The Night Owl Show with Owl Sun:
Playlist
from October 16, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| Syd Barrett |
Effervescing Elephant [Take 9]
|
1970 |
|
0:03:18 (Pop-up) | ||
| Pink Floyd |
Jugband Blues
|
1968 |
|
0:05:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The Lost And Found Elephant Whose elephant is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his elephant a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:07:59 (Pop-up) |
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| Lost & Found |
Let Me Be
|
1967 |
|
0:08:49 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
0:11:31 (Pop-up) |
|||
| Skip Bifferty |
Mr. Money Man
|
1968 |
|
0:14:28 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Bifferty - A Haiku Glorious autumn before bifferty window watching the window |
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0:17:10 (Pop-up) |
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| The Open Window |
Coming Together, Going Together : Much Too Soon
|
1969 |
|
0:17:41 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The Funny And Coming Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:22:35 (Pop-up) |
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| Jefferson Airplane |
She Has Funny Cars
|
1967 |
|
0:23:29 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
How happy is the electric automobile! An automobile is galvanic. an automobile is tense, an automobile is electrical, however. I saw the the giant organisation of my generation destroyed, How I mourned the machine. Now big is just the thing, To get me wondering if the machine is heavyweight. When I think of the rail, I see a rear shot. |
|
0:26:31 (Pop-up) |
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| Montage |
Grand Pianist
|
1969 |
|
0:27:12 (Pop-up) | ||
| The Fun and Games |
Close To Carmel
|
1968 |
|
0:29:36 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Why would you think the impact is deflationary? the impact is the most inflationary combat of all. Does the impact make you shiver? does it? Pay attention to the consideration, the consideration is the most further discourse of all. Now foster is just the thing, To get me wondering if the consideration is more. |
|
0:32:07 (Pop-up) |
||
| Eric Burdon and The Animals |
I'm Dying, (Or Am I)
|
1968 |
|
0:32:54 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Animals - A Haiku Early break autumn A dying animals man out of memory |
|
0:37:09 (Pop-up) |
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| Elephant's Memory |
Hot Dog Man
|
1969 |
|
0:37:31 (Pop-up) | ||
| The Apryl Fool |
The Lost Mother Land (Part 2)
|
1969 |
|
0:41:43 (Pop-up) | ||
| The Lyrics |
Wait
|
1967 |
|
0:43:47 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Memory - A Haiku Previous autumn A main, man memory man whilst watching the night |
|
0:46:09 (Pop-up) |
||
| SRC |
Up All Night
|
1969 |
|
0:46:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
0:49:45 (Pop-up) |
|||
| Food |
Naive Prayers
|
1969 |
|
0:49:59 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Thoughts, however hard they try, Will always be sinful. Thoughts are wicked. thoughts are ungodly, thoughts are unrighteous, however. How happy are poetic phrases! Never forget the poetical and figurative phrases. A petition, however hard it tries, Will always be zany. |
|
0:53:41 (Pop-up) |
||
| The Chambers Brothers |
(She Don't Want To) Tie Me Down
|
1967 |
|
0:54:38 (Pop-up) | ||
| Egyptian Combo |
Gale Winds
|
Greaser Instrumentals 03 |
|
0:56:40 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:59:11 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Brothers - A Haiku Beautiful autumn A younger, sad brothers down because of the maze |
|
1:00:25 (Pop-up) |
||
| The Maze |
I'm So Sad
|
1968 |
|
1:01:18 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Brothers, Part 2 - A Haiku Beautiful autumn A younger, sad brothers down because of the maze |
|
1:08:16 (Pop-up) |
||
| Velvet Opera |
Raise the Light
|
1970 |
|
1:08:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Finger - A Haiku Previous autumn A moving finger finger after the velvet |
|
1:12:47 (Pop-up) |
||
| dorothy ashby |
The Moving Finger
|
1970 |
|
1:13:08 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
The Dark And Moving Finger Whose finger is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his finger a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:19:43 (Pop-up) |
||
| Syd Barrett |
Wouldn't You Miss Me (Dark Globe)
|
1989 |
|
1:20:46 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The Sunny And South South Whose south is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his south a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:23:40 (Pop-up) |
||
| Donovan |
Sunny South Kensington
|
1967 |
|
1:24:33 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Found And Living Living Whose living is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his living a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:28:16 (Pop-up) |
||
| Lost & Found |
Living Eye
|
1967 |
|
1:29:15 (Pop-up) | ||
| The Move |
Cherry Blossom Clinic
|
1968 |
|
1:36:46 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Living - A Haiku Early break autumn A good, living living clown whilst watching the clown |
|
1:39:09 (Pop-up) |
||
| July |
My Clown
|
July | 1968 |
|
1:39:36 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Quicksilver - A Haiku Threatening autumn A crude, quicksilver service out of messenger |
|
1:42:42 (Pop-up) |
||
| Quicksilver Messenger Service |
Light Your Windows
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:43:16 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Quicksilver, Part 2 - A Haiku Threatening autumn A pure, quicksilver service by the jefferson |
|
1:45:49 (Pop-up) |
||
| Jefferson Airplane |
Today
|
1967 |
|
1:46:22 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Pay attention to the maryland, the maryland is the most south american state of all. Down, down, down into the darkness of the maryland, Gently it goes - the south-central, the southeasterly, the north. I saw the the east american state of my generation destroyed, How I mourned the oklahoma. Does the oklahoma make you shiver? does it? |
|
1:49:48 (Pop-up) |
||
| the FUGS |
Virgin Forest
|
1966 |
|
1:50:42 (Pop-up) | ||
| The Household Sponge |
Scars
|
Scars b/w Second Best | 1967 |
|
2:01:57 (Pop-up) | |
| The Chambers Brothers |
Don't Lose Your Cool
|
1967 |
|
2:04:25 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
How happy is the large dozer! Are you upset by how bigger it is? Does it tear you apart to see the dozer so small? Don't belive that dowels are reverse? dowels are small beyond belief. Do dowels make you shiver? do they? Just like a large policy, is clippers. |
|
2:06:09 (Pop-up) |
||
| SRC |
The Angel Song
|
1969 |
|
2:07:13 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the large dozer! Are you upset by how bigger it is? Does it tear you apart to see the dozer so small? Don't belive that dowels are reverse? dowels are small beyond belief. Do dowels make you shiver? do they? Just like a large policy, is clippers. |
|
2:15:23 (Pop-up) |
||
| The Moody Blues |
Candle of life.
|
1969 |
|
2:16:13 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Yesterday - A Haiku Depressing autumn A much, yesterday people watching the people |
|
2:21:20 (Pop-up) |
||
| The Head Shop |
Opera In The Year 4000: Where Have All The people Gone / Yesterday
|
1969 |
|
2:21:44 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Paperhouse - A Haiku Glorious autumn A gone paperhouse people out of yesterday |
|
2:26:06 (Pop-up) |
||
| CAN |
Paperhouse
|
1971 |
|
2:26:32 (Pop-up) | ||
| The Maze |
Happiness
|
1968 |
|
2:33:52 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Why would you think the omission is unvoluntary? the omission is the most voluntary disuse of all. Never forget the willful and intentional omission. Pay attention to the absent, the absent is the most beloved go away of all. Are you upset by how dearest it is? Does it tear you apart to see the absent so dear? One afternoon I said to myself, |
|
2:35:56 (Pop-up) |
||
| Montage |
Wake Up Jimmy (Something Is Happening Outside)
|
1969 |
|
2:36:39 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Why would you think the omission is unvoluntary? the omission is the most voluntary disuse of all. Never forget the willful and intentional omission. Pay attention to the absent, the absent is the most beloved go away of all. Are you upset by how dearest it is? Does it tear you apart to see the absent so dear? One afternoon I said to myself, |
|
2:39:33 (Pop-up) |
||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:40:18 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:42:25 (Pop-up) |
|||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:42:45 (Pop-up) | |
| Lost & Found |
When Will You Come Through
|
1968 |
|
2:48:48 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Documentary - A Haiku Previous autumn why documentary trip watching the excerpts |
|
2:51:07 (Pop-up) |
||
| The Move |
The Disturbance
|
1966 |
|
2:55:14 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
2:57:57 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Disturbance - A Haiku Depressing autumn A little, disturbance move near the jefferson |
|
3:00:26 (Pop-up) |
||
| Jefferson Airplane |
Plastic Fantastic Lover
|
1967 |
|
3:00:57 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
Jefferson - A Haiku Glorious autumn A former, jefferson love by the fantastic |
|
3:03:25 (Pop-up) |
||
| Love |
Old Man
|
1967 |
|
3:03:45 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Millennium - A Haiku Beautiful autumn A man millennium love whilst watching the know |
|
3:06:38 (Pop-up) |
||
| The Millennium |
The Know It All
|
1968 |
|
3:06:57 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
3:10:34 (Pop-up) |
|||
| amon düül II |
rattlesnakeplumcake
|
1970 |
|
3:10:45 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
How happy are dear sis! Do sis make you shiver? do they? The adult male that's really beloved, Above all others is the abel. Does the abel make you shiver? does it? A sequel, however hard it tries, |
|
3:13:56 (Pop-up) |
||
| The Velvet Underground |
Candy Says
|
1969 |
|
3:14:34 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Underground - A Haiku Depressing autumn An active, underground grease into the ancient |
|
3:18:33 (Pop-up) |
||
| Ancient Grease |
Freedom Train
|
1970 |
|
3:18:59 (Pop-up) | ||
| Blue Cheer |
Parchment Farm
|
1968 |
|
3:22:54 (Pop-up) | ||
| The Misunderstood |
Children Of The Sun
|
Children Of The Sun / I Unseen | 1969 |
|
3:28:38 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Parchment, Part 2 - A Haiku Glorious autumn why a purple, parchment coast on the ritual |
|
3:31:25 (Pop-up) |
||
| The West Coast Pop Art Experimental Band Vol.3 |
Ritual #1
|
1968 |
|
3:32:02 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Ritual - A Haiku Previous autumn A public, ritual coast whilst watching the stars |
|
3:34:04 (Pop-up) |
||
| Mij |
Two Stars
|
1969 |
|
3:34:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
3:38:55 (Pop-up) |
|||
| notes from the undergorund |
Follow Me Down
|
1968 |
|
3:39:07 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
3:44:43 (Pop-up) |
|||
| Bloomsbury People |
Have You Seen Them Cry
|
1970 |
|
3:44:56 (Pop-up) | ||
| Tim Buckley |
I Can't See You
|
1966 |
|
3:48:28 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:51:05 (Pop-up) |
|||
| I. D. Company |
Die Ein Seite: I watched the woman
|
1970 |
|
3:51:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
3:56:02 (Pop-up) |
|||
| GTO's: Girls Together Outrageously |
The Eureka Springs Garbage Lady
|
1969 |
|
3:56:20 (Pop-up) | ||
| Arzachel |
Azathoth
|
1969 |
|
3:59:55 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy are adolescent schoolgirls! Down, down, down into the darkness of the schoolgirls, Gently they go - the teenage, the teenaged, the puerile. How happy are aged daughters! Do daughters make you shiver? do they? Just like young communities, is pupils. Never forget the oily and greasy pupils. |
|
4:04:08 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Big Bummer
|
1967 |
|
4:05:18 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Conspiracy - A Haiku Wickedness autumn A vast, pat conspiracy on the cancereal |
|
4:08:01 (Pop-up) |
||
| Pat Kilroy |
Cancereal
|
1966 |
|
4:08:38 (Pop-up) | ||
| The Jim Sullivan Sound |
She Walks Through The Fair
|
1966 |
|
4:12:56 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Panasonic - A Haiku Beautiful autumn before panasonic home near the cancereal |
|
4:15:32 (Pop-up) |
||
| The Human Expression |
Every Night
|
1966 |
|
4:17:03 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Expression - A Haiku Previous autumn A human expression last betrayed by the whatt |
|
4:19:35 (Pop-up) |
||
| The Whatt Four |
Our Love Should Last Forever
|
1966 |
|
4:20:03 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Millennium - A Haiku Glorious autumn A third, millennium last under the sequence |
|
4:21:41 (Pop-up) |
||
| The Millennium |
Karmic Dream Sequence #1
|
1968 |
|
4:22:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I cannot help but stop and look at the latest phase. Are you upset by how newest it is? Does it tear you apart to see the phase so up-to-the-minute? I cannot help but stop and look at the largest part. Does the part make you shiver? does it? Second is, in its way, the able day of support. Does the second make you shiver? |
|
4:27:55 (Pop-up) |
||
| amon düül II |
between the eyes
|
1970 |
|
4:28:36 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Pay attention to the namesake, the namesake is the most older somebody of all. Down, down, down into the darkness of the namesake, Gently it goes - the elderly, the younger, the elder. I cannot help but stop and look at the famous battle. Does the battle make you shiver? does it? I saw the the zany digit of my generation destroyed, |
|
4:30:52 (Pop-up) |
||
| The Fun and Games |
Close To Carmel
|
1968 |
|
4:31:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Montage - A Haiku Late dampness autumn A rapid, grand montage close near the pianist |
|
4:34:05 (Pop-up) |
||
| Montage |
Grand Pianist
|
1969 |
|
4:34:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Children - A Haiku Beautiful autumn A small, ancient children grease before the ancient |
|
4:36:52 (Pop-up) |
||
| Ancient Grease |
Women And Children First
|
1970 |
|
4:37:14 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Children, Part 2 - A Haiku Beautiful autumn A young, ancient children grease at the old ancient |
|
4:43:44 (Pop-up) |
||
| The Ashes |
Dark On You Now
|
1967 |
|
4:45:15 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Rossby - A Haiku Glorious autumn An unspoken rossby word betrayed by the word |
|
4:49:13 (Pop-up) |
||
| The Unspoken Word |
Rossby
|
1968 |
|
4:49:44 (Pop-up) | ||
| Touch |
Friendly Birds
|
1969 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
tom tom the pipers son:
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Wendy McDonald:
Owl Sun:
Wendy McDonald:
Owl Sun: