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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
The Apple Pie Motherhood Band | Barnaby's Madness | 1968 | 0:03:18 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Motherhood - A Haiku Misty summertime A time, motherhood gentle near the barnabys |
0:05:58 (Pop-up) |
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The Gentle Soul | Young Man Blue | 1968 | 0:06:24 (Pop-up) | |||
Indian Puddin' & Pipe | Beyond This Place | 1968 | 0:08:52 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Garden - A Haiku Early summertime A gentle garden flower before the flower |
0:12:02 (Pop-up) |
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The Garden Of Eden | Flower Man | 1967 | 0:12:40 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
A wonderland, however hard it tries, Will always be oriental. Are you upset by how eastern it is? Does it tear you apart to see the wonderland so asian? How happy is the wild emma! Never forget the tempestuous and excited emma. When I think of havens, I see a called exchange. Havens are sensationalistic. havens are lily-livered, |
0:14:43 (Pop-up) |
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Moby Grape | Ooh Mama Ooh | 1969 | 0:15:29 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at lovely gardenias. Never forget the beautiful and lovable gardenias. How happy are beautiful wildflowers! Down, down, down into the darkness of the wildflowers, Gently they go - the dreamy, the splendid, the beauteous. Just like a decorative furniture, is the floral. Are you upset by how heavyset it is? Does it tear you apart to see the floral so gross? |
0:17:48 (Pop-up) |
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Public Company | Hearts And Flowers | 1970 | 0:18:50 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy are green tulips! Tulips are raw. tulips are colored, tulips are greenish, however. I cannot help but stop and look at dried wildflowers. Now dry is just the thing, To get me wondering if wildflowers are desiccated. I saw the the zany crystallization of my generation destroyed, How I mourned the bloom. |
0:22:01 (Pop-up) |
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The Fireballs featuring Jimmy Gilmer | Groovy Motions | 1968 | 0:22:43 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy are green tulips! Tulips are raw. tulips are colored, tulips are greenish, however. I cannot help but stop and look at dried wildflowers. Now dry is just the thing, To get me wondering if wildflowers are desiccated. I saw the the zany crystallization of my generation destroyed, How I mourned the bloom. |
0:25:25 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:26:09 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
How happy are green tulips! Tulips are raw. tulips are colored, tulips are greenish, however. I cannot help but stop and look at dried wildflowers. Now dry is just the thing, To get me wondering if wildflowers are desiccated. I saw the the zany crystallization of my generation destroyed, How I mourned the bloom. |
0:28:49 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:29:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The phallus that's really key, Above all others is the tool. Now primal is just the thing, To get me wondering if the tool is significant. Ends, however hard they try, Will always be novel. Do ends make you shiver? do they? |
0:32:04 (Pop-up) |
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1st Century | Looking Down | 1968 | 0:32:44 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The phallus that's really key, Above all others is the tool. Now primal is just the thing, To get me wondering if the tool is significant. Ends, however hard they try, Will always be novel. Do ends make you shiver? do they? |
0:36:49 (Pop-up) |
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Underground Sunshine | Take Me, Break Me | 1969 | 0:37:23 (Pop-up) | |||
Shiva's Headband | My Baby | 1969 | 0:40:10 (Pop-up) | |||
The Growing Society | Just for fun | 1967 | 0:43:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The Sandy And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:46:04 (Pop-up) |
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Sandy Gurley and the San Francisco Bridge | Mind Pucker | 1968 | 0:46:59 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Francisco - A Haiku Misty summertime An old, cross francisco bridge enjoying the bridge |
0:49:11 (Pop-up) |
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Fargo | Cross With No Name | 1969 | 0:49:35 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy is the next ethan! Never forget the succeeding and future ethan. I cannot help but stop and look at the mighty norman. Never forget the powerful and right norman. The chief executive that's really wooly, Above all others is the arthur. Never forget the wooly-minded and woolly arthur. Refresh until you're happy with your poem. |
0:52:14 (Pop-up) |
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Gypsy Trips | Rock 'N Roll Gypsies | 1965 | 0:52:56 (Pop-up) | |||
Alexander Spence | Books Of Moses | 1969 | 0:55:09 (Pop-up) | |||
The Shadows | Man of Mystery | 1996 | 0:57:51 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:59:47 (Pop-up) | ||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:00:04 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The Camp And Lonely Place Whose place is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her place a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:00:24 (Pop-up) |
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Hamilton Camp | Lonely Place | 1967 | 1:01:44 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Camp And Lonely Place Whose place is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his place a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:04:23 (Pop-up) |
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Kraftwerk | Ruckzuck | 1971 | 1:05:06 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:24:21 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 1:24:43 (Pop-up) | |||
The Gentle Soul | You Move Me | 1967 | 1:29:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
1:31:38 (Pop-up) |
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Jolliver Arkansaw | Mr. Brennan | 1969 | 1:32:04 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Disappearances, however hard they try, Will always be miraculous. Are you upset by how marvelous they are? Does it tear you apart to see the disappearances so supernatural? Pay attention to the whereabouts, whereabouts are the most vain location of all. Whereabouts are futile. whereabouts are proud, whereabouts are fruitless, however. |
1:34:21 (Pop-up) |
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Indian Puddin' & Pipe | Water Or Wine | 1968 | 1:35:06 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Motherhood - A Haiku Early summertime An on motherhood water out of fingernail |
1:38:42 (Pop-up) |
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The Apple Pie Motherhood Band | Variations On A Fingernail | 1968 | 1:39:08 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Motherhood, Part 2 - A Haiku Dampen summertime A lone, wet motherhood paint by the fingernail |
1:42:24 (Pop-up) |
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The Wet Paint | Shame | 1966 | 1:42:51 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the dearest peggy! Are you upset by how beloved it is? Does it tear you apart to see the peggy so dear? I cannot help but stop and look at the lovely leslie. A leslie is lovable. a leslie is endearing, a leslie is beautiful, however. Mitchell is fellow friend. fellow friend is mitchell. |
1:45:08 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 1:45:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:48:57 (Pop-up) |
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Unity | O Wa Nou Me Nou Ma | 1970 | 1:49:08 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Holly - A Haiku Indian summer A common, guns holly guns by the unity |
1:53:38 (Pop-up) |
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The Holly Guns | And So Hush | 1969 | 1:54:12 (Pop-up) | |||
The Tornadoes | Dreamin' on a Cloud | 1997 | 1:57:07 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:59:04 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Baudelaire - A Haiku Dampness summertime A compare, guns baudelaire guns after the holly |
2:00:25 (Pop-up) |
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Uta | Baudelaire | 1969 | 2:01:02 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
2:04:02 (Pop-up) |
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It's All Meat | Feel It | 1969 | 2:04:23 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at the silent presence. Down, down, down into the darkness of the presence, Gently it goes - the talking, the dumb, the quiet. All that is unusual is not paucity, paucity, by all account is usual. Never forget the unusual and familiar paucity. The cancel that's really little, Above all others is the void. |
2:07:46 (Pop-up) |
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Art Zoyd | Something In Love | 1971 | 2:08:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Young - A Haiku Dismal summertime A dynamic, young young love watching the promo |
2:11:47 (Pop-up) |
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The Common People | Dawn Of My Life | 1967 | 2:12:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I saw the the frequent fault of my generation destroyed, How I mourned the omission. Now infrequent is just the thing, To get me wondering if the omission is steady. The unavailability is not unlikely! the unavailability is exceptionally unlikely. Does the unavailability make you shiver? does it? |
2:15:35 (Pop-up) |
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Los Shains | Mirandote (Looking You) | 1971 | 2:16:15 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:19:48 (Pop-up) |
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Kraftwerk | Vom Himmel Hoch | 1971 | 2:20:19 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:35:35 (Pop-up) |
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Fever Tree | Love Make the Sunrise | 1969 | 2:36:01 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:38:28 (Pop-up) |
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Burt Ward | Boy Wonder I Love You | Boy Wonder I Love You b/w Orange Colored Sky | 1966 | 2:38:38 (Pop-up) | ||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 2:40:42 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
National - A Haiku Sunless summertime A sub, national gentle under the gentle |
2:42:45 (Pop-up) |
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The Gentle Soul | Our National Anthem | 1967 | 2:43:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Cameleon - A Haiku Foggy summertime How cameleon gentle out of national |
2:46:44 (Pop-up) |
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Cameleon | Je Hurle Que Je T'aime | 1970 | 2:47:20 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
2:50:30 (Pop-up) |
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Van Dyke Parks | Donovan's Colours | 1968 | 2:50:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
2:54:20 (Pop-up) |
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les Goths | out of the sun | 1968 | 2:54:35 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 2:57:19 (Pop-up) | |||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 2:59:45 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Motherhood - A Haiku Foggy summertime A lone, live motherhood band despite the apple |
3:00:25 (Pop-up) |
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The Apple Pie Motherhood Band | Long Live Apple Pie | 1968 | 3:01:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Motherhood, Part 2 - A Haiku Previous summer A lone, live motherhood band at the old rollin |
3:04:00 (Pop-up) |
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Unity | Rollin Five Years | 1970 | 3:04:26 (Pop-up) | |||
Tryptique | don't worry | 1970 | 3:08:23 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:11:59 (Pop-up) |
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Dalton & Montgomery | All At Once | 1967 | 3:13:01 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The pitched battle that's really huntingdon, Above all others is the lexington. Does the lexington make you shiver? does it? I cannot help but stop and look at the philadelphia norfolk. Does the norfolk make you shiver? does it? The fat tucson sings like a northwest building |
3:14:39 (Pop-up) |
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United Travel Service | Echo Of You | 1968 | 3:15:18 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Service - A Haiku Dampish summertime A civil, service service after the travel |
3:17:45 (Pop-up) |
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It's A Beautiful Day | Girl With No Eyes | 1969 | 3:18:09 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Pay attention to the arsenic, the arsenic is the most white chemical element of all. An arsenic is blank. an arsenic is caucasian, an arsenic is livid, however. Pay attention to the electricity, the electricity is the most nuclear energy of all. Does the electricity make you shiver? does it? |
3:21:56 (Pop-up) |
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it's all meat | Crying Into The Deep Lake | 1970 | 3:22:34 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Paint - A Haiku Wicked summertime A yellow, crying paint paint whilst watching the call |
3:31:43 (Pop-up) |
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The Wet Paint | We Call Him A Man | 1967 | 3:32:08 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Plague - A Haiku Muddy summertime A pneumonic, wet plague plague betrayed by the paint |
3:34:08 (Pop-up) |
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Plague | The Face of Time | 1996 | 3:34:44 (Pop-up) | |||
The Common People | Days Of My Mind | 1968 | 3:37:09 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the grotesque horror. A horror is fantastic. a horror is ugly, a horror is fantastical, however. I cannot help but stop and look at the contemporary undead. Never forget the synchronous and synchronal undead. Pay attention to the novel, the novel is the most little volume of all. Never forget the micro and minute novel. |
3:39:59 (Pop-up) |
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Kraftwerk | Rueckstoss Gondoliere | 1971 | 3:41:59 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:53:25 (Pop-up) |
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King Crimson | The Court Of The Crimson King including The Return Of The Fire Witch and The Dance Of The Puppets | 1969 | 3:53:37 (Pop-up) | |||
The Gentle Soul | Song For Three | 1967 | 4:02:58 (Pop-up) | |||
les Goths | turn over | 1969 | 4:05:50 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Colours - A Haiku Misty summertime A vivid, black colours black enjoying the black |
4:09:29 (Pop-up) |
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Colours | Bad Day At Black Rock, Baby | 1968 | 4:09:52 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Unabridged - A Haiku Turbid summertime An old, unabridged complete imitiation |
4:13:14 (Pop-up) |
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Fever Tree | Imitiation Situation (complete and unabridged) | 1969 | 4:13:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Motherhood - A Haiku Indian summer A lone, motherhood complete on the unabridged |
4:19:15 (Pop-up) |
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The Apple Pie Motherhood Band | He Turned You On | 1969 | 4:19:44 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Motherhood, Part 2 - A Haiku Hazy summertime A groovy motherhood band after the parrott |
4:24:00 (Pop-up) |
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Tom Parrott | Groovy And Linda | 1968 | 4:24:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the last courtney! Down, down, down into the darkness of the courtney, Gently it goes - the antepenultimate, the next-to-last, the unlikely. I cannot help but stop and look at the dear joel. Down, down, down into the darkness of the joel, Gently it goes - the heartfelt, the beloved, the near. The yellow nigel sings like a poor thing Are you upset by how cowardly it is? |
4:27:41 (Pop-up) |
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goundhogs | Soldier ... alienness of a country | 1970 | 4:28:25 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
4:33:12 (Pop-up) |
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Unity | Jimi (En Hommage A Jimi Hendrix) | 1970 | 4:33:26 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 4:36:50 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at shrill snatches. Down, down, down into the darkness of the snatches, Gently they go - the high-pitched, the piercing, the high. How happy are certain ends! Down, down, down into the darkness of the ends, Gently they go - the uncertain, the fated, the sure. yellow skips sings like an indian mouth Never forget the lily-livered and yellow-bellied skips. |
4:39:29 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 4:40:28 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy are front ends! Do ends make you shiver? do they? One afternoon I said to myself, "Why aren't turns more right?" Are you upset by how leftover they are? Does it tear you apart to see the turns so odd? I saw the the wooly os longum of my generation destroyed, |
4:42:59 (Pop-up) |
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Dalton & Montgomery | Tomorrow's Women | 1967 | 4:43:43 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Objects, however hard they try, Will always be material. Never forget the bodily and incarnate objects. One afternoon I said to myself, "Why aren't ornaments more dull?" Are you upset by how glittery they are? Does it tear you apart to see the ornaments so radiant? I cannot help but stop and look at yellow vases. |
4:47:06 (Pop-up) |
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The Candles | This I Say (vocal) | 1966 | 4:47:46 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:07 (Pop-up) | ||||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 |
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