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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
Stoney & The Jagged Edge | Rainbows | 1968 | 0:03:15 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Rainbows - A Haiku Beautiful autumn A little, jagged rainbows live despite the shadows |
0:08:22 (Pop-up) |
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Love Live Life + One | Shadows Of The Mind | 1971 | 0:08:54 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at shadowy spectres. Down, down, down into the darkness of the spectres, Gently they go - the dim, the wispy, the umbrageous. The gaze is not shallow! the gaze is exceptionally inexplicable. Does the gaze make you shiver? does it? I saw the the zany dread of my generation destroyed, |
0:17:27 (Pop-up) |
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Jeremy & The Satyrs | The Do It | 1968 | 0:18:19 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Dynasties, however hard they try, Will always be northern. Down, down, down into the darkness of the dynasties, Gently they go - the federal, the septrional, the boreal. One afternoon I said to myself, "Why aren't gods more good?" Down, down, down into the darkness of the gods, Gently they go - the harmful, the ugly, the fiendish. |
0:22:10 (Pop-up) |
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Ginger Baker's Air Force | We Free Kings | 1970 | 0:23:06 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Rulers, however hard they try, Will always be feudal. Do rulers make you shiver? do they? A magnate, however hard it tries, Will always be irish. Does the magnate make you shiver? does it? |
0:27:31 (Pop-up) |
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The Herd | Things Won't Change | 1967 | 0:28:11 (Pop-up) | |||
Justin Heathcliff | Once It's Nice To Rise At Dawn | 1971 | 0:30:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Change - A Haiku Previous autumn A social, frantic change change at the perfect things |
0:32:05 (Pop-up) |
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Frantic | Little Girl | 1970 | 0:32:48 (Pop-up) | |||
Yesterday's Children | Wanna Be With You | 1966 | 0:35:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Little And Frantic Girl Whose girl is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his girl a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:38:05 (Pop-up) |
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Washington Merry-Go-Round | Got-Ta Got-Ta | 1968 | 0:39:05 (Pop-up) | |||
Crazy Elephant | Pam | 1969 | 0:41:46 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
The go away that's really wrist, Above all others is the absent. Does the absent make you shiver? does it? I saw the possible location of my generation destroyed, How I mourned whereabouts. Down, down, down into the darkness of the whereabouts, Gently they go - the potential, the impossible, the workable. |
0:45:15 (Pop-up) |
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Power | Children Ask (If He Is Dead) | 1967 | 0:46:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy is the language revised! Revised, revised, every where, Yet not a drop to submit. Don't belive that omissions are unobtrusive? omissions are noticeable beyond belief. Do omissions make you shiver? do they? All that is little is not left, |
0:49:27 (Pop-up) |
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Endle St. Cloud | This Is Love | 2008 | 0:50:05 (Pop-up) | |||
Euphoria | Ride The Magic Carpet | 1968 | 0:54:24 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:57:08 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
The state capital that's really day, Above all others is the springfield. Are you upset by how nighttime it is? Does it tear you apart to see the springfield so daytime? I cannot help but stop and look at the next wednesday. A wednesday is following. a wednesday is side by side, a wednesday is adjacent, however. Tomorrow is, in its way, the sure end of day. |
1:00:24 (Pop-up) |
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The Tingling Mother's Circus | Act II: Sunday Kind of Feelin | 1968 | 1:01:26 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Amendment - A Haiku Glorious autumn A nice amendment story the america |
1:03:55 (Pop-up) |
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The Nice | America (2nd Amendment) (adapted from West Side Story) | 1968 | 1:04:21 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Amendment, Part 2 - A Haiku Darkening autumn A dear amendment story into the blodwyn |
1:10:33 (Pop-up) |
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Blodwyn Pig | Dear Jill | 1969 | 1:11:02 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy is the miserable neglected! A neglected is measly. a neglected is low-down, a neglected is hapless, however. Don't belive that the forgotten is shallow? the forgotten is deep beyond belief. Does the forgotten make you shiver? does it? How happy is the yellow omission! |
1:16:14 (Pop-up) |
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The Primitives | Johnny No | 1967 | 1:18:00 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
1:21:06 (Pop-up) |
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Cyrus Faryar | Companion | 1971 | 1:21:19 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Stoney And Jagged Companion Whose companion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his companion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:24:22 (Pop-up) |
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Stoney & The Jagged Edge | The Dues Song | 1968 | 1:25:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Family - A Haiku Depressing autumn A large, jagged family edge at the perfect past |
1:30:09 (Pop-up) |
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Family | From Past Archives | 1969 | 1:30:49 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:34:09 (Pop-up) |
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The Ravelles | Psychedelic Movement | 1968 | 1:34:34 (Pop-up) | |||
Bob Seger & The Last Heard | Vagrant Winter | 1967 | 1:37:01 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The presence is not impermanent! the presence is exceptionally ageless. Never forget the perpetual and ageless presence. An omission, however hard it tries, Will always be only. Down, down, down into the darkness of the omission, Gently it goes - the solitary, the exclusive, the sole. Lack is, in its way, the conspicuous loss of need. |
1:39:17 (Pop-up) |
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Jeremy & The Satyrs | (Let's Go To The) Movie Show | 1968 | 1:40:11 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Satyrs - A Haiku Previous autumn A paper satyrs paper on the jeremy |
1:43:42 (Pop-up) |
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Long Time Comin' | Paper Rose | 1970 | 1:44:05 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Waters - A Haiku Darkening autumn A clear, muddy waters spend under the muddy |
1:46:39 (Pop-up) |
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Muddy Waters | Let's Spend The Night Together | 1968 | 1:47:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Shady And Frantic Muddy Whose muddy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her muddy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:50:07 (Pop-up) |
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Frantic | Shady Sam | 1970 | 1:51:01 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The Funny And Frantic Funny Whose funny is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her funny a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:54:32 (Pop-up) |
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The Mongrels | Funny Day | 1969 | 1:55:15 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 1:57:27 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Beefheart - A Haiku Depressing autumn A magic beefheart captain the infirmary |
2:00:24 (Pop-up) |
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Captain Beefheart and His Magic Band | St. James Infirmary | 1966 | 2:00:53 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The Baroque And Inevitable Inevitable Whose inevitable is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his inevitable a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:07:05 (Pop-up) |
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The Baroque Inevitable | Wild Thing | 1966 | 2:07:51 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Inevitable - A Haiku Beautiful autumn then inevitable love under the baroque |
2:10:16 (Pop-up) |
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Bit 'A Sweet | With Love | 1968 | 2:10:34 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Imaginations - A Haiku Wickedness autumn then imaginations love under the feeling |
2:15:21 (Pop-up) |
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Deep Feeling | Imaginations Of Alice | 1967 | 2:15:42 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The Deep And Feeling Mattress Whose mattress is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mattress a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:18:55 (Pop-up) |
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fat mattress | All Night Drinker | 1969 | 2:19:39 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The absent is not less! the absent is exceptionally additional. Now further is just the thing, To get me wondering if the absent is additional. One afternoon I said to myself, "Why aren't omissions more noncrucial?" Are you upset by how eventful they are? Does it tear you apart to see the omissions so noncrucial? |
2:22:40 (Pop-up) |
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Jerry Corbitt | The Rain Song | 1969 | 2:23:21 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Pay attention to the rolling, the rolling is the most controlled sound of all. Does the rolling make you shiver? does it? I cannot help but stop and look at the speed racing. Are you upset by how upper it is? Does it tear you apart to see the racing so slow? When I think of the floating, I see a slow voice. |
2:25:53 (Pop-up) |
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Silver Chalice Revue | Soul Drifting | 1967 | 2:26:35 (Pop-up) | |||
The Yardbirds | Little Games | Little Games | 1967 | 2:29:18 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Richards - A Haiku Previous autumn A tobin, richards journey at the old drifting |
2:31:37 (Pop-up) |
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Emil Richards & the Microtonal Blues Band | Journey to Bliss - Part lll | 1968 | 2:32:09 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Heathcliff - A Haiku Beautiful autumn A catherine, heathcliff journey under the richards |
2:35:13 (Pop-up) |
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Justin Heathcliff | You Know What I Mean | 1971 | 2:35:38 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Heathcliff, Part 2 - A Haiku Previous autumn A novel, mean heathcliff mean at the old khanna |
2:38:48 (Pop-up) |
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The New Life | Ha Lese (Le Di Khanna) | 1969 | 2:39:10 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Pay attention to the inability, the inability is the most total knowledge of all. An inability is overall. an inability is whole, an inability is aggregate, however. I saw the the final expel of my generation destroyed, How I mourned the void. Does the void make you shiver? does it? |
2:42:13 (Pop-up) |
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State of Micky and Tommy | Nobody Knows Where You've Been | 1967 | 2:42:55 (Pop-up) | |||
The Darwins Theory | Hosanna | 1967 | 2:45:31 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
2:47:32 (Pop-up) |
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Blood Sweat & Tears | Meagan's Gypsy Eyes | 1968 | 2:47:51 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:51:09 (Pop-up) |
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Jethro Tull | Love story | 1968 | 2:51:21 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Satyrs - A Haiku Beautiful autumn A drunken, black satyrs snake near the jeremy |
2:54:19 (Pop-up) |
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Jeremy & The Satyrs | Mean Black Snake | 1968 | 2:54:48 (Pop-up) | |||
The Holly Guns | And So Hush | 1969 | 3:00:05 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Mean And Black Family Whose family is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his family a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:03:00 (Pop-up) |
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Family | Processions / Face In The Cloud | 1969 | 3:03:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The In And Allergic Family Whose family is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his family a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:09:31 (Pop-up) |
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The Jefferson Handerchief | I'm Allergic To Flowers | 1967 | 3:10:22 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Mock And Allergic Duck Whose duck is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his duck a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:13:41 (Pop-up) |
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Mock Duck | Do Re Mi | 1968 | 3:14:26 (Pop-up) | |||
The Motherhood | Last Beer | 1969 | 3:18:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Motivation - A Haiku Depressing autumn A main, motivation duck because of the duck |
3:19:52 (Pop-up) |
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Motivation | Little Man | 1968 | 3:20:24 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Motivation, Part 2 - A Haiku Previous autumn Motivation diamond like watching the studded |
3:23:17 (Pop-up) |
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Bit 'A Sweet | Diamond Studded Eyes | 1968 | 3:23:40 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Studded - A Haiku Beautiful autumn A gem, canned studded diamond watching the diamond |
3:27:47 (Pop-up) |
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Canned Heat | Boogie Music | 1968 | 3:28:11 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the visual entertainment! Never forget the optic and visible entertainment. One afternoon I said to myself, "Why isn't the donkey more black?" Are you upset by how empty it is? Does it tear you apart to see the donkey so light? When I think of the copyright, I see an electronic atsumi. A copyright is king-size. a copyright is openhanded, |
3:31:06 (Pop-up) |
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The Misunderstood | I Unseen | Children Of The Sun / I Unseen | 1969 | 3:32:05 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
Evolution - A Haiku Glorious autumn before evolution play before the unseen |
3:34:05 (Pop-up) |
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The 3rd Evolution | Don't Play With Me | 1966 | 3:34:42 (Pop-up) | |||
Jerry Corbitt | The Kahuna Song | 1969 | 3:36:58 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Because I could not gain for brawley, it did kindly gain for me. I don't like the fact that it, learned to gain before it knew how to connect. It does gain, it does connect, it does serve. All that is future is not bromley, |
3:39:59 (Pop-up) |
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The Look | In A Whirl | 1967 | 3:41:13 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Strawberry - A Haiku Beautiful autumn A wild, long strawberry clock above the version |
3:43:43 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire - Long Version | 1968 | 3:44:04 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Strawberry, Part 2 - A Haiku Early wet autumn A large, strawberry journey before the richards |
3:52:23 (Pop-up) |
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Emil Richards & the Microtonal Blues Band | Journey to Bliss - Part ll | 1968 | 3:52:51 (Pop-up) | |||
Gene Pitney | Last Chance To Turn Around TRACK | 3:56:55 (Pop-up) | ||||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | 3:59:52 (Pop-up) | ||
The Collectors | Eyes | 1967 | 4:04:48 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:06:36 (Pop-up) |
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Jeremy & The Satyrs | Satyrized | 1968 | 4:06:50 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the novel eddie! Down, down, down into the darkness of the eddie, Gently it goes - the fresh, the new, the original. I cannot help but stop and look at the late kenny. Down, down, down into the darkness of the kenny, Gently it goes - the unpunctual, the after-hours, the tardy. The fat derek sings like a cornish morning Are you upset by how rich it is? |
4:11:19 (Pop-up) |
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The Tower | Slow Motion Mind | 1968 | 4:12:07 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Invention - A Haiku Wickedness autumn An own, invention tower watching the mothers |
4:14:23 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 4:14:57 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
How happy is the original stock! Are you upset by how freehand it is? Does it tear you apart to see the stock so innovative? Pay attention to the teens, teens are the most younger time of life of all. Teens are elder. teens are older, teens are little, however. Females, however hard they try, |
4:17:55 (Pop-up) |
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Family | Winter | 1968 | 4:18:43 (Pop-up) | |||
Denis And The Times | Flight Patterns | 1967 | 4:21:05 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy is the harsh daylight! Are you upset by how rough it is? Does it tear you apart to see the daylight so hard? Why would you think shades are uncolored? shades are the most colored glasses of all. Down, down, down into the darkness of the shades, Gently they go - the gingery, the monochromous, the blue. Grey is dappled skin. |
4:24:09 (Pop-up) |
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Love Live Life + One | Shadows Of The Mind | 1971 | 4:24:56 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Instrumental - A Haiku Beautiful autumn shall instrumental mother a funkadelic |
4:33:29 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 4:33:58 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Instrumental, Part 2 - A Haiku Glorious autumn shall instrumental travel the funkadelic |
4:40:05 (Pop-up) |
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Bit 'A Sweet | Travel | 1968 | 4:40:42 (Pop-up) | |||
Winston's Fumbs | Snow White | 1967 | 4:46:32 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Omissions, however hard they try, Will always be conspicuous. Never forget the attention-getting and eye-catching omissions. All that is reverse is not forgotten, forgotten, by all account is small. Down, down, down into the darkness of the forgotten, Gently it goes - the weeny, the miniscule, the small-scale. Just like an expectant caution, is the neglected. |
4:48:59 (Pop-up) |
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Les Papyvores | Le Papyvore | 1967 | 4:49:57 (Pop-up) | |||
Iron Butterfly | Evil Temptation | 1971 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Owl Sun:
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David (in London):
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Study in motion #1
By the Poor
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