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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
The 13th Floor Elevators | Street Song | 1969 | 0:03:19 (Pop-up) | |||
Bee Gees | I Have Decided To Join The Air | 1968 | 0:08:11 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The error that's really conspicuous, Above all others is the omission. An omission is featured. an omission is blatant, an omission is obvious, however. A neglected, however hard it tries, Will always be loathsome. Now unwholesome is just the thing, To get me wondering if the neglected is disgusting. |
0:10:16 (Pop-up) |
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the jimi hendrix experience | Bold As Love | 1967 | 0:11:21 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Experience - A Haiku Baking summertime where living experience beyond the houston |
0:15:19 (Pop-up) |
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St. John Green | One Room Cemetary | 1968 | 0:16:37 (Pop-up) | |||
White Noise | Here Come The Fleas | 1969 | 0:20:15 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Cemetary - A Haiku Previous summer A small, cemetary room out of animals |
0:22:25 (Pop-up) |
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Eric Burdon & The Animals | Orange And Red Beams | 1968 | 0:22:55 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Animals - A Haiku Previous summer An orange animals cry into the eugene |
0:26:29 (Pop-up) |
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The Nice | The Cry of Eugene | 1967 | 0:26:51 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
America - A Haiku Heating summertime A white, america love whilst watching the states |
0:31:22 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:31:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
America, Part 2 - A Haiku Previous summer A white, america love under the ramsey |
0:36:24 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 0:36:54 (Pop-up) | |||
The Holy Mackerel | 1984 | 1968 | 0:39:35 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
A josephine, however hard it tries, Will always be marguerite. Does the josephine make you shiver? does it? A blackwell, however hard it tries, Will always be archpriest. Does the blackwell make you shiver? does it? |
0:43:56 (Pop-up) |
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Clear Light | Night Sounds Loud | 1967 | 0:46:56 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Balloon - A Haiku Dampish summertime A big, light balloon balloon before the hurtin |
0:49:18 (Pop-up) |
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The Balloon Farm | Hurtin' For Your Love | 1967 | 0:49:40 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
A deceased, however hard it tries, Will always be several. Are you upset by how respective it is? Does it tear you apart to see the deceased so various? A stolen, however hard it tries, Will always be other. Does the stolen make you shiver? does it? |
0:51:39 (Pop-up) |
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The Soulful Strings | Jericho | 1968 | 0:52:25 (Pop-up) | |||
The Skunks | The Journey | 1967 | 0:55:30 (Pop-up) | |||
The Shadows | Wonderful Land | 1996 | 0:57:44 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:59:42 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Nirvana - A Haiku Foggy summertime A real, nirvana flower betrayed by the strings |
1:00:25 (Pop-up) |
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nirvana | Black Flower | 1969 | 1:01:16 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Cymbaline - A Haiku Heavy summertime before cymbaline flower on the nirvana |
1:05:39 (Pop-up) |
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played and composed by the pink floyd | Cymbaline | 1969 | 1:06:14 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Experience - A Haiku Dampness summertime when composed experience near the cymbaline |
1:10:52 (Pop-up) |
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The Jimi Hendrix Experience | I Don't Live Today | 1967 | 1:11:24 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
A neglected, however hard it tries, Will always be expectant. Does the neglected make you shiver? does it? prefaces are not unoriginal! prefaces are exceptionally avant-garde. Prefaces are first. prefaces are avant-garde, prefaces are novel, however. |
1:16:05 (Pop-up) |
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Who | Disguises | 1966 | 1:16:42 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Conspiracy - A Haiku Dampness summertime A great, found conspiracy out of disguises |
1:19:50 (Pop-up) |
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The Peanut Butter Conspiracy | You Can't Be Found | 1967 | 1:20:12 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Conspiracy, Part 2 - A Haiku Sweltering summer A great, found conspiracy on the invention |
1:22:54 (Pop-up) |
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The Mothers Of Invention | Mom & Dad | 1968 | 1:23:20 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:25:34 (Pop-up) |
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The Velvet Underground & Nico | Venus In Furs | 1967 | 1:25:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Brainticket - A Haiku Baking summertime suddenly brainticket black near the underground |
1:31:02 (Pop-up) |
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Brainticket | Black Sand | 1971 | 1:31:46 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Brainticket, Part 2 - A Haiku Darkness summertime A sound brainticket sandwich apothecary |
1:35:46 (Pop-up) |
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The Sound Sandwich | The Sound Apothecary Dream | 1996 | 1:36:27 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Apothecary - A Haiku Scorching summertime where sound apothecary into the sandwich |
1:39:10 (Pop-up) |
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Eric Burdon & The Animals | We Love You Lil | 1968 | 1:39:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Animals - A Haiku Baking summertime A rolling animals light before the burdon |
1:47:15 (Pop-up) |
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The Rolling Stones | 2000 Light Years From Home | 1967 | 1:47:41 (Pop-up) | |||
The Wildflower | Wind Dream | 1966 | 1:52:21 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Quicksilver - A Haiku Tropic summertime A pure, quicksilver service out of messenger |
1:54:33 (Pop-up) |
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Quicksilver Messenger Service | Bears | 1968 | 1:55:04 (Pop-up) | |||
The Tornadoes | Blue Blue Blue Beat | 1997 | 1:57:09 (Pop-up) | |||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 2:00:01 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The disuse that's really glaring, Above all others is the omission. Down, down, down into the darkness of the omission, Gently it goes - the fulgent, the blazing, the crying. How happy is the probable unavailability! Now unlikely is just the thing, To get me wondering if the unavailability is plausible. The miss that's really wooly, |
2:00:25 (Pop-up) |
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The Smoke | Odyssey | 1968 | 2:01:22 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The disuse that's really glaring, Above all others is the omission. Down, down, down into the darkness of the omission, Gently it goes - the fulgent, the blazing, the crying. How happy is the probable unavailability! Now unlikely is just the thing, To get me wondering if the unavailability is plausible. The miss that's really wooly, |
2:05:04 (Pop-up) |
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Twink | Fluid | 1970 | 2:05:45 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Lullabye - A Haiku Turbid summertime before lullabye machine after the machine |
2:09:40 (Pop-up) |
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The Soft Machine | Lullabye Letter | 1968 | 2:10:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Neighbourhood - A Haiku Sunless summertime A good, neighbourhood machine watching the children |
2:15:36 (Pop-up) |
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Tiny Tim | Neighbourhood Children | 1969 | 2:16:10 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
The Tiny And Savage Neighbourhood Whose neighbourhood is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her neighbourhood a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:20:07 (Pop-up) |
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The Savage Rose | Your Sign / My Sign | 1968 | 2:21:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Savage - A Haiku Darkness summertime A composed savage savage at the perfect theme |
2:24:09 (Pop-up) |
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played and composed by the pink floyd | Main Theme | 1969 | 2:24:34 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Pearls - A Haiku Early summertime A tiny, composed pearls pink in spite of the swine |
2:29:42 (Pop-up) |
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Pearls Before Swine | these things too | 1969 | 2:30:04 (Pop-up) | |||
The Waphphle | Going Down | 1967 | 2:33:24 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:34:58 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 2:35:15 (Pop-up) | ||
The Mothers Of Invention | Electric Aunt Jemima | 1969 | 2:37:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Underground - A Haiku Nighttime summertime A german, underground run beyond the translove |
2:40:02 (Pop-up) |
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The Velvet Underground & Nico | Run, Run, Run | 1967 | 2:40:36 (Pop-up) | |||
Fountain Of Youth | Take A Giant Step | 1968 | 2:44:56 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Underground, Part 2 - A Haiku Dampness summertime A nazi, underground run near the creation |
2:47:53 (Pop-up) |
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The Crazy World Of Arthur Brown | Spontaneous Apple Creation | 1968 | 2:48:36 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Mixed And Spontaneous Confusion Whose confusion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his confusion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:51:28 (Pop-up) |
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Bob Dylan | Mixed Up Confusion | 1962 | 2:52:17 (Pop-up) | |||
The Alan Lorber Orchestra | Djellaba (The Hooded One) | 1967 | 2:54:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The Still And Moody Confusion Whose confusion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his confusion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:55:56 (Pop-up) |
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The Moody Blues | Sun is still shining. | 1969 | 2:56:51 (Pop-up) | |||
The Fourth Dimension | Land Of Make Believe | 1966 | 3:00:28 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Underground - A Haiku Warm up summertime A nazi, underground still the operation |
3:02:42 (Pop-up) |
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The Velvet Underground | Lady Godiva's Operation | 1968 | 3:03:24 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Underground, Part 2 - A Haiku Hearty summertime A dark, underground people the operation |
3:08:13 (Pop-up) |
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Ill Wind | People Of The Night | 1968 | 3:08:38 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Disappearances, however hard they try, Will always be silent. Disappearances are soundless. disappearances are incommunicative, disappearances are unsounded, however. Why would you think whereabouts are inexact? whereabouts are the most exact location of all. Do whereabouts make you shiver? do they? |
3:16:15 (Pop-up) |
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The Asylum Choir | Episode Containing 3 Songs: NY Op. | 1968 | 3:17:00 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
An omission, however hard it tries, Will always be obvious. Does the omission make you shiver? does it? A revised, however hard it tries, Will always be plato. Does the revised make you shiver? does it? |
3:19:15 (Pop-up) |
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The United States Of America | The American Way Of Love: part I - Metephore for an Older Man, Part II - California Good-time Music, Part III - Love Is All | 1968 | 3:20:50 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
California - A Haiku Indian summer before california love by the metephore |
3:27:25 (Pop-up) |
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The Freedom | Born Again | 1969 | 3:28:00 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy is the beloved becky! Are you upset by how dear it is? Does it tear you apart to see the becky so dearest? How happy is the minute gary! Now microscopical is just the thing, To get me wondering if the gary is narrow. How happy is the yellow laurie! Never forget the chromatic and sensationalistic laurie. |
3:32:13 (Pop-up) |
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Tiny Tim | Ever Since You Told Me That You Loved Me (I'm A Nut) | 1968 | 3:32:55 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Appletree - A Haiku Early summertime A tiny appletree go by the epilogue |
3:35:36 (Pop-up) |
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The Appletree Theatre | Epilogue: What A Way To Go (yes) | 1967 | 3:35:56 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:38:36 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 3:38:49 (Pop-up) | ||
Colours | Love Heals | 1968 | 3:41:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Velvett - A Haiku Dampness summertime A black, composed velvett pink before the telstar |
3:44:00 (Pop-up) |
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played and composed by the pink floyd | Ibiza Bar | 1969 | 3:44:36 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Falstaff - A Haiku Early summertime A best, composed falstaff cream because of the cream |
3:47:37 (Pop-up) |
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The Soft Machine | Why Are We Sleeping? | 1968 | 3:49:30 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Sleeping - A Haiku Dampness summertime A sleeping sleeping machine above the brother |
3:54:55 (Pop-up) |
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Brother Nigel's Proxy Party | Look At The Floor | 1969 | 3:55:21 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:58:04 (Pop-up) | ||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 4:00:09 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The Crazy And Brown Magician Whose magician is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his magician a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:08:24 (Pop-up) |
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Graham Bond | The Magician | 1970 | 4:09:08 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
4:13:08 (Pop-up) |
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The 13th Floor Elevators | Dr. Doom | 1969 | 4:13:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I saw the the roofed chamber of my generation destroyed, How I mourned the atrium. Does the atrium make you shiver? does it? Doorways, however hard they try, Will always be wooden. Now woody is just the thing, To get me wondering if doorways are awkward. |
4:18:56 (Pop-up) |
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Bee Gees | I close my eyes | 1967 | 4:19:43 (Pop-up) | |||
Joyfull Noise | People Get Together | 1968 | 4:22:00 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Underground - A Haiku Warming summertime An urban, underground close on the tomorrows |
4:24:02 (Pop-up) |
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The Velvet Underground & Nico | All Tomorrow's Parties | 1967 | 4:24:32 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Moody And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:30:28 (Pop-up) |
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The Moody Blues | House Of Four Doors | 1968 | 4:31:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Experience - A Haiku Dismal summertime shall moody experience at the perfect doors |
4:35:23 (Pop-up) |
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the jimi hendrix experience | Bold As Love | 1967 | 4:35:51 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Experience, Part 2 - A Haiku Previous summer An own, nice experience after the eugene |
4:39:49 (Pop-up) |
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The Nice | The Cry of Eugene | 1967 | 4:40:17 (Pop-up) | |||
The Mothers Of Invention | Absolutely Free | 1968 | 4:44:49 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at the consequent inability. Never forget the sequent and resultant inability. Don't belive that the omission is impartial? the omission is partial beyond belief. Now incomplete is just the thing, To get me wondering if the omission is fair. How happy is the zany absent! Are you upset by how foolish it is? |
4:48:12 (Pop-up) |
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The Velvet Underground | I Heard Her Call My Name | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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