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I play rhinoceros and psychedelic fork.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
The In-Theme | 0:00:00 (Pop-up) | |||||||||
Uge | Mad Charles | 7" | WGW | 1975 | 0:01:59 (Pop-up) | |||||
Walter Diego | Paint It Black | Now That Fart I Call Midi/sic/ | EMS | 2022 | 0:04:15 (Pop-up) | |||||
Stray | Sister Mary | Saturday Morning Pictures | RE: Sanctuary | 1972 | 0:07:27 (Pop-up) | |||||
Peter Thomas | The Evil Eye (196?) | 100% Cotton: The Complete Jerry Cotton Edition | Crippled Dick Hot Wax! | 1997 | 0:11:41 (Pop-up) | |||||
Zior | Quabala | Zior | RE: Repertoire | 1971 | 0:12:49 (Pop-up) | |||||
Armando Trovaioli | Dove Vai Tutta Nuda? (1969) | V.A.: Beat at Cinecittà, Vol. 3 | Crippled Dick Hot Wax! | 1999 | 0:16:06 (Pop-up) | |||||
Neo | Under the Sun | Global Network | RE: Marz | 1985 | 0:18:15 (Pop-up) | |||||
Roger Kleier | Sonny's Song | KlangenBang | Rift | 1996 | 0:20:31 (Pop-up) | |||||
Mosquito | Rat-A-Tat | Oh No, Not Another Mosquito – My House Is Full of Them! | Psycho Acoustic | 1993 | 0:29:02 (Pop-up) | |||||
Nicky J. Cook | Dreaming Spires | digital-only track | 2022 | 0:30:00 (Pop-up) | ||||||
Tim James | Motions | 7" | Delcro | 196? | 0:33:57 (Pop-up) | |||||
Sweeney's Men | When You Don't Care for Me | The Tracks of Sweeney | Transatlantic | 1969 | 0:36:39 (Pop-up) | |||||
The Losers | Love Me Like the Rain | 7" | ATCO | 1965 | 0:39:19 (Pop-up) | |||||
The Travel Agency | Made for You | 7" | Tanqueray | 1966 | 0:41:54 (Pop-up) | |||||
Kissyfur | Smokey the Mmm | Frambuesa | Starlight Furniture Co. | 1995 | 0:44:03 (Pop-up) | |||||
Sonaura | Don't Ever Leave | 7" | Uncle Richie's Recording Co. | 197? | 0:47:34 (Pop-up) | |||||
The Wild Flowers | Moving Along with the Sun | 7" | Aster | 1967 | 0:50:19 (Pop-up) | |||||
Mosquito | Lost Bird | Oh No, Not Another Mosquito – My House Is Full of Them! | Psycho Acoustic | 1993 | 0:52:31 (Pop-up) | |||||
Yoko Ono | Greenfield Morning I Pushed an Empty Baby Carriage All Over the City | Yoko Ono / Plastic Ono Band | Apple | 1970 | 0:54:49 (Pop-up) | |||||
Diledadafish | Meret Rici Ous | V.A.: Point of Yucca, Volume One | Yucca Tree | 1993 | 1:03:13 (Pop-up) | |||||
The B-52's | 6060-842 | The B-52's | Warner Bros. | 1979 | 1:04:29 (Pop-up) | |||||
impLOG | Breakfast | 7" | Log Records | 1980 | 1:07:17 (Pop-up) | |||||
The Cosmopolitans | (How to Keep Your) Husband Happy | 7" | Shake | 1980 | 1:10:43 (Pop-up) | |||||
Blodwyn Pig | Variations on Nainos | Getting to This | RE: BGO | 1970 | 1:13:28 (Pop-up) | |||||
Raw Material | Destruction of America | Raw Material | RE: Relics | 1970 | 1:17:14 (Pop-up) | |||||
Brian Woodbury | Dystopian Fantasy | Rhapsody & Filigree | Some Phil / ReR | 2022 | 1:19:33 (Pop-up) | |||||
Robert Wyatt | Amber and the Amberines | 1982–1984 | Rough Trade | 1984 | 1:21:12 (Pop-up) | |||||
Merrell Fankhauser & HMS Bounty | Ice Cube Island | Things! | RE: Sundazed | 1968 | 1:25:22 (Pop-up) | |||||
Stringtronics | Safari Park | Mindbender | RE: Fifth Dimension | 1972 | 1:28:43 (Pop-up) | |||||
The Open Window | Exchanges of Information | Oh! Calcutta! (Original Cast Album) | Aidart | 1969 | 1:31:00 (Pop-up) | |||||
Surprize | Song for Olivia | This Oneness | Oz | 1975 | 1:38:23 (Pop-up) | |||||
Tara Cross | Nogo Tango | V.A.: Neue Muster Volume 5 + 6 | Tonspur Tapes | 1989 | 1:41:34 (Pop-up) | |||||
Chikkin | Martyr in Vinyl | Which Came First? | Egg | 1978 | 1:47:03 (Pop-up) | |||||
Canned Heat | Poor Moon | 7" | Liberty | 1969 | 1:50:33 (Pop-up) | |||||
The Tree People | Tale for 2 | The Return of the Tree People | no label | 2022 | 1:53:16 (Pop-up) | |||||
April Wine | Lady Run, Lady Hide | Electric Jewels | Aquarius | 1973 | 1:55:26 (Pop-up) | |||||
Edward Bear | Nowhere Is Karen Around | Close Your Eyes | Capitol | 1973 | 1:58:25 (Pop-up) | |||||
Alisha Sufit | Time Came Passing | Alisha's Cellar | no label | 2022 | 2:02:04 (Pop-up) | |||||
Ben Johnston | Suite for Microtonal Piano (1977): Song | Microtonal Piano (Phillip Bush: piano) | Koch | 1997 | 2:06:59 (Pop-up) | |||||
Charles Ives | Orchestral Set No.2 (1915) - 1: An Elegy to Our Forefathers | Ives, Ruggles, Seeger: Orchestral Works / Cleveland Orchestra, cond. by Christoph von Dohnányi | London | 1995 | 2:13:49 (Pop-up) | |||||
Giacinto Scelsi | Natura Renovatur (1967) | V.A.: Musiques Trans Alpines Vol. 1 / Ensemble Alternance, cond. by Luca Pfaff | Adda | 1990 | 2:17:25 (Pop-up) | |||||
Groundhogs | A Year in the Life | Split | RE: BGO | 1970 | 2:29:03 (Pop-up) | |||||
The Weird Street Carnival | The Inner Truth | 7" | Copra | 1968 | 2:32:16 (Pop-up) | |||||
Zior | Before My Eyes Go Blind | Zior | RE: Repertoire | 1971 | 2:34:23 (Pop-up) | |||||
Peter Thomas | Thriller Me (196?) | 100% Cotton: The Complete Jerry Cotton Edition | Crippled Dick Hot Wax! | 1997 | 2:37:47 (Pop-up) | |||||
H.N.A.S. | Störenfreid Hintergrund | Musik für Schuhgeschäfte | Dragnet | 1992 | 2:39:26 (Pop-up) | |||||
Lefdup & Lefdup | (Soft) Maghrobian Hymnus | Siamois des Oreilles | Bond Age | 1994 | 2:42:28 (Pop-up) | |||||
Dogbowl | Fantastic Carburetor Man | Fantastic Carburetor Man | Eyeball Planet | 2003 | 2:46:05 (Pop-up) | |||||
King Missile | Leather Clown | They | Shimmy Disc | 1988 | 2:48:26 (Pop-up) | |||||
The Rockets | Won't You Say You'll Stay | The Rockets | White Whale | 1968 | 2:52:50 (Pop-up) | |||||
The Out-Theme | Gelbart: My Favorite Vacation [part of] + Die Trip Computer Die: Airborn [part of] | 2:58:21 (Pop-up) |
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Listener comments!
Tony Coulter:
Listening Out There:
David (in London):
listener james from westwood:
spodiodi:
Andrew in Toronto:
Andrew in Toronto:
Tony Coulter:
Andrew in Toronto:
David (in London):
LoT, James, Spod, Andrew, hello groovemongers.
WFMU listener Phillip:
Yvang:
WFMU listener Phillip:
Tony Coulter:
Rich in Washington:
Tony Coulter:
Asheville Jon:
David (in London):
Walter Diego's really rocking the house here.
Tony Coulter:
rw:
Tony Coulter:
Sem:
Greets from the frigid shores of the mighty frosty Bay of Fundy, all.
Rich in Washington:
Tony Coulter:
David (in London):
Asheville Jon:
coelacanth∅:
Sem:
Ice ice, baby.
Yvang:
spodiodi:
Tony Coulter:
Andrew in Toronto:
Andrew in Toronto:
David (in London):
coelacanth∅:
Sem:
Webhamster Henry:
Rich in Washington:
arb:
Tony Coulter:
Tony Coulter:
Stanley:
See Tony?
He knows his stuff, he does
coelacanth∅:
zzz:
invigorated by Sonny's Song!
David (in London):
Tony Coulter:
coelacanth∅:
Andrew in Toronto:
Tony Coulter:
coelacanth∅:
Asheville Jon:
Tony Coulter:
Asheville Jon:
Dean:
Tony Coulter:
TDK60:
Tony Coulter:
WR:
Now, let's see what I've missed and who I've missed.
Stanley:
Rich in Washington:
WR:
coelacanth∅:
Dean:
Tony Coulter:
rw:
coelacanth∅:
Rich in Washington:
coelacanth∅:
zzz:
TDK60:
Tony Coulter:
doctorjazz:
doctorjazz:
Tony Coulter:
JtotheK:
Tony Coulter:
rw:
JtotheK:
i quickly realized how overwhelming it was to process.
Andrew in Toronto:
Asheville Jon:
Tony Coulter:
Rich in Washington:
Asheville Jon:
TDK60:
JtotheK:
WR:
Moving on, is Diledadafish editable or edible?
JtotheK:
Webhamster Henry:
Webhamster Henry:
TDK60:
Rich in Washington:
Webhamster Henry:
Andrew in Toronto:
JtotheK:
TDK60:
WR:
WHH, my big bout with covid a year ago I remember having a very bad taste in my mouth.
Webhamster Henry:
Tony Coulter:
Just speaking for myself, there was a sort of weird relief after getting covid this summer, after dreading it for so long.
Tony Coulter:
David in London:
TDK60:
David in London:
Tony Coulter:
TDK60:
Dean:
Dean:
Dean:
doctorjazz:
TDK60:
Dean:
WR:
Now you have me looking for those ref volumes online. I can't remember any detail about anything. I have the elder blues and jazz references which cut off about 1950. Didn't think to look for similar tomes for more recent recordings. Thanks.
Tony Coulter:
Tony Coulter:
doctorjazz:
Webhamster Henry:
Webhamster Henry:
Tony Coulter:
Webhamster Henry:
wfmu.org...
Asheville Jon:
hope you feel better soon TDK!
Dean:
Asheville Jon:
and i'm only cooking for myself :)
TDK60:
WR:
Oh! thank you thank you for playing this Ives. Have been reading a bit about Ives recently but haven't yet pulled out recordings to go with the reading.
Dean:
Fanfare's James H. North in 1998 on this Ives recording: "These are clean, vibrant performances of the two Ives orchestral sets; they reveal detail superbly while maintaining vivid ambience. The public tunes included in many of Ives's scores have seldom come through so clearly; it has been a common critical presumption that we weren't meant to hear them all, that some were meant to be absorbed subliminally. This disc argues otherwise. Remembering how performances of Schoenberg's music improved steadily over many decades, one is tempted to think the same is happening for Ives, whose performing traditions are younger. In any case, Dohnányi and his great orchestra do a splendid job; the chorus is unusually reticent in the Te Deum excerpt that opens the finale of Set No. 2. London's recorded sound is excellent, although Severance Hall's dry acoustic (or Dohnányi's interpretation) does not allow the touch of sweetness I would like."
Dean:
Webhamster Henry:
TDK60:
Webhamster Henry:
Tony Coulter:
Dean:
coelacanth∅:
Webhamster Henry:
Tony Coulter:
Tony Coulter:
Dean:
coelacanth∅:
Rich in Washington:
Dean:
coelacanth∅:
David in London:
Tony Coulter:
JtotheK:
JtotheK:
Rich in Washington:
TDK60:
Rich in Washington:
David in London:
WR:
northguineahills:
Tony Coulter:
coelacanth∅:
Asheville Jon:
Rich in Washington:
rw:
coelacanth∅:
i hope i'm wrong.
WR:
Tony Coulter:
rw:
David in London:
listener james from westwood:
listener james from westwood:
Andrew in Toronto:
Thanks Tony!
doctorjazz:
Going to have some cilantro now (like ground cilantro, fresh not-so-much)
Stanley:
Asheville Jon:
David in London:
Asheville Jon:
Julie:
TDK60:
Stanley:
spodiodi:
David in London:
Asheville Jon:
Webhamster Henry:
Tony Coulter:
Thanks, everyone!!!
Stanley:
Have a good day/evening everyone
Rich in Washington:
Asheville Jon:
listener james from westwood:
Asheville Jon:
coelacanth∅:
for breakfast i had salmon with brocolli, onion and cilantro. mmm mmmmmm!
coelacanth∅:
WR:
Edutainment at its finest! Onward!
Marcos Souza: