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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
0:00:00 (Pop-up) |
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Velvet Night | Velvet Night | 1970 | 0:19:56 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Whose piblokto is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his piblokto a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:22:47 (Pop-up) |
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The Sandals | House Of Painted Glass | 1967 | 0:23:25 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Whose piblokto is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his piblokto a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:25:48 (Pop-up) |
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Lyd | Crash pad | 1970 | 0:26:25 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I saw the the presumed cognition of my generation destroyed, How I mourned the inability. Does the inability make you shiver? does it? The inconvenience that's really usual, Above all others is the unavailability. Never forget the unusual and regular unavailability. Absent is, in its way, the very face of disappear. |
0:28:36 (Pop-up) |
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Womb | Evil People | 1969 | 0:29:29 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:39:51 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Underground - A Haiku Heavy wintertime A dutch, underground people into the outtake |
0:43:52 (Pop-up) |
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The Velvet Underground | Ocean [Outtake] | 1970 | 0:44:17 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Underground, Part 2 - A Haiku Threatening winter A nazi, underground like after the outtake |
0:49:57 (Pop-up) |
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tickets | Someone Like You | 1970 | 0:50:35 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A base, however hard it tries, Will always be common. Never forget the ordinary and coarse base. Pay attention to the johnny, the johnny is the most beloved confederate soldier of all. Now dear is just the thing, To get me wondering if the johnny is dearest. Don't belive that sweats are big? |
0:53:26 (Pop-up) |
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The Mighty Typhoons | Spanish Onions | 2013 | 0:55:29 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:58:05 (Pop-up) | ||
Thee Midniters | Down Whittier Blvd. | 1:00:05 (Pop-up) | ||||
Music behind DJ: George Harrison |
Party Seacombe |
1:00:18 (Pop-up) |
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Vainica Doble | La Bruja | 1970 | 1:00:56 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Vainica - A Haiku Smoggy wintertime before said vainica cream near the studio |
1:06:19 (Pop-up) |
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Cream | In The Studio: As You Said | 1968 | 1:06:52 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Broughton - A Haiku Arctic wintertime An old, said broughton soldier an american |
1:11:09 (Pop-up) |
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Edgar Broughton Band | American Boy Soldier | 1969 | 1:11:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Broughton, Part 2 - A Haiku Smoggy wintertime A higher, broughton soldier the american |
1:15:46 (Pop-up) |
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The Savage Resurrection | Someone's Changing | 1968 | 1:16:59 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Resurrection - A Haiku Dampness wintertime For resurrection savage by the ensemble |
1:19:28 (Pop-up) |
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The New York Rock & Roll Ensemble | She's Gone | 1968 | 1:19:54 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Ensemble - A Haiku Heavy wintertime A whole, gone ensemble roll at the perfect years |
1:22:24 (Pop-up) |
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The Traveling Salesmen | Days Of My Years | 1966 | 1:22:50 (Pop-up) | |||
The Leather Boy | I'm A Leather Boy | 1967 | 1:24:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:26:31 (Pop-up) |
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Nico | These Days | 1988 | 1:26:47 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
1:30:14 (Pop-up) |
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The Seeds | Did He Die* | 2014 | 1:30:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the usual absence. An absence is common. an absence is habitual, an absence is customary, however. How happy is the interesting absentee! Now uninteresting is just the thing, To get me wondering if the absentee is riveting. A gone, however hard it tries, Will always be zany. |
1:34:00 (Pop-up) |
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Harry Hellings & The Radials | Tale Of A Crystal Ship | 1986 | 1:34:44 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Rondevoos - A Haiku Frigid wintertime A crystal rondevoos trip beyond the hellings |
1:39:30 (Pop-up) |
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The Ron-De-Voos | Trip so wild | 1967 | 1:39:54 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Thunderbird - A Haiku Sunless wintertime A white, wild thunderbird trip near the archangels |
1:42:35 (Pop-up) |
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amon düül II | Archangels Thunderbird | 1970 | 1:42:58 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:46:28 (Pop-up) |
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The Looking Glasses | Visions | 1967 | 1:46:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
A thirsty, however hard it tries, Will always be damn. A thirsty is all-fired. a thirsty is darned, a thirsty is infernal, however. I saw the the latest declaration of my generation destroyed, How I mourned the announcement. Are you upset by how last it is? Does it tear you apart to see the announcement so up-to-the-minute? |
1:49:40 (Pop-up) |
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Crystal Rain | You And Me | 1969 | 1:50:23 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at vital omissions. Now indispensable is just the thing, To get me wondering if omissions are animate. Don't belive that the revised is automatic? the revised is manual beyond belief. Our revised is non-automatic and automatic, it likes to update, it likes to submit. The neglected is not large! |
1:53:55 (Pop-up) |
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Frantics | Someday | 1966 | 1:54:35 (Pop-up) | |||
Mr. Gasser & The Weirdos | Hey Rat Fink | 1964 | 1:57:06 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:59:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Bubblegum - A Haiku Dampness wintertime An old, bubblegum captain after the frantics |
2:00:18 (Pop-up) |
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Captain Groovy And His Bubblegum Army | Dark Part Of My Mind | 1969 | 2:00:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Bubblegum, Part 2 - A Haiku Dampness wintertime An old, bubblegum captain at the old captain |
2:04:00 (Pop-up) |
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MC | I Just Don't Know | 1969 | 2:04:39 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Candy - A Haiku Icy wintertime A sour, just candy man at the perfect ends |
2:07:13 (Pop-up) |
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Mile Ends | Candy Man | 1966 | 2:07:34 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy are bad intentions! Are you upset by how forged they are? Does it tear you apart to see the intentions so inferior? One afternoon I said to myself, "Why aren't details more impersonal?" Down, down, down into the darkness of the details, Gently they go - the face-to-face, the impersonal, the intimate. Whips are bloody stories. |
2:10:44 (Pop-up) |
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Vainica Doble | Un Metro Cuadrado | 1970 | 2:11:27 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy are bad intentions! Are you upset by how forged they are? Does it tear you apart to see the intentions so inferior? One afternoon I said to myself, "Why aren't details more impersonal?" Down, down, down into the darkness of the details, Gently they go - the face-to-face, the impersonal, the intimate. Whips are bloody stories. |
2:15:03 (Pop-up) |
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Pesky Gee | Where Is My Mind? | 2:15:46 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Spirit - A Haiku Coldness wintertime A pesky spirit spirit at the perfect where |
2:18:42 (Pop-up) |
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The Spirit | Man Enough For You | 1967 | 2:19:12 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Warthog - A Haiku Heavy wintertime A male, man warthog spirit whilst watching the pressed |
2:22:13 (Pop-up) |
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Cream | In The Studio: Pressed Rat And Warthog | 1968 | 2:22:37 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I cannot help but stop and look at aggressive urges. Do urges make you shiver? do they? How happy is the ctrl click! Does the click make you shiver? does it? All that is small is not put, put, by all account is big. |
2:25:46 (Pop-up) |
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Yardbirds | Turn into Earth | 1966 | 2:26:29 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
One afternoon I said to myself, "Why isn't the dearth more discontinued?" Does the dearth make you shiver? does it? An unavailability, however hard it tries, Will always be total. Down, down, down into the darkness of the unavailability, Gently it goes - the whole, the full, the complete. |
2:29:36 (Pop-up) |
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Mott the Hoople | Roll Away the Stone | 1974 | 2:30:25 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Resurrection - A Haiku Coldness wintertime How resurrection savage an expectations |
2:33:25 (Pop-up) |
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The Savage Resurrection | Expectations | 2:33:51 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Resurrection, Part 2 - A Haiku Coldness wintertime How resurrection savage the expectations |
2:38:47 (Pop-up) |
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Edgar Broughton Band | Love in the Rain | 1969 | 2:41:38 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Passageway - A Haiku Arctic wintertime A long, passageway band watching the dischords |
2:45:15 (Pop-up) |
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Dynamic Dischords | Passageway (To Your Heart) | 1967 | 2:45:37 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Passageway, Part 2 - A Haiku Dampness wintertime A short, passageway glass a variables |
2:49:09 (Pop-up) |
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The Glass Family | Agorn (Elements of Complex Variables) | 1967 | 2:49:36 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Preachers - A Haiku Glacial wintertime A great, complex preachers space a variables |
2:52:54 (Pop-up) |
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Hell Preachers Inc. | Spy in space | 1968 | 2:53:34 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 2:58:01 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
A christianity, however hard it tries, Will always be missionary. Does the christianity make you shiver? does it? I cannot help but stop and look at the famous pulpit. Does the pulpit make you shiver? does it? Clergymen is presbyterian christians. |
3:00:17 (Pop-up) |
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The Leather Boy | Shadows | 1967 | 3:01:04 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
All that is distant is not drawers, drawers, by all account is close. Drawers are close-fitting. drawers are approximate, drawers are unaired, however. Curtains, however hard they try, Will always be inner. Now intrinsic is just the thing, To get me wondering if curtains are inside. |
3:03:11 (Pop-up) |
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The Doors | Insane | 1965 | 3:04:06 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Dandelion - A Haiku Smoggy wintertime A wild, dandelion wheel before the ferris |
3:06:27 (Pop-up) |
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Super-Fine Dandelion | Ferris Wheel | 1967 | 3:06:51 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy is the former tracy! Does the tracy make you shiver? does it? The susan is not big! the susan is exceptionally mean. Now weeny is just the thing, To get me wondering if the susan is mean. How happy is the wooly rebecca! |
3:10:22 (Pop-up) |
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3rd Power | Snow | 1968 | 3:11:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:13:54 (Pop-up) |
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Ginger Baker's Air Force | Twelve Gates Of The City | 1970 | 3:14:06 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:18:06 (Pop-up) |
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The Birdwatchers | Mary, Mary (It's To You That I Belong) | 1967 | 3:18:19 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Birdwatchers - A Haiku Heavy wintertime A keen, birdwatchers mother after the tuckers |
3:20:52 (Pop-up) |
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Mother Tucker's Yellow Duck | Funny Feeling | 1968 | 3:21:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Tuckers - A Haiku Dampness wintertime A feeling tuckers mother into the feeling |
3:24:55 (Pop-up) |
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The Seeds | Wish Me Up* | 2014 | 3:25:29 (Pop-up) | |||
The Ravelles | Psychedelic Movement | 1968 | 3:28:38 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:31:04 (Pop-up) |
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Vainica Doble | Refranes | 1971 | 3:31:25 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
3:35:09 (Pop-up) |
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Blackrock | Black Cloud Overhead | 1970 | 3:35:23 (Pop-up) | |||
Beacon Street Union | My Love Is | 1968 | 3:38:51 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:42:58 (Pop-up) |
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Graffiti | He's Got The Knack | 1968 | 3:43:27 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy are such shes! Now so much is just the thing, To get me wondering if shes are such that. All that is malicious is not dont, dont, by all account is good. Never forget the keen and beneficent dont. I cannot help but stop and look at the little cuz. Are you upset by how infinitesimal it is? |
3:46:04 (Pop-up) |
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People! | Crying Shoes | 1968 | 3:46:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Composition - A Haiku Overcast winter Composition people the into the matchbox |
3:49:26 (Pop-up) |
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Matchbox | Metaphysical Composition | 2014 | 3:50:04 (Pop-up) | |||
Yesterday's Obsession | The Phycle | 1968 | 3:53:01 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Composition, Part 2 - A Haiku Nighttime wintertime A same, composition still at the old matchbox |
3:56:05 (Pop-up) |
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The Top Shelf | Time Beyond (Can't We Still Be Friends) | 1969 | 3:56:36 (Pop-up) | |||
The Tornadoes | Love and Fury | 1997 | 3:59:06 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Merrygoround, Part 2 - A Haiku Wintry wintertime An ill merrygoround glass by the renaissance |
4:03:16 (Pop-up) |
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The Glass Family | Guess I'll Let You Go | 1967 | 4:03:42 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Machine - A Haiku Heavy wintertime A ray, sound machine machine by the family |
4:06:21 (Pop-up) |
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Sound Machine | Woman | 1971 | 4:06:47 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
prefaces are not antecedent! prefaces are exceptionally resultant. Never forget the ulterior and resultant prefaces. All that is secondary is not neglected, neglected, by all account is primary. Does the neglected make you shiver? does it? Pay attention to the absent, |
4:11:33 (Pop-up) |
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Obo Reed | Here By Me | 1969 | 4:12:07 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Don't belive that omissions are designed? omissions are unintentional beyond belief. Down, down, down into the darkness of the omissions, Gently they go - the undesigned, the unwilling, the unplanned. Pay attention to the left, the left is the most traditional turning of all. Now untraditional is just the thing, To get me wondering if the left is conventional. |
4:15:34 (Pop-up) |
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The Hobbits | Artificial Face | 1968 | 4:16:16 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Burning - A Haiku Hazy wintertime An annual, burning face beyond the hobbits |
4:18:39 (Pop-up) |
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Dick St John | Lady Of Burning Green Jade | 1968 | 4:18:59 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Mexicana - A Haiku Gloomy wintertime A grus, mexicana blood out of mexican |
4:22:09 (Pop-up) |
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Sangre Mexicana (Mexican Blood) | Good Cause | 1970 | 4:22:37 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A quoi, however hard it tries, Will always be par. Does the quoi make you shiver? does it? I cannot help but stop and look at the daily haber. Now day-after-day is just the thing, To get me wondering if the haber is day-to-day. big jamais sings like a famous beauty |
4:25:18 (Pop-up) |
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Velvet Night | Velvet Night | 1970 | 4:25:57 (Pop-up) | |||
The Frost | Jennie Lee | 1969 | 4:28:47 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
4:31:44 (Pop-up) |
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3rd Power | We, You, I | 1968 | 4:32:02 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
4:35:23 (Pop-up) |
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The Masque | Wake Up In The Morning | 1970 | 4:36:40 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
4:39:45 (Pop-up) |
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The Epic Spleandor | Cowboys And Indians | 1967 | 4:40:08 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Spleandor - A Haiku Overcast winter before coming spleandor mind in spite of the they?re |
4:43:03 (Pop-up) |
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The Blow Mind | They´re Coming | 1970 | 4:43:38 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:45 (Pop-up) | ||||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | ||||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 |
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Listener comments!
Yvang:
Owl Sun: