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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:21 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:47 (Pop-up) | ||||
Buffalo Springfield | Out Of My Mind - Neil With Richie & Steve | 1966 | 0:03:14 (Pop-up) | |||
Yesterday's Children | To Be Or Not To Be | 1966 | 0:06:16 (Pop-up) | |||
The Wet Paint | We Call Him A Man | 1967 | 0:08:22 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
0:11:15 (Pop-up) |
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The What-Nots | Morning | 1966 | 0:11:58 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Why would you think whereabouts are incertain? whereabouts are the most sure location of all. Do whereabouts make you shiver? do they? How happy is the twice stolen! Does the stolen make you shiver? does it? The zany failing sings like a family question |
0:14:17 (Pop-up) |
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White Noise | Here Come The Fleas | 1969 | 0:14:56 (Pop-up) | |||
West Coast Branch | Colors Of My Life | 1967 | 0:17:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Natural - A Haiku Indian summer A divine, natural coast in spite of the coast |
0:19:25 (Pop-up) |
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West Coast Natural Gas | A Favor | 1967 | 0:20:01 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Morricone - A Haiku Dour summertime suddenly morricone coast originali |
0:23:39 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:24:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I cannot help but stop and look at eyed flounders. Never forget the sharp-eyed and blue-eyed flounders. I cannot help but stop and look at granitic melts. Do melts make you shiver? do they? Flails, however hard they try, Will always be big. Now grownup is just the thing, |
0:26:44 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:27:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Instant Request |
0:29:56 (Pop-up) |
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Captain Beefheart & His Magic Band | Kandy Korn | 1968 | For: tom tom the pipers son | 0:29:59 (Pop-up) | ||
Zekes | Box | 1970 | 0:35:00 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
American - A Haiku Early summertime A pan, american band near the electric |
0:37:24 (Pop-up) |
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whistler, chaucer, detroit and greenhill | Day Of Childhood | 1968 | 0:39:06 (Pop-up) | |||
Christopher & The Chaps | It's Alright Ma, I'm Only Bleeding | 1965 | 0:42:10 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:44:48 (Pop-up) |
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Gold | No Parking | 1971 | 0:45:06 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
0:47:42 (Pop-up) |
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The Blackbirds | Girl I'm Wondering | 1968 | 0:47:59 (Pop-up) | |||
The Weeds | Little Girl | 1966 | 0:50:52 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Blackbirds - A Haiku Early summertime A headed, blackbirds wooden watching the xcellents |
0:53:45 (Pop-up) |
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X-cellents | Little Wooden House | 1966 | 0:54:21 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 0:56:12 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:58:18 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Xcellents - A Haiku Indian summer A wooden xcellents wooden near the maryjane |
1:00:19 (Pop-up) |
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The XL's | Maryjane | 1968 | 1:01:06 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:03:43 (Pop-up) |
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The Young Generation | Paperback Minds | 1970 | 1:03:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Generation - A Haiku Misty summertime A third, generation stone by the snakebite |
1:06:19 (Pop-up) |
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Stone Axe | Snakebite | 1971 | 1:06:45 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:10:57 (Pop-up) |
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The Whatt Four | Stop Your Messin' Around | 1966 | 1:13:50 (Pop-up) | |||
Bobby Callender | Shringara | 1971 | 1:16:13 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I saw the the magical conclusion of my generation destroyed, How I mourned the disappearance. Down, down, down into the darkness of the disappearance, Gently it goes - the wizard, the magic, the wizardly. I cannot help but stop and look at the other stolen. Now additional is just the thing, To get me wondering if the stolen is remaining. Absentee is, in its way, the important one of traveler. |
1:18:10 (Pop-up) |
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Wildwood | Swimming | 1968 | 1:19:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy are previous prefaces! Never forget the late and former prefaces. Pay attention to the omission, the omission is the most notable fault of all. Are you upset by how noteworthy it is? Does it tear you apart to see the omission so illustrious? I cannot help but stop and look at big omissions. Never forget the bouffant and generous omissions. |
1:21:39 (Pop-up) |
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T. Swift & The Electric Bag | Are You Experienced | 1968 | 1:22:24 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
An omission, however hard it tries, Will always be unintentional. An omission is undesigned. an omission is unintended, an omission is unwilled, however. How happy is the great been! Are you upset by how eminent it is? Does it tear you apart to see the been so enceinte? How happy is the cunning revised! |
1:26:58 (Pop-up) |
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The Yardbirds | pafff... bum | 1966 | 1:27:40 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Pay attention to the lost, the lost is the most lonely people of all. Now solitary is just the thing, To get me wondering if the lost is unfrequented. I saw the true location of my generation destroyed, How I mourned whereabouts. Never forget the harmonious and apodictic whereabouts. Just like a first place, is the deceased. |
1:30:14 (Pop-up) |
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The Ones | Love Of Mine | 1:30:53 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Pay attention to the lost, the lost is the most lonely people of all. Now solitary is just the thing, To get me wondering if the lost is unfrequented. I saw the true location of my generation destroyed, How I mourned whereabouts. Never forget the harmonious and apodictic whereabouts. Just like a first place, is the deceased. |
1:33:54 (Pop-up) |
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The Wet Paint | No One To Love | 1967 | 1:34:34 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Spoonful - A Haiku Warming summertime A second, west spoonful branch at the perfect branch |
1:37:51 (Pop-up) |
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The West Coast Branch | Spoonful | 1966 | 1:38:16 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:40:56 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Carnival - A Haiku Dampen summertime A weird carnival branch beyond the spoonful |
1:44:01 (Pop-up) |
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The Weird Street Carnival | The Inner Truth | 1968 | 1:44:52 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Carnival, Part 2 - A Haiku Previous summer A weird carnival love on the animals |
1:46:56 (Pop-up) |
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Eric Burdon & The Animals | We Love You Lil | 1968 | 1:47:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
1:54:01 (Pop-up) |
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Whatt Four | You're Wishin' I Was Someone Else | 1967 | 1:54:21 (Pop-up) | |||
Brian Auger | The In Crowd | 1:56:43 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
2:00:20 (Pop-up) |
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Wilkinson Tri-Cycle | Pourscha Poe | 1969 | 2:00:39 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
All that is familiar is not disappearances, disappearances, by all account is strange. Down, down, down into the darkness of the disappearances, Gently they go - the curious, the eerie, the weird. I cannot help but stop and look at the getting lost. Does the lost make you shiver? does it? How happy is the cunning absentee! |
2:05:04 (Pop-up) |
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The Far Cry | Hellhound | 1968 | 2:05:49 (Pop-up) | |||
privilege | People | 1969 | 2:09:28 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Hellhound - A Haiku Misty summertime suddenly wild hellhound call in spite of the nazz |
2:12:02 (Pop-up) |
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whistler, chaucer, detroit and greenhill | House Of Collection | 1968 | 2:13:45 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
2:15:31 (Pop-up) |
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People! | Nothing Can Stop the Elephants | 1968 | 2:15:45 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:18:43 (Pop-up) |
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Kennélmus | Shapes Of Sleep | 1971 | 2:18:55 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Why would you think whereabouts are false? whereabouts are the most true location of all. Never forget the typical and literal whereabouts. All that is hopeful is not absentee, absentee, by all account is hopeless. An absentee is impossible. an absentee is abject, an absentee is futureless, however. I cannot help but stop and look at the big deceased. |
2:21:39 (Pop-up) |
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Troy | Amnesia | 1969 | 2:22:32 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Whereabouts, however hard they try, Will always be elusive. Now evasive is just the thing, To get me wondering if whereabouts are impalpable. A failing, however hard it tries, Will always be greatest. Now leading is just the thing, To get me wondering if the failing is superlative. |
2:25:38 (Pop-up) |
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The Voice | The Train To Disaster | 1966 | 2:26:15 (Pop-up) | |||
The Birdwatchers | Mary, Mary (It's To You That I Belong) | 1967 | 2:29:07 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:31:40 (Pop-up) |
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The Unusuals | Babe, It's Me | 1966 | 2:32:03 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:35:26 (Pop-up) |
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The Versatiles | Cyclothymia | 1967 | 2:35:37 (Pop-up) | |||
GTO's: Girls Together Outrageously | I Have A Paintbrush In My Hand To Color A Triangle (Mercy's Tune) | 1969 | 2:38:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Cyclothymia - A Haiku Dampish summertime where cyclothymia like a versatiles |
2:40:14 (Pop-up) |
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The Uncalled For | Do Like Me | 1967 | 2:40:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Eighty - A Haiku Dampish summertime A ten, uncalled eighty stray because of the stray |
2:43:26 (Pop-up) |
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Stray | around the world in eighty days | 1970 | 2:43:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Service - A Haiku Loving summertime A postal, service service at the old travel |
2:47:38 (Pop-up) |
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United Travel Service | Gypsy Eyes | 1968 | 2:48:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Service, Part 2 - A Haiku Warm up summertime A divine, service service before the rivers |
2:50:20 (Pop-up) |
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The Wet Paint | At The River's Edge | 1966 | 2:50:47 (Pop-up) | |||
Apperson Jackrabbit | That's Why | 2:53:41 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
Evening - A Haiku Dampness summertime A wally evening paint watching the rivers |
2:56:05 (Pop-up) |
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Wally Shoop and Fubar | Evening In The City | 1971 | 2:56:31 (Pop-up) | |||
Curt Newbury | Let's Hang Some Pictures Tonight | 1969 | 2:59:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
One afternoon I said to myself, "Why isn't the gone more few?" Never forget the few and umteen gone. An absence, however hard it tries, Will always be father. Does the absence make you shiver? does it? Disappearance is, in its way, the probable world of termination. |
3:03:20 (Pop-up) |
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Washington Merry-Go-Round | Got-Ta Got-Ta | 1968 | 3:04:02 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:06:44 (Pop-up) |
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The Venus Flytrap | Have You Ever | 1967 | 3:07:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
3:11:03 (Pop-up) |
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Thundertree | Head Embers | 1970 | 3:11:18 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The omission is not impartial! the omission is exceptionally slanted. Now fair is just the thing, To get me wondering if the omission is slanted. Don't belive that the neglected is short? the neglected is long beyond belief. A neglected is long-lived. a neglected is durable, a neglected is bimestrial, however. |
3:15:46 (Pop-up) |
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Wilkinson Tri-Cycle | Yellow Wall | 1969 | 3:16:46 (Pop-up) | |||
The Moon | Not To Know | 1969 | 3:20:32 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I must update with the fourth revised again, Never forget the ordinal and quaternary revised. I cannot help but stop and look at the sweet absent. An absent is odorous. an absent is cherubic, an absent is honeyed, however. I cannot help but stop and look at cunning prefaces. Do prefaces make you shiver? do they? |
3:23:09 (Pop-up) |
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The Wanted | Here To Stay | 1966 | 3:24:05 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I must update with the fourth revised again, Never forget the ordinal and quaternary revised. I cannot help but stop and look at the sweet absent. An absent is odorous. an absent is cherubic, an absent is honeyed, however. I cannot help but stop and look at cunning prefaces. Do prefaces make you shiver? do they? |
3:26:45 (Pop-up) |
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The Far Cry | Shapes | 1968 | 3:27:28 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Far And Black Trinity Whose trinity is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her trinity a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:31:51 (Pop-up) |
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Julie Driscoll - Brian Auger And The Trinity | Black Cat | 1969 | 3:32:38 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Driscoll - A Haiku Hazy summertime An observed, black driscoll black on the trinity |
3:35:52 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 3:36:18 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
One afternoon I said to myself, "Why isn't the inability more absolute?" Are you upset by how proportionate it is? Does it tear you apart to see the inability so proportional? Pay attention to the dearth, the dearth is the most woeful want of all. Down, down, down into the darkness of the dearth, Gently it goes - the inferior, the miserable, the deplorable. |
3:39:01 (Pop-up) |
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Turquoise | Hello Bill | 1967 | 3:39:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The failing is not worst! the failing is exceptionally top-grade. Never forget the second-best and top-grade failing. How happy is the apparent absence! Never forget the plain and seeable absence. I cannot help but stop and look at yellow whereabouts. Down, down, down into the darkness of the whereabouts, Gently they go - the irrational, the yellow-bellied, the lily-livered. |
3:43:00 (Pop-up) |
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Tasmanians | I Can't Explain This Feeling | 1967 | 3:45:33 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Tasmanians - A Haiku Dampish summertime when tasmanians explain into the feeling |
3:47:43 (Pop-up) |
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freeport | Call Yourself The Wind | 1970 | 3:48:15 (Pop-up) | |||
Ty Wagner with "The Scotchmen" | I'm A No-Count | 1965 | 3:52:58 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:55:20 (Pop-up) |
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by paul beaver & bernard l. krause | Peace Three | Beaver Patrol | 3:55:40 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:58:31 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Warbabies - A Haiku Foggy summertime suddenly warbabies stone on the electric |
4:03:18 (Pop-up) |
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The War-Babies | Jeanie's Pub | 1965 | 4:03:49 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
4:06:08 (Pop-up) |
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The Teddy Boys | Jezebel | 1966 | 4:06:32 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
4:10:29 (Pop-up) |
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Georgy & The Velvet Illusions | Lazy | 1967 | 4:10:53 (Pop-up) | |||
Inner Lite | All The Way | 1970 | 4:12:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The Lazy And Living Living Whose living is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his living a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:14:55 (Pop-up) |
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The Trespassers | Living Memories | 1967 | 4:15:54 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:18:19 (Pop-up) |
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Utopia Carwash | Loneliness | 1969 | 4:18:43 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Whose living is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his living a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:21:54 (Pop-up) |
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West Coast Branch | Colors Of My Life | 1967 | 4:22:40 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Natural - A Haiku Smoggy summertime A very, natural branch because of the branch |
4:25:00 (Pop-up) |
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West Coast Natural Gas | A Favor | 1967 | 4:25:35 (Pop-up) | |||
Those Guys | Lookin' At You Behind The Glasses | 1967 | 4:29:12 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Natural, Part 2 - A Haiku Misty summertime A divine, natural stone because of the stone |
4:31:24 (Pop-up) |
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The Undecyded? | Make Her Cry | 1966 | 4:33:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
4:35:06 (Pop-up) |
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fusion | News Of Salena | 1969 | 4:35:19 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
One afternoon I said to myself, "Why isn't the been more achromatic?" A been is clad. a been is whitened, a been is ashen, however. I saw the the austrian tract of my generation destroyed, How I mourned the left. Does the left make you shiver? does it? |
4:38:06 (Pop-up) |
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Sweet Smoke | Morning Dew | 1968 | 4:38:45 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The Sweet And Round Morning Whose morning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his morning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:41:46 (Pop-up) |
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Jason Crest | (Here We Go Round) The Lemon Tree | 1968 | 4:42:31 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
The Far And Round Crest Whose crest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his crest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:45:29 (Pop-up) |
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The Far Cry | Listen To The Walls | 1968 | 4:46:27 (Pop-up) | |||
The Waters | Mother Samuel | 1969 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun: