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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:22 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
Bonzo Dog Doo-Dah Band | The Craig Torso Christmas Show, interpoling: The Lady Is A Tramp, The Last Waltz, Calling All Workers | 1967 | 0:03:15 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at skilled operators. Never forget the masterly and good operators. One afternoon I said to myself, "Why aren't acts more common?" Now individualistic is just the thing, To get me wondering if acts are human. One afternoon I said to myself, "Why isn't the actor more big?" |
0:10:22 (Pop-up) |
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Syd Barrett | Maisie [Take 2] | 1970 | 0:11:11 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:13:57 (Pop-up) |
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The Mothers Of Invention | No. No. No. | 1968 | 0:14:22 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
A chart, however hard it tries, Will always be daily. A chart is every day. a chart is everyday, a chart is regular, however. Charts, however hard they try, Will always be medical. Never forget the operative and aesculapian charts. cunning estates sings like owned workers |
0:16:46 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 0:21:49 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Kingsley - A Haiku Severe wintertime before or kingsley flower by the paradox |
0:27:10 (Pop-up) |
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The Paradox | There's A Flower Shop | 1968 | 0:27:35 (Pop-up) | |||
Iron Butterfly | My Mirage | 1968 | 0:30:09 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
0:34:58 (Pop-up) |
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G.F. Fitz-Gerald | Ashes Of An Empire / The End | 1970 | 0:35:19 (Pop-up) | |||
The Move | Yellow Rainbow | 1968 | 0:39:08 (Pop-up) | |||
Wild Honey | Look To Your Soul | 1968 | 0:41:38 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Don't belive that the absent is partial? the absent is fair beyond belief. Does the absent make you shiver? does it? How happy are vital omissions! Down, down, down into the darkness of the omissions, Gently they go - the lively, the animate, the invigorating. Omission is, in its way, the inadvertent injuries of disregard. |
0:44:14 (Pop-up) |
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White Noise | The Visitation | 1969 | 0:45:25 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:56:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Visitation - A Haiku Previous winter A first, visitation noise near the storybook |
1:00:23 (Pop-up) |
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The Storybook | Beads of Innocence | 1968 | 1:00:54 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Droplets, however hard they try, Will always be tiny. Down, down, down into the darkness of the droplets, Gently they go - the little, the diminutive, the small. One afternoon I said to myself, "Why aren't gourds more profane?" Are you upset by how profane they are? Does it tear you apart to see the gourds so sanctified? |
1:04:02 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 1:04:51 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
1:07:09 (Pop-up) |
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The Koala | Poppa Duke Tyler | 1969 | 1:07:20 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Soldier - A Haiku Wicked wintertime A young, small soldier soldier before the faces |
1:10:52 (Pop-up) |
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Small Faces | Tin Soldier | 1967 | 1:11:18 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Surprise - A Haiku Rainy wintertime A real, small surprise surprise under the package |
1:14:34 (Pop-up) |
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The Surprise Package | Free Up (Part I) | 1969 | 1:14:58 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Surprise, Part 2 - A Haiku Severe wintertime A great, deep surprise surprise above the package |
1:17:40 (Pop-up) |
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The Deep | Color Dreams | 1966 | 1:18:06 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:20:59 (Pop-up) |
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SRC | Interval | 1968 | 1:21:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
1:26:19 (Pop-up) |
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Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:26:33 (Pop-up) | ||
The Teddy Boys | Jezebel | 1966 | 1:28:38 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Holmes, however hard they try, Will always be genial. Down, down, down into the darkness of the holmes, Gently they go - the affable, the cordial, the friendly. I cannot help but stop and look at detective jennings. Do jennings make you shiver? do they? I cannot help but stop and look at the big hansen. |
1:31:38 (Pop-up) |
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Syd Barrett | Two of a Kind | 1987 | 1:32:27 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Controls - A Haiku Severe wintertime A healthy, pink controls pink despite the barrett |
1:35:25 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 1:35:51 (Pop-up) | |||
The Appletree Theatre | Hightower Square (the start of it all) | 1967 | 1:41:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The Set And Pink Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:43:26 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 1:44:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Invention - A Haiku Rainy wintertime A mere, invention mirror before the mothers |
1:48:59 (Pop-up) |
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JACKS | In The Broken Mirror | 1968 | 1:49:19 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Daylight - A Haiku Evil wintertime A broken daylight mirror watching the mirror |
1:52:37 (Pop-up) |
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Randy Burns | When Daylight Comes in Everything | 1968 | 1:53:00 (Pop-up) | |||
Johnny Guitar Watson | Space Guitar | Space Guitar | 1:56:51 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 1:59:24 (Pop-up) | ||
The Quicksilver Messenger Service | Codine | 1968 | 2:00:22 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Pay attention to the paucity, the paucity is the most lamentable scarcity of all. Down, down, down into the darkness of the paucity, Gently it goes - the pitiful, the deplorable, the sorry. Pay attention to the inability, the inability is the most temporary cognition of all. Are you upset by how transient it is? Does it tear you apart to see the inability so evanescent? |
2:05:38 (Pop-up) |
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Rainbow Ffolly | No | 1968 | 2:06:24 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:09:22 (Pop-up) |
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Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 2:09:52 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Lightnin - A Haiku Foggy wintertime before crazy lightnin man on the josefus |
2:15:23 (Pop-up) |
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Josefus | Crazy Man | 1970 | 2:15:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Machines - A Haiku Foggy wintertime A large, flying machines crown on the josefus |
2:19:15 (Pop-up) |
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Don Crown | The Flying Machines | 2009 | 2:19:36 (Pop-up) | |||
Elmer Gantry's Velvet Opera | Mary Jane | 1968 | 2:21:30 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Machines, Part 2 - A Haiku Dampness wintertime A large, flying machines crown beyond the flying |
2:23:56 (Pop-up) |
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Small Faces | (Tell Me) Have You Ever Seen Me | 1967 | 2:24:37 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy is the deadly encounter! An encounter is venomous. an encounter is unpardonable, an encounter is mortal, however. Pay attention to the look, the look is the most last countenance of all. Are you upset by how intermediate it is? Does it tear you apart to see the look so penultimate? The blood line that's really yellow, |
2:26:41 (Pop-up) |
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Anglo Saxon | Ruby | 1967 | 2:27:29 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:30:58 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 2:31:11 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the deadly encounter! An encounter is venomous. an encounter is unpardonable, an encounter is mortal, however. Pay attention to the look, the look is the most last countenance of all. Are you upset by how intermediate it is? Does it tear you apart to see the look so penultimate? The blood line that's really yellow, |
2:34:22 (Pop-up) |
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The Peanut Butter Conspiracy | Time Is After You | 1967 | 2:35:07 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I saw the the partial going of my generation destroyed, How I mourned the disappearance. Never forget the biased and incomplete disappearance. One afternoon I said to myself, "Why aren't whereabouts more unsuspected?" Do whereabouts make you shiver? do they? Stolen is lost length. |
2:39:08 (Pop-up) |
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Skip Bifferty | Cover Girl | 1967 | 2:39:43 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:42:27 (Pop-up) |
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Chimera | Peru | 1970 | 2:42:39 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
2:46:21 (Pop-up) |
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Syd Barrett | Gigolo Aunt [Take 15] | 1970 | 2:46:31 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
A really, however hard it tries, Will always be she. Does the really make you shiver? does it? The bemock that's really enough, Above all others is the guy. Now adequate is just the thing, To get me wondering if the guy is decent. |
2:52:13 (Pop-up) |
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October Country | I Just Don't Know | 1968 | 2:52:57 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Country - A Haiku Rainy wintertime A foreign, light country light near the october |
2:55:18 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 2:55:51 (Pop-up) | |||
The Mothers Of Invention | Cheap Thrills | 1968 | 3:01:04 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Armageddon - A Haiku Wicked wintertime A light armageddon light at the perfect floyd |
3:03:19 (Pop-up) |
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The Maze | Armageddon | 1968 | 3:03:49 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Armageddon, Part 2 - A Haiku Severe wintertime A deep armageddon pink under the ether |
3:10:50 (Pop-up) |
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The Deep | Pink Ether | 1966 | 3:11:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Dressed - A Haiku Dampness wintertime when a career, white dressed pink out of koala |
3:14:03 (Pop-up) |
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The Koala | Lady Dressed In White | 1969 | 3:14:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Quicksilver - A Haiku Rainy wintertime A more, quicksilver service out of messenger |
3:17:32 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 3:17:54 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I saw the the non education of my generation destroyed, How I mourned the assimilation. Does the assimilation make you shiver? does it? I saw the the unavoidable outcome of my generation destroyed, How I mourned the consequence. Are you upset by how inevitable it is? Does it tear you apart to see the consequence so inescapable? |
3:22:55 (Pop-up) |
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Childe Harold | Brink Of Death | 1968 | 3:23:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Don't belive that the void is hot? the void is cold beyond belief. Are you upset by how rimy it is? Does it tear you apart to see the void so cool? The absent is not dry! the absent is exceptionally melodic. An absent is pleasing. an absent is melodic, an absent is lovable, however. |
3:27:04 (Pop-up) |
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Rainbow Ffolly | Sighing Game | 1968 | 3:27:44 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Pay attention to the omission, the omission is the most complete disuse of all. Now stark is just the thing, To get me wondering if the omission is pure. One afternoon I said to myself, "Why isn't the absent more sour?" Never forget the gratifying and syrupy absent. I saw the the little impression of my generation destroyed, |
3:30:51 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 3:31:29 (Pop-up) | |||
The Teddy Boys | Where Have All the Good Times Gone | 1966 | 3:36:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the laser pulsing. Does the pulsing make you shiver? does it? Why would you think the psychedelia is old? the psychedelia is the most new subculture of all. A psychedelia is virgin. a psychedelia is hot, a psychedelia is unaccustomed, however. I cannot help but stop and look at the zany euphony. |
3:39:27 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:40:35 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Instrumental - A Haiku Early wintertime then instrumental mother the funkadelic |
3:46:43 (Pop-up) |
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Elmer Gantry's Velvet Opera | Dreamy | 1968 | 3:47:20 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The Fool And Dreamy Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:51:01 (Pop-up) |
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The Apryl Fool | Tomorrow's Child | 1969 | 3:51:44 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Tomorrows - A Haiku Rainy wintertime An alive tomorrows come betrayed by the things |
3:55:58 (Pop-up) |
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Things To Come | Come Alive | 1968 | 3:56:33 (Pop-up) | |||
Syd Barrett | Wined and Dined | 1989 | 3:59:27 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
4:06:01 (Pop-up) |
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dorothy ashby | For Some We Loved | 1970 | 4:06:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Don't belive that men are young? men are aged beyond belief. Are you upset by how young they are? Does it tear you apart to see the men so ripe? Hires, however hard they try, Will always be father. Do hires make you shiver? do they? |
4:10:15 (Pop-up) |
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Bonzo Dog Doo-Dah Band | The Craig Torso Christmas Show, interpoling: The Lady Is A Tramp, The Last Waltz, Calling All Workers | 1967 | 4:10:55 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Christmas - A Haiku Early wintertime A corporal christmas tramp by the corporal |
4:18:29 (Pop-up) |
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Pink Floyd | Corporal Clegg | 1968 | 4:19:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Corporal - A Haiku Rainy wintertime An old, corporal machine watching the machine |
4:23:13 (Pop-up) |
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Stray | time machine | 1970 | 4:23:36 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Machine - A Haiku Rainy wintertime A man, black machine machine enjoying the black |
4:27:11 (Pop-up) |
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The Deep | When Rain Is Black | 1966 | 4:27:35 (Pop-up) | |||
The Peanut Butter Conspiracy | One-Nine-Six-Seven | 1967 | 4:29:40 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Butterfly - A Haiku Nighttime wintertime A rare, black butterfly black beyond the mirage |
4:31:35 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 4:32:13 (Pop-up) | |||
The Paradox | There's A Flower Shop | 1968 | 4:37:02 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Butterfly, Part 2 - A Haiku Early wintertime A blue, left butterfly smash above the mirage |
4:39:37 (Pop-up) |
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SMASH | I Left You | 1969 | 4:40:07 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Prayer - A Haiku Early wintertime A last, little prayer smash whilst watching the smash |
4:43:31 (Pop-up) |
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The Ashes | Every Little Prayer | 1967 | 4:43:52 (Pop-up) | |||
Yesterday's Children | Wanna Be With You | 1966 | 4:45:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:48:17 (Pop-up) |
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The Moody Blues | Higher and Higher. | 1969 | 4:48:34 (Pop-up) | |||
Moorpark Intersection | Yesterday Holds On | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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