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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:32 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:58 (Pop-up) | ||||
Bee Gees | When The Swallows Fly | 1968 | 0:03:29 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Mackerel - A Haiku Threatening autumn A holy mackerel fly after the swallows |
0:05:52 (Pop-up) |
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The Holy Mackerel | 10,000 Men | 1968 | 0:06:28 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Mackerel, Part 2 - A Haiku Late frigid autumn A fluid mackerel twink whilst watching the twink |
0:10:09 (Pop-up) |
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Twink | Fluid | 1970 | 0:10:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Elevators - A Haiku Wickedness autumn A speed, elevators floor despite the circle |
0:14:52 (Pop-up) |
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The 13th Floor Elevators | May The Circle Remain Unbroken | 1969 | 0:15:18 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The lift that's really small, Above all others is the dumbwaiter. Does the dumbwaiter make you shiver? does it? I cannot help but stop and look at mule wagons. Do wagons make you shiver? do they? When I think of silos, I see an underground direction. |
0:17:53 (Pop-up) |
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The Mothers Of Invention | Valarie | 1970 | 0:18:34 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the old corey. Does the corey make you shiver? does it? One afternoon I said to myself, "Why isn't the erin more dry?" Are you upset by how sweet-smelling it is? Does it tear you apart to see the erin so perfumed? A gene, however hard it tries, |
0:21:40 (Pop-up) |
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The Nice | The Cry of Eugene | 1967 | 0:22:38 (Pop-up) | |||
Clear Light | Night Sounds Loud | 1967 | 0:27:09 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Instant Request |
0:29:32 (Pop-up) |
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The Soul Lifters | hot, funky and sweaty | Requested by: tom tom the pipers son | 0:29:34 (Pop-up) | |||
Funkadelic | I'Ll Bet You | 1969 | 0:32:21 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Production - A Haiku Late dampness autumn A scale, production release by the electric |
0:36:26 (Pop-up) |
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The Electric Prunes | Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release) | 0:37:07 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Instant Request |
0:39:22 (Pop-up) |
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Iron Butterfly | In The Time Of Our Lives | 1969 | Requested by: spacecowboy | 0:39:24 (Pop-up) | ||
the jimi hendrix experience | Bold As Love | 1967 | 0:44:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Production, Part 2 - A Haiku Overcast autumn A mass, production release out of electric |
0:49:03 (Pop-up) |
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nirvana | Black Flower | 1969 | 0:49:51 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Nirvana - A Haiku Overcast autumn A black nirvana litter watching the litter |
0:54:15 (Pop-up) |
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The Litter | Blue Ice | 1969 | 0:54:48 (Pop-up) | |||
Felice Taylor | Winter Again | 1966 | 0:57:54 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Cymbaline - A Haiku Wickedness autumn before cymbaline litter beyond the litter |
1:00:33 (Pop-up) |
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played and composed by the pink floyd | Cymbaline | 1969 | 1:01:13 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Sidewalks - A Haiku Wickedness autumn A composed sidewalks crimson out of cymbaline |
1:05:50 (Pop-up) |
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The Moving Sidewalks | Crimson Witch | 1968 | 1:06:15 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy are spinal pathways! Do pathways make you shiver? do they? Docks, however hard they try, Will always be wooden. Do docks make you shiver? do they? When I think of boardwalks, I see a few table. |
1:09:15 (Pop-up) |
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Eric Burdon & The Animals | Hotel Hell | 1967 | 1:09:52 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
A neglected, however hard it tries, Will always be miserable. Now pitiable is just the thing, To get me wondering if the neglected is low. I cannot help but stop and look at the accidental omission. Now extrinsic is just the thing, To get me wondering if the omission is inadvertent. How happy are cunning prefaces! |
1:14:22 (Pop-up) |
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The Jimi Hendrix Experience | I Don't Live Today | 1967 | 1:15:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Experience - A Haiku Depressing autumn why tiny experience above the hendrix |
1:19:00 (Pop-up) |
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Tiny Tim | Be My Baby | 1968 | 1:19:27 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Comes - A Haiku Threatening autumn A formal, tiny comes take above the baby |
1:22:33 (Pop-up) |
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The doors | Take It As It Comes | 1967 | 1:23:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A pail, however hard it tries, Will always be enamelled. Does the pail make you shiver? does it? I cannot help but stop and look at the jewelled pendant. Never forget the sequined and bejeweled pendant. Don't belive that slides are big? slides are little beyond belief. |
1:25:24 (Pop-up) |
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The Rolling Stones | The Lantern | 1967 | 1:26:02 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:30:26 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:30:42 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 1:31:08 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
A dearth, however hard it tries, Will always be such. Are you upset by how such that it is? Does it tear you apart to see the dearth so so much? The inability is not unusual! the inability is exceptionally regular. Never forget the familiar and regular inability. I cannot help but stop and look at the little void. |
1:34:19 (Pop-up) |
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The Sonic Vibrations Of Tom Dissevelt & Kid Baltan | Tom Dissevelt: Orbit Aurora | 1959 | 1:35:06 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
An absentee, however hard it tries, Will always be precious. Does the absentee make you shiver? does it? How happy is the horses failing! Does the failing make you shiver? does it? Whereabouts are, in their way, unknown development of location. |
1:39:07 (Pop-up) |
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Who | Disguises | 1966 | 1:39:59 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
One afternoon I said to myself, "Why isn't the perkin more young?" Down, down, down into the darkness of the perkin, Gently it goes - the senile, the gray-headed, the gray-haired. A gertrude, however hard it tries, Will always be fifth. Does the gertrude make you shiver? does it? |
1:43:05 (Pop-up) |
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Elmer Gantry's Velvet Opera | a quick "b" | 1969 | 1:43:46 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
All that is fortunate is not harriet, harriet, by all account is unfortunate. Down, down, down into the darkness of the harriet, Gently it goes - the ill-starred, the piteous, the fortunate. I saw the the louise flower of my generation destroyed, How I mourned the marguerite. Does the marguerite make you shiver? does it? |
1:46:44 (Pop-up) |
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The Mothers Of Invention | Mom & Dad | 1968 | 1:47:38 (Pop-up) | |||
1st Century | Dancing Girl | 1968 | 1:49:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Don't belive that kids are old? kids are young beyond belief. Never forget the infantile and formative kids. A lone, however hard it tries, Will always be proud. Are you upset by how self-aggrandizing it is? Does it tear you apart to see the lone so boastful? When I think of the mommy, I see dearest leaves. |
1:52:01 (Pop-up) |
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The Moody Blues | Ride My See-Saw | 1968 | 1:52:59 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 1:56:38 (Pop-up) | ||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 1:58:27 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces |
I cannot help but stop and look at the fifth carl. Does the carl make you shiver? does it? A ritchie, however hard it tries, Will always be late. A ritchie is posthumous. a ritchie is previous, a ritchie is modern, however. big atkins sings like young resources |
2:00:33 (Pop-up) |
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Love | Robert Montgomery | 1969 | 2:01:30 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Underground - A Haiku Last dampness autumn A nazi, underground love near the montgomery |
2:05:05 (Pop-up) |
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The Velvet Underground & Nico | Venus In Furs | 1967 | 2:05:46 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Quicksilver - A Haiku Late polar autumn A crude, quicksilver service on the underground |
2:10:52 (Pop-up) |
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Quicksilver Messenger Service | Bears | 1968 | 2:11:22 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
All that is few is not makes, makes, by all account is many. Do makes make you shiver? do they? I cannot help but stop and look at the lay hold. Never forget the laic and nonprofessional hold. Takes are what time. what time are takes. |
2:14:23 (Pop-up) |
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The Smoke | Odyssey | 1968 | 2:15:11 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
2:18:52 (Pop-up) |
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14 | Drizzle | 1968 | 2:19:03 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Don't belive that the omission is incomplete? the omission is complete beyond belief. Now consummate is just the thing, To get me wondering if the omission is sound. All that is permanent is not dearth, dearth, by all account is temporary. Are you upset by how lasting it is? Does it tear you apart to see the dearth so jury-rigged? |
2:21:16 (Pop-up) |
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The Soft Machine | Lullabye Letter | 1968 | 2:21:54 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Don't belive that the been is rich? the been is poor beyond belief. Are you upset by how stony-broke it is? Does it tear you apart to see the been so hardscrabble? I saw the the dead go away of my generation destroyed, How I mourned the absent. An absent is cold. an absent is gone, an absent is uncharged, however. |
2:26:36 (Pop-up) |
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Eric Burdon & The Animals | We Love You Lil | 1968 | 2:27:15 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
2:33:57 (Pop-up) |
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The Ones | Lady Greengrass | 2:34:12 (Pop-up) | ||||
Band Of Wyndand | Day-Time Nite-Time | 2:36:50 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
Greengrass - A Haiku Overcast autumn before composed greengrass pink in spite of the theme |
2:39:42 (Pop-up) |
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played and composed by the pink floyd | Main Theme | 1969 | 2:40:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Neighbourhood - A Haiku Depressing autumn A composed neighbourhood pink beyond the children |
2:46:22 (Pop-up) |
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Tiny Tim | Neighbourhood Children | 1969 | 2:46:45 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The Tiny And Frantic Neighbourhood Whose neighbourhood is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her neighbourhood a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:50:42 (Pop-up) |
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Frantic | Midnight To Six Man | 1970 | 2:51:28 (Pop-up) | |||
The Alan Lorber Orchestra | Djellaba (The Hooded One) | 1967 | 2:55:32 (Pop-up) | |||
The Del-Vetts | Last Time Around | 1966 | 2:56:46 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:59:17 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:00:33 (Pop-up) |
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The Mothers Of Invention | Electric Aunt Jemima | 1969 | 3:01:06 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
3:02:52 (Pop-up) |
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The Velvet Underground | Lady Godiva's Operation | 1968 | 3:03:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Underground - A Haiku Threatening autumn An active, underground still an operation |
3:07:57 (Pop-up) |
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The Moody Blues | Sun is still shining. | 1969 | 3:08:21 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Steppenwolf - A Haiku Last coldness autumn A moody steppenwolf still despite the monster |
3:11:59 (Pop-up) |
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The Crazy World Of Arthur Brown | Child Of My Kingdom | 1968 | 3:13:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Brown And Wicker Kingdom Whose kingdom is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kingdom a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:20:20 (Pop-up) |
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Mouse And The Traps | Wicker Wine | 1969 | 3:21:17 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the entire pallet. Are you upset by how intact it is? Does it tear you apart to see the pallet so total? How happy is the total control! Down, down, down into the darkness of the control, Gently it goes - the unconditioned, the complete, the full. The zany fluorine sings like an ingested state Are you upset by how goofy it is? |
3:23:45 (Pop-up) |
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The Asylum Choir | Episode Containing 3 Songs: NY Op. | 1968 | 3:24:33 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
California - A Haiku Threatening autumn before california love by the containing |
3:26:49 (Pop-up) |
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The United States Of America | The American Way Of Love: part I - Metephore for an Older Man, Part II - California Good-time Music, Part III - Love Is All | 1968 | 3:27:21 (Pop-up) | |||
Grains Of Sand | Nice Girl | 1967 | 3:33:57 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
California, Part 2 - A Haiku Wickedness autumn For california double on the metephore |
3:36:20 (Pop-up) |
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The Two Dollar Question | Aunt Matilda's Double Yummy Blow Your Mind Out Brownies | 1969 | 3:36:56 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
One afternoon I said to myself, "Why isn't the revised more automatic?" Our revised is automatic and hand-operated, it likes to update, it likes to submit. A been, however hard it tries, Will always be divine. Never forget the heavenly and almighty been. Absent is very friend. |
3:39:11 (Pop-up) |
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Pearls Before Swine | these things too | 1969 | 3:40:03 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
3:43:24 (Pop-up) |
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The Appletree Theatre | Epilogue: What A Way To Go (yes) | 1967 | 3:45:17 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Aggregation - A Haiku Early chilled autumn A light aggregation light out of appletree |
3:47:58 (Pop-up) |
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The Aggregation | White Light | 1969 | 3:48:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Aggregation, Part 2 - A Haiku Last freezing autumn A light aggregation light out of magician |
3:50:20 (Pop-up) |
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Graham Bond | The Magician | 1970 | 3:50:44 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the pretty idiot. Now jolly is just the thing, To get me wondering if the idiot is beautiful. Because I could not kick for crap, it did kindly kick for me. Does the crap make you shiver? does it? It does kick, it does go, |
3:54:43 (Pop-up) |
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fever tree | Don't Come Crying To Me Girl | 1968 | 3:55:21 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 3:57:46 (Pop-up) | ||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 3:59:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
People - A Haiku Threatening autumn A tiny people people at the perfect night |
4:04:09 (Pop-up) |
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Ill Wind | People Of The Night | 1968 | 4:04:43 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
People, Part 2 - A Haiku Early dampness fall An other, people people at the perfect night |
4:12:22 (Pop-up) |
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Bee Gees | I Have Decided To Join The Air | 1968 | 4:12:45 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Underground - A Haiku Late coldness autumn An active, underground join before the velvet |
4:15:44 (Pop-up) |
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The Velvet Underground & Nico | Run, Run, Run | 1967 | 4:16:11 (Pop-up) | |||
Moby Grape | Omaha | 1967 | 4:20:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Moody And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:23:05 (Pop-up) |
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The Moody Blues | Legend Of A Mind | 1968 | 4:23:56 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Underground, Part 2 - A Haiku Overcast autumn A nazi, underground name after the velvet |
4:30:32 (Pop-up) |
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The Velvet Underground | I Heard Her Call My Name | 1968 | 4:30:57 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Underground - A Haiku Late freezing autumn A nazi, underground name the funkadelic |
4:35:30 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 4:36:04 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Funkadelic - A Haiku Last frigid autumn A light funkadelic light whilst watching the sounds |
4:40:10 (Pop-up) |
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Clear Light | Night Sounds Loud | 1967 | 4:40:45 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Quicksilver - A Haiku Late glacial autumn A liquid, quicksilver light at the perfect sounds |
4:43:07 (Pop-up) |
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played and composed by the pink floyd | Quicksilver | 1969 | 4:43:50 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:54 (Pop-up) | ||||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 |
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Listener comments!
Owl Sun:
tom tom the pipers son:
Owl Sun:
spacecowboy:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
Dario Rosa:
Dario Rosa:
You and I by the Monkees
Elevator Operator by Gene Clark
In The Country by West Coast Pop Art Experimental Band
Chili MacPagoda:
tom tom the pipers son:
Owl Sun:
Dario Rosa:
Christie:
Christie:
Owl Sun:
Dario Rosa:
tom tom the pipers son:
Owl Sun: