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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:13 (Pop-up) | ||||
Yesterday's Children | Hunter's Moon | 1969 | 0:02:40 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Yesterdays - A Haiku Arctic wintertime An extra yesterdays roll at the old children |
0:08:47 (Pop-up) |
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Hearts and Flowers | Extra, Extra / Rock and Roll Gypsies | 1968 | 0:09:19 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Concern - A Haiku Severe wintertime A growing concern concern under the flowers |
0:13:05 (Pop-up) |
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The Growing Concern | Edge Of Time | 1968 | 0:13:42 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The size that's really mortal, Above all others is the littleness. A littleness is earthborn. a littleness is individual, a littleness is deadly, however. I cannot help but stop and look at spiritual desires. Now spectral is just the thing, To get me wondering if desires are ghostly. How happy are little passions! |
0:19:09 (Pop-up) |
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the tangerine ZOO | Nature's Children | Venenos do Rock | 1968 | 0:19:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
0:23:37 (Pop-up) |
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Moby Grape | Ooh Mama Ooh | 1969 | 0:24:01 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy are schiff meyers! Do meyers make you shiver? do they? I cannot help but stop and look at the dear ritchie. Never forget the beloved and high-priced ritchie. Pay attention to the rupert, the rupert is the most yellow prince of all. A rupert is dishonorable. a rupert is lily-livered, |
0:26:20 (Pop-up) |
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The Insect Trust | Special Rider Blues | 1968 | 0:26:58 (Pop-up) | |||
Moloch | Dance Chaney Dance | 1969 | 0:34:37 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Brainticket - A Haiku Nighttime wintertime A special brainticket black watching the special |
0:37:24 (Pop-up) |
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Brainticket | Black Sand | 1971 | 0:37:52 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Instrumental - A Haiku Darkness wintertime How instrumental mother on the brainticket |
0:41:53 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:42:26 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Instrumental, Part 2 - A Haiku Arctic wintertime why instrumental mother the funkadelic |
0:48:34 (Pop-up) |
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Womb | My Baby Thinks About The Good | 1968 | 0:49:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the coral forgotten. Now colored is just the thing, To get me wondering if the forgotten is chromatic. Pay attention to the left, the left is the most lower manus of all. Never forget the junior-grade and junior left. I cannot help but stop and look at zany prefaces. Do prefaces make you shiver? |
0:53:19 (Pop-up) |
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Hearts And Flowers | 1-2-3 Rhyme In Carnivour Thyme | 1967 | 0:54:11 (Pop-up) | |||
The Shadows | Shotgun | 1996 | 0:56:20 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:58:20 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at the unintentional omission. Are you upset by how unwilling it is? Does it tear you apart to see the omission so unwilled? How happy are brief prefaces! Prefaces are abbreviated. prefaces are concise, prefaces are little, however. Just like miserable diseases, is the neglected. Does the neglected make you shiver? |
0:59:48 (Pop-up) |
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The Superfine Dandelion | The Other Sidewalk | 1967 | 1:00:46 (Pop-up) | |||
The Mandrake Memorial | Puzzle | 1969 | 1:03:46 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Dandelion - A Haiku Severe wintertime A wild, dandelion land beyond the sidewalk |
1:06:43 (Pop-up) |
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Rex Holman | Here in the Land of Victory | 1970 | 1:07:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Documentary - A Haiku Early wintertime How documentary land by the religion |
1:10:16 (Pop-up) |
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stone country | Love Psalm | 1968 | 1:12:53 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:15:18 (Pop-up) |
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The Tiffany Shade | No Reality | 1968 | 1:15:41 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
An omission, however hard it tries, Will always be unintentional. Never forget the unplanned and unintended omission. How happy is the wrist absent! Does the absent make you shiver? does it? Prefaces are subsequent variables. subsequent variables are prefaces. |
1:19:36 (Pop-up) |
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Plus | Gloria In Exelsis: "Toccata" | 1969 | 1:20:24 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
The miss that's really total, Above all others is the lack. Does the lack make you shiver? does it? One afternoon I said to myself, "Why isn't the unavailability more unusual?" Now common is just the thing, To get me wondering if the unavailability is familiar. |
1:22:59 (Pop-up) |
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Estelle Levitt | All I Dream | 1968 | 1:23:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
1:26:33 (Pop-up) |
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The Wildlife | Where Do You Go | 1967 | 1:26:44 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
1:30:00 (Pop-up) |
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The Teddy Boys | Jezebel | 1966 | 1:30:22 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
1:33:21 (Pop-up) |
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the tangerine ZOO | The Flight | Venenos do Rock | 1968 | 1:33:44 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Sandalwood - A Haiku Arctic wintertime A northwest sandalwood flight above the northwest |
1:38:04 (Pop-up) |
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The Insect Trust | Been Here And Gone So Soon | 1968 | 1:40:42 (Pop-up) | |||
The Thirteenth Floor Elevators | Reverbaration (Doubt) | 1966 | 1:44:39 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Moloch - A Haiku Icy wintertime A modern, gone moloch trust under the insect |
1:47:24 (Pop-up) |
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Moloch | Mona | 1969 | 1:48:00 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:50:02 (Pop-up) |
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1984 | Little Girl | 2009 | 1:50:32 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
All that is fortunate is not townspeople, townspeople, by all account is unfortunate. Does the townspeople make you shiver? does it? How happy is the cooke yarborough! Does the yarborough make you shiver? does it? I cannot help but stop and look at little carothers. |
1:53:06 (Pop-up) |
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The Sugar Townes | Billy Sunshine | 1969 | 1:53:52 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 1:56:48 (Pop-up) | ||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 1:59:19 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Pay attention to the townsfolk, the townsfolk is the most petty municipality of all. Down, down, down into the darkness of the townsfolk, Gently it goes - the lowly, the piddling, the junior-grade. All that is unchristian is not townspeople, townspeople, by all account is christian. Are you upset by how christlike it is? Does it tear you apart to see the townspeople so christly? |
1:59:48 (Pop-up) |
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Womb | Hang On (Look Around, I'm Upside Down) | 1968 | 2:01:08 (Pop-up) | |||
Barbara Keith | Fisherman King | 1969 | 2:03:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at extensive prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the copious, the abundant, the intensive. I cannot help but stop and look at the miserable neglected. Are you upset by how poor it is? Does it tear you apart to see the neglected so low? A forgotten, however hard it tries, Will always be wooly. |
2:06:13 (Pop-up) |
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marcus | A Million Grains Of Sand | 1970 | 2:07:04 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
2:11:00 (Pop-up) |
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The Superfine Dandelion | Janie's Tomb | 1967 | 2:13:29 (Pop-up) | |||
Thor's Hammer | My Life (from the Paramount Picture "Umbarumbamba" | 1966 | 2:16:17 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy are mysterious disappearances! Now incomprehensible is just the thing, To get me wondering if disappearances are secret. Don't belive that the disappearance is de jure? the disappearance is actual beyond belief. Down, down, down into the darkness of the disappearance, Gently it goes - the de facto, the genuine, the de jure. The people that are really cunning, |
2:18:32 (Pop-up) |
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Bloomsbury People | Have You Seen Them Cry | 1970 | 2:19:28 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:23:00 (Pop-up) |
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Rex Holman | Rowin' | 1970 | 2:23:20 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
America - A Haiku Darkening winter A white, america love enjoying the states |
2:25:44 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:26:06 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
America, Part 2 - A Haiku Severe wintertime A white, america mind at the perfect shapes |
2:30:44 (Pop-up) |
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Keith Relf | Shapes In My Mind | 1966 | 2:31:09 (Pop-up) | |||
Sapphire Thinkers | Melancholy Baby | 1969 | 2:33:21 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The Lost And Documentary Documentary Whose documentary is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his documentary a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:35:33 (Pop-up) |
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The Gates Of Eden | No One Was There | 1967 | 2:38:59 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Original - A Haiku Severe wintertime A most, original sand above the version |
2:41:33 (Pop-up) |
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Grains Of Sand | Goin' Away, Baby (Original Version) | 1966 | 2:41:55 (Pop-up) | |||
Dino Valenti | Birdses | 1965 | 2:44:01 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Lonely And Original Original Whose original is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his original a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:46:30 (Pop-up) |
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Hamilton Camp | Lonely Place | 1967 | 2:47:41 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The Lonely And Groovy Place Whose place is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her place a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:50:19 (Pop-up) |
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Tom Parrott | Groovy And Linda | 1968 | 2:51:05 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
2:54:20 (Pop-up) |
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Bobby Jameson | Jamie | 1967 | 2:54:42 (Pop-up) | |||
The Shadows | Man of Mystery | 1996 | 2:57:46 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:59:42 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
2:59:48 (Pop-up) |
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stone country | Magnolias | 1968 | 3:00:27 (Pop-up) | |||
Plus | Avarice: "Daddy's Thing" | 1969 | 3:04:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A lack, however hard it tries, Will always be total. Are you upset by how gross it is? Does it tear you apart to see the lack so unconditional? I saw the the complete scarceness of my generation destroyed, How I mourned the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the thorough, the absolute, the perfect. |
3:06:58 (Pop-up) |
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Tony And Siegrid | You Don't Understand At All | 1967 | 3:07:57 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
One afternoon I said to myself, "Why aren't omissions more invisible?" Now gross is just the thing, To get me wondering if omissions are overt. How happy is the jong been! Does the been make you shiver? does it? When I think of the omission, I see an unintentional point. |
3:10:26 (Pop-up) |
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Kangaroo | Daydream Stallion | 1968 | 3:11:17 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
One afternoon I said to myself, "Why aren't omissions more invisible?" Now gross is just the thing, To get me wondering if omissions are overt. How happy is the jong been! Does the been make you shiver? does it? When I think of the omission, I see an unintentional point. |
3:15:09 (Pop-up) |
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The Electric Eclectics of Dick Hyman | Evening Thoughts | Moog - The Electric Eclectics Of Dick Hyman | 3:16:06 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The Farther And Electric Tangerine Whose tangerine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tangerine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:19:19 (Pop-up) |
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The Tangerine Zoo | Farther Down The Road | 1968 | 3:20:07 (Pop-up) | |||
Eire Apparent | Magic Carpet | 1969 | 3:24:25 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the good gonna! Now serious is just the thing, To get me wondering if the gonna is peachy. A hate, however hard it tries, Will always be cruel. Down, down, down into the darkness of the hate, Gently it goes - the rigorous, the inhumane, the unkind. Guess is least water. |
3:27:12 (Pop-up) |
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The Galaxies IV | Don't Lose Your Mind | 1966 | 3:27:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:30:51 (Pop-up) |
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The Gas Company | Get Out Of My Life | 1966 | 3:31:04 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
How happy is the good gonna! Now serious is just the thing, To get me wondering if the gonna is peachy. A hate, however hard it tries, Will always be cruel. Down, down, down into the darkness of the hate, Gently it goes - the rigorous, the inhumane, the unkind. Guess is least water. |
3:33:09 (Pop-up) |
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The Superfine Dandelion | Mr. and Mrs. Potato Head | 1967 | 3:34:02 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
A roh, however hard it tries, Will always be post. Does the roh make you shiver? does it? A casal, however hard it tries, Will always be spanish. Does the casal make you shiver? does it? |
3:37:27 (Pop-up) |
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Stone Country | Million Dollar Bash | 1969 | 3:38:01 (Pop-up) | |||
Tinkerbell's Fairydust | Twenty Ten | 1969 | 3:40:11 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
A carnal, however hard it tries, Will always be less. Does the carnal make you shiver? does it? One afternoon I said to myself, "Why isn't the kind more dissimilar?" A kind is different. a kind is equivalent, a kind is unalike, however. |
3:42:48 (Pop-up) |
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The Greatful Dead | Death Don't Have No Mercy | 1966 | 3:43:33 (Pop-up) | |||
The Gentle Soul | Song For Eolia | 1968 | 3:52:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Thinkers - A Haiku Arctic wintertime A modern, strange thinkers feel by the sapphire |
3:54:41 (Pop-up) |
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Sapphire Thinkers | I feel a bit strange | 1969 | 3:55:09 (Pop-up) | |||
The Tornadoes | Alan's Tune | 1997 | 3:57:50 (Pop-up) | |||
Rex Holman | Today is Almost Here | 1970 | 4:04:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
4:07:11 (Pop-up) |
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Bloomsbury People | Madeline | 1969 | 4:07:27 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
4:10:46 (Pop-up) |
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stone country | Mantra | 1968 | 4:11:07 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
4:13:20 (Pop-up) |
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Anan | Medena | 1968 | 4:13:32 (Pop-up) | |||
Plus | Sloth: "Open Up Your Eyes" | 1969 | 4:15:58 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:19:01 (Pop-up) |
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Mother Earth | Revolution | 1968 | 4:19:16 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
4:22:08 (Pop-up) |
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the tangerine ZOO | Nature's Children | Venenos do Rock | 1968 | 4:22:21 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:26:09 (Pop-up) |
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The Insect Trust | Brighter Than Day | 1968 | 4:26:35 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I saw the the marked knowledge of my generation destroyed, How I mourned the inability. Now well-marked is just the thing, To get me wondering if the inability is pronounced. How happy is the apparent unavailability! Does the unavailability make you shiver? does it? When I think of the omission, I see an apparent process. |
4:29:24 (Pop-up) |
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Kangaroo | Make Some Room In Your Life | 1968 | 4:30:12 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Kangaroo - A Haiku Nighttime wintertime A giant, kangaroo room at the old captive |
4:33:56 (Pop-up) |
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Eire Apparent | Captive In The Sun | 1969 | 4:34:19 (Pop-up) | |||
The Bubble Puppy | Hot Smoke & Sasafrass | Hot Smoke & Sasafrass b/w Lonely | 1968 | 4:39:46 (Pop-up) | ||
The Tangerine Zoo | Young Dream | 1968 | 4:42:18 (Pop-up) | |||
Mad River | Amphetamine Gazelle | 1968 | 4:51:36 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
Jim the Poet:
afoo: