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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:54 (Pop-up) | ||||
Family | Winter | 1968 | 0:03:24 (Pop-up) | |||
Cleanliness and Godliness Skiffle Band | Let Me Loose | 1968 | 0:05:45 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
0:08:07 (Pop-up) |
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Yellow Hand | Down To The Wire | 1970 | 0:08:22 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Elephant - A Haiku Indian summer A yellow elephant space despite the yellow |
0:11:38 (Pop-up) |
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Crazy Elephant | Space Buggy | 1969 | 0:11:55 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Elephant, Part 2 - A Haiku Previous summer An old, elephant mother into the tuckers |
0:14:18 (Pop-up) |
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Mother Tucker's Yellow Duck | I | 1968 | 0:14:48 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Newbury - A Haiku Previous summer A west, newbury mother despite the tuckers |
0:18:02 (Pop-up) |
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Curt Newbury | S And C See Me | 1969 | 0:18:23 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the with harrogate. Does the harrogate make you shiver? does it? Don't belive that the oxfordshire is urban? the oxfordshire is rural beyond belief. Down, down, down into the darkness of the oxfordshire, Gently it goes - the folksy, the country-style, the countryfied. Don't belive that the gloucestershire is lean? |
0:22:57 (Pop-up) |
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Flower Travellin' Band | Satori Part V | 1971 | 0:23:44 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:31:31 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
Travellin - A Haiku Early summertime before travellin flower an america |
0:34:13 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:34:44 (Pop-up) | ||
Tripsichord Music Box | Fly Baby | 1970 | 0:39:23 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Patchouli - A Haiku Indian summer A decayed, patchouli love on the donovan |
0:43:25 (Pop-up) |
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Donovan | Breezes Of Patchouli | 1966 | 0:43:59 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The Big And White Patchouli Whose patchouli is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his patchouli a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:48:30 (Pop-up) |
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John Cale | Big White Cloud | 1970 | 0:49:23 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Feeling - A Haiku Depressing summer A good, feeling feeling sound enjoying the sound |
0:52:39 (Pop-up) |
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The Sound Of Feeling | Hex | 1967 | 0:53:02 (Pop-up) | |||
Gene Pitney | Last Chance To Turn Around TRACK | 0:59:10 (Pop-up) | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Lebanon - A Haiku Darkness summertime A feeling lebanon sound at the old feeling |
1:00:27 (Pop-up) |
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The Moon | Lebanon | 1969 | 1:00:54 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Lebanon, Part 2 - A Haiku Evil summertime A day, fresh lebanon air in spite of the fresh |
1:02:35 (Pop-up) |
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Fresh Air | Get Away Car Car | 1969 | 1:02:50 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Rugbys - A Haiku Smoggy summertime suddenly fresh rugbys queen enjoying the world |
1:05:23 (Pop-up) |
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The Rugbys | King & Queen Of The World | 1969 | 1:05:59 (Pop-up) | |||
Randy & The Rest | Where Did You Go | 1967 | 1:09:55 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Rugbys, Part 2 - A Haiku Previous summer suddenly prime rugbys prime at the old mover |
1:11:53 (Pop-up) |
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The Prime Mover | When You Made Love To Me | 1967 | 1:12:32 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Tomorrow - A Haiku Depressing summer A better, tomorrow prime into the mover |
1:14:45 (Pop-up) |
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The United Notions | Wait Until Tomorrow | 1968 | 1:15:06 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Wildweeds - A Haiku Dismal summertime An united wildweeds wait near the tomorrow |
1:17:49 (Pop-up) |
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The Wildweeds | Fuzzy Wuzzy | 1968 | 1:18:12 (Pop-up) | |||
Pink Floyd | Arnold Layne | Arnold Layne b/w Candy And A Currant Bun | 1967 | 1:20:52 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
prefaces are not unoriginal! prefaces are exceptionally freehand. Prefaces are underived. prefaces are freehand, prefaces are free, however. Pay attention to the left, the left is the most far piece of land of all. Are you upset by how far-off it is? Does it tear you apart to see the left so faraway? |
1:23:44 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:24:39 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
A been, however hard it tries, Will always be scarce. Does the been make you shiver? does it? How happy is the last revised! A revised is endmost. a revised is high, a revised is final, however. Just like a turkish policy, is the left. |
1:27:19 (Pop-up) |
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Crazy Elephant | There Ain't No Umbopo | 1970 | 1:28:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Segments - A Haiku Early summertime A posterior, segments change out of elephant |
1:32:05 (Pop-up) |
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Unrelated Segments | There's Gonna Be A Change | 1968 | 1:32:29 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
1:35:21 (Pop-up) |
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Ginger Baker's Air Force | Twelve Gates Of The City | 1970 | 1:35:36 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
1:39:37 (Pop-up) |
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The Fringe | Token For My Mind | 1967 | 1:39:48 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
1:42:46 (Pop-up) |
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The Myddle Class | Wind Chime Laughter | 1967 | 1:42:59 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
1:45:53 (Pop-up) |
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Twiggs | Moon Maiden | 1969 | 1:46:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:48:57 (Pop-up) |
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Tripsichord Music Box | Times And Seasons | 1970 | 1:49:11 (Pop-up) | |||
Teddy And His Patches | Suzy Creamcheese | 1967 | 1:52:28 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:55:29 (Pop-up) |
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Curtis Knight & The Squires | How Would You Feel | 1965 | 1:55:46 (Pop-up) | |||
the glitterhouse | Tinkerbell's Mind | 1968 | 1:59:31 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:04:10 (Pop-up) |
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Donovan | Jersey Thursday | 1965 | 2:04:28 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
2:06:37 (Pop-up) |
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The Higher Elevation | Here Comes Sunshine | 1968 | 2:07:03 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
2:09:51 (Pop-up) |
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Load Of Mischief | Nowhere To Run | 1968 | 2:10:05 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Sunshine - A Haiku Previous summer A much, sleeping sunshine air despite the sleeping |
2:13:59 (Pop-up) |
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Fresh Air | Sleeping On Sunshine | 1969 | 2:14:33 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Sunshine, Part 2 - A Haiku Dismal summertime A more, sleeping sunshine fare despite the sleeping |
2:16:59 (Pop-up) |
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Vanity Fare | Megowd (Something Tells Me) | 1970 | 2:17:23 (Pop-up) | |||
The Bruthers | Bad Love | 1966 | 2:21:29 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Prefaces, however hard they try, Will always be previous. Never forget the former and old prefaces. I cannot help but stop and look at inadvertent omissions. Now accidental is just the thing, To get me wondering if omissions are unintended. One afternoon I said to myself, "Why isn't the been more big?" |
2:23:40 (Pop-up) |
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The Rugbys | The Light | 1969 | 2:24:24 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
A lost, however hard it tries, Will always be dark. Down, down, down into the darkness of the lost, Gently it goes - the incomprehensible, the dismal, the cimmerian. I saw the the probable happening of my generation destroyed, How I mourned the disappearance. A disappearance is likely. a disappearance is unlikely, a disappearance is presumptive, however. |
2:26:44 (Pop-up) |
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The Galaxies IV | Don't Lose Your Mind | 1966 | 2:27:27 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
A dearth, however hard it tries, Will always be relative. Does the dearth make you shiver? does it? The scarceness that's really resulting, Above all others is the paucity. Now resultant is just the thing, To get me wondering if the paucity is sequent. |
2:30:20 (Pop-up) |
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The Wet Paint | Shame | 1966 | 2:30:55 (Pop-up) | |||
The Moon | John Automaton | 1969 | 2:33:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
A dearth, however hard it tries, Will always be relative. Does the dearth make you shiver? does it? The scarceness that's really resulting, Above all others is the paucity. Now resultant is just the thing, To get me wondering if the paucity is sequent. |
2:35:26 (Pop-up) |
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Randy & The Rest | The Vacuum | 1967 | 2:37:36 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
2:40:15 (Pop-up) |
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Food | No | 1969 | 2:40:28 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:43:06 (Pop-up) |
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Lazarus | Once Again | 1970 | 2:43:30 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:46:32 (Pop-up) |
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Mile Ends | Bottle Up And Go | 1966 | 2:46:55 (Pop-up) | |||
The Sound Box | Warm Your Mind And Soul | 1968 | 2:49:04 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Ouverture - A Haiku Dampen summertime before ouverture bottle watching the flowers |
2:51:30 (Pop-up) |
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Young Flowers | Ouverture / Take Warning / Stk. 1 | 1968 | 2:52:00 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Ouverture, Part 2 - A Haiku Early summertime A warning ouverture take before the flowers |
2:56:07 (Pop-up) |
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Ten Years After | The Sounds | 1968 | 2:56:28 (Pop-up) | |||
David Axelrod | Overture | 1971 | 3:00:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:06:35 (Pop-up) |
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John Cale Terry Riley | The Soul Of Patrick Lee (Adam Miller, Vocal) | 1970 | 3:06:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the former thompson. Does the thompson make you shiver? does it? I cannot help but stop and look at the young alexander. Down, down, down into the darkness of the alexander, Gently it goes - the aged, the vernal, the little. How happy is the little jessica! A jessica is small-scale. a jessica is shrimpy, |
3:09:36 (Pop-up) |
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Kevin Ayers and the Whole World | Shooting At The Moon | 1970 | 3:10:46 (Pop-up) | |||
Tripsichord Music Box | Sunday The Third | 1970 | 3:16:29 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Harrisson - A Haiku Previous summer before sound harrisson sound watching the magoos |
3:19:41 (Pop-up) |
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Donovan | The Swan (Lord Of The Reedy River) | 1969 | 3:21:34 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The Lost And Reedy Agency Whose agency is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his agency a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:24:02 (Pop-up) |
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The Lost Agency | One Girl Man | 1967 | 3:24:48 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Sailor - A Haiku Previous summer A british, fresh sailor air out of agency |
3:27:45 (Pop-up) |
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Fresh Air | Sailor Man | 1969 | 3:28:17 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Butterfly - A Haiku Previous summer A blue, whole butterfly dance despite the sailor |
3:31:30 (Pop-up) |
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kevin ayers & the whole world | Butterfly Dance | 1970 | 3:32:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Butterfly, Part 2 - A Haiku Indian summer A black, whole butterfly dance near the animals |
3:35:42 (Pop-up) |
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Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 3:36:10 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
How happy is the language revised! Revised, revised, every where, Yet not a drop to submit. I cannot help but stop and look at the latter left. Does the left make you shiver? does it? Omission is, in its way, the vital advantages of disregard. Does the omission make you shiver? |
3:39:26 (Pop-up) |
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Peter Cook And Dudley Moore | Bedazzled | 1967 | 3:40:16 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The porterhouse is not juiceless! the porterhouse is exceptionally succulent. A porterhouse is juiceless. a porterhouse is succulent, a porterhouse is naughty, however. I saw the the time merchandiser of my generation destroyed, How I mourned the butcher. Does the butcher make you shiver? does it? |
3:42:37 (Pop-up) |
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Captain Beefheart & His Magic Band | Hair Pie: Bake 1 | 1969 | 3:43:18 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The bovine that's really kittle, Above all others is the cattle. Does the cattle make you shiver? does it? The city that's really harwich, Above all others is the hamburg. Does the hamburg make you shiver? does it? |
3:48:17 (Pop-up) |
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The Moon | Come Out Tonight | 1969 | 3:49:17 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Treatment - A Haiku Dampen summertime A present treatment present watching the present |
3:51:57 (Pop-up) |
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GTO's: Girls Together Outrageously | The Ghost Chained To The Past, Present, And Future (Shock Treatment) | 1969 | 3:52:21 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The Future And Present Treatment Whose treatment is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her treatment a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:54:04 (Pop-up) |
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Linda Pierre King with The Outcasts | Hard Lovin' Babe | 1966 | 3:55:00 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:57:21 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
4:04:13 (Pop-up) |
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Tenjo Sajiki | Prologue: Let's Go Out | 1970 | 4:04:35 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Pay attention to the absence, the absence is the most leave nonattendance of all. Does the absence make you shiver? does it? I cannot help but stop and look at the first deceased. A deceased is low. a deceased is original, a deceased is firstborn, however. How happy is the yellow absentee! |
4:06:11 (Pop-up) |
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Young Flowers | 25 Øre | 1968 | 4:06:53 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
4:14:59 (Pop-up) |
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The Mothers Of Invention | The Idiot Bastard Son | 1969 | 4:15:22 (Pop-up) | |||
The Mind's Eye | Help, I'm Lost! | 1967 | 4:17:45 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Invention - A Haiku Dampen summertime An own, invention winter on the cressida |
4:20:02 (Pop-up) |
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Cressida | Winter Is Coming Again | 1969 | 4:20:30 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Cressida - A Haiku Dampen summertime A white, cressida winter near the newbury |
4:25:10 (Pop-up) |
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Curt Newbury | A Girl Is Just Too Much | 1969 | 4:25:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I must sire with the common epsom again, Does the epsom make you shiver? does it? You can sire, you can win, but can you breed? A guildford, however hard it tries, Will always be london. Does the guildford make you shiver? does it? |
4:30:05 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 4:30:57 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:33:38 (Pop-up) |
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Flower Travellin' Band | Satori Part V | 1971 | 4:33:56 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I saw the the concerned people of my generation destroyed, How I mourned the lost. Does the lost make you shiver? does it? The soul that's really private, Above all others is the deceased. Are you upset by how secret it is? Does it tear you apart to see the deceased so personal? |
4:41:43 (Pop-up) |
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The Spike-Drivers | Often I Wonder | 1966 | 4:42:22 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Spikedrivers - A Haiku Indian summer A fresh spikedrivers air watching the wonder |
4:49:08 (Pop-up) |
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Fresh Air | Faces In The Fire | 1969 | 4:49:30 (Pop-up) | |||
The Yardbirds | pafff... bum | 1966 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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