Showy McShowface with Jim the Poet:
Playlist
from September 26, 2022
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View Jim the Poet's profile
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Classic overnight radio with that feel of an unanticipated fill-in! Hour-long installation pieces, murmurs in the dark, endless hurtling to the bottomless abyss! Hi Mom!
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| Artist | Track | Album | Comments | Images | Approx. start time | |||||
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| Test Pattern |
Test Pattern
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Test Pattern |
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| Aretha Franklin |
Jim
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Take a Look |
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0:03:06 (Pop-up) | ||||||
| andrea-jane cornell |
Circular cycles | Cycles circulaires I
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Circular cycles | Cycles circulaires |
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0:04:20 (Pop-up) | ||||||
| Bufotenin |
Trip Report
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First Bufotenin Experience |
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0:35:58 (Pop-up) | ||||||
| Institute of Landscape and Urban Studies |
Reservoir Lyren
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Buried Landscapes |
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1:02:09 (Pop-up) | ||||||
| Charlie Butler |
Solar Flare
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Haunted Moon |
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1:19:33 (Pop-up) | ||||||
| Noel Molloy |
The Chair.
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Selected Audio Work 1983 - 1999 |
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1:30:40 (Pop-up) | ||||||
| Sacred Oak |
Waiting For The Tide
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Waiting For The Tide |
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1:41:53 (Pop-up) | ||||||
| Drooping Finger |
Ascension
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Extractions |
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1:50:20 (Pop-up) | ||||||
| Ak’chamel, The Divinatory Monkey and the Sovereign Plumed Serpent |
Seven Cigars
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Transitory Collection Vol. II |
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1:57:34 (Pop-up) | ||||||
| Sine Nomine Subharmonic Orchestra |
Ananael
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Etharzi C Madriax | This album is entirely in the “Angelic Tongue” widely known today as the “Enochian Language.” First received by John Dee and Edward Kelley from 1583 - 1584 e.v.. These recordings are the result of a collaboration between several Initiates and Murmur, the 54th Daimon of the Lemegeton. It is intended to enhance the atmosphere of an open temple and to help induce “Ritual Consciousness.” This Musick is designed to more easily facilitate the raising of subtle energies and to assist in establishing a link between different dimensions. We recommend using these songs with the same caution you would afford a powerful drug, or even a full-contact martial art. |
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2:02:40 (Pop-up) | |||||
| Mouse On Mars |
Spatial Jitter A
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Spatial Jitter | A rotatable horn loudspeaker pitchforks a sound like a pinball into the 110-yard Kunstbau, where it rebounds on the pillars, cants, splinters, is gathered back in, and dies down. One by one, additional sounds from a virtually inexhaustible repertoire are sent out into the space and modulated. Percussive devices operated by robots interject analog acoustic accents. Sequences of different lengths are continuously rearranged so that no two of them recur in the same order. The audience experiences the orchestrated unfolding of a dynamic composition in three dimensions. The space and the sounds generated from it clash and respond to each other, resulting in an acoustic dialogue. A dedicated illumination program is coordinated with the music, seconding the sonic movements and sometimes standing in for them. The installation intends to challenge the audience to active listening, in which only the limits of attention determine the limits of what is acoustically possible. With targeted shifts of perspective, Mouse on Mars propose to demonstrate their conviction that there is no one valid composition: each listener produces his or her own “spatial compostruction.” |
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2:12:56 (Pop-up) | |||||
| estamine |
Spin: 0 Tilt: -1
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Spin: 0 Tilt: -1 |
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2:35:36 (Pop-up) | ||||||
| Angelic Swordsmen | הסירוס הראשון | The Holiest Of All Castrations | "the first sirios" |
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2:49:37 (Pop-up) | |||||
| Aretha Franklin |
Eleanor Rigby
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This Girl's in Love with You |
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2:56:16 (Pop-up) | ||||||
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Listener comments!
Jim the Poet:
solidago del senlin:
solidago del senlin:
greenlight:
alanSixº:
alanSixº:
Jim the Poet:
greenlight:
greenlight:
Jim the Poet:
greenlight:
Yvang:
Jim the Poet:
Yvang:
Rich in Bristol:
nidrian:
Jim the Poet:
greenlight:
Rich in Bristol:
Strandlund:
nidrian:
northguineahills:
LiXiviated Life:
dark room dwellers
dteam world lurkers
hello
katharsis:
262 🗼:
Jim the Poet:
Will thee Sound Guy:
greenlight:
LiXiviated Life:
not lonely