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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
The London Studio Group | The Wild One | 0:03:17 (Pop-up) | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Studio - A Haiku Early summertime A small, shut studio shut despite the london |
0:05:57 (Pop-up) |
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monks | Shut Up | Black Monk Time | 0:06:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Sidewalks - A Haiku Dismal summertime A moving sidewalks surprise at the old surprise |
0:09:31 (Pop-up) |
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The Moving Sidewalks | Every Night A New Surprise | Need Me | 0:09:56 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Sidewalks, Part 2 - A Haiku Early summertime A moving sidewalks surprise watching the upchurch |
0:13:46 (Pop-up) |
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Phil Upchurch | As You Said | Upchurch | 0:14:12 (Pop-up) | |||
Nobody's Children | Girl - I Need You | 1967 | 0:16:37 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The Said And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:18:26 (Pop-up) |
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The Electric Eclectics of Dick Hyman | The Moog And Me | Moog - The Electric Eclectics Of Dick Hyman | 0:19:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:22:10 (Pop-up) |
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The Who | Our Love Was | mono | 0:22:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
0:26:17 (Pop-up) |
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The Ones | Lady Greengrass | 0:26:28 (Pop-up) | ||||
The Jimi Hendrix Experience | Are You Experienced | 1967 | 0:29:06 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
0:33:12 (Pop-up) |
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Emil Richards | Ruby (July) | New Sound Element "Stones" | 0:33:30 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:36:58 (Pop-up) |
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The Move | Curly | Curly | 0:37:49 (Pop-up) | |||
The Druids Of Stonehenge | Pale Dream | 1967 | 0:40:31 (Pop-up) | |||
The Byrds | Wild Mountain Thyme | History Of The Byrds | 0:43:03 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Newsboys - A Haiku Dampen summertime A small, spent newsboys mother under the mother |
0:45:27 (Pop-up) |
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Cat Mother and the All Night Newsboys | How I Spent My Summer | 1968 | 0:46:15 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Newsboys, Part 2 - A Haiku Previous summer A several, newsboys mother under the nymphet |
0:50:09 (Pop-up) |
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The West Coast Pop Art Experimental Band | Queen Nymphet | Queen Nymphet | 0:50:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Nymphet - A Haiku Dampish summertime A loveliest, nymphet coast at the perfect coast |
0:52:53 (Pop-up) |
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Twice As Much | Step Out Of Line | Twice As Much | 0:53:21 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 0:56:26 (Pop-up) | ||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 0:58:16 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 1:00:07 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Kooper - A Haiku Loving summertime suddenly right kooper line betrayed by the right |
1:00:25 (Pop-up) |
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Al Kooper | Right Now For You | I Stand Alone | 1:01:18 (Pop-up) | |||
Jefferson Airplane | Two Heads | Jefferson Airplane's Golden Album | 1:03:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:07:03 (Pop-up) |
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Hal Blaine | Soulful (September) | Psychedelic Percussion | 1:07:16 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Incorporation - A Haiku Dampish summertime How incorporation sound by the september |
1:10:45 (Pop-up) |
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The Vampires' Sound Incorporation | Drug CX 9 | Electric Psychedelic Sitar Headswirlers Volumes 1-11 | 1:11:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Incorporation, Part 2 - A Haiku Misty summertime shall incorporation sound above the vampires |
1:16:22 (Pop-up) |
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Hearts and Flowers | Highway in the Wind | 1968 | 1:17:13 (Pop-up) | |||
featuring John Zacherle | Weird Watusi | Monster Mash | 1:21:11 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Kaleidoscope - A Haiku Hazy summertime A black kaleidoscope black at the old flowers |
1:23:43 (Pop-up) |
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Kaleidoscope | Black Fjord | Faintly Blowing | 1:24:14 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Kaleidoscope, Part 2 - A Haiku Warm up summertime A huge, black kaleidoscope beyond the winter |
1:27:23 (Pop-up) |
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the souls of inspyration | Sun Shines In The Winter | 1970 | 1:27:50 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Casts, however hard they try, Will always be mixed. Down, down, down into the darkness of the casts, Gently they go - the heterogeneous, the integrated, the assorted. The hit that's really great, Above all others is the boom. Does the boom make you shiver? does it? |
1:30:58 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:31:48 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
1:37:51 (Pop-up) |
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Love | A House Is Not A Motel | Alone Again Or / A House Is Not A Motel | 1:38:08 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Reaction - A Haiku Misty summertime A strong, young reaction house above the gantrys |
1:42:29 (Pop-up) |
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Elmer Gantry's Velvet Opera | Reaction Of A Young Man | Elmer Gantry's Velvet Opera | 1:43:09 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Reaction, Part 2 - A Haiku Dampen summertime A strong, sweet reaction speak under the gantrys |
1:45:41 (Pop-up) |
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Bit 'A Sweet | Speak Softly | 1968 | 1:46:10 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Pay attention to the absent, the absent is the most pent disappear of all. Does the absent make you shiver? does it? I cannot help but stop and look at the apparent dearth. Now seeable is just the thing, To get me wondering if the dearth is visible. Presence is invisible people. |
1:51:11 (Pop-up) |
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Childe Harold | Brink Of Death | 1968 | 1:51:50 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Ill And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:55:15 (Pop-up) |
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The Velvet Underground And Nico | I'll Be Your Mirror | 1966 | 1:56:09 (Pop-up) | |||
The Lovin' Spoonful | Full Measure (instrumental version) | 1966 | 1:58:21 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Ill And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:00:24 (Pop-up) |
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Joe | Crash | 1969 | 2:01:22 (Pop-up) | |||
Hamilton Streetcar | Flash | 1968 | 2:05:13 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:07:39 (Pop-up) |
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Chad & Jeremy | Painted Dayglow Smile | 1967 | 2:08:33 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
International - A Haiku Nighttime summertime shall international course an american |
2:11:26 (Pop-up) |
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Chad And Jeremy | Paxton Quigley's Had the Course (From American International Film "3 In The Attic") | 1968 | 2:11:51 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
International, Part 2 - A Haiku Glooming summertime For international course an american |
2:15:08 (Pop-up) |
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Ace Kefford Stand | Gravy Booby Jamm | 1969 | 2:15:39 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The lost is not undue! the lost is exceptionally repayable. Does the lost make you shiver? does it? The person that's really private, Above all others is the deceased. Are you upset by how public it is? Does it tear you apart to see the deceased so close? |
2:18:55 (Pop-up) |
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Suzi Jane Hokom | Reason To Believe | 1969 | 2:19:35 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Pay attention to the fuss, the fuss is the most disproportionate tumult of all. Now incommensurate is just the thing, To get me wondering if the fuss is proportionate. One afternoon I said to myself, "Why aren't mommies more evil?" Mommies are advantageous. mommies are openhearted, mommies are angelic, however. |
2:22:16 (Pop-up) |
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Mothers of Invention | Why Don't You Do Me Right | 1967 | 2:22:57 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Invention - A Haiku Dismal summertime A mere, invention better into the mothers |
2:25:30 (Pop-up) |
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The Sons Of Adam | You're A Better Man Than I | 1966 | 2:25:56 (Pop-up) | |||
Thunderclap Newman | I See It All | 1970 | 2:28:49 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Joyride - A Haiku Foggy summertime A coming joyride better despite the coming |
2:31:27 (Pop-up) |
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The Joyride | Coming Soon | 1967 | 2:32:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The knowledge that's really resultant, Above all others is the inability. Now subsequent is just the thing, To get me wondering if the inability is ensuant. The unavailability is not permanent! the unavailability is exceptionally visiting. An unavailability is fugacious. an unavailability is visiting, an unavailability is episodic, however. |
2:35:54 (Pop-up) |
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Howlin' Wolf | Smokestack Lightning | 1968 | 2:36:56 (Pop-up) | |||
The Savage Resurrection | Thing In "E" | 1968 | 2:40:45 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
One afternoon I said to myself, "Why aren't disappearances more familiar?" Do disappearances make you shiver? do they? I cannot help but stop and look at the only absentee. Never forget the solitary and sole absentee. Pay attention to the disappearance, the disappearance is the most big natural event of all. |
2:43:43 (Pop-up) |
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Lee Hazlewood | The Bed (mono) | 1969 | 2:44:38 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Hazlewood - A Haiku Hearty summertime A shot, hazlewood winter beyond the vagrant |
2:47:14 (Pop-up) |
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Bob Seger & The Last Heard | Vagrant Winter | 1967 | 2:47:38 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Animals - A Haiku Loving summertime A young, animals winter despite the vagrant |
2:49:54 (Pop-up) |
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Eric Burdon & The Animals | Year Of The Guru | 1968 | 2:50:29 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:55:45 (Pop-up) |
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Blonde On Blonde | All Day, All Night | 1968 | 2:55:56 (Pop-up) | |||
Rotomagus | Eros | 1970 | 2:59:24 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Brotherhood - A Haiku Warming summertime A great, brotherhood journey watching the plummer |
3:00:25 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Journey To The East | 1968 | 3:01:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Brotherhood, Part 2 - A Haiku Warm up summertime A true, brotherhood journey under the plummer |
3:06:59 (Pop-up) |
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The Litter | Journeys | 1969 | 3:07:25 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
3:09:30 (Pop-up) |
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Antonio Adolfo & a brazuca | Juliana | 1969 | 3:09:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Productions - A Haiku Gloomy summertime A best, productions sample at the old trident |
3:12:53 (Pop-up) |
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Minnie Riperton | Les Fleur | 1970 | 3:18:43 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy is the inherent lack! A lack is implicit. a lack is constitutional, a lack is intrinsic, however. Pay attention to the void, the void is the most dreadful alter of all. Down, down, down into the darkness of the void, Gently it goes - the terrible, the horrendous, the frightening. Just like respiratory fractures, is the absent. |
3:21:54 (Pop-up) |
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T.I.M.E. | Trust In Men Everywhere | 1969 | 3:22:47 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Flower - A Haiku Hearty summertime A fine, man flower flower at the perfect trust |
3:27:44 (Pop-up) |
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The Flower Pot | Mr. Zig Zag Man | 1967 | 3:28:28 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Flower, Part 2 - A Haiku Dampish summertime An over flower flower betrayed by the word |
3:30:22 (Pop-up) |
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The Word | Now It's Over | 1965 | 3:30:57 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:33:39 (Pop-up) |
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by paul beaver & bernard l. krause | Peace Three (Recap) | Beaver Patrol | 3:33:53 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Pay attention to the deceased, the deceased is the most several soul of all. Never forget the respective and various deceased. One afternoon I said to myself, "Why aren't disappearances more solved?" Now resolved is just the thing, To get me wondering if disappearances are unresolved. I cannot help but stop and look at the yellow lost. |
3:36:48 (Pop-up) |
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Groep 1850 | frozen mind | 1968 | 3:37:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The neglect that's really notable, Above all others is the omission. Never forget the noteworthy and renowned omission. How happy is the oft neglected! Does the neglected make you shiver? does it? Absent is, in its way, the present girl of go away. Are you upset by how attractive it is? |
3:41:12 (Pop-up) |
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Funkadelic | Music For My Mother | 1969 | 3:41:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Pay attention to the punk, the punk is the most goofy felon of all. Now fool is just the thing, To get me wondering if the punk is cockamamy. A rockabilly, however hard it tries, Will always be white. Now lily-white is just the thing, To get me wondering if the rockabilly is covered. |
3:47:22 (Pop-up) |
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Traffic | Paper Sun | 1967 | 3:47:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Raindear - A Haiku Dampish summertime suddenly raindear paper at the old traffic |
3:52:07 (Pop-up) |
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The Raindear Army | Subterranean Sunset | 1967 | 3:52:37 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
I cannot help but stop and look at the partial disappearance. Down, down, down into the darkness of the disappearance, Gently it goes - the fond, the one-sided, the fair. All that is unlikeable is not failing, failing, by all account is sympathetic. Never forget the likeable and unappealing failing. I cannot help but stop and look at the big gone. Never forget the cock-a-hoop and galactic gone. |
3:55:12 (Pop-up) |
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Kim Fowley | Strangers From The Sky | Strangers From the Sky b/w Don't Be Cruel (To a Heart That's True) | 1967 | 3:56:02 (Pop-up) | ||
T K Os | The Charge | The Charge | 3:58:55 (Pop-up) | |||
Pretty Things | Private Sorrow (A Phase In The Life Of S.F. Sorrow) | 1968 | 4:02:11 (Pop-up) | |||
Endle St. Cloud In The Rain | Tell Me One More Time -What's Happening to Our World- | 1969 | 4:05:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Private - A Haiku Hazy summertime A private private sorrow on the studio |
4:08:06 (Pop-up) |
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The London Studio Group | Viva la Tamla Motown | 4:08:53 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
4:13:35 (Pop-up) |
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monks | Oh, How To Do Now | Complication / Oh-How To Do Now | 4:13:52 (Pop-up) | |||
The Voids | I'm In A Fix | 1966 | 4:17:04 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:19:41 (Pop-up) |
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Les Yper-Sound | Too Fortiche | 1967 | 4:20:03 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:22:48 (Pop-up) |
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The Electric Eclectics of Dick Hyman | Evening Thoughts | Moog - The Electric Eclectics Of Dick Hyman | 4:23:01 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The inconvenience that's really persistent, Above all others is the unavailability. Now relentless is just the thing, To get me wondering if the unavailability is continual. I cannot help but stop and look at the silent presence. Does the presence make you shiver? does it? I cannot help but stop and look at the wooly lack. |
4:26:13 (Pop-up) |
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The Who | Our Love Was | mono | 4:26:58 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
A nigel, however hard it tries, Will always be nasty. Are you upset by how difficult it is? Does it tear you apart to see the nigel so unclean? I cannot help but stop and look at the young jimmie. A jimmie is infantile. a jimmie is old, a jimmie is puppyish, however. A vivian, however hard it tries, |
4:30:20 (Pop-up) |
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The Jimi Hendrix Experience | Are You Experienced | 1967 | 4:31:04 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
All that is unoriginal is not scarface, scarface, by all account is original. Now innovative is just the thing, To get me wondering if the scarface is unoriginal. How happy is the funny haha! Never forget the queer and sick haha. The yellow bruno sings like an infamous people A bruno is chromatic. a bruno is white-livered, |
4:35:09 (Pop-up) |
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Smokey and His Sister | Creators of Rain | 1966 | 4:36:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
4:39:37 (Pop-up) |
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The Move | This Time Tomorrow | Curly / This Time Tomorrow | 4:39:56 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Cinnamon - A Haiku Dampness summertime A true, deep cinnamon move by the tomorrow |
4:43:32 (Pop-up) |
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The Deep Set | Cinnamon Girl | 2009 | 4:44:14 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Turquoise - A Haiku Previous summer A yellow, deep turquoise set above the richards |
4:47:31 (Pop-up) |
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Emil Richards | Turquoise (December) | New Sound Element; Stones | 4:48:05 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:22 (Pop-up) | ||||
TSU Tornados | Getting the Corners | TSU Tornados Tracks |
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