The Night Owl Show with Owl Sun:
Playlist
from August 21, 2022
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
|
0:02:41 (Pop-up) | ||||
| Kensington Market |
Half Closed Eyes
|
1969 |
|
0:03:09 (Pop-up) | ||
| The Creation |
Through My Eyes
|
1967 |
|
0:05:34 (Pop-up) | ||
| The Peanut Butter Conspiracy |
Too Many Do
|
2011 |
|
0:08:37 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Documentary - A Haiku Dampen summertime documentary market by the kensington |
|
0:15:04 (Pop-up) |
||
| Silver Apples |
Again
|
1969 |
|
0:19:24 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
The Silver And Future Introduction Whose introduction is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her introduction a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:22:17 (Pop-up) |
||
| Wild Man Fischer |
The Basic Fischer: "The Madness & Ecstasy" (Kim Fowley & Rodney Bingenheimer provide an introduction to, and make prophecies about the future of Wild Man Fischer)
|
1968 |
|
0:23:04 (Pop-up) | ||
| John Zacherle |
A-B-C
|
1963 |
|
0:30:52 (Pop-up) | ||
| Moorpark Intersection |
Yesterday Holds On
|
1968 |
|
0:33:23 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The About And Future Introduction Whose introduction is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her introduction a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:35:23 (Pop-up) |
||
| Finch |
Nothing In The Sun
|
1968 | 0:36:34 (Pop-up) | |||
| Group Nine |
Nights For Laughing
|
0:40:41 (Pop-up) | ||||
Music behind DJ: George Harrison |
On The Bed
|
Houston - A Haiku Loving summertime A day, living houston eye above the nothing |
|
0:43:42 (Pop-up) |
||
| Chapparal Trio |
Roxanne
|
1968 | 0:45:01 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying
|
I cannot help but stop and look at the noticeable omission. Does the omission make you shiver? does it? I saw the the occasional being of my generation destroyed, How I mourned the presence. Down, down, down into the darkness of the presence, Gently it goes - the unpredictable, the casual, the irregular. How happy is the zany paucity! |
|
0:47:29 (Pop-up) |
||
| Group 1850 |
You Did It Too Hard
|
1968 |
|
0:48:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
I cannot help but stop and look at the noticeable omission. Does the omission make you shiver? does it? I saw the the occasional being of my generation destroyed, How I mourned the presence. Down, down, down into the darkness of the presence, Gently it goes - the unpredictable, the casual, the irregular. How happy is the zany paucity! |
|
0:50:33 (Pop-up) |
||
| Focus Three |
10,000 Years Behind My Mind
|
1967 |
|
0:51:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The Bad And Baby Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:53:23 (Pop-up) |
||
| Caleb |
Baby Your Phrasing Is Bad
|
1967 |
|
0:54:24 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
0:57:38 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
The Bad And Baby Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:59:28 (Pop-up) |
||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:00:19 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
|
1:02:25 (Pop-up) |
|||
| Odyssey |
California
|
1970 |
|
1:02:41 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:07:36 (Pop-up) |
|||
| Philamore Lincoln |
Running By The River
|
1968 |
|
1:08:02 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The Kind And Running Breakdown Whose breakdown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his breakdown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:10:22 (Pop-up) |
||
| Les (Bel) Kanto |
A Kind Of Breakdown
|
1969 |
|
1:11:21 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Whose breakdown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his breakdown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:14:13 (Pop-up) |
||
| Hamilton Streetcar |
Your Own Come Down
|
1968 |
|
1:14:54 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
1:19:11 (Pop-up) |
|||
| Ginger Baker's Air Force |
Let Me Ride
|
1970 |
|
1:19:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
1:23:55 (Pop-up) |
|||
| Kensington Market |
The Thinker
|
1969 |
|
1:24:11 (Pop-up) | ||
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
1:26:33 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
1:28:42 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
Wonderment
|
2011 |
|
1:29:08 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
All that is extensive is not myself, myself, by all account is intensive. Does the myself make you shiver? does it? Pay attention to the congratulations, congratulations are the most best commendation of all. Down, down, down into the darkness of the congratulations, Gently they go - the greatest, the optimum, the first. |
|
1:33:12 (Pop-up) |
||
| Sam Gopal |
Cold Embrace
|
1969 |
|
1:34:07 (Pop-up) | ||
| The Pasternak Progress |
Flower Eyes
|
1967 |
|
1:37:43 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The Cut And Cold Embrace Whose embrace is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her embrace a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:40:11 (Pop-up) |
||
| John Zacherle "The Cool Ghoul" |
Dinner With Drac Part 2
|
1958 |
|
1:41:57 (Pop-up) | ||
| Thunder And Roses |
Dear Dream Maker
|
1969 |
|
1:44:50 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
How happy are unintended omissions! Are you upset by how unplanned they are? Does it tear you apart to see the omissions so uncaused? I cannot help but stop and look at the divine been. Down, down, down into the darkness of the been, Gently it goes - the inspired, the elysian, the sacred. Prefaces, however hard they try, Will always be big. |
|
1:48:16 (Pop-up) |
||
| Honey Ltd. without intro by Lee Hazlewood |
Louie, Louie
|
1968 |
|
1:49:29 (Pop-up) | ||
| Jefferson Lee |
Sorcerella
|
1969 |
|
1:52:29 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Hazlewood - A Haiku Warming summertime A sudden, hazlewood shock by the initial |
|
1:54:48 (Pop-up) |
||
| The Initial Shock |
You've Been A Long Time Comin'
|
1967 |
|
1:55:17 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Zacherley - A Haiku Indian summer suddenly zacherley shock on the initial |
|
1:57:58 (Pop-up) |
||
| Zacherley |
Hello Dolly
|
1964 |
|
1:58:27 (Pop-up) | ||
| Van Dyke Parks |
Widow's Walk
|
1968 |
|
2:01:00 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
How happy are mysterious disappearances! Disappearances are mystical. disappearances are cryptic, disappearances are secret, however. I cannot help but stop and look at the poor absentee. Never forget the pinched and broke absentee. Absence is near surface. near surface is absence. Never forget the buffoonish and cockamamie absence. |
|
2:04:11 (Pop-up) |
||
| Jeff Beck |
Rock My Plimsoul
|
1967 |
|
2:05:35 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
2:09:12 (Pop-up) |
|||
| Kennélmus |
Patti's Dream - Dream Sequence
|
1971 |
|
2:09:26 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
All that is same is not stolen, stolen, by all account is other. Are you upset by how remaining it is? Does it tear you apart to see the stolen so different? How happy is the many gone! Are you upset by how numerous it is? Does it tear you apart to see the gone so few? The disappear that's really wooly, |
|
2:13:56 (Pop-up) |
||
| The Frost |
Stand In The Shadows
|
1969 |
|
2:14:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
How happy is the stumpy tail! Down, down, down into the darkness of the tail, Gently it goes - the squatty, the chunky, the dumpy. The import that's really darker, Above all others is the shade. Does the shade make you shiver? does it? Sky is luminous flame. |
|
2:22:29 (Pop-up) |
||
| Kangaroo |
I Never Tell Me Twice
|
1968 |
|
2:23:08 (Pop-up) | ||
| Felice Taylor |
Winter Again
|
1966 | 2:26:59 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the stumpy tail! Down, down, down into the darkness of the tail, Gently it goes - the squatty, the chunky, the dumpy. The import that's really darker, Above all others is the shade. Does the shade make you shiver? does it? Sky is luminous flame. |
|
2:28:41 (Pop-up) |
||
| The Free Spirits |
Sunday Telephone
|
1967 |
|
2:29:23 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
An absent, however hard it tries, Will always be upper. Never forget the high and superior absent. I saw the the latter linguistic process of my generation destroyed, How I mourned the omission. Down, down, down into the darkness of the omission, Gently it goes - the later, the former, the last. How happy is the fat presence! |
|
2:32:15 (Pop-up) |
||
| Hamilton Streetcar |
Confusion
|
1968 |
|
2:33:08 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
An absent, however hard it tries, Will always be upper. Never forget the high and superior absent. I saw the the latter linguistic process of my generation destroyed, How I mourned the omission. Down, down, down into the darkness of the omission, Gently it goes - the later, the former, the last. How happy is the fat presence! |
|
2:35:04 (Pop-up) |
||
| The Creation |
Midway Down
|
1968 |
|
2:36:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Kensington - A Haiku Warm up summertime A day, kensington market on the creation |
|
2:40:25 (Pop-up) |
||
| Kensington Market |
Side I Am
|
1969 |
|
2:40:48 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Underground - A Haiku Wicked summertime A french, underground market on the kensington |
|
2:44:03 (Pop-up) |
||
| The Velvet Underground |
I Heard Her Call My Name
|
1968 |
|
2:44:28 (Pop-up) | ||
| Philamore Lincoln |
Rainy Day
|
1970 |
|
2:49:01 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Underground, Part 2 - A Haiku Indian summer A dark, underground factor at the old factor |
|
2:51:23 (Pop-up) |
||
| The Sot Weed Factor |
Say It Isn't So
|
1967 |
|
2:51:55 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I saw the the relative scarcity of my generation destroyed, How I mourned the paucity. Are you upset by how proportionate it is? Does it tear you apart to see the paucity so absolute? An absent, however hard it tries, Will always be wrist. Does the absent make you shiver? does it? |
|
2:53:50 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:54:30 (Pop-up) | |
| The Elastik Band |
I Would Still Love You
|
1968 |
|
2:57:11 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Egyptian - A Haiku Warm up summertime A mighty egyptian tomb after the velvett |
|
2:59:31 (Pop-up) |
||
| Mighty Baby |
Egyptian tomb
|
1969 |
|
3:00:06 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Egyptian, Part 2 - A Haiku Dampness summertime A mighty egyptian tomb under the mighty |
|
3:08:04 (Pop-up) |
||
| Sam Gopal |
You're Alone Now
|
1969 |
|
3:08:37 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Floyd - A Haiku Indian summer An early, flaming floyd pink after the gopal |
|
3:12:16 (Pop-up) |
||
| Pink Floyd |
Flaming
|
1967 |
|
3:12:36 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Parks - A Haiku Wicked summertime A several, flaming parks dyke in spite of the floyd |
|
3:15:20 (Pop-up) |
||
| Van Dyke Parks |
All Golden
|
1968 |
|
3:15:41 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Fields - A Haiku Dampness summertime A many, golden fields dyke betrayed by the parks |
|
3:19:22 (Pop-up) |
||
| Fields |
Sun Would Set
|
1969 |
|
3:19:44 (Pop-up) | ||
| Bob Seger & The Last Heard |
East Side Sound (Instrumental)
|
1967 |
|
3:25:00 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
3:27:25 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Machines, Part 2 - A Haiku Indian summer A new, herbal machines love watching the mixture |
|
3:31:18 (Pop-up) |
||
| Jeff Beck |
Love Is Blue (L'amour Est Bleu)
|
1968 |
|
3:31:41 (Pop-up) | ||
| Gary Walker & The Rain |
The View
|
1968 |
|
3:34:31 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Maximus - A Haiku Dampness summertime before bright maximus light after the circus |
|
3:38:12 (Pop-up) |
||
| Circus Maximus |
Bright Light Lovers
|
1967 |
|
3:38:30 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Fortune - A Haiku Dampen summertime A better, bright fortune wheel on the maximus |
|
3:41:21 (Pop-up) |
||
| Nick Garrie |
Wheel Of Fortune
|
1969 |
|
3:41:54 (Pop-up) | ||
| The Free Spirits |
Cosmic Daddy Dancer
|
1967 |
|
3:45:31 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
3:48:04 (Pop-up) |
|||
| The Creation |
Hey Joe
|
1967 |
|
3:48:31 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:52:39 (Pop-up) | |
| The Mothers Of Invention |
Trouble Comin' Every Day
|
Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 |
|
3:52:55 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
3:55:24 (Pop-up) |
|||
| Chapter VI |
Oracle
|
1967 |
|
3:56:02 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
3:58:37 (Pop-up) |
|||
| Kensington Market |
Cartoon
|
1969 |
|
3:58:59 (Pop-up) | ||
| Wheels |
She Don't Mean It
|
2009 |
|
4:01:29 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A markham, however hard it tries, Will always be naval. Does the markham make you shiver? does it? How happy is the celebrated kipling! Does the kipling make you shiver? does it? The chesapeake is not little! |
|
4:04:20 (Pop-up) |
||
| Nirvana |
Tiny Goddess
|
1967 |
|
4:05:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I saw the the beautiful imaginary being of my generation destroyed, How I mourned the witch. Are you upset by how lovely it is? Does it tear you apart to see the witch so comely? How happy is the plumed serpent! Does the serpent make you shiver? does it? Don't belive that the demoness is fatless? |
|
4:08:53 (Pop-up) |
||
| The Fruit Machine |
Willow Tree
|
1969 |
|
4:09:40 (Pop-up) | ||
| Paper Bubble |
Mother, Mother, Mother
|
1969 |
|
4:13:36 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Machine - A Haiku Heavy summertime A mighty machine machine into the mighty |
|
4:16:36 (Pop-up) |
||
| Mighty Baby |
Same way from the sun
|
1969 |
|
4:17:14 (Pop-up) | ||
| Trúbrot |
Am I Really Livin'?
|
1971 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun:
Playlists feed | 
MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun: