View Owl Sun's profile |
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
Micky And Tommy | I Know What I Would Do | 1967 | 0:03:20 (Pop-up) | |||
Silver Apples | Ruby | 1969 | 0:06:20 (Pop-up) | |||
The Ruins | She Doesn't Understand | 1998 | 0:08:42 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:11:20 (Pop-up) |
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Groundhogs | Times | 1969 | 0:11:42 (Pop-up) | |||
The Kaleidoscope | Why Try | 1967 | 0:16:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
0:19:37 (Pop-up) |
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the stooges | we will fall | 1969 | 0:20:05 (Pop-up) | |||
The Fugs | Dust Devil | 1969 | 0:30:11 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
0:33:24 (Pop-up) |
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Nancy Sinatra & Lee Hazlewood | Summer Wine | 1968 | 0:33:44 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
One afternoon I said to myself, "Why isn't the disappearance more fast?" Never forget the obtuse and larghissimo disappearance. How happy is the dead lost! Now doomed is just the thing, To get me wondering if the lost is nonfunctional. The stolen is not small! the stolen is exceptionally life-sized. |
0:37:55 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:38:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
The need that's really apparent, Above all others is the lack. Never forget the ostensible and seeming lack. The quality that's really parental, Above all others is the inability. Down, down, down into the darkness of the inability, Gently it goes - the filial, the maternal, the paternal. I cannot help but stop and look at the cunning unavailability. |
0:44:45 (Pop-up) |
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Brincos | Esa Mujer | 1970 | 0:45:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Springfield - A Haiku Early summertime A shot, springfield buffalo out of buffalo |
0:50:54 (Pop-up) |
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Buffalo Springfield | Expecting To Fly | 1967 | 0:51:16 (Pop-up) | |||
Shiva's Headband | Ebeneezer | 1969 | 0:54:50 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 0:57:36 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Springfield, Part 2 - A Haiku Dampish summertime A day, springfield buffalo above the serpent |
1:00:23 (Pop-up) |
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The Serpent Power | Flying Away | 1967 | 1:01:06 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Steamhammer - A Haiku Dampen summertime before steamhammer power beyond the serpent |
1:05:29 (Pop-up) |
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Steamhammer | Lost you too | 1969 | 1:05:53 (Pop-up) | |||
The Prodigal | Reality | 1967 | 1:09:19 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Steamhammer, Part 2 - A Haiku Indian summer before lost steamhammer line by the constitine |
1:11:23 (Pop-up) |
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The 13th Power | Shape Of Things To Come | 1968 | 1:13:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at biblical prefaces. Do prefaces make you shiver? do they? How happy is the small forgotten! A forgotten is minuscule. a forgotten is teensy, a forgotten is narrow-minded, however. Just like a noteworthy exception, is the omission. Does the omission make you shiver? |
1:14:56 (Pop-up) |
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Sagittarius | Hotel Indiscreet | 1967 | 1:15:47 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Omitted I cannot help but stop and look at biblical prefaces. Do prefaces make you shiver? do they? |
1:18:03 (Pop-up) |
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Ann-Margret Lee Hazlewood | Sleep In The Grass | 1968 | 1:18:27 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Annmargret - A Haiku Dampish summertime before war annmargret grass by the hazlewood |
1:21:38 (Pop-up) |
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Octopus | The War | 1969 | 1:22:08 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:25:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Octopus - A Haiku Early summertime A big, pink octopus pink at the perfect floyd |
1:28:00 (Pop-up) |
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Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 1:28:34 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the sato imo! Does the imo make you shiver? does it? dats are not same! dats are exceptionally former. Do dats make you shiver? do they? Just like popular days, is the selena. |
1:31:22 (Pop-up) |
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Groundhogs | Mistreated | 1969 | 1:32:00 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
1:35:59 (Pop-up) |
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Kraftwerk | Vom Himmel Hoch | 1971 | 1:37:07 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
1:47:07 (Pop-up) |
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Gandalf | Golden Earrings | Gandalf | 1:47:20 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
1:50:01 (Pop-up) |
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Buffy Sainte-Marie | adam | 1969 | 1:50:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:55:19 (Pop-up) |
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Lee Hazlewood | Friday's Child | 1965 | 1:55:31 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:58:04 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:00:25 (Pop-up) |
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The Chimps | 5th Class Mail | 1967 | 2:00:47 (Pop-up) | |||
Adam | Eve | 1966 | 2:05:09 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy is the sato imo! Does the imo make you shiver? does it? dats are not same! dats are exceptionally former. Do dats make you shiver? do they? Just like popular days, is the selena. |
2:07:20 (Pop-up) |
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The Senators | Psychedelic Senate | 1968 | 2:07:58 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The Fool And Psychedelic Senate Whose senate is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his senate a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:10:56 (Pop-up) |
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Raul Danks - Jon Taylor | You're A Fool | 1967 | 2:11:40 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
A failing, however hard it tries, Will always be horses. Does the failing make you shiver? does it? The go away that's really thrombocytopenia, Above all others is the absent. Does the absent make you shiver? does it? |
2:14:22 (Pop-up) |
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The Ferguson Tractor | Desperation Blues | 1969 | 2:15:07 (Pop-up) | |||
Lynn Castle with Last Friday's Fire | The Lady Barber | 1968 | 2:17:37 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
2:19:44 (Pop-up) |
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Steamhammer | She is the Fire | 1969 | 2:20:04 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:23:14 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:23:29 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Don't belive that omissions are designed? omissions are unintentional beyond belief. Now unintended is just the thing, To get me wondering if omissions are unwitting. The neglected is not short! the neglected is exceptionally long-distance. A neglected is long-run. a neglected is long-distance, a neglected is elongated, however. |
2:26:08 (Pop-up) |
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The Rolling Stones | Dandelion | 1967 | 2:27:09 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:30:37 (Pop-up) |
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Philip DeBarge | You're Running You And Me | 1969 | 2:30:50 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the kinda crap! I don't like the fact that it, learned to go before it knew how to kick. It does go, it does kick, Should it also know? A fool, however hard it tries, Will always be goddamn. Never forget the blasted and cursed fool. |
2:35:40 (Pop-up) |
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Octopus | I Think it's Understood | 1969 | 2:37:06 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The deceased is not early! the deceased is exceptionally posthumous. Are you upset by how deep it is? Does it tear you apart to see the deceased so posthumous? Disappearances, however hard they try, Will always be apparent. Do disappearances make you shiver? do they? |
2:40:09 (Pop-up) |
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The Torres | Don't You Know | 1966 | 2:40:54 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Pay attention to the whereabouts, whereabouts are the most not location of all. Do whereabouts make you shiver? do they? How happy is the far gone! A gone is removed. a gone is farthest, a gone is immoderate, however. The lost is not lean! |
2:43:24 (Pop-up) |
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The New Tweedy Bros! | Somebody's Peepin | 1968 | 2:44:12 (Pop-up) | |||
Rainbow Ffolly | No | 1968 | 2:48:39 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Somebodys - A Haiku Dampness summertime before somebodys set in spite of the fields |
2:51:37 (Pop-up) |
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Fields | Sun Would Set | 1969 | 2:52:03 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 2:57:19 (Pop-up) | ||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 3:00:07 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the absolute dearth! Does the dearth make you shiver? does it? The nonexistence that's really utter, Above all others is the void. Now arrant is just the thing, To get me wondering if the void is staring. How happy is the yellow inability! |
3:00:24 (Pop-up) |
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The Fugs | Four Minutes To Twelve | 1969 | 3:01:32 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:07:06 (Pop-up) |
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The Deviants | Garbage | 1967 | 3:07:16 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Electric - A Haiku Dampness summertime A hydro, electric hand on the deviants |
3:12:46 (Pop-up) |
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Pretty | The Electric Hand | 1969 | 3:13:07 (Pop-up) | |||
The Third Rail | Is Mr. Peters Coming? | 1967 | 3:17:30 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Connection - A Haiku Misty summertime A causal, connection hand out of electric |
3:19:36 (Pop-up) |
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Five By Five | Good Connection | 1970 | 3:20:06 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Springfield - A Haiku Glooming summertime A hung springfield buffalo on the connection |
3:23:25 (Pop-up) |
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Buffalo Springfield | Hung Upside Down | 1967 | 3:23:57 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Subconscious - A Haiku Indian summer why subconscious buffalo into the springfield |
3:27:20 (Pop-up) |
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The Aardvarks | Subconscious Train Of Thought | 1968 | 3:27:53 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy are large mantids! Now macroscopical is just the thing, To get me wondering if mantids are biggest. I saw the the great arthropod genus of my generation destroyed, How I mourned the bombus. Now big is just the thing, To get me wondering if the bombus is bang-up. Just like a non woodpecker, is agoutis. |
3:31:39 (Pop-up) |
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The Elastik Band | Spazz | 1967 | 3:32:22 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Translove - A Haiku Dampish summertime suddenly big translove band by the sullivan |
3:35:04 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 3:35:29 (Pop-up) | ||
Lynn Castle with Last Friday's Fire | Rose Colored Corner | 1968 | 3:37:31 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Don't belive that the neglected is secondary? the neglected is primary beyond belief. Are you upset by how basic it is? Does it tear you apart to see the neglected so elementary? One afternoon I said to myself, "Why isn't the revised more automatic?" A revised is non-automatic. a revised is automatic, a revised is hand-operated, however. |
3:40:00 (Pop-up) |
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Aardvark | The Outing - Yes | 1970 | 3:41:47 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:51:24 (Pop-up) |
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Eden's Children | Spirit Call | 1968 | 3:51:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
3:54:14 (Pop-up) |
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The Serpent Power | Up And Down | 1967 | 3:54:33 (Pop-up) | |||
BOOKER T. & THE MG'S | SOUL SANCTION | 3:58:06 (Pop-up) | ||||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
4:03:36 (Pop-up) |
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Octopus | U.S. Blues | 1969 | 4:03:53 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Don't belive that the neglected is secondary? the neglected is primary beyond belief. Are you upset by how basic it is? Does it tear you apart to see the neglected so elementary? One afternoon I said to myself, "Why isn't the revised more automatic?" A revised is non-automatic. a revised is automatic, a revised is hand-operated, however. |
4:12:11 (Pop-up) |
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Groundhogs | Light Was The Day | 1969 | 4:12:58 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Groundhogs - A Haiku Early summertime A many, light groundhogs light at the perfect light |
4:19:29 (Pop-up) |
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Fields | Love Is The Word | 1969 | 4:20:47 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Dupree - A Haiku Wicked summertime A little, sound dupree sound betrayed by the fields |
4:39:24 (Pop-up) |
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Simon Dupree And The Big Sound | For Whom The Bell Tolls | 1968 | 4:39:48 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Electric - A Haiku Dampness summertime A piezo, electric sound after the bangles |
4:42:49 (Pop-up) |
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The Electric Prunes | Bangles | 1967 | 4:43:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Sunshine - A Haiku Indian summer A brilliant, sunshine tell out of electric |
4:45:56 (Pop-up) |
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Oriental Sunshine | Can Anybody Tell | 1970 | 4:46:17 (Pop-up) | |||
Brincos | Esa Mujer | 1970 | 4:51:57 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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