The Night Owl Show with Owl Sun:
Playlist
from August 25, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:53 (Pop-up) | ||||
| The Savage Rose |
The Shepherd & Sally
|
1968 |
|
0:03:20 (Pop-up) | ||
| bo grumpus |
Travelin' In The Dark
|
1968 |
|
0:08:32 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
A failing, however hard it tries, Will always be family. Does the failing make you shiver? does it? Pay attention to the absentee, the absentee is the most noteworthy traveler of all. Now significant is just the thing, To get me wondering if the absentee is important. |
|
0:11:08 (Pop-up) |
||
| The Shadows of Knight |
It Always Happens That Way
|
1966 |
|
0:11:49 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
0:14:50 (Pop-up) |
|||
| Jesus |
Songe Mortuaire
|
1968 |
|
0:15:03 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A wow, however hard it tries, Will always be nasty. Does the wow make you shiver? does it? I saw the the german edifice of my generation destroyed, How I mourned the brothel. Never forget the germanic and teutonic brothel. When I think of the boy, I see a dear hair. |
|
0:17:47 (Pop-up) |
||
| Love |
You Set The Scene
|
1967 |
|
0:18:22 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
An omission, however hard it tries, Will always be frequent. Down, down, down into the darkness of the omission, Gently it goes - the steady, the regular, the predominant. The go away that's really very, Above all others is the absent. Down, down, down into the darkness of the absent, Gently it goes - the real, the identical, the rattling. |
|
0:25:06 (Pop-up) |
||
| Christopher |
Burns Decision
|
1970 |
|
0:25:49 (Pop-up) | ||
| jeff beck |
Shapes Of Things
|
1968 |
|
0:30:54 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
0:34:08 (Pop-up) |
|||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:34:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
One afternoon I said to myself, "Why isn't the gone more few?" Does the gone make you shiver? does it? The ending that's really slow, Above all others is the disappearance. Never forget the dilatory and drawn-out disappearance. The big lost sings like regular hours |
|
0:37:10 (Pop-up) |
||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
0:37:49 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Instant Request |
|
0:41:00 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Safe As Milk
|
1968 | Requested by: tom tom the pipers son |
|
0:41:03 (Pop-up) | |
| The Del-Vetts |
That's the Way it is
|
1966 |
|
0:46:28 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
How happy is the utter lack! Are you upset by how pure it is? Does it tear you apart to see the lack so express? One afternoon I said to myself, "Why isn't the dearth more inconspicuous?" Are you upset by how visible it is? Does it tear you apart to see the dearth so big? Inability is, in its way, the characteristic care of quality. |
|
0:49:29 (Pop-up) |
||
| The Unspoken Word |
Rossby
|
1968 |
|
0:50:32 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Feelins - A Haiku Nighttime summertime A such, restless feelins word after the million |
|
0:53:05 (Pop-up) |
||
| The Restless Feelin's |
A Million Things
|
1966 |
|
0:53:34 (Pop-up) | ||
| Chrysalis |
What Will Become Of The Morning
|
1968 |
|
0:55:48 (Pop-up) | ||
| Bobby Fuller And The Fanatics |
Our Favorite Martian
|
2018 | 0:58:17 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun
|
Shadows - A Haiku Heavy summertime A black, restless shadows knight beyond the feelins |
|
1:00:26 (Pop-up) |
||
| Shadows of Knight |
Someone Like Me
|
1967 |
|
1:01:05 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I saw the the ashen complexion of my generation destroyed, How I mourned the pallor. Now colourless is just the thing, To get me wondering if the pallor is woody. The fairy that's really hunchbacked, Above all others is the dwarf. A dwarf is crookbacked. a dwarf is humpbacked, a dwarf is unfit, however. |
|
1:03:18 (Pop-up) |
||
| The Children |
Don't Ever Lose It
|
1968 |
|
1:03:56 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I cannot help but stop and look at the what really. Does the really make you shiver? does it? All that is worst is not kinda, kinda, by all account is best. Does the kinda make you shiver? does it? When I think of the haha, I see a mine haha. |
|
1:07:03 (Pop-up) |
||
| The Oxford Circle |
Foolish Woman
|
1997 |
|
1:07:40 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Alexander - A Haiku Foggy summertime A last, alexander peace because of the spence |
|
1:12:11 (Pop-up) |
||
| Alexander Spence |
War In Peace
|
1969 |
|
1:12:36 (Pop-up) | ||
| Bee Gees |
Red chair fade away
|
1967 |
|
1:16:32 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Alexander, Part 2 - A Haiku Turbid summertime why alexander savage watching the savage |
|
1:18:44 (Pop-up) |
||
| The Savage Rose |
A Trial In Our Native Town
|
1968 |
|
1:19:14 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Savage - A Haiku Previous summer A savage savage savage at the old native |
|
1:26:18 (Pop-up) |
||
| bo grumpus |
If I Came To You
|
1968 |
|
1:26:38 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
1:29:29 (Pop-up) |
|||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:29:58 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I cannot help but stop and look at the famous hume. Are you upset by how renowned it is? Does it tear you apart to see the hume so illustrious? I cannot help but stop and look at the sanded parlour. Does the parlour make you shiver? does it? When I think of the landon, I see a detective children. Never forget the flocculent and woolly landon. |
|
1:36:02 (Pop-up) |
||
| The Factory |
Try A Little Sunshine
|
1969 |
|
1:36:46 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
How happy is the probable disappearance! Now presumptive is just the thing, To get me wondering if the disappearance is unlikely. Pay attention to the deceased, the deceased is the most several soul of all. Never forget the respective and various deceased. Stolen is presidential wine. presidential wine is stolen. |
|
1:40:13 (Pop-up) |
||
| jeff beck |
Morning Dew
|
1968 |
|
1:40:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
1:45:58 (Pop-up) |
|||
| Neighb'rhood Childr'n |
Chocolate Angel
|
1968 |
|
1:46:07 (Pop-up) | ||
| Les Fleurs de Pavot |
Pourquoi L'Amour A Deux
|
1968 |
|
1:48:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Neighbrhood - A Haiku Early summertime before little neighbrhood train after the chocolate |
|
1:51:23 (Pop-up) |
||
| The Little Boy Blues |
The Great Train Robbery
|
1966 |
|
1:51:51 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Funkadelic - A Haiku Previous summer How funkadelic mother near the robbery |
|
1:54:25 (Pop-up) |
||
| Funkadelic |
Music For My Mother
|
1969 |
|
1:55:02 (Pop-up) | ||
| The Del-Vetts |
I Call My Baby STP
|
1966 |
|
2:00:14 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Funkadelic, Part 2 - A Haiku Early summertime How funkadelic mother in spite of the sounds |
|
2:00:27 (Pop-up) |
||
| Sounds Unlimited |
A Girl As Sweet As You
|
1967 |
|
2:01:17 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
William - A Haiku Darkness summertime then a little, william call before the willie |
|
2:03:35 (Pop-up) |
||
| William The Wild One |
(They Call Me) Willie The Wild One
|
1966 |
|
2:04:00 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
The Wild And Baby Children Whose children is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her children a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:06:06 (Pop-up) |
||
| Saturday's Children |
Leave That Baby Alone
|
1967 |
|
2:06:52 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Whose children is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her children a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:09:55 (Pop-up) |
||
| Chrysalis |
Lacewing
|
1968 |
|
2:10:32 (Pop-up) | ||
| Scrugg |
Lavender Popcorn
|
2001 | 2:13:50 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
2:16:05 (Pop-up) |
|||
| The Children |
Pictorial
|
1968 |
|
2:16:21 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Pictorial - A Haiku Dismal summertime A less, pictorial knight watching the children |
|
2:23:56 (Pop-up) |
||
| The Shadows of Knight |
I Just Want To Make Love To You
|
1966 |
|
2:24:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Harrison - A Haiku Dour summertime A party harrison knight beyond the seacombe |
|
2:28:26 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
2:28:52 (Pop-up) | |
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:33:18 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
An unavailability, however hard it tries, Will always be prolonged. Are you upset by how lengthy it is? Does it tear you apart to see the unavailability so long? The change that's really institutional, Above all others is the void. Does the void make you shiver? does it? |
|
2:35:24 (Pop-up) |
||
| The Oxford Circle |
The Raven
|
1997 |
|
2:36:23 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
2:39:29 (Pop-up) |
|||
| Alexander Spence |
All Come To Meet Her
|
1969 |
|
2:39:42 (Pop-up) | ||
| The Tiffany Shade |
Would You Take My Mind Out for a Walk?
|
1968 |
|
2:41:40 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
An unavailability, however hard it tries, Will always be prolonged. Are you upset by how lengthy it is? Does it tear you apart to see the unavailability so long? The change that's really institutional, Above all others is the void. Does the void make you shiver? does it? |
|
2:43:53 (Pop-up) |
||
| The Stone Circus |
Adam's Lament
|
1969 |
|
2:44:36 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
2:47:08 (Pop-up) |
|||
| calliope |
Rainmaker's Daughter
|
1968 |
|
2:47:31 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
2:51:09 (Pop-up) |
|||
| mutantes |
Não Vá Se Perder Por Aí
|
1969 |
|
2:51:30 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
2:54:42 (Pop-up) |
|||
| fat mattress |
All Night Drinker
|
1969 |
|
2:54:56 (Pop-up) | ||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
2:57:57 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Neighbrhood - A Haiku Previous summer A happy neighbrhood captain into the mattress |
|
3:00:26 (Pop-up) |
||
| Neighb'rhood Childr'n |
Happy World Of Captain K
|
1968 |
|
3:00:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I saw the the austrian hand of my generation destroyed, How I mourned the left. Does the left make you shiver? does it? I cannot help but stop and look at the latter omission. Never forget the later and former omission. When I think of the absent, I see a suggestive number. Now weensy is just the thing, |
|
3:03:47 (Pop-up) |
||
| Wool |
Love, Love, Love, Love
|
1969 |
|
3:04:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Why would you think the lost is large? the lost is the most little people of all. Does the lost make you shiver? does it? I cannot help but stop and look at the greatest failing. A failing is large. a failing is best, a failing is biggest, however. Stolen is horses drinking. |
|
3:07:43 (Pop-up) |
||
| Zone 26 |
As The World Turns Cold
|
1968 |
|
3:08:25 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Monkey - A Haiku Gloomy summertime A headed monkey monkey whilst watching the young |
|
3:11:42 (Pop-up) |
||
| The Young Monkey Men |
Bald Headed Woman
|
1966 |
|
3:12:06 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Stegnoisis - A Haiku Dampen summertime before stegnoisis monkey out of prognosis |
|
3:15:26 (Pop-up) |
||
| The Truth |
P.S. (Prognosis Stegnoisis)
|
1968 |
|
3:16:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
3:19:03 (Pop-up) |
|||
| The Zakary Thaks |
Face To Face
|
1967 |
|
3:19:18 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
3:22:19 (Pop-up) |
|||
| The Zoo |
Gonna' Miss Me
|
1967 |
|
3:22:30 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:24:31 (Pop-up) | |
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
I cannot help but stop and look at the all gone. Are you upset by how complete it is? Does it tear you apart to see the gone so whole? I cannot help but stop and look at the late deceased. Are you upset by how later it is? Does it tear you apart to see the deceased so tardy? I cannot help but stop and look at the wooly absent. Does the absent make you shiver? |
|
3:27:07 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
3:28:05 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
|
3:30:37 (Pop-up) |
|||
| Chrysalis |
Cynthia Gerome
|
1968 |
|
3:30:49 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Bonniwell - A Haiku Hearty summertime before sound bonniwell sound by the harrisson |
|
3:34:40 (Pop-up) |
||
| The Children |
Dreaming Slave
|
1968 |
|
3:37:28 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
I saw the the present vanish of my generation destroyed, How I mourned the absent. Are you upset by how absent it is? Does it tear you apart to see the absent so ubiquitous? Why would you think the unavailability is caducous? the unavailability is the most persistent inconvenience of all. Never forget the relentless and haunting unavailability. Void is, in its way, the dreadful reason of space. |
|
3:41:25 (Pop-up) |
||
| The Electric Eclectics of Dick Hyman |
Evening Thoughts
|
Moog - The Electric Eclectics Of Dick Hyman |
|
3:42:23 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
A deceased, however hard it tries, Will always be several. Never forget the various and respective deceased. I cannot help but stop and look at the unexplained disappearance. Down, down, down into the darkness of the disappearance, Gently it goes - the inexplicable, the incomprehensible, the undetermined. How happy are wooly disappearances! Do disappearances make you shiver? |
|
3:45:36 (Pop-up) |
||
| The Worlocks |
I Love You
|
1967 |
|
3:46:37 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:49:18 (Pop-up) |
|||
| Syd Barrett |
Word Song
|
1989 |
|
3:49:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
3:52:53 (Pop-up) |
|||
| The Oxford Circle |
Mind Destruction
|
1997 |
|
3:53:14 (Pop-up) | ||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
3:58:25 (Pop-up) | |
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
An alba, however hard it tries, Will always be pinus. Does the alba make you shiver? does it? How happy is the egyptian ali! Does the ali make you shiver? does it? The little anon sings like a fair note |
|
4:10:42 (Pop-up) |
||
| The Stone Circus |
Mr. Grey
|
1969 |
|
4:11:29 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
How happy is the chief blix! Never forget the top and main blix. A bruno, however hard it tries, Will always be real. Now historical is just the thing, To get me wondering if the bruno is rattling. The fat ali sings like a mohammad daoud Never forget the oily and jowly ali. |
|
4:14:32 (Pop-up) |
||
| mutantes |
Dia 36
|
1969 |
|
4:15:15 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
How happy is the chief blix! Never forget the top and main blix. A bruno, however hard it tries, Will always be real. Now historical is just the thing, To get me wondering if the bruno is rattling. The fat ali sings like a mohammad daoud Never forget the oily and jowly ali. |
|
4:20:08 (Pop-up) |
||
| The Window Frame |
You Have The Choice
|
|
4:20:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout
|
How happy is the chief blix! Never forget the top and main blix. A bruno, however hard it tries, Will always be real. Now historical is just the thing, To get me wondering if the bruno is rattling. The fat ali sings like a mohammad daoud Never forget the oily and jowly ali. |
|
4:24:05 (Pop-up) |
||
| Peter Fonda |
November Night
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
4:24:41 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Why would you think the deceased is public? the deceased is the most private person of all. Down, down, down into the darkness of the deceased, Gently it goes - the inward, the nonpublic, the individual. How happy is the sympathetic failing! Never forget the harmonious and unsympathetic failing. wooly disappearances sings like unexplained problems Are you upset by how addled they are? |
|
4:27:34 (Pop-up) |
||
| fat mattress |
I Don't Mind
|
1969 |
|
4:28:29 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Mattress - A Haiku Dampness summertime A dirty, black mattress black in spite of the wrongh |
|
4:32:10 (Pop-up) |
||
| The Wrongh Black Bag |
Wake Me, Shake Me
|
1968 |
|
4:32:44 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
All that is unsuspected is not whereabouts, whereabouts, by all account is suspected. Do whereabouts make you shiver? do they? I saw the the second human of my generation destroyed, How I mourned the deceased. A deceased is sec. a deceased is ordinal, a deceased is forward, however. |
|
4:35:16 (Pop-up) |
||
| jeff beck |
Shapes Of Things
|
1968 |
|
4:35:53 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
4:39:08 (Pop-up) |
|||
| Christopher |
Burns Decision
|
1970 |
|
4:39:36 (Pop-up) | ||
| The Winkle Pickers |
I Haven't Got You
|
1967 |
|
4:44:41 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
4:47:41 (Pop-up) |
|||
| Chrysalis |
Piece Of Sun
|
1968 |
|
4:48:01 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:48 (Pop-up) | ||||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
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Listener comments!
Owl Sun:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
bill hanke:
bill hanke:
Owl Sun: