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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:53 (Pop-up) | ||||
Calcium | Du Fond | 1969 | 0:03:20 (Pop-up) | |||
Chris Farlowe | What Have I Been Doing | 1968 | 0:06:49 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
0:10:35 (Pop-up) |
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Chessmen Square | Try | 1969 | 0:10:56 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Consortium - A Haiku Early summertime A square consortium coast on the amanda |
0:15:27 (Pop-up) |
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West Coast Consortium | Amanda Jane | 1968 | 0:15:49 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
All that is old is not sarah, sarah, by all account is young. Now teen is just the thing, To get me wondering if the sarah is puppylike. The lodging that's really victorian, Above all others is the home. Are you upset by how straitlaced it is? Does it tear you apart to see the home so straightlaced? |
0:19:06 (Pop-up) |
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Graffiti | Father Protector | 1968 | 0:19:43 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
All that is old is not sarah, sarah, by all account is young. Now teen is just the thing, To get me wondering if the sarah is puppylike. The lodging that's really victorian, Above all others is the home. Are you upset by how straitlaced it is? Does it tear you apart to see the home so straightlaced? |
0:23:53 (Pop-up) |
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The Gods | Baby's Rich | 1968 | 0:24:30 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The individual that's really eldest, Above all others is the child. Never forget the firstborn and first child. I cannot help but stop and look at the burnt spoil. Are you upset by how burnt-out it is? Does it tear you apart to see the spoil so burned? Coddle is, in its way, the little program of cook. Are you upset by how addled it is? |
0:27:11 (Pop-up) |
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Tonto And The Renegades | Anytime You Want Some Lovin' | 1967 | 0:27:56 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Instant Request |
0:29:49 (Pop-up) |
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Tomorrow | Tomorrow / Real Life Permanent Dream | Mothballs | 1967 | Requested by: tom tom the pipers son | 0:29:52 (Pop-up) | |
The Soft Machine | Love Makes Sweet Music | Love Makes Sweet Music | 1967 | 0:32:58 (Pop-up) | ||
The Wet Paint | We Call Him A Man | 1967 | 0:35:22 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Renegades - A Haiku Early summertime A white, renegades people on the portable |
0:37:22 (Pop-up) |
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Ten Years After | Portable People | 1968 | 0:38:14 (Pop-up) | |||
The Rose Garden | Till Today | 1968 | 0:41:26 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Portable - A Haiku Dampish summertime A most, portable people watching the people |
0:44:34 (Pop-up) |
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Love | A House Is Not A Motel | Alone Again Or / A House Is Not A Motel | 0:45:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
0:48:39 (Pop-up) |
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The Gnomes | The Sky Is Falling | 1966 | 0:49:03 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:52:12 (Pop-up) |
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Peter Fonda | November Night | Where the Action Is! Los Angeles Nuggets 1965-1968 | 0:52:26 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 0:55:19 (Pop-up) | ||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 0:57:05 (Pop-up) | ||
Thee Midniters | Down Whittier Blvd. | 0:58:57 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy are british ellis! Do ellis make you shiver? do they? One afternoon I said to myself, "Why isn't the dunn more large?" Never forget the big and slim dunn. Don't belive that curtis are lean? curtis are fat beyond belief. |
1:00:28 (Pop-up) |
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Kingdom Come Arthur Brown | No Time | 1971 | 1:01:48 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy are british ellis! Do ellis make you shiver? do they? One afternoon I said to myself, "Why isn't the dunn more large?" Never forget the big and slim dunn. Don't belive that curtis are lean? curtis are fat beyond belief. |
1:08:06 (Pop-up) |
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The Music Asylum | Mouse | 1970 | 1:08:43 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
1:11:56 (Pop-up) |
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The Triangle | Music, Music | 1969 | 1:12:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Triangle - A Haiku Indian summer A small, fast triangle fast beyond the music |
1:16:04 (Pop-up) |
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The City Zu | Too Much, Too Soon, Too Fast | 1968 | 1:16:47 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Flowerman - A Haiku Glooming summertime before fast flowerman fast at the old city |
1:19:32 (Pop-up) |
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The Syn | Flowerman | 1967 | 1:19:55 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
1:22:27 (Pop-up) |
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Sunlight | Colors Of Love | 1968 | 1:22:39 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:27:14 (Pop-up) |
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Jimmy Takeuchi | Geraldine | 1970 | 1:27:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The Shock And Initial Initial Whose initial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her initial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:30:02 (Pop-up) |
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The Initial Shock | You've Been A Long Time Comin' | 1967 | 1:30:45 (Pop-up) | |||
Boeing Duveen And The Beautiful Soup | Jabberwock | 1968 | 1:33:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Marriage - A Haiku Indian summer An initial marriage shock out of initial |
1:35:48 (Pop-up) |
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Sweet Marriage | Mort | 1969 | 1:36:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Marriage, Part 2 - A Haiku Indian summer A sorry marriage travel near the agency |
1:42:58 (Pop-up) |
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The Travel Agency | Sorry You Were Born | 1968 | 1:43:21 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
I cannot help but stop and look at the characteristic lack. Now uncharacteristic is just the thing, To get me wondering if the lack is distinguishing. I saw the the parental inconvenience of my generation destroyed, How I mourned the unavailability. Now paternal is just the thing, To get me wondering if the unavailability is maternal. I saw the the yellow quality of my generation destroyed, |
1:46:23 (Pop-up) |
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The Move | Night Of Fear | 1966 | 1:47:04 (Pop-up) | |||
Gordon Alexander | Puppet Theatre 23 | 1968 | 1:49:10 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:51:14 (Pop-up) |
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Appaloosa | Georgia Street | 1969 | 1:51:32 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at the christ himself. Does the himself make you shiver? does it? A susie, however hard it tries, Will always be pretty. Never forget the beautiful and jolly susie. How happy is the big laa! Down, down, down into the darkness of the laa, |
1:56:06 (Pop-up) |
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The Jimi Hendrix Experience | The Stars That Play With Laughing Sam's Dice | 1967 | 1:56:44 (Pop-up) | |||
John Mayall and the Bluesbreakers | Telephone Blues | 1965 | 2:00:58 (Pop-up) | |||
The Yo Yo's | Crack In My Wall | 1966 | 2:04:51 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Experience - A Haiku Wicked summertime where laughing experience by the believer |
2:07:45 (Pop-up) |
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Cyrus Faryar | Sweet Believer | 1971 | 2:08:21 (Pop-up) | |||
The Doors | Love Me Two Times | 1967 | 2:12:46 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
How happy is the ascher walsh! Does the walsh make you shiver? does it? I saw the the such act of my generation destroyed, How I mourned the move. Are you upset by how such that it is? Does it tear you apart to see the move so so much? When I think of the dani, I see western years. |
2:15:58 (Pop-up) |
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Thor's Hammer | My Life (from the Paramount Picture "Umbarumbamba" | 1966 | 2:17:43 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Umbarumbamba - A Haiku Indian summer umbarumbamba picture near the paramount |
2:19:58 (Pop-up) |
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Procol Harum | Long Gone Geek | 1969 | 2:20:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Message - A Haiku Indian summer A better message message before the better |
2:23:22 (Pop-up) |
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The Free Design | Umbrellas | 1968 | 2:24:02 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Umbrellas - A Haiku Dampish summertime A gone umbrellas design near the triangle |
2:26:20 (Pop-up) |
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The Triangle | Now She's Gone | 1969 | 2:26:40 (Pop-up) | |||
The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 2:29:00 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
One afternoon I said to myself, "Why isn't the bod more ugly?" Down, down, down into the darkness of the bod, Gently it goes - the shiny, the well-favored, the priceless. Pay attention to the rig, the rig is the most foot fit out of all. Does the rig make you shiver? does it? |
2:32:03 (Pop-up) |
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The 13th Power | Shape Of Things To Come | 1968 | 2:33:01 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Generation - A Haiku Dampish summertime why generation power whilst watching the things |
2:34:52 (Pop-up) |
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The Spontaneous Generation | Up In My Mind | 1968 | 2:35:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Generation, Part 2 - A Haiku Dampen summertime A next, generation mind by the asylum |
2:38:38 (Pop-up) |
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The Music Asylum | Days Of The Night | 1970 | 2:39:06 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
2:42:12 (Pop-up) |
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The Trillium | News | 1968 | 2:42:31 (Pop-up) | |||
The Bonniwell Music Machine | Bottom Of The Soul | 1967 | 2:44:50 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:46:45 (Pop-up) |
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Les Fleurs de Pavot | Psycha Bourree | 1968 | 2:47:02 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Argentina - A Haiku Previous summer why argentina effect beyond the doppler |
2:49:12 (Pop-up) |
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The Doppler Effect | God Is Alive In Argentina | 1967 | 2:49:33 (Pop-up) | |||
Carrot Tree | Circus Time | 1970 | 2:52:45 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Argentina, Part 2 - A Haiku Dour summertime shall argentina bubble watching the hubbels |
2:55:17 (Pop-up) |
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The Hubbels | Hippy Dippy Funky Monkey Double Bubble Sitar Man | 1969 | 2:55:48 (Pop-up) | |||
The Tornadoes | Dreamin' on a Cloud | 1997 | 2:58:48 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Passing - A Haiku Dour summertime A passing passing bubble at the old hubbels |
3:00:27 (Pop-up) |
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Passing Clouds | Touch And Go | 1968 | 3:01:01 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Takeuchi - A Haiku Early summertime before takeuchi touch at the old passing |
3:03:59 (Pop-up) |
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Jimmy Takeuchi | White Room | 1970 | 3:04:29 (Pop-up) | |||
Dearly Beloved | Flight Thirteen | 1967 | 3:08:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
A hiroshi, however hard it tries, Will always be former. Now sometime is just the thing, To get me wondering if the hiroshi is late. I cannot help but stop and look at the divine character. Down, down, down into the darkness of the character, Gently it goes - the godly, the elysian, the ecclesiastic. Just like a sato yoshitake, is the watanabe. |
3:11:03 (Pop-up) |
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John Mayall and the Bluesbreakers | I'm You Witchdoctor | 1965 | 3:12:04 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Why would you think the unavailability is lasting? the unavailability is the most temporary inconvenience of all. Down, down, down into the darkness of the unavailability, Gently it goes - the visiting, the irregular, the ephemeral. I saw the the consequent need of my generation destroyed, How I mourned the lack. Never forget the resultant and sequent lack. Pay attention to the omission, |
3:14:10 (Pop-up) |
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The Mothers Of Invention | Dog Breath, In The Year Of The Plague | 1969 | 3:15:00 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Pregnancies, however hard they try, Will always be teen. Never forget the immature and adolescent pregnancies. How happy are young children! Are you upset by how youngish they are? Does it tear you apart to see the children so schoolgirlish? zany females sings like an unmarried man Females are cockamamie. females are cockamamy, |
3:18:58 (Pop-up) |
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The WordD | You're Gonna Make Me | 1966 | 3:19:44 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
3:21:34 (Pop-up) |
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The Doors | Moonlight Drive | 1967 | 3:21:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
3:24:43 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:24:56 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
3:31:01 (Pop-up) |
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Nancy Sinatra & Lee Hazlewood | Summer Wine | 1968 | 3:31:17 (Pop-up) | |||
The Travel Agency | Made For You | 1966 | 3:35:28 (Pop-up) | |||
The Triangle | Stop Leading Me On | 1969 | 3:38:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Steamhammer - A Haiku Early summertime A leading steamhammer stop near the triangle |
3:41:42 (Pop-up) |
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Steamhammer | Lost you too | 1969 | 3:42:14 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Steamhammer, Part 2 - A Haiku Previous summer before through steamhammer see near the episode |
3:45:40 (Pop-up) |
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Episode Six | I Can See Through You | 1967 | 3:46:02 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Underground - A Haiku Glooming summertime A german, underground see on the mystery |
3:49:23 (Pop-up) |
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The Velvet Underground | The Murder Mystery | 1969 | 3:49:52 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 3:58:44 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
A claudia, however hard it tries, Will always be young. Does the claudia make you shiver? does it? I cannot help but stop and look at the old gemma. Never forget the hoary and unoriginal gemma. The big leonard sings like a claude bird Down, down, down into the darkness of the leonard, |
4:04:00 (Pop-up) |
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Cyrus Faryar | Kingdom | 1971 | 4:04:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Kingdom - A Haiku Indian summer A new, chosen kingdom earth despite the faryar |
4:09:39 (Pop-up) |
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The Chosen Few | The Earth Above, The Sky Below | 1967 | 4:10:03 (Pop-up) | |||
The Moon | Give Me More | 1968 | 4:13:15 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Brainticket - A Haiku Dampness summertime A chosen brainticket earth by the brainticket |
4:15:58 (Pop-up) |
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Brainticket | Brainticket Part I / Brainticket Part I Conclusion | 1971 | 4:16:26 (Pop-up) | |||
Jimmy Takeuchi | Time Was | 1970 | 4:29:02 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
All that is antecedent is not inability, inability, by all account is subsequent. Does the inability make you shiver? does it? The omission is not fair! the omission is exceptionally fond. Now colored is just the thing, To get me wondering if the omission is fond. |
4:31:32 (Pop-up) |
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Dick St. John | You Know What I Mean | 1965 | 4:32:16 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Because I could not feature for lovin, it did kindly feature for me. Pause to feature, like the lovin does. How happy are vicarious peeps! Do peeps make you shiver? do they? I saw the the patriotic thought of my generation destroyed, How I mourned the feeling. |
4:34:46 (Pop-up) |
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Tonto And The Renegades | Anytime You Want Some Lovin' | 1967 | 4:35:36 (Pop-up) | |||
The Wet Paint | We Call Him A Man | 1967 | 4:37:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
4:39:29 (Pop-up) |
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Words Of Luv | I'd Have To Be Outta My Mind | 1967 | 4:39:48 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Children - A Haiku Early summertime A silver children silver above the review |
4:43:33 (Pop-up) |
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Front Page Review | Silver Children | 1968 | 4:43:56 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:18 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners |
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Listener comments!
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
spodiodi:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
spodiodi:
spodiodi:
Owl Sun:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
spodiodi:
tom tom the pipers son:
spodiodi:
tom tom the pipers son:
spodiodi:
tom tom the pipers son:
spodiodi:
tom tom the pipers son:
spodiodi:
tom tom the pipers son:
tom tom the pipers son:
spodiodi:
tom tom the pipers son:
tom tom the pipers son:
spodiodi:
spodiodi:
Owl Sun:
spodiodi:
tom tom the pipers son:
Owl Sun: