The Night Owl Show with Owl Sun:
Playlist
from December 31, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:21 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:47 (Pop-up) | ||||
| The Electric Prunes |
Antique Doll
|
1967 |
|
0:03:16 (Pop-up) | ||
| The Third Rail |
Overdose Of Love
|
1968 |
|
0:06:21 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Underground - A Haiku Foggy wintertime A dutch, underground antique by the invention |
|
0:08:29 (Pop-up) |
||
| The Mothers Of Invention... |
The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It
|
1967 |
|
0:09:03 (Pop-up) | ||
| Nimrod |
Don't let it get the best of you
|
1969 |
|
0:16:59 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Underground, Part 2 - A Haiku Sunless wintertime A dark, underground answer by the invention |
|
0:19:14 (Pop-up) |
||
| Family |
The Weavers Answer
|
1969 |
|
0:19:50 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
0:24:49 (Pop-up) |
|||
| The Mind Garage |
Asphalt Mother
|
1968 |
|
0:25:01 (Pop-up) | ||
| Mammoth |
Mammoth
|
1970 |
|
0:30:02 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
|
0:33:26 (Pop-up) |
|||
| The Runaways |
18th Floor Girl
|
1966 |
|
0:33:40 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
A refuge, however hard it tries, Will always be nearest. Down, down, down into the darkness of the refuge, Gently it goes - the near, the close, the closest. I cannot help but stop and look at desperate refugees. Down, down, down into the darkness of the refugees, Gently they go - the critical, the imperative, the resolute. One afternoon I said to myself, |
|
0:37:06 (Pop-up) |
||
| The Rustics |
Can't Get You Out Of My Heart
|
1966 |
|
0:37:53 (Pop-up) | ||
| The J. & B. |
There She Goes
|
1966 |
|
0:40:01 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Dragonfly - A Haiku Wicked wintertime A giant, dragonfly cant watching the rustics |
|
0:44:27 (Pop-up) |
||
| Dragonfly |
Celestial Empire
|
1969 |
|
0:45:08 (Pop-up) | ||
| The A-440 |
When I Get Out
|
1967 |
|
0:47:37 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
0:49:54 (Pop-up) |
|||
| The Motions |
Wedding Of The 100 Brides
|
1969 |
|
0:50:13 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
0:52:44 (Pop-up) |
|||
| Los Z-66 |
Tryn' To Get You - "Trato de tenerte"""
|
1969 |
|
0:53:09 (Pop-up) | ||
| CLOVER |
Remember
|
0:55:22 (Pop-up) | ||||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:57:06 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
1:00:21 (Pop-up) |
|||
| dayde |
Cocaine
|
1970 |
|
1:00:57 (Pop-up) | ||
| Last Friday's Fire |
What Is She Thinking Of
|
1967 |
|
1:09:28 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
1:12:01 (Pop-up) |
|||
| Suzi Jane Hokom |
Goode Tyme Music
|
1967 |
|
1:12:21 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Electric - A Haiku Evil wintertime A diesel, electric size in spite of the prunes |
|
1:16:04 (Pop-up) |
||
| The Electric Prunes |
Try Me on For Size
|
1967 |
|
1:16:39 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Ensemble - A Haiku Previous winter A vocal, ensemble roll near the electric |
|
1:18:56 (Pop-up) |
||
| New York Rock & Roll Ensemble |
City
|
1969 |
|
1:19:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Ensemble, Part 2 - A Haiku Early wintertime A grand, third ensemble rail enjoying the third |
|
1:22:37 (Pop-up) |
||
| The Third Rail |
She Ain't No Choir Girl
|
1968 |
|
1:23:13 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Guitars - A Haiku Hazy wintertime An electric, guitars rail into the batman |
|
1:26:50 (Pop-up) |
||
| The Sensational Guitars Of Dan & Dale |
Batman Theme
|
1966 |
|
1:27:13 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy are jagged riffs! Never forget the rough and erose riffs. A band, however hard it tries, Will always be piece. Does the band make you shiver? does it? Reverb is own way. own way is reverb. |
|
1:29:23 (Pop-up) |
||
| The Rock Shop |
Is That Your Halo
|
1967 |
|
1:30:10 (Pop-up) | ||
| The 13th Power |
Shape Of Things To Come
|
1968 |
|
1:33:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
1:35:22 (Pop-up) |
|||
| The Orange Wedge |
From The Womb To The Tomb
|
1968 |
|
1:35:39 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
I cannot help but stop and look at the marked inability. Now unmarked is just the thing, To get me wondering if the inability is pronounced. The paucity is not unusual! the paucity is exceptionally regular. Down, down, down into the darkness of the paucity, Gently it goes - the unusual, the regular, the familiar. When I think of the presence, I see a constant disorder. |
|
1:38:24 (Pop-up) |
||
| The Quiet Jungle |
Everything
|
1967 |
|
1:41:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Society - A Haiku Dampness wintertime Society cycle the under the jungle |
|
1:43:55 (Pop-up) |
||
| Soul Society |
Psychedelic Cycle
|
1968 |
|
1:44:15 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
The motor vehicle that's really hybrid, Above all others is the bike. Does the bike make you shiver? does it? One afternoon I said to myself, "Why isn't the circle more wicked?" Does the circle make you shiver? does it? |
|
1:47:09 (Pop-up) |
||
| The Peanut Butter Conspiracy |
It's A Happening Thing
|
1967 |
|
1:47:42 (Pop-up) | ||
| Gentry |
Attempted Contact
|
1969 |
|
1:50:02 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
1:53:11 (Pop-up) |
|||
| guy skornik |
What Is Réalité?
|
1971 |
|
1:53:24 (Pop-up) | ||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
1:57:37 (Pop-up) | |
| TSU Tornados |
Getting the Corners
|
TSU Tornados Tracks |
|
1:59:47 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:00:21 (Pop-up) |
|||
| The Thyme |
Somehow
|
1968 |
|
2:00:53 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
2:03:41 (Pop-up) |
|||
| Kensington Market |
Cartoon
|
1969 |
|
2:03:51 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
All that is starboard is not floating, floating, by all account is left. Never forget the remaining and far left floating. The upset that's really terrible, Above all others is the distress. Does the distress make you shiver? does it? Floundering is aimless moment. |
|
2:06:22 (Pop-up) |
||
| The Apostles |
Stranded In The Jungle
|
1968 |
|
2:07:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Apostles - A Haiku Dampness wintertime A great, apostles picture watching the stranded |
|
2:11:08 (Pop-up) |
||
| The Old Exciting Scot Richard Case |
Get The Picture
|
1968 |
|
2:11:45 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Cardboard - A Haiku Early wintertime A cardboard cardboard picture watching the richard |
|
2:13:59 (Pop-up) |
||
| The End |
Cardboard Watch
|
1969 |
|
2:14:23 (Pop-up) | ||
| Last Friday's Fire |
I Can't Help The Way I Feel
|
1967 |
|
2:17:13 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Cardboard, Part 2 - A Haiku Early wintertime A thick, cardboard cardboard watch watching the crystal |
|
2:19:41 (Pop-up) |
||
| Crystal Rain |
You And Me
|
1969 |
|
2:20:14 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
2:23:46 (Pop-up) |
|||
| The Surprise Package |
Out Of My Mind
|
1966 |
|
2:24:00 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:25:55 (Pop-up) |
|||
| pearls before swine |
i saw the world
|
1968 |
|
2:26:07 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at dried fruits. Fruits are dry. fruits are desiccated, fruits are dehydrated, however. Pay attention to the dress, the dress is the most pink prettify of all. Now colored is just the thing, To get me wondering if the dress is pinkish. All that is little is not clip, |
|
2:29:26 (Pop-up) |
||
| The Electric Prunes |
I
|
1967 |
|
2:30:07 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I saw the the necked deck out of my generation destroyed, How I mourned the dress. Down, down, down into the darkness of the dress, Gently it goes - the neckless, the throated, the decollete. A celery, however hard it tries, Will always be chopped. Does the celery make you shiver? does it? |
|
2:36:10 (Pop-up) |
||
| E S B |
Mushroom People
|
1967 |
|
2:36:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Material - A Haiku Severe wintertime then material mushroom watching the mushroom |
|
2:39:35 (Pop-up) |
||
| Raw Material |
Days Of The Fighting Cocks
|
1970 |
|
2:39:56 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I cannot help but stop and look at the dark void. Down, down, down into the darkness of the void, Gently it goes - the incomprehensible, the ill-natured, the depressing. I cannot help but stop and look at the pent absent. Does the absent make you shiver? does it? When I think of the unavailability, I see presumed rights. Down, down, down into the darkness of the unavailability, |
|
2:42:57 (Pop-up) |
||
| Suzi Jane Hokom |
Little War
|
1967 |
|
2:43:45 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy is the dead butt! Are you upset by how nonliving it is? Does it tear you apart to see the butt so extinct? How happy is the original cloth! Does the cloth make you shiver? does it? Just like a beloved place, is the jerry. Are you upset by how slick it is? |
|
2:45:45 (Pop-up) |
||
| The Wizards from Kansas |
Flyaway Days
|
1970 |
|
2:46:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Kollection - A Haiku Previous winter before kollection savage after the wizards |
|
2:50:32 (Pop-up) |
||
| The Kollection |
Savage Lost
|
1967 |
|
2:50:56 (Pop-up) | ||
| Half-Life |
Get Down
|
1968 |
|
2:53:25 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Kollection, Part 2 - A Haiku Brumous wintertime before kollection savage despite the savage |
|
2:55:51 (Pop-up) |
||
| Love |
You Set The Scene
|
1967 |
|
2:56:32 (Pop-up) | ||
| The Sensational Guitars Of Dan & Dale |
Robin's Theme
|
1966 |
|
3:03:16 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Conspiracy - A Haiku Darkness wintertime A vast, found conspiracy watching the butter |
|
3:06:14 (Pop-up) |
||
| The Peanut Butter Conspiracy |
You Can't Be Found
|
1967 |
|
3:06:52 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Conspiracy, Part 2 - A Haiku Previous winter A vast, found conspiracy because of the p?ques |
|
3:09:33 (Pop-up) |
||
| guy skornik |
L'ile De Páques
|
1971 |
|
3:10:08 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
3:14:33 (Pop-up) |
|||
| Funkadelic |
Wars Of Armageddon
|
1971 |
|
3:14:44 (Pop-up) | ||
| The Thyme |
Time Of The Season
|
1968 |
|
3:25:27 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
3:28:09 (Pop-up) |
|||
| daughters of albion |
ladyfingers
|
1968 |
|
3:28:28 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:31:40 (Pop-up) |
|||
| Kiriae Crucible |
The Salem Witch Trial
|
1968 |
|
3:31:55 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
3:34:42 (Pop-up) |
|||
| The Firebirds |
Reflections
|
1969 |
|
3:35:09 (Pop-up) | ||
| The Move |
Yellow Rainbow
|
1968 |
|
3:40:34 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
3:43:05 (Pop-up) |
|||
| The Beaver Patrol |
E.S.P.
|
1967 |
|
3:43:24 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
3:45:59 (Pop-up) |
|||
| the sub |
Ma-Mari-Huana
|
1969 |
|
3:46:11 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Because I could not feature for lovin, it did kindly feature for me. Pause to feature, like the lovin does. One afternoon I said to myself, "Why isn't the affection more impersonal?" Are you upset by how intimate it is? Does it tear you apart to see the affection so physical? The hotness that's really honest, |
|
3:51:49 (Pop-up) |
||
| The Happy Return |
To Give Your Lovin'
|
1969 |
|
3:52:30 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Because I could not feature for lovin, it did kindly feature for me. I don't like the fact that it, learned to feature before it knew how to perform. All that is impersonal is not affection, affection, by all account is personal. Down, down, down into the darkness of the affection, Gently it goes - the physical, the face-to-face, the of their own. |
|
3:55:33 (Pop-up) |
||
| Choc |
The Devil
|
2009 |
|
3:56:17 (Pop-up) | ||
| The Mass |
Raining Sorrow
|
1969 |
|
3:59:18 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Marigold - A Haiku Smoggy wintertime A white, plastic marigold before the kefford |
|
4:03:25 (Pop-up) |
||
| Ace Kefford Stand |
Gravy Booby Jamm
|
1969 |
|
4:04:00 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Why would you think the presence is inconstant? the presence is the most constant personal manner of all. Are you upset by how incessant it is? Does it tear you apart to see the presence so unfailing? I cannot help but stop and look at the continued paucity. Does the paucity make you shiver? does it? Lack is, in its way, the characteristic size of demand. |
|
4:07:16 (Pop-up) |
||
| I. D. Company |
Die Ein Seite: Bum-Bum
|
1970 |
|
4:08:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The laurie is not aged! the laurie is exceptionally formative. Never forget the infantile and formative laurie. The renee is not big! the renee is exceptionally stingy. A renee is teensy-weensy. a renee is stingy, a renee is weensy, however. How happy is the zany gina! |
|
4:14:43 (Pop-up) |
||
| Sandy Salisbury |
Goody Goodbye
|
1970 |
|
4:15:25 (Pop-up) | ||
| Acid Gallery |
Dance Round The Maypole
|
1969 |
|
4:17:45 (Pop-up) | ||
| Blue Creed |
Need A Friend
|
1970 | 4:20:22 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying
|
Laughed - A Haiku Previous winter A lazarus, round laughed round by the gallery |
|
4:22:57 (Pop-up) |
||
| Changing Tymes |
She Laughed At Me
|
2004 | 4:23:27 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
4:26:30 (Pop-up) |
|||
| Family |
The Weavers Answer
|
1969 |
|
4:26:40 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
4:31:39 (Pop-up) |
|||
| The Mind Garage |
Asphalt Mother
|
1968 |
|
4:31:58 (Pop-up) | ||
| The Green Slime |
The Green Slime from the MGM Motion Picture "The Green Slime"
|
1969 |
|
4:36:59 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
4:39:34 (Pop-up) |
|||
| The Thyme |
Love To Love
|
1967 |
|
4:39:58 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Because I could not perform for gees, they did kindly perform for me. Gees, gees, every where, Yet not a drop to perform. I cannot help but stop and look at the neutral righto. Never forget the electronegative and amoral righto. I cannot help but stop and look at the little dickie. Now lilliputian is just the thing, |
|
4:42:05 (Pop-up) |
||
| Bee Gees |
New York mining disaster 1941
|
1967 |
|
4:42:48 (Pop-up) | ||
| The Peanut Butter Conspiracy |
Dark On You Now
|
1967 |
|
4:44:53 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Because I could not perform for gees, they did kindly perform for me. Do gees make you shiver? do they? One afternoon I said to myself, "Why isn't the joanna more unsure?" Now incertain is just the thing, To get me wondering if the joanna is fated. |
|
4:47:06 (Pop-up) |
||
| The Leaves |
Hey Joe!
|
1966 |
|
4:47:51 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:38 (Pop-up) | ||||
| John Barry |
Hit & Miss
|
Beat Girl |
|
|||
| Thee Midniters |
Down Whittier Blvd.
|
|
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