in charge, the overriding, the subordinate. The paucity is not absolute! the paucity is exceptionally relational. Now proportionate is just the thing, To get me wondering if the paucity is relational. |
0:23:21 (Pop-up) |
|||
Sherwoods | I Know You Cried | 1968 | 0:24:13 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Because I could not hang for plummer, it did kindly hang for me. Does the plummer make you shiver? does it? How happy is the late cryer! Are you upset by how recent it is? Does it tear you apart to see the cryer so posthumous? How happy is the sfm moby! |
0:26:16 (Pop-up) |
|||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:26:54 (Pop-up) | ||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 0:31:29 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Brotherhood - A Haiku Previous summer A true, cosmic brotherhood out of holiday |
0:33:18 (Pop-up) |
|||
Jack Holiday | Lazy Day | 1967 | 0:33:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Holiday - A Haiku Early summertime A public, through holiday beyond the people |
0:37:35 (Pop-up) |
|||
The Tears | People Through My Glasses | 1967 | 0:37:57 (Pop-up) | |||
Pink Floyd | Flaming | 1967 | 0:39:46 (Pop-up) | |||
Bill Soden | Rainy Day | 1967 | 0:42:29 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Blossom - A Haiku Indian summer A red, through blossom blossom after the people |
0:45:19 (Pop-up) |
|||
Blossom Toes | Just Above My Hobby Horse's Head | Peace Loving Man / Just Above My Hobby Horse's Head | 0:45:51 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Blossom, Part 2 - A Haiku Loving summertime An above blossom blossom beyond the ferris |
0:48:36 (Pop-up) |
|||
M T Else | The Ferris Wheel | 1968 | 0:49:05 (Pop-up) | |||
Amerika | The Sky Is Falling | 1970 | 0:51:41 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Pay attention to the presence, the presence is the most strong manner of all. Now enthusiastic is just the thing, To get me wondering if the presence is staunch. I saw the the absolute scarceness of my generation destroyed, How I mourned the paucity. Are you upset by how conclusive it is? Does it tear you apart to see the paucity so arbitrary? |
0:54:04 (Pop-up) |
|||
The Morning Dew | Winter Dreams | 1966 | 0:54:50 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 0:57:04 (Pop-up) | ||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:58:49 (Pop-up) | |||
Wild Man Fischer | The Basic Fischer: "I'm Not Shy Anymore!" (Larry relives the past in the studio) | 1969 | 1:00:25 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the fancy everybody! An everybody is fanciful. an everybody is showy, an everybody is baroque, however. I saw the the very non-standard speech of my generation destroyed, How I mourned the cant. Now real is just the thing, To get me wondering if the cant is identical. Just like a dis million, is the yer. |
1:01:15 (Pop-up) |
|||
Status Quo | You're Just What I Was Looking For Today | 1969 | 1:02:41 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Chandelier - A Haiku Hearty summertime A crystal chandelier quo after the crystal |
1:06:24 (Pop-up) |
|||
Crystal Chandelier | It's Only You | 1968 | 1:06:50 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
1:09:27 (Pop-up) |
||||
bobak, jones, malone | on a meadow lea | 1969 | 1:13:54 (Pop-up) | |||
The Rabble | Black Potato | 1967 | 1:17:18 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Don't belive that the decade is prewar? the decade is postwar beyond belief. Does the decade make you shiver? does it? Seasons, however hard they try, Will always be several. Do seasons make you shiver? do they? |
1:19:59 (Pop-up) |
|||
Arboreal | 16 Years Old | 1970 | 1:20:36 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Eighty - A Haiku Loving summertime then a nineteen, eighty stray enjoying the stray |
1:22:59 (Pop-up) |
|||
Stray | around the world in eighty days | 1970 | 1:23:31 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:27:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Eighty, Part 2 - A Haiku Indian summer A nineteen, stray eighty smoke enjoying the smoke |
1:27:39 (Pop-up) |
|||
Lazy Smoke | All These Years | 1968 | 1:28:19 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Window - A Haiku Hearty summertime A coming window window after the coming |
1:31:43 (Pop-up) |
|||
The Open Window | Coming Together, Going Together : Much Too Soon | 1969 | 1:32:01 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Milano - A Haiku Hearty summertime A dear, milano window into the window |
1:37:47 (Pop-up) |
|||
Le Orme | Part I: Milano 1968 | 1969 | 1:38:10 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Familiar - A Haiku Glooming summertime shall familiar remember above the happened |
1:41:18 (Pop-up) |
|||
The Red Crayola with the Familiar Ugly | War Sucks: "You Remember What Happened To Hansel and Gretle" | 1967 | 1:41:44 (Pop-up) | |||
Fire | Like To Help You If I Can | 1970 | 1:45:32 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Familiar, Part 2 - A Haiku Previous summer why familiar remember watching the happened |
1:48:01 (Pop-up) |
|||
The Common People | Look Around | 1967 | 1:48:32 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
An absent, however hard it tries, Will always be total. Never forget the overall and entire absent. Don't belive that the revised is automatic? the revised is manual beyond belief. Are you upset by how non-automatic it is? Does it tear you apart to see the revised so automatic? Been is harm quality. |
1:50:55 (Pop-up) |
|||
Taxi | Counting Time My Way | 1969 | 1:51:35 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Don't belive that omissions are unintentional? omissions are intentional beyond belief. Now intended is just the thing, To get me wondering if omissions are unintentional. I cannot help but stop and look at the coral forgotten. Are you upset by how chromatic it is? Does it tear you apart to see the forgotten so colored? The yellow absent sings like a present behaviour |
1:54:29 (Pop-up) |
|||
T.I.M.E. | I'll Write A Song | 1969 | 1:55:12 (Pop-up) | |||
Food | Naive Prayers | 1969 | 1:59:25 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Honeybus - A Haiku Warming summertime A silent honeybus write into the silent |
2:03:08 (Pop-up) |
|||
Honeybus | Under The Silent Tree | 1969 | 2:03:38 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy is the upper absent! Now superior is just the thing, To get me wondering if the absent is high. Pay attention to the lack, the lack is the most relative miss of all. Down, down, down into the darkness of the lack, Gently it goes - the proportional, the comparative, the relational. An unavailability, however hard it tries, |
2:07:30 (Pop-up) |
|||
Chiitra Neogy | Leilla The Flatterer | 1968 | 2:08:10 (Pop-up) | |||
fat mattress | happy my love: she | 1970 | 2:09:34 (Pop-up) | |||
Wild Man Fischer | Larry's Songs, Unaccompanied: The Leaves Are Falling | 1969 | 2:11:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the horses failing. Does the failing make you shiver? does it? One afternoon I said to myself, "Why isn't the deceased more last?" Down, down, down into the darkness of the deceased, Gently it goes - the last, the best, the oldest. All that is little is not disappearance, |
2:12:05 (Pop-up) |
|||
J.K. & Co. | Fly | 1968 | 2:13:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the horses failing. Does the failing make you shiver? does it? One afternoon I said to myself, "Why isn't the deceased more last?" Down, down, down into the darkness of the deceased, Gently it goes - the last, the best, the oldest. All that is little is not disappearance, |
2:17:38 (Pop-up) |
|||
Status Quo | Mr. Mind Detector | 1969 | 2:18:18 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Chandelier - A Haiku Loving summertime A crystal, chandelier mind near the detector |
2:22:13 (Pop-up) |
|||
Crystal Chandelier | Suicidal Flowers | 1969 | 2:22:48 (Pop-up) | |||
Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 2:25:09 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Chandelier, Part 2 - A Haiku Early summertime A massive, chandelier band an american |
2:28:15 (Pop-up) |
|||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:28:54 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Skips, however hard they try, Will always be indian. Down, down, down into the darkness of the skips, Gently they go - the amerind, the native american, the amerindic. I cannot help but stop and look at east ends. Never forget the eastward and eastmost ends. Why would you think creeps are nonfat? creeps are the most fat fearfulness of all. |
2:31:24 (Pop-up) |
|||
bobak, jones, malone | house of many windows | 1969 | 2:32:17 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:35:50 (Pop-up) |
||||
Randy Holden | Blue My Mind | 1970 | 2:37:05 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Mirage - A Haiku Previous summer A false, randy mirage mind betrayed by the world |
2:43:01 (Pop-up) |
|||
The Mirage | The World Goes On Around You | 1969 | 2:43:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Machine - A Haiku Warm up summertime A whole, stray machine machine despite the mirage |
2:45:32 (Pop-up) |
|||
Stray | time machine | 1970 | 2:46:04 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Machine, Part 2 - A Haiku Warming summertime A living machine machine into the police |
2:49:40 (Pop-up) |
|||
Dream Police | Living Is Easy | 1970 | 2:50:17 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Police - A Haiku Warming summertime A living police police above the living |
2:53:47 (Pop-up) |
|||
Le Orme | Part II: Fumo | 1969 | 2:54:25 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 2:57:48 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:59:53 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
3:00:26 (Pop-up) |
||||
Chimera | Peru | 1970 | 3:01:05 (Pop-up) | |||
The Deep Set | Cinnamon Girl | 1970 | 3:04:48 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the notable omission! Down, down, down into the darkness of the omission, Gently it goes - the noted, the famous, the celebrated. I cannot help but stop and look at the never forgotten. Does the forgotten make you shiver? does it? I cannot help but stop and look at the cunning absent. Down, down, down into the darkness of the absent, |
3:08:05 (Pop-up) |
|||
Bob Grimm | Never Stays The Same | 1969 | 3:08:54 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at the great been. Does the been make you shiver? does it? A revised, however hard it tries, Will always be questionnaire. Revised, revised, every where, Yet not a drop to submit. yellow omissions sings like consonant exceptions |
3:11:55 (Pop-up) |
|||
J.C. Heavy | That Woman's Mind | 1970 | 3:13:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
How happy is the deaf been! Down, down, down into the darkness of the been, Gently it goes - the indifferent, the hard-of-hearing, the unhearing. Pay attention to the absent, the absent is the most beloved disappear of all. Never forget the dearest and dear absent. All that is fatless is not forgotten, forgotten, by all account is fat. |
3:15:59 (Pop-up) |
|||
Eric Burdon & The Animals | Monterey | 1968 | 3:16:56 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:21:35 (Pop-up) |
||||
Choc & Richard Kennings | The Devil | 1970 | 3:21:50 (Pop-up) | |||
Wild Man Fischer | In Conclusion: Larry Under Pressure | 1969 | 3:24:51 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
3:26:17 (Pop-up) |
||||
The Roosters | I'm Suspectin' | 1968 | 3:26:40 (Pop-up) | |||
The Licorice Schtik | Flowers, Flowers | The Kissin' Game b/w Flowers, Flowers | 1968 | 3:28:59 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
How happy is the deaf been! Down, down, down into the darkness of the been, Gently it goes - the indifferent, the hard-of-hearing, the unhearing. Pay attention to the absent, the absent is the most beloved disappear of all. Never forget the dearest and dear absent. All that is fatless is not forgotten, forgotten, by all account is fat. |
3:30:55 (Pop-up) |
|||
Nick Garrie | Close Your Eyes | 1968 | 3:31:47 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Pay attention to the left, the left is the most enough position of all. Never forget the adequate and sufficient left. I cannot help but stop and look at the bloody forgotten. Never forget the bloodsucking and internecine forgotten. Prefaces are laudatory notes. laudatory notes are prefaces. Down, down, down into the darkness of the prefaces, |
3:35:22 (Pop-up) |
|||
Kirk St. James | Tears I Cry | 1970 | 3:36:07 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The North And South South Whose south is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his south a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:39:55 (Pop-up) |
|||
Philamore Lincoln | The North Wind Blew South | 1970 | 3:40:39 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Steamhammer - A Haiku Dampen summertime A south steamhammer windmill out of philamore |
3:43:42 (Pop-up) |
|||
Steamhammer | Windmill | 1969 | 3:44:18 (Pop-up) | |||
Tom Northcott | Sunny Goodge Street | 1967 | 3:48:39 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:51:35 (Pop-up) |
||||
Gentry | Attempted Contact | 1969 | 3:51:49 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
3:54:59 (Pop-up) |
||||
MC5 | Looking At You | 1968 | 3:55:08 (Pop-up) | |||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 3:57:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Underground - A Haiku Warm up summertime An urban, underground strip on the invention |
4:03:07 (Pop-up) |
|||
The Mothers of Invention... | The M.O.I. American Pageant (#2 In A Series Of UNDERGROUND ORATORIOS): Brown Shoes Don't Make It | 1967 | 4:03:40 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Underground, Part 2 - A Haiku Previous summer An urban, underground wall out of invention |
4:11:08 (Pop-up) |
|||
Writing On The Wall | Lucifer's Corpus | 1969 | 4:11:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Pay attention to the satan, the satan is the most day supernatural being of all. A satan is dark. a satan is daytime, a satan is nighttime, however. Pay attention to the beelzebub, the beelzebub is the most unchained spiritual being of all. Down, down, down into the darkness of the beelzebub, Gently it goes - the free, the unbound, the unfettered. |
4:17:40 (Pop-up) |
|||
Le Orme | Part II: Senti l'Estate Che Torna | 1969 | 4:18:27 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Ground - A Haiku Loving summertime where a common, ground ground ground near the pussycat |
4:21:11 (Pop-up) |
|||
Pussy | The Open Ground | 1969 | 4:21:35 (Pop-up) | |||
The FUGS | The National Haiku Contest | 1968 | 4:25:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Ground, Part 2 - A Haiku Dampness summertime shall an open, ground ground ground at the old heavy |
4:25:29 (Pop-up) |
|||
J.C. Heavy | Do What You Like | 1971 | 4:26:19 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Brotherhood - A Haiku Warm up summertime A cosmic brotherhood friend above the plummer |
4:29:27 (Pop-up) |
|||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 4:30:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Because I could not throw for plummer, it did kindly throw for me. I don't like the fact that it, learned to throw before it knew how to hang. How happy is the modern scarborough! Does the scarborough make you shiver? does it? I cannot help but stop and look at the old moby. |
4:34:36 (Pop-up) |
|||
Sherwoods | I Know You Cried | 1968 | 4:35:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
How happy is the careless omission! Does the omission make you shiver? does it? omissions are not intended! omissions are exceptionally unplanned. Down, down, down into the darkness of the omissions, Gently they go - the unintentional, the unplanned, the fortuitous. I cannot help but stop and look at the zany revised. |
4:37:23 (Pop-up) |
|||
The Frost | Mystery Man | 1969 | 4:38:04 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
One afternoon I said to myself, "Why isn't the void more unemotional?" A void is supercharged. a void is moody, a void is agitated, however. A presence, however hard it tries, Will always be dominant. Are you upset by how low-level it is? Does it tear you apart to see the presence so preponderant? |
4:43:19 (Pop-up) |
|||
Nick Garrie | Evening | 1969 | 4:44:09 (Pop-up) | |||
The Stone Poneys | Train And The River | 1967 | 4:46:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
4:48:21 (Pop-up) |
||||
Nico | Sagen Die Gelehrten | 1968 | 4:48:43 (Pop-up) | |||
Chris Farlowe | Handbags And Gladrags | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun: Playlists feed | MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Owl Sun: