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Merrily We Roll Along is a mish-mash of high energy lunacy, reverence, and irreverence for forgotten pop stars, love for Saturday morning cartoons, and exploration of the side of Bandcamp where I seem to be the only one purchasing. Bringing to you the odd and the upbeat from a growing collection of pre-rock novelties, classic and neo-Vaudeville, jug bands, polka, klezmer, and more at the convenient hour of 8-9 AM EST, Merrily We Roll Along starts the day off with a little light-hearted musical tomfoolery cut with an occasional comedy sketch. It's organic, free-range, cheese with the occasional onion thrown in.
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December 9, 2022: Merrily We Roll Along: Episode 28 - "Laff It Off."
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Artist | Track | Year | Comments | Images | Approx. start time |
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MHLee | Merrily We Roll Along Theme | 0:00:00 (Pop-up) | |||
Music behind DJ: Kristofer Maddigan |
Legendary Ghost |
0:00:48 (Pop-up) |
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Karl Valentin & Liesl Karlstadt | The Okeh Laughing Record | 1922 | Canary Records: "The Okeh Laughing Record, as it is known in the United States since its release here, sold hundreds of thousands of copies and was kept in print for three decades, but little has been known or written about it. In Vol V, No 10 of the Antique Phonograph Monthly (1979), a researcher noted that it was recorded for for the German Beka Records company, June 8, 1920 and issued in the U.S. in between August and December of 1922. Others have published that it was recorded as late as 1923, which seems unlikely given the dates of some of the discs that follow. The cornet performance within it is a mid-19th century sentimental tune called “Aus der Jugendzeit” (“In My Younger Days”), composed by Robert Radecke (b. 1829; d. 1893). The performer has been given as both Felix Silbers and Otto Ratkhe by various sources. It was issued in the U.S. (and U.K., where it was released as the “Parlophone Laughing Record”) anonymously. The originator of the record remained obscure for decades in the U.S. until recently when the consensus was reached that it was the Bavarian comedian and actor Karl Valentin (b. June 4, 1882 in Munich; d. Feb 9, 1948). Valentin, an awkward and skeletally thin absurdist performer, performed for over 40 years in cabarets, theaters, restaurants, and circuses as wells as on dozens of sound recordings and scores of films. He founded theatrical troops, a film studio, and a museum, all of which failed financially within months of their creation. Physically chaotic and anti-authoritarian, a “defeatist” attitude in his work lead to his films having been banned by the Nazis. One short film, “Im Schallplattenladen” (“In the Record Shop”) from 1934, shows his misfortunes and the shattering consequences for many brittle discs in a shop full of recordings. Playing opposite him was his performing partner of 28 years, to whom he had given the stage name Liesl Karlstadt (b. Dec. 12, 1892; d. June 27, 1960), who is likely the other vocal performer on the 'Okeh Laughing Record'..." | 0:02:30 (Pop-up) | |
Eddie Cantor | Laff It Off! | 1925 | 0:05:38 (Pop-up) | ||
Eddie Cantor | By The Light Of The Silvery Moon | 195x? | 0:08:43 (Pop-up) | ||
Music behind DJ: Kristofer Maddigan |
Tutorial |
0:10:28 (Pop-up) |
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Bonzo Dog Do-Dah Band | Narcissus | 1967 | 0:12:39 (Pop-up) | ||
Mr. Show | Megaphone Crooners | 1996 | 0:12:48 (Pop-up) | ||
Rudy Vallee | Winchester Cathedral | 1966 | 0:17:04 (Pop-up) | ||
Evans and Rogers | On The Old Front Porch | 2009 | 0:19:26 (Pop-up) | ||
Music behind DJ: Kristofer Maddigan |
Winner Take All |
0:22:46 (Pop-up) |
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Steve Weber | Moving Day | 1976 | 0:25:01 (Pop-up) | ||
Murray K. Hilll | The Tale of the Cheese | 1909 | 0:27:18 (Pop-up) | ||
Tiny Tim | (Nobody Else Can Love Me Like) My Old Tomato Can | 2019 | Released on Wax Cylinder | 0:31:08 (Pop-up) | |
Ernest Hare And Billy Jones | Pastafazoola | 1927 | 0:33:47 (Pop-up) | ||
Music behind DJ: Kristofer Maddigan |
All Bets Are Off |
0:36:45 (Pop-up) |
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Bad Penny Pleasuremakers | Smile | 2013 | 0:38:24 (Pop-up) | ||
Bob Kerr and his Whoopee Band | The Sheik of Araby | 2003? | 0:44:32 (Pop-up) | ||
Bonzo Dog Do-Dah Band | Laughing Blues | 1969 | 0:47:24 (Pop-up) | ||
Ernest Hare And Billy Jones | I'm Gonna Bring a Watermelon to My Girl Tonight | 1924 | 0:51:11 (Pop-up) | ||
Spike Jones & His City Slickers | The Jones Laughing Record | 1946 | A nostalgic tribute recorded on September 28, 1946, more than 20 years after the U.S. release of the “Okeh Laughing Record” by the then-34-year-old comedy genius Spike Jones (b. Dec. 14, 1911; d. May 1, 1965), Jones titled this piece in direct tribute to the OLR. Unable to keep from adding precise layers of gags to his bits, Jones substituted a trombone performances of Rimsky-Korsokovʼs “Flight of the Bumble Bee” played by Tommy Pederson for the bittersweet cornet line on the “Okeh Laughing Record” and ratcheted up the laughing performance itself. Nearly a decade later, the great anarchist of animated cartoons Tex Avery produced one of his last films, the six-minute “Sh-h-h-h-h-h” (1955) using the “Okeh Laughing Record” as the soundtrack to its second half. (One can hear that the first seven seconds of the OLR were re-recorded for the cartoon, either to emphasize a cracked note before the first laugh, or because the disc used for the soundtrack was damaged.) For those of Avery and Jonesʼ generation, the “Okeh Laughing Record” had been a piece of their childhood; Okeh reissued it on the new micro-groove 45rpm format. | 0:54:20 (Pop-up) | |
Music behind DJ: Kristofer Maddigan |
Funfair Fever |
0:57:03 (Pop-up) |
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Eddie Cantor | Merrily We Roll Along | 1935 | 0:59:19 (Pop-up) |
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