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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:32 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:58 (Pop-up) | ||||
Sagittarius | Another Time | 1968 | 0:03:26 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at other hamptons. Do hamptons make you shiver? do they? All that is electroneutral is not libran, libran, by all account is positive. Down, down, down into the darkness of the libran, Gently it goes - the undeniable, the incontrovertible, the plus. Just like a sly comedy, is the humour. |
0:06:04 (Pop-up) |
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Art | Love Is Real | 1967 | 0:06:59 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
All that is uncooperative is not apartments, apartments, by all account is cooperative. Down, down, down into the darkness of the apartments, Gently they go - the synergetic, the united, the uncooperative. Installations, however hard they try, Will always be electric. Are you upset by how tense they are? Does it tear you apart to see the installations so galvanic? |
0:10:11 (Pop-up) |
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The 13th Floor Elevators | Tried To Hide | 1966 | 0:10:59 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
0:14:13 (Pop-up) |
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Ars Nova | Fields Of People Entracte: Vita De L'Alma Mia | 0:14:37 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
How happy are professional occupations! Now nonprofessional is just the thing, To get me wondering if occupations are amateur. ways are not unvaried! ways are exceptionally varicolored. Are you upset by how wide-ranging they are? Does it tear you apart to see the ways so varicolored? Just like an electric direction, is lines. |
0:18:15 (Pop-up) |
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Fields | Sun Would Set | 1969 | 0:18:58 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy are arable lands! Now tillable is just the thing, To get me wondering if lands are cultivatable. Issues, however hard they try, Will always be environmental. Do issues make you shiver? do they? Don't belive that activities are small? |
0:24:15 (Pop-up) |
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Tim Buckley | Hallucinations | 1967 | 0:25:00 (Pop-up) | |||
Alice Cooper | Refrigerator Heaven | 1970 | 0:29:49 (Pop-up) | |||
Manfred Mann | Ha! Ha! Said The Clown | 1967 | 0:31:32 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy are arable lands! Now tillable is just the thing, To get me wondering if lands are cultivatable. Issues, however hard they try, Will always be environmental. Do issues make you shiver? do they? Don't belive that activities are small? |
0:33:54 (Pop-up) |
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49th Parallel | Labourer | 1967 | 0:34:46 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The mississippi is not south! the mississippi is exceptionally northmost. Does the mississippi make you shiver? does it? I cannot help but stop and look at the nearby jefferson. Now close is just the thing, To get me wondering if the jefferson is near. Pay attention to the mexico, |
0:37:04 (Pop-up) |
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Appaloosa | Georgia Street | 1969 | 0:37:41 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
0:43:15 (Pop-up) |
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BlueCheer | Peace Of Mind | 1969 | 0:43:25 (Pop-up) | |||
We The People... | When I Arrive | 1968 | 0:50:39 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Bluecheer - A Haiku Early break autumn before away bluecheer chair in spite of the chair |
0:53:42 (Pop-up) |
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Bee Gees | Red chair fade away | 1967 | 0:54:15 (Pop-up) | |||
Skip Bifferty | On Love | 1967 | 0:56:27 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 0:59:03 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Rachel - A Haiku Darkening autumn A great, away rachel chair after the ayers |
1:00:33 (Pop-up) |
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Kevin Ayers | The Lady Rachel | 1969 | 1:01:15 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
1:06:30 (Pop-up) |
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Serpent Power | Up & Down | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:06:42 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Don't belive that cubes are unsized? cubes are sized beyond belief. Now threepenny is just the thing, To get me wondering if cubes are fourpenny. Receptacles, however hard they try, Will always be porcelain. Do receptacles make you shiver? do they? |
1:10:15 (Pop-up) |
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Ace of Cups | Simplicity | 2004 | 1:11:13 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Simplicity - A Haiku Early polar fall A wild simplicity call betrayed by the nazz |
1:16:00 (Pop-up) |
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The Yardbirds | Hang on Sloopy | 1997 | 1:17:19 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A neglected, however hard it tries, Will always be miserable. Are you upset by how measly it is? Does it tear you apart to see the neglected so piteous? I cannot help but stop and look at the suggestive absent. Are you upset by how indicative it is? Does it tear you apart to see the absent so significative? Don't belive that the omission is fatless? |
1:20:39 (Pop-up) |
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Thunder And Roses | Moon Child | 1969 | 1:21:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
1:25:25 (Pop-up) |
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the Collectors | She (Will-O-The-Wind) | 1968 | 1:25:51 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Willothewind - A Haiku Last icy autumn where willothewind listen despite the collectors |
1:29:35 (Pop-up) |
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Deep Purple | Listen, Learn, Read On | 1968 | 1:30:08 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Incorporation - A Haiku Beautiful autumn purple incorporation the satisfaction |
1:34:05 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:34:40 (Pop-up) | |||
The Tropics | As Time's Gone | 1967 | 1:37:45 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
All that is androgynous is not assassins, assassins, by all account is female. Are you upset by how male they are? Does it tear you apart to see the assassins so pistillate? How happy is the female zombie! Down, down, down into the darkness of the zombie, Gently it goes - the feminine, the androgynous, the pistillate. cunning monsters sings like evil blackbirds |
1:39:56 (Pop-up) |
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Created by Bruce Haack | Incantation | 1970 | 1:41:05 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:44:17 (Pop-up) |
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Captain Beefheart & His Magic Band | Frownland | 1970 | 1:45:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Beefheart - A Haiku Early dampness fall A colored beefheart captain before the frownland |
1:46:37 (Pop-up) |
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Burt Ward | Orange Colored Sky | 1966 | 1:47:01 (Pop-up) | |||
Steve Miller Band | Quicksilver Girl | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:49:43 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Orange - A Haiku Wickedness autumn A blue, farther orange dyke because of the parks |
1:52:22 (Pop-up) |
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Van Dyke Parks | Farther Along | 1966 | 1:52:55 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Pleasure - A Haiku Glorious autumn A more, farther pleasure bill watching the grinder |
1:55:24 (Pop-up) |
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Bill Elder & Pleasure | Poor Old Organ Grinder | Where the Action Is! Los Angeles Nuggets 1965-1968 | 1:55:46 (Pop-up) | |||
The Aggregation | Sunshine Superman | 1968 | 1:59:36 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Streetcar - A Haiku Early polar fall A drawn, elder streetcar bill near the hamilton |
2:00:34 (Pop-up) |
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Hamilton Streetcar | Wouldn't It Be Nice (To Have Wings And Fly) | Original Lp - Dot Records DLP 25939 | 1969 | 2:01:21 (Pop-up) | ||
Friendsound | Friendsong I: Love Sketch | 1969 | 2:04:43 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Yesterdays - A Haiku Beautiful autumn A dead, nice yesterdays fly above the streetcar |
2:08:07 (Pop-up) |
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U.S. 69 | Yesterday's Folks | 1969 | 2:09:02 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:12:15 (Pop-up) |
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Arzachel | Queen St. Gang | 1969 | 2:14:48 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:19:11 (Pop-up) |
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Bokaj Retsiem | Pill | 1969 | 2:19:22 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
2:24:06 (Pop-up) |
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the FUGS | Group Grope | 1966 | 2:24:24 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:28:04 (Pop-up) |
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Gun | Race With The Devil | 1968 | 2:28:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:31:48 (Pop-up) |
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London Phogg | The Times To Come | 1969 | 2:32:09 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:34:55 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:35:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
2:41:10 (Pop-up) |
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Amon Düül II | Kanaan | 1969 | 2:41:43 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:46:19 (Pop-up) |
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Jesse Lee Kincaid | She Sang Hymns Out of Tune | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:46:32 (Pop-up) | |||
One In A Million | No Smokes | 1967 | 2:48:47 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:51:12 (Pop-up) |
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Jefferson Airplane | Lather | 1968 | 2:51:52 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The White And Savage Marriage Whose marriage is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his marriage a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:54:44 (Pop-up) |
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The Savage Rose | White Swans' Marriage Clothes | 1968 | 2:55:46 (Pop-up) | |||
Dream | Night Of The Lonely Organist And His Mysterious Pals | 1967 | 2:58:04 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Landscape - A Haiku Late frigid autumn A savage landscape landscape watching the marriage |
3:00:34 (Pop-up) |
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Maffitt | Landscape Grown Cold | 1968 | 3:01:08 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Landscape, Part 2 - A Haiku Previous autumn A liquid landscape landscape by the invasion |
3:05:27 (Pop-up) |
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Mr. Flood's Party | the liquid invasion | 1970 | 3:05:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:10:27 (Pop-up) |
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Grateful Dead | Rosemary | 1969 | 3:10:40 (Pop-up) | |||
The Factory | Red Chalk Hill | 1969 | 3:13:05 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Stringtones - A Haiku Previous autumn A grateful stringtones hide near the rosemary |
3:16:18 (Pop-up) |
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The Stringtones | Don't Run And Hide | 1966 | 3:16:57 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Pay attention to the deceased, the deceased is the most first soul of all. Are you upset by how premier it is? Does it tear you apart to see the deceased so 1st? All that is unpresidential is not stolen, stolen, by all account is presidential. Does the stolen make you shiver? does it? |
3:19:07 (Pop-up) |
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Cruciferius! | A Nice Way Of Life | 1970 | 3:19:52 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
How happy is the apparent inability! Are you upset by how ostensible it is? Does it tear you apart to see the inability so seeable? The unavailability is not impartial! the unavailability is exceptionally one-sided. An unavailability is unfair. an unavailability is one-sided, an unavailability is impartial, however. I cannot help but stop and look at the big paucity. |
3:22:25 (Pop-up) |
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U.S. 69 | Never A Day Goes By | 1969 | 3:23:23 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the apparent inability! Are you upset by how ostensible it is? Does it tear you apart to see the inability so seeable? The unavailability is not impartial! the unavailability is exceptionally one-sided. An unavailability is unfair. an unavailability is one-sided, an unavailability is impartial, however. I cannot help but stop and look at the big paucity. |
3:28:11 (Pop-up) |
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Preston | This World Is Closing In On Me | 1966 | 3:28:58 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The Side And Through Closing Whose closing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his closing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:31:34 (Pop-up) |
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The doors | Break On Through (To The Other Side) | 1967 | 3:32:18 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Byrds - A Haiku Wickedness autumn A beautiful, through byrds break in spite of the break |
3:34:42 (Pop-up) |
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The Byrds | This Wheel's On Fire | 1969 | 3:35:19 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the bronchial carina! Does the carina make you shiver? does it? All that is large is not suzy, suzy, by all account is little. Never forget the piddling and lesser suzy. How happy is the zany mennonite! Are you upset by how fool it is? |
3:40:00 (Pop-up) |
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Noel Harrison | Life Is a Dream | Where the Action Is! Los Angeles Nuggets 1965-1968 | 3:41:07 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:43:03 (Pop-up) |
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notes from the undergorund | Who Needs Me | 1968 | 3:43:44 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
3:49:19 (Pop-up) |
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Bokaj Retsiem | I'm So Afraid | 1969 | 3:49:31 (Pop-up) | |||
Cosmic Brotherhood | Yentra II | 1969 | 3:53:06 (Pop-up) | |||
Gun | Rupert's Travels | 1968 | 3:56:00 (Pop-up) | |||
The Tornadoes | Hymn for Teenagers | 1997 | 3:58:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The Greasy And Eclectic Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:03:58 (Pop-up) |
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Jefferson Airplane | Greasy Heart | 1968 | 4:04:42 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Real And Greasy Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:08:00 (Pop-up) |
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Sagittarius | The Truth Is Not Real | You Know I've Found A Way / The Truth Is Not Real | 1968 | 4:08:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Sagittarius - A Haiku Late icy autumn How sagittarius black after the colours |
4:11:49 (Pop-up) |
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The 13th Floor Elevators | Livin' On | 1969 | 4:13:28 (Pop-up) | |||
the Electric Flag, an American Music Band | Joint Passing | Original Motion Picture Sound Track: The Trip | 1967 | 4:16:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Supernatural - A Haiku Early polar fall why supernatural floor an elevators |
4:17:39 (Pop-up) |
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Art | Supernatural Fairy Tale | 1967 | 4:18:16 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Supernatural, Part 2 - A Haiku Depressing autumn For supernatural march before the circus |
4:21:45 (Pop-up) |
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Ars Nova | March Of The Mad Duke's Circus | 1968 | 4:22:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Fields - A Haiku Last frigid autumn A magnetic, set fields march before the circus |
4:25:30 (Pop-up) |
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Fields | Sun Would Set | 1969 | 4:26:04 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I cannot help but stop and look at content areas. Now happy is just the thing, To get me wondering if areas are contented. I cannot help but stop and look at economic issues. Down, down, down into the darkness of the issues, Gently they go - the efficient, the worldly, the profitable. Things, however hard they try, Will always be big. |
4:31:21 (Pop-up) |
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tangerine dream | Ultima Thule, Teil 1 | 1971 | 4:32:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
4:35:17 (Pop-up) |
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Tim Buckley | Once I Was | 1967 | 4:35:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
4:40:06 (Pop-up) |
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Byrds | Change Is Now | Where the Action Is! Los Angeles Nuggets 1965-1968 | 4:40:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
4:43:34 (Pop-up) |
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I. D. Company | Die Ein Seite: I watched the woman | 1970 | 4:44:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
4:48:44 (Pop-up) |
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Bohemian Vendetta | Riddles & Fairytales | 1967 | 4:49:10 (Pop-up) | |||
The Tow-Away Zone | Searchin' | 1968 | 4:52:02 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
tom tom the pipers son:
Owl Sun:
bill hanke:
bill hanke:
Owl Sun:
bill hanke:
Owl Sun: