The Stork Club with Stork:
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from September 4, 2022
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EDT)
|
On
WFMU's
Give the Drummer Radio
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September 4, 2022: Alles liebe!
Brooklyn-born, multi-reed playing giant Dave Liebman, apparently still going on 39 now for the last 37 years, has the Stork Club stage to himself today. Wir haben Dich lieb, Dave!
Listen to this show:
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| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| Dave Liebman, Tatsuya Nakatani & Adam Rudolph |
Benediction (Opening)
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The Unknowable | Congas [Kongos], Djembe, Percussion [Tarija], Bass Drum [Zabumba], Thumb Piano, Sintir, Harp [Mbuti Harp], Slit Drum, Percussion, Flute [Overtone Flutes], Electronics [Live Electronic Processing] – Adam Rudolph; Drums [Drum Kit], Gong [Gongs], Percussion [Metal Percussion], Percussion – Tatsuya Nakatani Electric Piano [Fender Rhodes] – Adam Rudolph (tracks: 11), Dave Liebman* (tracks: 10) Tenor Saxophone, Soprano Saxophone, Flute [C Flute], Flute [Native American Flute], Recorded By, Piri – Dave Liebman - - - Recorded July 2016 at Orange Music Sound Studio, New Jersey |
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| David Liebman & Richie Beirach |
Redemption
|
Mosaic Select 12 - Quest | Written-By – Billy Hart Double Bass – Ron McClure; Drums – Billy Hart; Piano – Richie Beirach; Soprano Saxophone – David Liebman; - - Recorded live in Germany, 1988 |
|
0:05:02 (Pop-up) |
| Elvin Jones |
Sweet Mama
|
The Main Force | Written by: Gene Perla Elvin Jones - drums • Pat LaBarbera, David Liebman, Steve Grossman - reeds • Albert Dailey - keyboards • Ryo Kawasaki - guitar • David Williams - bass • Dave Johnson - percussion • Recorded • 1976 • New York City |
|
0:15:37 (Pop-up) |
| Dave Liebman & Bobby Avey |
Felix Mendelssohn Bartholdy: May Breezes op. 62 no 1,
|
Vienna Dialogues | David Liebman - soprano sax; Bobby Avey - piano - - 2006 |
|
0:22:01 (Pop-up) |
| Martial Solal, Dave Liebman |
Coming Yesterday
|
Masters in Paris | Composed By – Martial Solal; Piano – Martial Solal; Soprano Saxophone, Tenor Saxophone – David Liebman - - - Recorded at Radio France Studio 104 on October 29, 2016 |
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0:27:03 (Pop-up) |
| DJ Lieby-Jeeby | 0:35:21 (Pop-up) | ||||
| David Liebman |
Time Immemorial: Before, Then, Now, After
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The Distance Runner | Tenor Saxophone, Soprano Saxophone, – David Liebman; drums and synth - unknown A production of Schweizer Radio DRS and Hat Hut Records Ltd. Recorded at Jazzfestival Willisau on August 28, 2004 |
|
0:43:02 (Pop-up) |
| Dave Liebman |
Satya Dhwani (True Sound)
|
Drum Ode | Dave Liebman - alto flute • Gene Perla - bass, electric bass • John Abercrombie - electric guitar, acoustic guitar • Bob Moses, Jeff Williams - drums • Patato Valdez - congas • Barry Altschul, Steve Sattan - percussion • Badal Roy, Collin Walcott - tabla • Ray Armando - bongos, percussion - Recorded May 1974, Record Plant, New York City |
|
0:58:39 (Pop-up) |
| David Liebman Quintet |
Autumn In New York
|
If They Only Knew | Bass – Ron McClure Drums – Adam Nussbaum; Guitar – John Scofield; Tenor Saxophone – David Liebman; - -released: 2015 |
|
1:04:59 (Pop-up) |
| Kip Hanrahan |
Heart on my sleeve
|
Coup de Tête | Accordion – Orlando DiGirolamo (Lanny Dilay); Alto Saxophone – Carlos Ward; Bass – Cecil McBee; Drums [Trap] – Victor Lewis; Soprano Saxophone – David Liebman; Tenor Saxophone – Chico Freeman, Teo Macero 5:14 - -Recorded November 1980 through February 1981 at Latin Sound Studios, New York, N.Y. |
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1:10:02 (Pop-up) |
| David Liebman, Richard Beirach, Ron McClure, Billy Hart |
Lonely Woman
|
Redemption - Quest Live In Europe | Written by: Ornette Coleman; Double Bass – Ron McClure; Drums – Billy Hart; Piano – Richie Beirach; Flute [Wooden] – David Liebman - -recorded live at Sunset Club/Paris by Radio France, on November 2nd, 2005 |
|
1:15:18 (Pop-up) |
| Abbey Lincoln |
People In Me
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People In Me | Bass – Kunimitsu Inaba; Congas – James Mtume; Drums – Al Foster; Piano – Hiromasa Suzuki; Tenor Saxophone – David Liebman; Vocals – Abbey Lincoln - - Recorded at Aoyama Victor Studio Tokyo, June 23 1973 |
|
1:23:40 (Pop-up) |
| Drummer DJ In Me | 1:28:25 (Pop-up) | ||||
| David Liebman, Jeff Coffin, Victor Wooten, Chester Thompson, Chris Walters, James DaSilva |
On the Corner
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On the Corner Live! The Music of Miles Davis (Feat. Jeff Coffin, Victor Wooten, Chester Thompson, Chris Walters & James DaSilva) | David Liebman - soprano sax Jeff Coffin - sax; Victor Wooten - bass-guitar ; Chester Thompson - drummer ; Chris Walters - keyboardist; James DaSilva - guitarist . - 2019 |
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1:34:07 (Pop-up) |
| Miles Davis |
Vote for Miles
|
On the Corner | Miles Davis – electric trumpet with wah-wah, organ • Michael Henderson – bass guitar with wah-wah • Don Alias – drums, percussion • Jack DeJohnette – drums • Al Foster – drums • Billy Hart – drums • James Mtume – percussion • Carlos Garnett – soprano saxophone, tenor saxophone • Dave Liebman – soprano saxophone, tenor saxophone • Bennie Maupin – bass clarinet • Chick Corea – Fender Rhodes, keyboards • Herbie Hancock – Fender Rhodes, keyboards • Harold Ivory Williams – keyboards • Cedric Lawson – organ • Dave Creamer – guitar • Reggie Lucas – guitar • John McLaughlin – guitar • Khalil Balakrishna – electric sitar • Collin Walcott – electric sitar • Paul Buckmaster – cello • Badal Roy – tabla - -1972 |
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1:42:46 (Pop-up) |
| Ten Wheel Drive with Genya Ravan |
Interlude: A view of soft
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Brief Replies | Bass, Vocals – Bob Piazza Drums, Percussion, Vibraphone – Allen Herman; Guitar, Percussion, Vocals, Banjo – Aram Schefrin; Keyboards – Michael Zager; Flute, Tenor Saxophone, Other [Illustrious Raisin] – Dave Leibman; Trombone – Dennis Parisi; Trumpet, Flugelhorn – John Eckert; Trumpet, Flugelhorn, Cowbell, Other [Hamesha] – Steve Satten; Trumpet, Flugelhorn, Other [House] – John Gatchell; Vocals, Harmonica, Percussion – Genya Ravan - - 1970 |
|
1:51:30 (Pop-up) |
| Badal Roy |
Folk Song of Bangladesh
|
Ashirbad | Acoustic Bass, Electric Bass – Frank Tusa ::::::Alto Flute, Soprano Saxophone – David Liebman :::::::Percussion – Jeff Williams, Richard Beirach :::::::Piano – Richard Beirach :::::::Tabla [Tablas] – Badal Roy - - - Recorded October 1 & 2, 1975 at Salaam Studios, Tokyo |
|
1:55:21 (Pop-up) |
| Scott Cutshall |
Dear Lord
|
Zyphoid Process | Written by: John Coltrane; Bass– Tony Marino; Drums, Percussion– Scott Cutshall; Piano– Russ Lossing; Soprano Saxophone – David Liebman - - Recorded June 1994 |
|
2:01:10 (Pop-up) |
| Bob Moses |
Talking Tongues (Full Moon Graveyard New Orleans)
|
Wheels of Colored Light | DAVID LIEBMAN soprano saxophone §§§TERUMASA HINO cornet §§§BOB MOSES drums, percussion, voice - -1992 |
|
2:08:38 (Pop-up) |
| Mick Goodrick/David Liebman/Wolfgang Muthspiel |
The Crusher
|
In The Same Breath | Composed By – David Liebman; MICK GOODRICK guitar; DAVID LIEBMAN soprano saxophone,; WOLFGANG MUTHSPIEL guitar, electric nylon string guitar, guitar synth, violin - - Recorded at Studio Zerkall, Germany, March 1995 |
|
2:12:08 (Pop-up) |
| DJ Industrious Lazin' | 2:17:58 (Pop-up) | ||||
| Mahavishnu John McLaughlin |
Peace One
|
My Goal's Beyond | Written by: John McLaughlin John McLaughlin – acoustic guitar • Billy Cobham – drums • Charlie Haden – bass • Jerry Goodman – violin • Dave Liebman – flute, soprano saxophone • Airto Moreira – percussion • Badal Roy – tabla • Mahalakshmi (Eve McLaughlin) – tanpura (Indian drone instrument) - - Recorded New York City, March 1971 |
|
2:29:01 (Pop-up) |
| Dave Liebman, Cecil McBee, Billy Hart |
Sunrise
|
The Seasons | Composed By – David Liebman Bass – Cecil McBee Drums, Percussion – Billy Hart Tenor Saxophone, Soprano Saxophone, Piano, Synthesizer, Flute [Wood Flutes] – David Liebman - - - Recorded on December 27, 1992 and edited January 19, 1993 at the Red Rock Studios, Saylorsburg, PA, USA |
|
2:36:13 (Pop-up) |
| Everything Is Everything |
Jun's Dream
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Just Flash In The Cosmic Pan | Bass – John Carbone, Lanny Fields, Reggie Workman, Teruo Nakamura Drums – Lenny White; Electric Piano – Joe Bonner; Guitar – John Abercrombie; Percussion – Steve Jackson; Percussion, Flute – Yosuke Tonoki; Piano – Mike Garson; Tenor Saxophone, Soprano Saxophone – Dave Liebman, Steve Grossman; Trumpet – Randy Brecker - -Recorded on 15 June 1970 |
|
2:39:43 (Pop-up) |
| Lee Konitz, Dave Liebman and Richie Beirach |
Migration
|
KnowingLee | LEE KONITZ soprano sax §§§RICHIE BEIRACH piano §§§DAVE LIEBMAN soprano saxophone Recorded May 2010 at CMP Studio, Zerkall, Germany |
|
2:43:43 (Pop-up) |
| Dave Liebman, Tatsuya Nakatani & Adam Rudolph |
Cosmogram
|
The Unknowable | Congas [Kongos], Djembe, Percussion [Tarija], Bass Drum [Zabumba], Thumb Piano, Sintir, Harp [Mbuti Harp], Slit Drum, Percussion, Flute [Overtone Flutes], Electronics [Live Electronic Processing] – Adam Rudolph; Drums [Drum Kit], Gong [Gongs], Percussion [Metal Percussion], Percussion – Tatsuya Nakatani Electric Piano [Fender Rhodes] – Adam Rudolph (tracks: 11), Dave Liebman* (tracks: 10) Tenor Saxophone, Soprano Saxophone, Flute [C Flute], Flute [Native American Flute], Recorded By, Piri – Dave Liebman - - - Recorded July 2016 at Orange Music Sound Studio, New Jersey |
|
2:48:02 (Pop-up) |
| Lookout Farm |
I'm a Fool to Want You (Live)
|
At Onkel Pö's Carnegie Hall, Hamburg 1975 (Live) | Bass – Frank Tusa §§§Drums – Jeff Williams §§§Percussion – Badal Roy §§§Piano – Richie Beirach §§§Saxophone, Flute, Percussion – Dave Liebman - - - Recorded June 6 1975 at Onkel Po's Carnegie Hall, Hamburg |
|
2:52:41 (Pop-up) |
| Sacred System |
Black Lotus
|
Nagual Site | Bass – Jah Wobble ///Cornet – Graham Haynes ///Drums, Frame Drum – Hamid Drake ///Ghatam, Bells – Aiyb Dieng ///Shakuhachi, Khene – Clive Bell ///Tabla – Zakir Hussain ///Tabla, Voice – Badal Roy ///Trombone – Craig Harris ///Voice – Sussan Deyhim ///Guitar, Twelve-String Guitar – Nicky Skopelitis ///Harmonium, Voice – Gulam Mohamed Khanr ///Organ, Electric Piano – Bernie Worrell ///Tabla, Ektare, Drums, Percussion – Bill Buchen //////Soprano Saxophone – Byard Lancaster, Dave Liebman ///Bass, Keyboards, Percussion, Producer – Bill Laswell - - 1998 |
|
3:04:55 (Pop-up) |
| Bad Bad DJ Stork (Really. Bad.) | 3:15:04 (Pop-up) | ||||
| Elvin Jones |
Slumber
|
Genesis | Elvin Jones - drums • Joe Farrell, Dave Liebman - tenor saxophone, soprano saxophone • Frank Foster - tenor saxophone, alto flute, alto clarinet • Gene Perla - electric bass • Recorded • February 12, 1971 • Studio |
|
3:21:58 (Pop-up) |
| Esther Phillips |
Home Is Where The Hatred Is
|
From a Whisper to a Scream | Alto Saxophone – Hank Crawford Arranged By – Pee Wee Ellis; Arranged By [Strings] – Don Sebesky; Baritone Saxophone – David Liebman; Bass – Gordon Edwards; Cello – Alan Shulman, Charles McCracken; Conductor – Pee Wee Ellis; Drums – Bernard Purdie; Flugelhorn – John Eckert, John Gatchell; Flute – David Liebman, Frank Vicari; Guitar – Cornell Dupree, Eric Gale; Harp – Margaret Ross; Organ – Richard Tee; Percussion – Airto Moreira; Piano – Richard Tee; Tenor Saxophone – Frank Vicari; Trombone – Dick Griffin, Sam Burtis; Trumpet – John Eckert, John Gatchell; Viola – Harold Coletta, Harry Zaratzian; Violin – Alvin Rogers, Charles Libove, Guy Lumia, Jack Zayde, Leo Kahn, Max Hollander, Max Pollikoff, Michael Comins, Paul Winter; Vocals – Barbara Massey, Hilda Harris, Joshie Armstead, Louis St. Louis, Tasha Thomas; - Producer – Creed Taylor - Engineer – Rudy Van Gelder - -1971 |
|
3:27:25 (Pop-up) |
| Dave Liebman Trio |
Pannonica
|
Monk's Mood | Bass – Eddie Gomez; Drums – Adam Nussbaum; Saxophone – Dave Liebman - - Recorded January 31st, 1999 at Red Rock Recordings Studio |
|
3:30:41 (Pop-up) |
| Dave Liebman & Bobby Avey |
Georg Friedrich Handel - Sonata 6,
|
Vienna Dialogues | David Liebman - soprano sax; Bobby Avey - piano - - 2006 |
|
3:36:19 (Pop-up) |
| Tisziji Munoz |
Peace On Earth I
|
Presence Of Joy (Samboga-Kaya) | Written by: John Coltrane; Bass – Cecil McBee, Don Pate; Drums – Rashied Ali; Guitar, Synthesizer, Bells – Tisziji Muñoz; Piano – Bernie Senensky; Tenor Saxophone – Dave Liebman - - Recorded on July 22, 1999 at Rashied Ali’s Survival Studios in NYC |
|
3:39:41 (Pop-up) |
| Dave Liebman |
Man-Child
|
1st Visit | Bass – Dave Holland Drums – Jack DeJohnette; Piano – Richard Beirach; Soprano Saxophone, Tenor Saxophone, Flute – David Liebman - - Recorded at Aoyama Victor Studio, Tokyo 20, 21 June '73 |
|
3:44:06 (Pop-up) |
| DJ Will Lieb You In Peace Now | 3:56:19 (Pop-up) |
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Listener comments!
Stork:
watchpocket:
TDK60:
Stork:
fred:
Stork:
Stork:
abbazabba:
chresti:
Jeff Golick:
StringOFperils:
adamdoesit:
* Edison Triode:
2oz Glen Passaic
1oz barium oxide
Stir, sinter, heat lightly, and seal in borosilicate glass.
abbazabba:
doctorjazz:
Here for a short -younger daughter (who's living home) just tested positive for COVID. She's had a sore throat for 3 days, and tested negative a day or so ago. We need to get out of the house...
Sorry to hear that, @adamdoesit! (the recommendation for those pedals with spikes is one of the best ones I've gotten for my bike, thanks again).
Stork:
Stork:
Stork:
Revolution Rabbit Nov63:
' David Liebman (born September 4, 1946) is an American saxophonist, flautist and jazz educator. He is known for his innovative lines and use of atonality. He was a frequent collaborator with pianist Richie Beirach.
In June 2010, he received a NEA Jazz Masters lifetime achievement award from the National Endowment for the Arts (NEA). '
StringOFperils:
Revolution Rabbit Nov63:
adamdoesit:
Stork:
abbazabba:
Stork:
Hams:
Stork:
Hams:
fred:
doctorjazz:
Stork:
doctorjazz:
WR:
fred:
spodiodi:
Revolution Rabbit Nov63:
www.facebook.com...
- curious what anyone might have to say about any of that.
doctorjazz:
I don't see him listed in the NY area ever...
Dean:
Stork:
Stork:
Dean:
fred:
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Well - here it is ! The whole thing.
(I watched it on demand on the PBS app.)
If Coltrane means as much to you as he does to many of us - there is no way 1 hour 39 minutes will seem enuff. That's the form this happens to be however. But it seemed to me to go even faster - like an hour !
...So - these things always perch in a precarious balance of presenting the subject to an audience who might know nothing about it @ all - & still be truly relevant - in the space of, really, one TV episode.
...I guess I'd honestly prefer a greater quantity of factual detail - to the extent I felt @ the end I'd really learned some things. Not just for this film, however - but generally for this type.
& I don't feel Trane was misrepresented here or anything ...& after all his significance is such that a Director will also be charged with summing that up - no less.
In fact - it reminded me of an aspect of Trane I had honestly sort of forgotten : that his message was really parallel to say MLK's in the 1960s - & he dedicated himself to making actually effectual & positive differences in the world with his energy & activities & life - & he wanted his music to impel us to such ends too. To be fair to myself perhaps - the whole world has drifted notably away from such idealism in the more than half a century since, I think is apparent...
I liked the style well enuff I suppose. With John Coltrane - it's a question of how much to present the realities of the world Jazz has always existed in - especially in those earlier eras - & the actual reverence with which he approached his own work & with which not a few have regarded it since...
It's the same presentation of talking heads as nearly every documentary we've become accustomed to
...some genuinely intimate family (this in fact provides some perspective I didn't have yet)
- some legit Jazz artists who in fact knew him well (like Benny Golson & Sonny Rollins)
- some to make you scratch your head a bit, like John Densmore of the doors ...but he also illustrates how far & broadly Coltrane's influence has reached - & says things completely on point
...& - Bill Clinton ?! Cause he's tooted a few notes on sax maybe ?? Presumably to add gravitas for the bougie target audience or something - & speaking as a Southerner & all this ...but he it turns out says things entirely appropriate also - & even insightful, such as how Trane compares to Picasso in his periods - but all within just a few years instead of 50 !
...but I don't want to give the impression the pacing is bad or anything. It would be completely incongruous to make a film about this music & have bad flow. There's a good amount of archival imagery - & near continuous music underneath & upfront as well.
(Also: ...I love he ticked Miles off by not dressing sharp enuff 😃 ...)
abbazabba:
Stork:
abbazabba:
doctorjazz:
Stork:
abbazabba:
fred:
coelacanth∅:
Stork:
abbazabba:
Revolution Rabbit Nov63:
Dean:
Stork:
Dean:
(See my comment upstairs re: the music accompanying "Time Immemorial.")
fred:
Revolution Rabbit Nov63:
Dean:
fred:
coelacanth∅:
neither one is my name.
Stork:
coelacanth∅:
TDK60:
CalZone!:
Stork:
abbazabba:
Stork:
StringOFperils:
abbazabba:
TDK60:
Stork:
Stork:
TDK60:
Stork:
abbazabba:
Stork:
StringOFperils:
doctorjazz:
Bye again!
fred:
Stork:
Stork:
Revolution Rabbit Nov63:
fred:
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
fred:
Revolution Rabbit Nov63:
Robm:
Dean:
Revolution Rabbit Nov63:
fred:
Robm:
Stork:
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Robm:
Robm:
Revolution Rabbit Nov63:
Stork:
fred:
Revolution Rabbit Nov63:
Robm:
fred:
Stork:
fred:
Dean:
Dean:
Stork:
Stork:
Dean:
Stork:
abbazabba:
fred:
abbazabba:
Dean:
abbazabba:
fred:
abbazabba:
abbazabba:
fred:
Stork:
Stork:
fred:
fred:
Franco Twinkie:
fred:
Stork:
Franco Twinkie:
Stork:
Revolution Rabbit Nov63:
Nothing to see here.
Franco Twinkie:
fred:
Franco Twinkie:
adamdoesit:
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Stork:
spodiodi:
fred:
abbazabba:
Thanks for the rockin show, Stork. The world is closer to zen now that you’re back
Stork:
Stork:
adamdoesit:
Stork:
Stork:
duke:
fred:
Stork:
wfmu.org...
davidliebman.com...
David Liebman | Official Website of Dave Liebman
davidliebman.com...
Video | David Liebman
Revolution Rabbit Nov63:
fred:
StringOFperils:
Stork:
Stork:
chresti:
Dean:
coelacanth∅: