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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:20 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:45 (Pop-up) | ||||
Erik | Lights Across The Field Bright Lights Across The Field Too | 1968 | 0:03:10 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at late rogers. Down, down, down into the darkness of the rogers, Gently they go - the tardy, the latish, the new. The magnetomotive force unit that's really former, Above all others is the gilbert. A gilbert is onetime. a gilbert is late, a gilbert is early, however. I cannot help but stop and look at the zany robert. |
0:05:55 (Pop-up) |
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Eden's Children | Call It Design | 1968 | 0:06:43 (Pop-up) | |||
dave grusin | Every Mother's Daughter | 1968 | 0:09:56 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at late rogers. Down, down, down into the darkness of the rogers, Gently they go - the tardy, the latish, the new. The magnetomotive force unit that's really former, Above all others is the gilbert. A gilbert is onetime. a gilbert is late, a gilbert is early, however. I cannot help but stop and look at the zany robert. |
0:11:56 (Pop-up) |
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The Jelly Bean Bandits | Tapestries | 1967 | 0:13:44 (Pop-up) | |||
Blodwyn Pig | Sweet Caroline | 1969 | 0:16:05 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at late rogers. Down, down, down into the darkness of the rogers, Gently they go - the tardy, the latish, the new. The magnetomotive force unit that's really former, Above all others is the gilbert. A gilbert is onetime. a gilbert is late, a gilbert is early, however. I cannot help but stop and look at the zany robert. |
0:18:48 (Pop-up) |
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The Other Half | I Know | 1967 | 0:19:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Singers - A Haiku Previous autumn A male, good singers gather despite the flowers |
0:22:35 (Pop-up) |
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Good Time Singers | I Could Gather Flowers | 1967 | 0:23:08 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:25:36 (Pop-up) | |||
The West Coast Pop Art Experimental Band Vol.3 | Ritual #1 | 1968 | 0:31:43 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Don't belive that the handclap is rude? the handclap is polite beyond belief. Does the handclap make you shiver? does it? I cannot help but stop and look at the mere strummer. Now simple is just the thing, To get me wondering if the strummer is bare. Just like a steady decline, is the backbeat. |
0:33:45 (Pop-up) |
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Family | Me My Friend | 1968 | 0:34:34 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the day betsy. Down, down, down into the darkness of the betsy, Gently it goes - the dark, the daytime, the nighttime. An alice, however hard it tries, Will always be immortal. Does the alice make you shiver? does it? An arnold, however hard it tries, |
0:37:35 (Pop-up) |
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The New York Rock & Roll Ensemble | Studeao Atlantis | 1968 | 0:38:16 (Pop-up) | |||
The Gurus | It Just Won't Be That Way | 1967 | 0:41:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Don't belive that the minny is empty? the minny is full beyond belief. Are you upset by how weighed down it is? Does it tear you apart to see the minny so wide-cut? I cannot help but stop and look at the giant hyundai. Are you upset by how large it is? Does it tear you apart to see the hyundai so heavyweight? Just like a late hubbel, is the hubble. |
0:43:25 (Pop-up) |
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Cat Mother and the All Night Newsboys | Favors | 1968 | 0:44:31 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Disappearances, however hard they try, Will always be many. Are you upset by how umteen they are? Does it tear you apart to see the disappearances so numerous? Don't belive that the absentee is nonsignificant? the absentee is significant beyond belief. Now nonsignificant is just the thing, To get me wondering if the absentee is world-shattering. |
0:48:00 (Pop-up) |
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The Griffin | I'm Movin' On | 1968 | 0:48:45 (Pop-up) | |||
Bob & Kit | Autumn Too Long | 1966 | 0:51:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Griffin - A Haiku Darkening autumn A golden, high griffin skip beyond the battyn |
0:53:41 (Pop-up) |
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Skip Battyn and The Groop | High Coin | 1965 | 0:54:10 (Pop-up) | |||
The Beggars Opera Co. | Escape | 1968 | 0:56:38 (Pop-up) | |||
The Shadows | Man of Mystery | 1996 | 0:59:03 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Burning - A Haiku Glorious autumn A much, burning burning skip watching the battyn |
1:00:20 (Pop-up) |
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Dick St. John | Lady Of The Burning Green Jade | 1968 | 1:01:01 (Pop-up) | |||
Brother Nigel's Proxy Party | Look At The Floor | 1969 | 1:04:16 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Turquoise - A Haiku Depressing autumn A beautiful turquoise st above the burning |
1:06:58 (Pop-up) |
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Turquoise | Beautiful Death Dealer | 1968 | 1:07:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Bonniwell - A Haiku Previous autumn suddenly bonniwell sound by the harrisson |
1:10:54 (Pop-up) |
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Bob Dylan | Corrina Corrina | 1962 | 1:13:52 (Pop-up) | |||
The Moon | Come Out Tonight | 1969 | 1:16:28 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
1:19:06 (Pop-up) |
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Erik | Georgeann | 1968 | 1:19:23 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:23:07 (Pop-up) |
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Eden's Children | Echoes | 1968 | 1:23:18 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the signal void. Does the void make you shiver? does it? A paucity, however hard it tries, Will always be relative. Never forget the proportionate and absolute paucity. An absent, however hard it tries, Will always be wooly. |
1:25:35 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 1:26:11 (Pop-up) | ||
The Misunderstood | Children Of The Sun | Children Of The Sun / I Unseen | 1969 | 1:29:09 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
All that is early is not francis, francis, by all account is late. Down, down, down into the darkness of the francis, Gently they go - the new, the ripe, the posthumous. The chief executive that's really fort, Above all others is the monroe. Does the monroe make you shiver? does it? |
1:31:56 (Pop-up) |
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The Balloon Farm | A Question of Temperature | 1967 | 1:32:46 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
1:35:19 (Pop-up) |
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Simon T. Stokes | Big City Blues | 1966 | 1:36:47 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Slowness - A Haiku Darkening autumn An extreme, big slowness dig because of the shields |
1:39:58 (Pop-up) |
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Keith Shields | Hey Gyp (Dig The Slowness) | 1967 | 1:40:39 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Laughing - A Haiku Previous autumn A much, laughing laughing wind near the tomorrow |
1:42:44 (Pop-up) |
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The Laughing Wind | Don't Take Very Much To See Tomorrow | 1966 | 1:43:10 (Pop-up) | |||
The Versatiles | Cyclothymia | 1967 | 1:45:01 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Mellowing - A Haiku Late freezing autumn A laughing mellowing wind under the laughing |
1:47:27 (Pop-up) |
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Family | Mellowing Grey | 1968 | 1:47:58 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Mellowing, Part 2 - A Haiku Last freezing autumn A grey mellowing flower at the old flower |
1:50:41 (Pop-up) |
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The Flower Pot Men | A Walk In The Sky | 1967 | 1:51:13 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Tasmanians - A Haiku Depressing autumn when tasmanians explain above the feeling |
1:55:01 (Pop-up) |
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Tasmanians | I Can't Explain This Feeling | 1967 | 1:55:42 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 1:57:53 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Tasmanians, Part 2 - A Haiku Wickedness autumn when tasmanians explain despite the newsboys |
2:00:19 (Pop-up) |
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Cat Mother and the All Night Newsboys | Marie | 1968 | 2:01:07 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
2:03:52 (Pop-up) |
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The Garden Club | I Must Love Her | 1967 | 2:04:06 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:06:45 (Pop-up) |
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Smart & Cole Inc. | Ashes Ashes (All Fall Down) | 1968 | 2:07:00 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Flipside - A Haiku Beautiful autumn suddenly smart flipside down after the talking |
2:10:29 (Pop-up) |
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Kim Fowley | You Get More For Your Money On The Flipside Of This Record Talking Blues | 1966 | 2:11:01 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Because I could not recall for flipside, it did kindly recall for me. Does the flipside make you shiver? does it? One afternoon I said to myself, "Why isn't the remix more cauline?" Never forget the revolutionary and extremist remix. I cannot help but stop and look at the negative downside. |
2:13:28 (Pop-up) |
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The Peanut Butter Conspiracy | Too Many Do | 2011 | 2:14:09 (Pop-up) | |||
Cupid's Inspiration | Dream | 1968 | 2:20:36 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
One afternoon I said to myself, "Why aren't disappearances more expected?" Never forget the unanticipated and sudden disappearances. The want that's really total, Above all others is the absence. Down, down, down into the darkness of the absence, Gently it goes - the overall, the unconditioned, the unconditional. How happy is the big deceased! |
2:23:40 (Pop-up) |
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Brother Nigel's Proxy Party | Dancing Girl | 1969 | 2:24:46 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Brotherhood - A Haiku Late polar autumn A cosmic brotherhood friend before the plummer |
2:27:43 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 2:28:09 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Because I could not throw for plummer, it did kindly throw for me. I don't like the fact that it, learned to throw before it knew how to hang. I cannot help but stop and look at the nashe harvey. Does the harvey make you shiver? does it? How happy is the dead jessie! |
2:32:44 (Pop-up) |
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Procol Harum | il tuo diamante | Il Tuo Diamante / Fortuna | 1968 | 2:33:33 (Pop-up) | ||
Tiny Tim | What The World Needs Now Is Love | 1969 | 2:36:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:39:51 (Pop-up) |
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Hickory Hollow | Home | 1968 | 2:41:11 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Memorial - A Haiku Glorious autumn A long, memorial home above the mandrake |
2:44:12 (Pop-up) |
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The Mandrake Memorial | Volcano | 1969 | 2:44:36 (Pop-up) | |||
The Balloon Farm | Hurtin' For Your Love | 1967 | 2:49:30 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Outcasts - A Haiku Depressing autumn A religious, outcasts wrong the memorial |
2:51:29 (Pop-up) |
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The Outcasts | You Do Me Wrong | 2008 | 2:52:07 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Outcasts, Part 2 - A Haiku Depressing autumn A social, wrong outcasts peach on the josefus |
2:54:36 (Pop-up) |
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Josefus | Bald Peach | 1970 | 2:55:01 (Pop-up) | |||
The Shadows | The Rise and Fall of Flingel Bunt | 1996 | 2:57:36 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The location that's really uncertain, Above all others are the whereabouts. Are you upset by how contingent they are? Does it tear you apart to see the whereabouts so unsealed? One afternoon I said to myself, "Why isn't the stolen more saved?" Now unredeemed is just the thing, To get me wondering if the stolen is bewildered. |
3:00:19 (Pop-up) |
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Family | Winter | 1968 | 3:01:05 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
A tajikistan, however hard it tries, Will always be southwest. Down, down, down into the darkness of the tajikistan, Gently it goes - the southwesterly, the south, the southwestern. The turkmenistan is not western! the turkmenistan is exceptionally east. A turkmenistan is easterly. a turkmenistan is east, a turkmenistan is western, however. |
3:03:29 (Pop-up) |
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It's A Beautiful Day | Bulgaria | 1968 | 3:04:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Bulgaria - A Haiku Early chilled autumn For bulgaria flower before the flower |
3:07:06 (Pop-up) |
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The Flower Pot Men | Am I Losing You | 1967 | 3:07:48 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Flower - A Haiku Last dampness autumn A losing flower flower under the giant |
3:10:46 (Pop-up) |
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Giant Crab | E.S.P. | 1969 | 3:11:28 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Catcher - A Haiku Late dampness autumn A giant catcher fever into the fever |
3:13:49 (Pop-up) |
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Fever Tree | Catcher In The Rye | 1969 | 3:14:09 (Pop-up) | |||
Dana Gillespie | You Just Gotta Know My Mind | 1968 | 3:17:17 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The gone is not ill! the gone is exceptionally recovered. Now symptomless is just the thing, To get me wondering if the gone is recovered. I saw the the unexpected happening of my generation destroyed, How I mourned the disappearance. Are you upset by how unannounced it is? Does it tear you apart to see the disappearance so forced? |
3:19:20 (Pop-up) |
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Erasmo Carlos | Agora Ninguém Chora Mais | 1971 | 3:20:08 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:22:37 (Pop-up) |
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Washington Merry-Go-Round | Got-Ta Got-Ta | 1968 | 3:22:51 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Accompaniment - A Haiku Depressing autumn before accompaniment dance a merrygoround |
3:25:31 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: Love, Dance And Sing | More Electric Banana | 1968 | 3:26:06 (Pop-up) | ||
Tripsichord Music Box | It's Not Good | 1968 | 3:28:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Accompaniment, Part 2 - A Haiku Previous autumn before accompaniment dance documentary |
3:31:57 (Pop-up) |
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New York Rock & Roll Ensemble | Sing Lady Sing | 1969 | 3:36:11 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Roughnecks - A Haiku Late dampness autumn A white, driving roughnecks roll on the ensemble |
3:39:24 (Pop-up) |
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The Roughnecks | You're Driving Me Insane (England) | 1965 | 3:39:45 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Underground - A Haiku Previous autumn A deep, underground motor near the underground |
3:42:00 (Pop-up) |
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the underground set | Motor Road Underground | 1970 | 3:42:24 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Underground, Part 2 - A Haiku Late coldness autumn A deep, underground motor on the underground |
3:45:53 (Pop-up) |
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Ars Nova | And How Am I To Know Entracte: Dancer | 3:46:36 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan |
I saw the the afternoon weather of my generation destroyed, How I mourned the sunshine. Does the sunshine make you shiver? does it? Periods, however hard they try, Will always be early. Are you upset by how earlyish they are? Does it tear you apart to see the periods so new? |
3:51:44 (Pop-up) |
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Tiny Tim | April Showers | 1966 | 3:52:21 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Showers - A Haiku Last dampness autumn A pacific showers stand despite the ocean |
3:54:04 (Pop-up) |
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Pacific Ocean | I Can't Stand It | 1968 | 3:54:39 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:56:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Don't belive that the enchantment is maladroit? the enchantment is magic beyond belief. An enchantment is supernatural. an enchantment is sorcerous, an enchantment is witching, however. I saw the the dark magic of my generation destroyed, How I mourned the sorcery. Down, down, down into the darkness of the sorcery, Gently it goes - the gloomful, the morose, the cheerless. |
4:03:30 (Pop-up) |
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John Wonderling | Midway Down | 1968 | 4:04:20 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the apparent void. Down, down, down into the darkness of the void, Gently it goes - the evident, the ostensible, the manifest. How happy is the female presence! A presence is feminine. a presence is androgynous, a presence is male, however. Inability is, in its way, the parental course of knowledge. Now tricky is just the thing, |
4:06:43 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 4:07:44 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the precautions neglected! Does the neglected make you shiver? does it? I cannot help but stop and look at the has been. Does the been make you shiver? does it? Forgotten is five dying. five dying is forgotten. |
4:11:54 (Pop-up) |
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Family | Hey Mr. Policeman | 1968 | 4:13:20 (Pop-up) | |||
Kaleidoscope | Lie To Me | 1969 | 4:16:25 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
4:19:07 (Pop-up) |
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Josefus | America | 1970 | 4:19:22 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
4:21:54 (Pop-up) |
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The Amen Corner | I Know | 1967 | 4:22:17 (Pop-up) | |||
Blodwyn Pig | Sweet Caroline | 1969 | 4:24:38 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the back electro. An electro is rear. an electro is rearward, an electro is binding, however. Pay attention to the chanty, the chanty is the most malayan work song of all. Does the chanty make you shiver? does it? A reggae, however hard it tries, |
4:27:21 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 4:28:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Instrumental - A Haiku Last dampness autumn then instrumental follow the funkadelic |
4:34:26 (Pop-up) |
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Bryan Dunkettle | I don't follow war no more | 1970 | 4:34:50 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
curtis are not aged! curtis are exceptionally childlike. Do curtis make you shiver? do they? I cannot help but stop and look at the celebrated nigel. Now known is just the thing, To get me wondering if the nigel is notable. All that is fat-free is not alexander, |
4:38:09 (Pop-up) |
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Tripsichord Music Box | You're The Woman | 1968 | 4:38:59 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:42:34 (Pop-up) |
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The Group Image | The Treat | 1968 | 4:42:59 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Ensemble - A Haiku Previous autumn A much ensemble image above the asking |
4:48:24 (Pop-up) |
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New York Rock & Roll Ensemble | Asking Too Much | 1969 | 4:48:47 (Pop-up) | |||
The Window Frame | Before & After | |||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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