The Night Owl Show with Owl Sun:
Playlist
from October 24, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:27 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:53 (Pop-up) | ||||
| Last Friday's Fire |
I Can't Help The Way I Feel
|
1967 |
|
0:03:21 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Fridays - A Haiku Wickedness autumn A meatless, last fridays last betrayed by the thyme |
|
0:05:49 (Pop-up) |
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| The Thyme |
Very Last Day
|
1967 |
|
0:06:12 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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Apostles - A Haiku Previous autumn A blessed, last apostles last beyond the stranded |
|
0:09:18 (Pop-up) |
||
| The Apostles |
Stranded In The Jungle
|
1968 |
|
0:09:42 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Apostles, Part 2 - A Haiku Overcast autumn A called, prime apostles prime watching the stranded |
|
0:14:14 (Pop-up) |
||
| The Prime Movers |
I'm A Man
|
1966 |
|
0:14:46 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Dentist - A Haiku Wickedness autumn A local, dentist people despite the people |
|
0:18:38 (Pop-up) |
||
| The Zig Zag People |
Sally Goes To The Dentist (Available in 8 & 16MM)
|
1969 |
|
0:19:00 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Zacherle - A Haiku Late dampness autumn before zacherle people the under the dentist |
|
0:22:26 (Pop-up) |
||
| John Zacherle |
Igor
|
1958 |
|
0:22:55 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Zacherle, Part 2 - A Haiku Early break autumn suddenly still zacherle still watching the kitchen |
|
0:25:46 (Pop-up) |
||
| The Kitchen Cinq |
Still In Love With You Baby
|
1967 |
|
0:26:09 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Kitchen - A Haiku Overcast autumn A modern, still kitchen still whilst watching the still |
|
0:28:37 (Pop-up) |
||
| the seeds |
Bad Part Of Town
|
1970 |
|
0:29:00 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
An absent, however hard it tries, Will always be fair. Never forget the comely and sportsmanlike absent. The inability is not caducous! the inability is exceptionally haunting. Are you upset by how continual it is? Does it tear you apart to see the inability so haunting? Pay attention to the paucity, |
|
0:32:21 (Pop-up) |
||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:33:04 (Pop-up) | |
| The Peanut Butter Conspiracy |
Why Did I Get So High
|
1967 |
|
0:35:39 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The bodie is not sheathed! the bodie is exceptionally desolate. Down, down, down into the darkness of the bodie, Gently it goes - the spare, the desolate, the naked. A carrie, however hard it tries, Will always be young. Does the carrie make you shiver? does it? |
|
0:37:43 (Pop-up) |
||
| Thunderclap Newman |
Accidents
|
1970 |
|
0:39:51 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
0:49:29 (Pop-up) |
|||
| Sauterelles |
Aiuto!...Va Sempre Male?
|
1967 |
|
0:49:53 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Sauterelles - A Haiku Threatening autumn before male sauterelles above the shoulder |
|
0:52:15 (Pop-up) |
||
| Group 1850 |
I Put My Hand On Your Shoulder
|
1968 |
|
0:52:39 (Pop-up) | ||
| Sagittarius |
The Truth Is Not Real [Single Version]
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
1:06:00 (Pop-up) | ||
| Curiousity Shoppe |
Baby I Need You
|
1968 |
|
1:08:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Shoulder - A Haiku Depressing autumn A cold, in shoulder shoulder after the zepplin |
|
1:12:19 (Pop-up) |
||
| Graf Zepplin |
You're In My Mind
|
1968 |
|
1:13:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
How happy are inexpressive shes! Do shes make you shiver? do they? A nobody, however hard it tries, Will always be wrong. Are you upset by how inaccurate it is? Does it tear you apart to see the nobody so inopportune? Just like a last day, is the bro. |
|
1:15:40 (Pop-up) |
||
| The Scot Richard Case |
Who Is That Girl?
|
1967 |
|
1:16:27 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Orchestra - A Haiku Last foggy autumn A moody orchestra knight near the festival |
|
1:20:06 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
The Night: Nights In White Satin
|
1967 |
|
1:20:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Orchestra, Part 2 - A Haiku Late cloudy autumn A moody orchestra knight on the festival |
|
1:27:46 (Pop-up) |
||
| Now |
Deja Vu
|
1968 |
|
1:28:12 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I saw the the sudden rising of my generation destroyed, How I mourned the uplifting. Are you upset by how explosive it is? Does it tear you apart to see the uplifting so unforeseen? I cannot help but stop and look at the less haunting. Does the haunting make you shiver? does it? Pay attention to the pull, |
|
1:31:01 (Pop-up) |
||
| The Thyme |
I Found A Love
|
1968 |
|
1:31:38 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A deceased, however hard it tries, Will always be late. Down, down, down into the darkness of the deceased, Gently it goes - the after-hours, the posthumous, the latish. An absence, however hard it tries, Will always be complete. Down, down, down into the darkness of the absence, Gently it goes - the full-scale, the downright, the stark. |
|
1:34:28 (Pop-up) |
||
| Ruperts People |
I Can Show You
|
1968 |
|
1:35:15 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
1:38:10 (Pop-up) | |
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
A deceased, however hard it tries, Will always be late. Down, down, down into the darkness of the deceased, Gently it goes - the after-hours, the posthumous, the latish. An absence, however hard it tries, Will always be complete. Down, down, down into the darkness of the absence, Gently it goes - the full-scale, the downright, the stark. |
|
1:40:00 (Pop-up) |
||
| Manfred Mann |
Ha! Ha! Said The Clown
|
1967 |
|
1:41:05 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Strawberry - A Haiku Beautiful autumn A coming strawberry clown under the children |
|
1:43:26 (Pop-up) |
||
| Strawberry Children |
Love Years Coming
|
1967 |
|
1:43:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
How happy are brutal winters! Are you upset by how vicious they are? Does it tear you apart to see the winters so unkind? How happy are previous months! Are you upset by how old they are? Does it tear you apart to see the months so late? When I think of seasons, I see previous forms. Never forget the muzzy and woolly seasons. |
|
1:47:36 (Pop-up) |
||
| The Peanut Butter Conspiracy |
The Most Up Till Now
|
1967 |
|
1:48:19 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
1:50:49 (Pop-up) |
|||
| people |
prayer - part 2
|
1970 |
|
1:51:04 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
1:55:35 (Pop-up) |
|||
| American Zoo |
Mr. Brotherhood
|
1969 |
|
1:55:48 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
1:57:35 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
2:00:22 (Pop-up) |
|||
| Thunderclap Newman |
I Dont Know
|
1970 |
|
2:00:57 (Pop-up) | ||
| Eyes Of Blue |
Q III
|
1969 |
|
2:04:38 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
A stewart, however hard it tries, Will always be tempest. Does the stewart make you shiver? does it? Pay attention to the roberts, roberts are the most pugh sea rover of all. Do roberts make you shiver? do they? |
|
2:07:06 (Pop-up) |
||
| Group 1850 |
A Point In This Life
|
1968 |
|
2:07:44 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
2:14:46 (Pop-up) |
|||
| The Bubble Gum Machine |
I Wonder
|
1967 |
|
2:15:01 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Omissions, however hard they try, Will always be obvious. Do omissions make you shiver? do they? Pay attention to the left, the left is the most little position of all. Down, down, down into the darkness of the left, Gently it goes - the minuscule, the younger, the teensy-weensy. |
|
2:17:03 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Spaced Out
|
1969 |
|
2:17:55 (Pop-up) | ||
| Last Friday's Fire |
Stand Up And Shout
|
1967 |
|
2:21:27 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Progressive - A Haiku Early foggy fall A past, progressive paper under the pilgrims |
|
2:23:59 (Pop-up) |
||
| Noahs Ark |
Paper Man
|
1967 |
|
2:24:29 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Noahs - A Haiku Early hazy fall A day, paper noahs belong above the paper |
|
2:26:36 (Pop-up) |
||
| Love |
Your Mind And We Belong Together
|
Your Mind And We Belong Together b/w Laughing Stock | 1968 |
|
2:26:56 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
How happy is the 120 ackroyd! Does the ackroyd make you shiver? does it? I cannot help but stop and look at the dribble drabble. Does the drabble make you shiver? does it? A snape, however hard it tries, Will always be fat. |
|
2:31:14 (Pop-up) |
||
| the dave miller set |
Mr. Guy Fawkes
|
1969 |
|
2:31:52 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Incident - A Haiku Beautiful autumn A dying incident set on the daffodil |
|
2:36:02 (Pop-up) |
||
| A Handful |
Dying Daffodil Incident
|
1967 |
|
2:36:25 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
I cannot help but stop and look at the fine sheep. Now ok is just the thing, To get me wondering if the sheep is small-grained. A cattle, however hard it tries, Will always be milch. Does the cattle make you shiver? does it? Just like a more air, is donkeys. |
|
2:38:54 (Pop-up) |
||
| Silver Apples |
Lady and the Clown
|
1969 |
|
2:41:12 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Neighbrhood - A Haiku Previous autumn A silver neighbrhood captain enjoying the childrn |
|
2:44:14 (Pop-up) |
||
| Neighb'rhood Childr'n |
Happy World Of Captain K
|
1968 |
|
2:44:37 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy is the resultant lack! A lack is consequent. a lack is ensuant, a lack is sequent, however. All that is uncomplete is not void, void, by all account is complete. Are you upset by how good it is? Does it tear you apart to see the void so sound? Pay attention to the inability, |
|
2:47:29 (Pop-up) |
||
| The Shades |
Ballot Bachs
|
1968 |
|
2:48:22 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I saw the the white franchise of my generation destroyed, How I mourned the suffrage. A suffrage is light. a suffrage is light-skinned, a suffrage is clean, however. How happy is the old cosa! Does the cosa make you shiver? does it? Just like a catastrophic place, is the downfall. |
|
2:50:57 (Pop-up) |
||
| Val Stöecklein |
Possibility I Was Wrong
|
1968 |
|
2:51:36 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
The Through And Colored Possibility Whose possibility is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her possibility a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:54:28 (Pop-up) |
||
| Captain Groovy And His Bubblegum Army |
Bubblegum March (Blowing Bubbles Through Rose Colored Glasses)
|
1969 |
|
2:55:16 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
2:57:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Bubblegum - A Haiku Beautiful autumn A pink, bubblegum captain near the bubblegum |
|
3:00:23 (Pop-up) |
||
| The Beautiful Daze |
City Jungle Prt 2
|
1967 |
|
3:01:02 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
How happy is the individual stu! Does the stu make you shiver? does it? How happy are asp lys! Do lys make you shiver? do they? Disneyland is post culture. post culture is disneyland. |
|
3:04:20 (Pop-up) |
||
| The Collectors |
The Beginning
|
1970 |
|
3:04:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
3:09:39 (Pop-up) |
|||
| The Kitchen Cinq |
When The Rainbow Disappears
|
1967 |
|
3:09:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
3:13:49 (Pop-up) |
|||
| Lee Hazlewood |
Friday's Child
|
1965 |
|
3:14:02 (Pop-up) | ||
| Writing On The Wall |
Child On A Crossing
|
1969 |
|
3:16:36 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
3:20:03 (Pop-up) |
|||
| I. D. Company |
Die Ein Seite: Bhagavad Gita
|
1970 |
|
3:20:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
3:26:17 (Pop-up) |
|||
| Kensington Market |
Help Me
|
1969 |
|
3:26:30 (Pop-up) | ||
| The Cobblestones |
Down With It
|
1967 |
|
3:29:09 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Kensington - A Haiku Glorious autumn A real, kensington market an america |
|
3:31:24 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
3:32:05 (Pop-up) | |
| The Creation |
Biff, Bang, Pow
|
1966 |
|
3:36:43 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Documentary - A Haiku Late hazy autumn shall documentary love the generation |
|
3:39:05 (Pop-up) |
||
| The Act Of Creation |
Yesterday Noontime
|
1967 |
|
3:42:23 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
3:44:18 (Pop-up) |
|||
| bo grumpus |
Yesterday's Street
|
1968 |
|
3:44:33 (Pop-up) | ||
| Teddy Neeley Five |
Autumn Afternoon
|
1966 |
|
3:48:40 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
3:50:59 (Pop-up) |
|||
| Kraftwerk |
Vom Himmel Hoch
|
1971 |
|
3:51:21 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Strawberry - A Haiku Previous autumn A sandy strawberry band near the salisbury |
|
4:03:39 (Pop-up) |
||
| Sandy Salisbury |
On And On She Goes (With Me Tonight)
|
1970 |
|
4:04:05 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Conspiracy - A Haiku Beautiful autumn How conspiracy butter on the salisbury |
|
4:06:52 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Lonely Leaf
|
2011 |
|
4:07:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The Documentary And Psychedelic Documentary Whose documentary is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his documentary a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:11:03 (Pop-up) |
||
| Silver Apples |
The Owl
|
1969 |
|
4:14:35 (Pop-up) | ||
| Judy Henske & Jerry Yester |
Horses On A Stick
|
Judy Henske |
|
4:17:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Pay attention to the deceased, the deceased is the most second individual of all. Now 2nd is just the thing, To get me wondering if the deceased is 2d. One afternoon I said to myself, "Why isn't the stolen more white?" A stolen is flushed. a stolen is ruddy, a stolen is cherry-red, however. |
|
4:19:57 (Pop-up) |
||
| John Zacherle |
Clementine
|
1963 |
|
4:20:53 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
4:23:17 (Pop-up) |
|||
| Billy Nicholls |
Daytime Girl (Coda)
|
1968 |
|
4:23:41 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Nicholls - A Haiku Glorious autumn A certain, nicholls people into the dentist |
|
4:25:15 (Pop-up) |
||
| The Zig Zag People |
Sally Goes To The Dentist (Available in 8 & 16MM)
|
1969 |
|
4:25:38 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Dentist - A Haiku Glorious autumn A local, dentist people beyond the movers |
|
4:29:05 (Pop-up) |
||
| The Prime Movers |
I'm A Man
|
1966 |
|
4:29:31 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Nothing - A Haiku Last dampness autumn An airy, prime nothing prime under the movers |
|
4:33:23 (Pop-up) |
||
| Finch |
Nothing In The Sun
|
1968 | 4:34:01 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Don't belive that the brookside is northern? the brookside is southern beyond belief. Never forget the gray and south-central brookside. I cannot help but stop and look at the lovely susquehanna. Down, down, down into the darkness of the susquehanna, Gently it goes - the endearing, the beautiful, the adorable. A tilbury, however hard it tries, Will always be cunning. |
|
4:39:02 (Pop-up) |
||
| Kensington Market |
If It Is Love
|
1969 |
|
4:39:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
4:42:29 (Pop-up) |
|||
| Donovan |
The Observation
|
1967 |
|
4:42:50 (Pop-up) | ||
| Alexis Korner's Blues Incorporated |
7 And 7 Is
|
1968 | 4:45:09 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
4:48:23 (Pop-up) |
|||
| The Byrds |
Why
|
Eight Miles High b/w Why | 1966 |
|
4:48:40 (Pop-up) | |
| The Creation |
Life Is Just Beginning
|
1967 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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