The Night Owl Show with Owl Sun:
Playlist
from November 11, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:32 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:57 (Pop-up) | ||||
| The Gentle Soul |
Through A Dream
|
1968 |
|
0:03:37 (Pop-up) | ||
| Dalton & Montgomery |
Tomorrow's Women
|
1967 |
|
0:07:27 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Unabridged - A Haiku Overcast autumn A great, unabridged complete imitiation |
|
0:09:28 (Pop-up) |
||
| Fever Tree |
Imitiation Situation (complete and unabridged)
|
1969 |
|
0:10:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Unabridged, Part 2 - A Haiku Overcast autumn A great, unabridged complete imitiation |
|
0:15:46 (Pop-up) |
||
| it's all meat |
Roll My Own
|
1970 |
|
0:16:12 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
0:21:55 (Pop-up) |
|||
| Lord Sutch |
The Cheat
|
1966 |
|
0:22:05 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Pay attention to the presence, the presence is the most visible attending of all. Now seeable is just the thing, To get me wondering if the presence is invisible. I saw the the total quality of my generation destroyed, How I mourned the inability. Does the inability make you shiver? does it? |
|
0:25:13 (Pop-up) |
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| The Apple Pie Motherhood Band |
He Turned You On
|
1969 |
|
0:25:49 (Pop-up) | ||
| Colours |
Rather Be Me
|
1968 |
|
0:30:05 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Motherhood - A Haiku Glorious autumn A party motherhood band on the harrison |
|
0:33:37 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
0:34:05 (Pop-up) | |
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
0:38:31 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Harrison - A Haiku Early dampness fall A party harrison thank despite the seacombe |
|
0:43:10 (Pop-up) |
||
| goundhogs |
Thank Christ For The Bomb ... alienness
|
1970 |
|
0:43:56 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
One afternoon I said to myself, "Why isn't the hell more imperfect?" Never forget the exact and gross hell. The adult male that's really indian, Above all others is the boy. Never forget the amerindic and amerind boy. When I think of the cow, I see a brown light. Never forget the sensationalistic and irrational cow. |
|
0:52:10 (Pop-up) |
||
| The Troll |
Everybody's Child
|
1968 |
|
0:52:59 (Pop-up) | ||
| Mom's Boys |
Yellow Pill
|
1967 |
|
0:55:52 (Pop-up) | ||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
0:58:14 (Pop-up) | |
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
1:00:21 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
1:00:31 (Pop-up) |
|||
| Eden's Children |
Knocked Out
|
1968 |
|
1:01:06 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at antique vases. Vases are unfashionable. vases are old, vases are passe, however. I saw the the pious remembering of my generation destroyed, How I mourned the remembrance. Never forget the pharisaical and reverent remembrance. The zany stove sings like lighted terms Does the stove make you shiver? |
|
1:04:18 (Pop-up) |
||
| The Candles |
This I Say (vocal)
|
1966 |
|
1:04:59 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at meal cakes. Do cakes make you shiver? do they? Flowers, however hard they try, Will always be lilac. Now chromatic is just the thing, To get me wondering if flowers are lavender. umbrellas are not little! |
|
1:07:20 (Pop-up) |
||
| People! |
1000 Years B.C.
|
1968 |
|
1:07:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
1:12:02 (Pop-up) |
|||
| Bruno Leys |
Maintenant Je Suis Un Voyou
|
1969 |
|
1:12:27 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at meal cakes. Do cakes make you shiver? do they? Flowers, however hard they try, Will always be lilac. Now chromatic is just the thing, To get me wondering if flowers are lavender. umbrellas are not little! |
|
1:15:02 (Pop-up) |
||
| bobak, jones, malone |
on a meadow lea
|
1969 |
|
1:15:43 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:19:09 (Pop-up) |
|||
| Group Therapy |
Remember What You Say
|
1969 |
|
1:19:22 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
All that is undemocratic is not mitchell, mitchell, by all account is democratic. Does the mitchell make you shiver? does it? An anita, however hard it tries, Will always be sorry. Does the anita make you shiver? does it? |
|
1:22:11 (Pop-up) |
||
| Michele |
Would You Like To Go
|
1969 |
|
1:22:45 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I cannot help but stop and look at the hapless derek. Down, down, down into the darkness of the derek, Gently it goes - the piteous, the poor, the pathetic. A christine, however hard it tries, Will always be young. Down, down, down into the darkness of the christine, Gently it goes - the vernal, the tender, the formative. When I think of the michel, I see a marie hyacinthe. |
|
1:25:13 (Pop-up) |
||
| The Gun |
Sunshine
|
Gun | 1969 |
|
1:26:09 (Pop-up) | |
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:30:03 (Pop-up) | |
| Les Brummel's |
Boaf (6 Kg. de fraises dans le panier a salade de Marie)
|
1966 |
|
1:30:19 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The suzy is not rich! the suzy is exceptionally poverty-stricken. Down, down, down into the darkness of the suzy, Gently it goes - the bad, the poverty-stricken, the inferior. How happy is the british bryce! Does the bryce make you shiver? does it? When I think of the whiteside, I see a phlegmatic disposition. |
|
1:31:56 (Pop-up) |
||
| Fever Tree |
The God Game
|
1969 |
|
1:33:54 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The suzy is not rich! the suzy is exceptionally poverty-stricken. Down, down, down into the darkness of the suzy, Gently it goes - the bad, the poverty-stricken, the inferior. How happy is the british bryce! Does the bryce make you shiver? does it? When I think of the whiteside, I see a phlegmatic disposition. |
|
1:38:19 (Pop-up) |
||
| The Cave Dwellers |
Meditation
|
1968 |
|
1:39:15 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:43:13 (Pop-up) |
|||
| 5 Gentlemen |
L. S. D. 25 Ou Les Metamorphoses De Margaret Steinway
|
1966 |
|
1:43:32 (Pop-up) | ||
| Baldwin |
Beautiful Butterfly
|
1967 |
|
1:46:01 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Pay attention to the head, the head is the most former top of all. Never forget the other and previous head. Fronts, however hard they try, Will always be flat. Now unstimulating is just the thing, To get me wondering if fronts are prostrate. Pay attention to the mind, |
|
1:48:15 (Pop-up) |
||
| it's all meat |
You Brought Me Back To My Senses
|
1970 |
|
1:49:02 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at sacred feels. Never forget the numinous and sacral feels. One afternoon I said to myself, "Why aren't minds more uncreative?" Are you upset by how notional they are? Does it tear you apart to see the minds so ingenious? Pay attention to the substance, the substance is the most fat portion of all. |
|
1:52:10 (Pop-up) |
||
| Colours |
I'm Leaving
|
1968 |
|
1:52:51 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
One afternoon I said to myself, "Why aren't flags more mature?" Are you upset by how unseasoned they are? Does it tear you apart to see the flags so greenish? How happy are many strippers! Now umteen is just the thing, To get me wondering if strippers are numerous. Sights are horrid experience. |
|
1:55:32 (Pop-up) |
||
| The Mooche |
Hot Smoke & Sassafras
|
2001 | 1:56:11 (Pop-up) | |||
| Fathers Angels |
Bok to Bach
|
Bok To Bach / Disco Trucking |
|
1:59:16 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Sassafras - A Haiku Last dampness autumn A white, hot sassafras smoke at the perfect mooche |
|
2:00:31 (Pop-up) |
||
| goundhogs |
Ship On The Ocean
|
1970 |
|
2:01:00 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
2:04:25 (Pop-up) |
|||
| Serge Franklin |
Exister
|
1968 |
|
2:04:40 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
|
2:07:25 (Pop-up) |
|||
| The Troll |
Satin City News
|
1968 |
|
2:07:47 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
2:11:11 (Pop-up) |
|||
| Jolliver Arkansaw |
Mr. Brennan
|
1969 |
|
2:11:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
2:13:43 (Pop-up) |
|||
| The Soulful Strings |
Jericho
|
1968 |
|
2:13:56 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:17:00 (Pop-up) |
|||
| the glitterhouse |
Princess Of The Gingerland
|
1968 |
|
2:17:10 (Pop-up) | ||
| Larry And The Paper Prophets |
The Only Thing
|
2018 |
|
2:21:27 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Omissions, however hard they try, Will always be crucial. Never forget the determinative and essential omissions. How happy is the coral forgotten! Are you upset by how chromatic it is? Does it tear you apart to see the forgotten so colored? Prefaces, however hard they try, Will always be little. |
|
2:23:31 (Pop-up) |
||
| Funkadelic |
I'Ll Bet You
|
1969 |
|
2:24:25 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
2:28:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Pay attention to the reggae, the reggae is the most dancehall popular music of all. Does the reggae make you shiver? does it? Pay attention to the psychedelia, the psychedelia is the most late subculture of all. Are you upset by how middle it is? Does it tear you apart to see the psychedelia so deep? |
|
2:31:14 (Pop-up) |
||
| People! |
Nothing Can Stop the Elephants
|
1968 |
|
2:32:04 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
2:35:35 (Pop-up) |
|||
| Group Therapy |
Wait
|
1969 |
|
2:35:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:41:50 (Pop-up) |
|||
| Sweetwater |
For Pete's Sake
|
1968 |
|
2:42:07 (Pop-up) | ||
| Michele |
Blind As You Are
|
1969 |
|
2:44:53 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:47:39 (Pop-up) |
|||
| The Boomerangs |
Dream World
|
1966 |
|
2:47:57 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
2:50:36 (Pop-up) |
|||
| Benjamin |
Un Train
|
1966 |
|
2:50:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Underground - A Haiku Threatening autumn An active, underground train on the benjamin |
|
2:53:15 (Pop-up) |
||
| The Underground Set |
Atollo
|
1970 |
|
2:53:35 (Pop-up) | ||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
2:56:38 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
Underground, Part 2 - A Haiku Previous autumn A german, underground love despite the sunday |
|
3:00:32 (Pop-up) |
||
| it's all meat |
Sunday Love
|
1970 |
|
3:01:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
3:10:16 (Pop-up) |
|||
| Eden's Children |
Don't Tell Me
|
1968 |
|
3:10:30 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Flushes, however hard they try, Will always be successive. Now sequential is just the thing, To get me wondering if flushes are serial. How happy are blue stains! Down, down, down into the darkness of the stains, Gently they go - the dark-blue, the cheerless, the spicy. zany colourants sings like a natural side |
|
3:15:13 (Pop-up) |
||
| Colours |
Cataleptic
|
1968 |
|
3:15:56 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Colorants, however hard they try, Will always be yellow. Never forget the sensationalistic and chickenhearted colorants. Overtones, however hard they try, Will always be harmonic. Do overtones make you shiver? do they? How happy are fat cores! |
|
3:18:50 (Pop-up) |
||
| goundhogs |
Garden
|
1970 |
|
3:19:25 (Pop-up) | ||
| The Paupers |
My Love Hides From Your View
|
1967 |
|
3:24:43 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
How happy is the visible presence! Now telescopic is just the thing, To get me wondering if the presence is circumpolar. The quality that's really chronic, Above all others is the inability. Never forget the confirmed and progressive inability. Pay attention to the lack, the lack is the most cunning demand of all. |
|
3:27:57 (Pop-up) |
||
| Jolliver Arkansaw |
Bright As Fire
|
1969 |
|
3:28:51 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Arkansaw - A Haiku Late dampness autumn before bright arkansaw friend on the jolliver |
|
3:32:02 (Pop-up) |
||
| the glitterhouse |
I Lost Me A Friend
|
1968 |
|
3:32:26 (Pop-up) | ||
| The Misunderstood |
I Unseen
|
Children Of The Sun / I Unseen | 1969 |
|
3:36:37 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
Rabble - A Haiku Depressing autumn A crushing rabble rabble under the mother |
|
3:38:37 (Pop-up) |
||
| The Rabble |
The Crushing Hand Of Mother
|
1967 |
|
3:39:07 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
The Set And Crushing Wonderland Whose wonderland is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wonderland a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:41:58 (Pop-up) |
||
| Dave Heenan Set |
Alice In Wonderland
|
1967 |
|
3:42:44 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Wonderland - A Haiku Previous autumn A white, wonderland people beyond the people |
|
3:45:58 (Pop-up) |
||
| People! |
Crying Shoes
|
1968 |
|
3:46:23 (Pop-up) | ||
| Keith Relf |
Mr Zero
|
1966 |
|
3:49:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
All that is old is not brien, brien, by all account is young. Down, down, down into the darkness of the brien, Gently it goes - the teenage, the puppyish, the infantile. I cannot help but stop and look at sea boots. Do boots make you shiver? do they? How happy is the zany laney! |
|
3:51:48 (Pop-up) |
||
| The Troll |
Professor Potts Pornographic Projector
|
1968 |
|
3:52:36 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The brentwood is not immature! the brentwood is exceptionally honest-to-goodness. Are you upset by how archaic it is? Does it tear you apart to see the brentwood so honest-to-goodness? All that is sour is not drayton, drayton, by all account is sweet. Does the drayton make you shiver? does it? |
|
3:55:35 (Pop-up) |
||
| Kensington Market |
Side I Am
|
1969 |
|
3:56:17 (Pop-up) | ||
| Group Therapy |
I Must Go
|
1969 |
|
3:59:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Don't belive that the sarah is humble? the sarah is proud beyond belief. Now swollen-headed is just the thing, To get me wondering if the sarah is pleased. The cynthia is not inelegant! the cynthia is exceptionally exquisite. Never forget the soignee and exquisite cynthia. All that is fat-free is not jennifer, |
|
4:03:18 (Pop-up) |
||
| Michele |
Fallen Angel
|
1969 |
|
4:04:07 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Rumplestiltskin - A Haiku Previous autumn before rumplestiltskin pop under the michele |
|
4:07:32 (Pop-up) |
||
| The Pop Art |
Rumplestiltskin
|
1966 |
|
4:07:55 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Rumplestiltskin, Part 2 - A Haiku Previous autumn A fou rumplestiltskin pop at the perfect jacques |
|
4:11:11 (Pop-up) |
||
| Jacques Da Sylva |
Fou
|
1967 |
|
4:11:45 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The Fou And Thirteenth Thirteenth Whose thirteenth is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his thirteenth a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:14:02 (Pop-up) |
||
| the thirteenth floor elevators |
Reverbaration (Doubt)
|
1966 |
|
4:15:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I saw the the alleged scarcity of my generation destroyed, How I mourned the paucity. Does the paucity make you shiver? does it? The need that's really continued, Above all others is the lack. Does the lack make you shiver? does it? |
|
4:17:49 (Pop-up) |
||
| Perkins |
C'est ca la monde
|
1967 |
|
4:18:25 (Pop-up) | ||
| The Jelly Bean Bandits |
Country Woman
|
1967 |
|
4:21:02 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
4:23:26 (Pop-up) |
|||
| it's all meat |
Roll My Own
|
1970 |
|
4:23:46 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
4:29:27 (Pop-up) |
|||
| Lord Sutch |
The Cheat
|
1966 |
|
4:29:39 (Pop-up) | ||
| Randy S & The Westwood Paper |
Haight-Ashbury Blues
|
1967 |
|
4:32:49 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
4:35:54 (Pop-up) |
|||
| goundhogs |
Rich Man, Poor Man
|
1970 |
|
4:37:34 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Program - A Haiku Late dampness autumn A total, poor program man betrayed by the haack |
|
4:40:57 (Pop-up) |
||
| Created by Bruce Haack |
Program Me
|
Hush Little Robot |
|
4:41:21 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The Sound And Electric Hallucination Whose hallucination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his hallucination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:45:52 (Pop-up) |
||
| Chaparral Electric Sound Inc. |
Hallucination
|
1970 |
|
4:46:42 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:51:05 (Pop-up) | ||||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b |
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Listener comments!
Owl Sun:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
bill hanke:
bill hanke:
bill hanke:
bill hanke:
bill hanke:
bill hanke:
Owl Sun:
bill hanke:
Owl Sun:
David (in London):
Owl Sun: