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The run-around drill sergeant of love meets the freeform radio nurse in an international popularity crisis. Twang, dub, noise, rockers, aliens, drum machines, foreigners, imported goods, songs, rumbles, hollers, blips and squiggles, along with an occasional musical number.
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Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
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Rozalia Strutynska & Iwan Strutynski | Play, Beetle, Play | Грай, жуче, грай | Staryi Lysets: Ukrainian Songs from Prykarpattia (Ivano-Frankivsk Region) | Antonovka | 2022 | Help power Ukraine: https://evergreen.humanitru.com/web/campaigns/razom~support-for-ukraine?tab_2014=id%3A4162 | |||||
Angeline Morrison | Mad-Haired Moll O'Bedlam | The Sorrow Songs: Folk Songs Of The Black British Experience | Topic Records | 2022 | w/ Cohen Braithwaite-Kilcoyne, Clarke Camilleri, Hamilton Gross, Rosie Crow, Alex Neilson, Eliza Carthy (daughter of Norma & Martin of The Watersons). Read an interview here: https://tradfolk.co/music/music-interviews/angeline-morrison-sorrow-songs/ | 0:01:09 (Pop-up) | ||||
Piotr Kurek | Falling | A Sacrifice Shall Be Made / All The Wicked Scenes | Mondoj | 2020 | 0:05:53 (Pop-up) | |||||
Ameel Brecht | More Real Paradox | The Locked Room | Blickwinkel | 2022 | 0:10:14 (Pop-up) | |||||
Cosey Fanni Tutti | Guitar (Twickenham Studio 3) | Delia Derbyshire: The Myths And The Legendary Tapes - Original Soundtrack Recordings | Conspiracy International | 2022 | 0:15:41 (Pop-up) | |||||
Patrick Shiroishi | There Is No Moment In Which They Are Not With Me | Evergreen | Touch | 2022 | 0:20:08 (Pop-up) | |||||
Mako Sica with Hamid Drake, Tatsu Aoki & Thymme Jones | Silver Dragon Moon | Formless | Feeding Tube | 2022 | 0:28:44 (Pop-up) | |||||
MPM | Equatorial | Orbits | ICR | 2022 | 0:32:23 (Pop-up) | |||||
Echo & The Bunnymen | All My Colours (Peel Session) | The John Peel Sessions 1979-1983 | WEA/Korova/BBC | 2019 | '80 | 0:37:57 (Pop-up) | ||||
Tindersticks | Stars at Noon | Stars at Noon OST | Lucky Dog/City Slang | 2022 | 0:41:33 (Pop-up) | |||||
Senyawa + Lawrence English/Aviva Endean/Peter Knight/Helen Svoboda/Joe Talia | Perjamuan (The Supper) | The Prey And The Ruler | Room40 | 2022 | 0:45:37 (Pop-up) | |||||
These Immortal Souls | "Blood and Sand" She Said | Get Lost (Don't Lie!) | Mute | 1987 | 0:50:59 (Pop-up) | |||||
Parham Ghalamdar | My Beautiful Bird, Pt. 2 | Beautiful Apparitions | Death is Not the End | 2022 | 1:05:30 (Pop-up) | |||||
Neutral | Köldgatan | När | Omlott | 2017 | 1:10:26 (Pop-up) | |||||
Gabriele Mitelli, John Edwards, Mark Sanders | Green Lake, Black Bird | Three Tsuru Origami | We Insist! | 2022 | 1:13:13 (Pop-up) | |||||
Félon | Ensuqué | Ça Gansaille ! | Tanzprocesz | 2022 | 1:15:45 (Pop-up) | |||||
Il Radioamatore | Blablabla/Destiny! | The Fall of Europe | Eiga | 2022 | 1:18:07 (Pop-up) | |||||
Toshinori Kondo / Massimo Pupillo / Tony Buck | III | Eternal Triangle | I Dischi Di Angelica | 2022 | 1:21:27 (Pop-up) | |||||
Brian Eno | Garden of Stars | Foreverandevernomore | Opal/UMC | 2022 | 1:27:50 (Pop-up) | |||||
Diane Labrosse / Ikue Mori / Martin Tétreault | Magneticum Phaenomenon | Île Bizarre | Ambiances Magnétiques | 1998 | 1:32:33 (Pop-up) | |||||
Mumia | She is going to "The Hell" and everybody knows and everybody goes... | Mumia | Lugar Alto | 2020 | 1:34:36 (Pop-up) | |||||
Julien Ottavi / Joachim Montessuis | Self Non-Self | Snow Crash | Erratum | 2018 | 1:42:21 (Pop-up) | |||||
Smegma | Variations VII | Mutant Stomps | Helicopter/Troniks | 2021 | 1:48:12 (Pop-up) | |||||
The Young Gods | In C Part 2 | The Young Gods Play Terry Riley in C | Two Gentlemen | 2022 | 1:53:24 (Pop-up) | |||||
Ilsa Gold | Meine Garage | Spysatellite EP | Viewlexx | 1997 | 2:13:13 (Pop-up) | |||||
Lizzy Young | (Sh)it Never Stops | Not That Bad | Bandcamp | 2022 | 2:17:57 (Pop-up) | |||||
The Vision | Natty Vision | Far Away (6 Songs Of Reggae And Dub Music) | Emotional Rescue | 2022 | 6 tracks culled from German group's debut ‘10 Tracks Of Reggae & Dub Music’ ('87). | 2:20:38 (Pop-up) | ||||
Catu Diosis | Choc Kedda | V/A: Alternate African Reality – Electronic, Electroacoustic and Experimental Music from Africa and the Diaspora | Syrphe | 2020 | 2:25:11 (Pop-up) | |||||
Lady Aicha & Pisko Crane's Original Fulu Miziki of Kinshasa | Sebe | N'Djila Wa Mudujimu | Nyege Nyege Tapes | 2022 | 2:28:53 (Pop-up) | |||||
Oren Ambarchi | Shebang II/III | Shebang | Drag City | 2022 | w/ Chris Abrahams - piano on III Johan Berthling - acoustic bass on III BJ Cole - pedal steel on II Sam Dunscombe - bass clarinet on II Jim O'Rourke - synths on III Julia Reidy - 12-string guitar on III Joe Talia - drums on the whole Shebang | 2:33:12 (Pop-up) | ||||
Skanna | Find Me | The Remixes | Skanna | 1995 | 2:50:07 (Pop-up) | |||||
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Listener comments!
Robm:
Theo:
Aitch:
Space Ike:
I promise not to eat your brains. Honest.
chresti:
Chef Of The Future:
Robm:
slugluv1313:
mostly lurking, but so happy to be here and listening with you all :)
brycepunk1:
ultradamno:
Robm:
melinda:
Chop Scott:
Ken From Hyde Park:
Webhamster Henry:
chresti:
slugluv1313:
Daniel Blumin:
Mister Dobalina:
slugluv1313:
yes, that Angeline Morrison piece is intriguing -- going to dig deeper
Daniel Blumin:
chresti:
slugluv1313:
hope all is well with you!
Destroit:
ultradamno:
steveo:
chresti:
~!K∑~:
Daniel Blumin:
Robm:
Robm:
lazy pierogi:
Robm:
ultradamno:
Destroit:
Daniel Blumin:
Listener Jonny in South Central... (Ohio):
Rob (Jerzcity):
Listener Jonny in South Central... (Ohio):
Bryce:
Robm:
Stevel:
Daniel Blumin:
Listener Wolfgang:
slugluv1313:
possibly my favorite of theirs -- so haunting (but not familiar with this version!)
thank you, Daniel -- i am in Heaven now
Robm:
Chef Of The Future:
All that I have and all that I have worked for lie in ruins at my feet.
Revolution Rabbit Nov63:
Also - love Bunnymen.
Daniel Blumin:
coelacanth∅:
slugluv1313:
Daniel Blumin:
coelacanth∅:
MC:
Aitch:
Daniel Blumin:
Revolution Rabbit Nov63:
Chef Of The Future:
ultradamno:
spodiodi:
ultradamno:
Stevel:
ultradamno:
Stevel:
coelacanth∅:
ultradamno:
ultradamno:
jeanli:
Ken From Hyde Park:
The Count of Al Dente:
jeanli:
Theo:
ultradamno:
P-90:
Franco Twinkie:
The Count of Al Dente:
Franco Twinkie:
The Count of Al Dente:
McGroovey:
The Count of Al Dente:
Franco Twinkie:
Harry Corvair:
III by Toshinori Kondo / Massimo Pupillo / Tony Buck (Eternal Triangle)
rw:
jeanli:
Stevel:
Mike W is a Swag4Lifer without icons:
rw:
chresti:
P-90:
northguineahills:
Bryce:
Aitch:
Harry Howard.
www.youtube.com...
rw:
chresti:
rw:
Mike W is a Swag4Lifer without icons:
Mike W is a Swag4Lifer without icons:
Stevel:
Vocal Fry!
ultradamno:
Stevel:
slugluv1313:
Franco Twinkie:
slugluv1313:
and more stuff to make me go broke on bandcamp 😸😸
Daniel Blumin:
Zipper Head:
ultradamno:
slugluv1313:
Aitch:
Saw Birthday Party in '83 and was right in front of Roland.
Nearly had a heart attack then as well, skinny teen in a crowd of smack vampires.
Franco Twinkie:
northguineahills:
ultradamno:
Theo:
northguineahills:
Franco Twinkie:
ultradamno:
slugluv1313:
slugluv1313:
The Count of Al Dente:
brycepunk1:
Bryce:
northguineahills:
P-90:
Ignore Function:
TDK60:
The Count of Al Dente:
Stevel:
coelacanth∅:
coelacanth∅:
chresti:
TimSF:
Your music is always terrific,,,Plus, you have the greatest laugh. thanks Bloomin'
The Count of Al Dente:
northguineahills:
The Count of Al Dente:
chresti:
The Count of Al Dente:
TimSF:
chresti:
coelacanth∅:
some people have said that borrowing from one song is plagiarism but borrowing from many is being influenced
Daniel Blumin:
northguineahills:
MC:
coelacanth∅:
nobody else agreed or disagreed but Irene didn't fully agree.
it was blaringly obvious though... more deliberate and more thorough than elo trying to sound like the beatles.
northguineahills:
Jon:
Daniel Blumin:
chresti:
rw:
spodiodi:
and thanks for the show, Daniel!
slugluv1313:
The Count of Al Dente:
northguineahills:
grtyvr:
Aitch:
Daniel and Blumin
Bryce:
northguineahills:
wunderschnapps away, db!
Chef Of The Future:
Ken From Hyde Park:
Franco Twinkie:
The Count of Al Dente:
Listener Wolfgang:
slugluv1313:
The Count of Al Dente:
coelacanth∅:
Theo:
Daniel Blumin:
Little Danny:
J. T.:
coelacanth@11-21-22: