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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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March 2, 2023: Click The Widget! Clicky Stars! Clicking, clacking & clocking...
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time |
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Music behind DJ: Sounds Of The Ocean |
Beach Sounds |
Ocean Sounds |
Sounds Of The Ocean |
2016 |
0:00:00 (Pop-up) |
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Sparks | The Girl Is Crying In Her Latte | The Girl Is Crying In Her Latte | Island Records | 2023 | This song was released today! This very day of March 2, 2023! The video is out tomorrow... The album in May. "The Girl Is Crying in Her Latte will mark their first release on Island Records since 1974. Due on May 26, the band promise it's as "bold and uncompromising as anything we did back then, or for that matter, anytime throughout our career." Sparks will also be touring, so catch them if you can! | * | 0:02:01 (Pop-up) |
Add N To (X) | The Monkey Skirt Marters | Take Me To Your Leader CD | Mute | 2002 | Loud Like Nature is the fifth and final album by UK electronica group Add N to (X), released in 2002 through Mute Records. This is a B-Side from one of the singles off that album. They are much missed! | 0:05:00 (Pop-up) | |
Music behind DJ: Add N To (X) |
The Monkey Skirt Marters |
Take Me To Your Leader CD |
Mute |
2002 |
Loud Like Nature is the fifth and final album by UK electronica group Add N to (X), released in 2002 through Mute Records. This is a B-Side from one of the singles off that album. They are much missed! |
0:07:42 (Pop-up) |
|
Hallan | Money Talks | Money Talks Single | Swan Records | 2022 | Hallan are a Portsmouth-based four piece who write and rehearse in an 18th-century fortification built into the side of a hill and surrounded by a forest. It's within these dramatic surroundings that frontman, Conor Clements channels the frustrations, insecurities and events of early adulthood into his lyrics. Of "Money Talks" It tells a tawdry tale, examining the propensity for unhinged views born of banal insularity. As the band explain: “A father hiding behind a screen, a family watching the Queen’s jubilee and a wife leaving her unloving husband for a new life in Spain. We’ve seen all of these people and we know them too. | 0:11:04 (Pop-up) | |
Yard Act | Rich | The Overload | Universal Music | 2021 | ‘Rich’ is described by the band “the natural successor” to the album’s lead single ‘Payday’, quipping in a press release: “That’s the end of the story right? Success! Status! Security! Except, there’s always more money to be made, and you’re deemed a failure if your life starts to head back in the direction it came from. It’s about being so lost you’re sure you know exactly where you are and how you got there.” SingerJames Smith continued: “I also wrote it because I thought it would be quite funny if Yard Act made a shit ton of money after I’d written an anti-capitalist concept album. It’ll be funny if I’m singing this song on stage when I’ve made my mint. At worst it makes no sense, at best it comes off as pretentious, but that’s the point I’m trying to make when I write anything really. | 0:14:56 (Pop-up) | |
R.M.F.C | Access | Access Single | Anti Fade Records | 2022 | “Access” is a short, sharp, straight to the point piece that combines an anarcho marching beat and Devo-style guitar riff that leads into the driving rhythm section R.M.F.C. is known and loved for. With the permanent addition of 12-string guitar to the band; it’s fuller, thicker and janglier than ever before, but still retains the R.M.F.C. sound. Formerly based in Ulladulla, and now relocated to Sydney, R.M.F.C. is the baby of 21 year-old Buz Clatworthy, who writes and performs all the groups recorded output himself from his home studio (still based in Ulladulla). | 0:18:43 (Pop-up) | |
Warmduscher | Love Strong | Love Strong Single | Bella Union | 2023 | Speaking about ‘Love Strong’, Warmduscher‘s Clams Baker Jr said: “Back in the lab for 2023 in celebration of our first tour of many in North America. Recorded and produced by Dan Carey, producer of Whale City and Tainted Lunch. “‘Love Strong’ is the late-night adventure bridging the gap between At The Hotspot and our next album due to hit the streets late 2023 on BELLA UNION. A love story of keeping it up in a world that wants to bring you down. Alive in the adventure, alone in the dream. Love Strong and you’ll do just fine.” | * | 0:20:53 (Pop-up) |
Music behind DJ: The Mohawks |
Pepsi |
60's Instrumental Hits |
Goldenlane Records |
2010 |
0:24:23 (Pop-up) |
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Music behind DJ: Zoot's Money Big Roll Band |
The Mound Moves |
60's Instrumental Hits |
Goldenlane Records |
2010 |
0:27:54 (Pop-up) |
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Music behind DJ: Julian Covey & The Machine |
Sweet Bacon |
60's Instrumental Hits |
Goldenlane |
2010 |
0:32:00 (Pop-up) |
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The Wedding Present | Click Click | Watusi | Island | 1994 | "Watusi is the fourth album by The Wedding Present, originally released in 1994." [Editor's note, if you count singles collections {and a collection of Ukrainian Peel sessions}, it's closer to the 9th Wedding Present album] "Recorded in Seattle with producer Steve Fisk, Watusi heralded a freshly recalibrated Wedding Present sound, built around arcane keyboards and lo-fi ’60s-influenced pop. The results were exultant and effervescent, with a timeless aura that hallmarks the album today as a lost classic." | 0:34:53 (Pop-up) | |
The English Beat | Click Click | I Just Can't Stop It | Go-Feet Records | 1980 | "The Beat formed in Birmingham, England, in 1978, during a period of high unemployment and social upheaval in the United Kingdom. Ranking Roger, one of the band's vocalists, added a Jamaican vocal flavour to the band's sound with his toasting style. Jamaican saxophonist Saxa added a Jamaican ska instrumental sound. Saxa (born Lionel Augustus Martin in 1930) had played saxophone with Prince Buster, Laurel Aitken, and Desmond Dekker in the first wave of ska. He joined the Beat to record their first single, "Tears of a Clown", a cover version of the Motown hit by Smokey Robinson and the Miracles. The band's debut studio album, I Just Can't Stop It, was released in May 1980, entering the UK albums chart at No. 3. Notable singles from the album included "Can't Get Used to Losing You", "Mirror in the Bathroom", "Hands Off...She's Mine" and "Best Friend"." --- This song was also from the debut album, and in my world, it is also notable, despite never being a single. | 0:39:21 (Pop-up) | |
Miriam Makeba | The Click Song | The Click Song | London Records | 1963 | "Miriam Makeba, in full Zensi Miriam Makeba, (born March 4, 1932, Prospect Township, near Johannesburg, South Africa—died November 10, 2008, Castel Volturno, near Naples, Italy), South African-born singer who became known as Mama Afrika, one of the world’s most prominent Black African performers in the 20th century. The daughter of a Swazi mother and a Xhosa father, Makeba grew up in Sophiatown, a segregated Black township outside of Johannesburg and began singing in a school choir at an early age. She became a professional vocalist in 1954, performing primarily in southern Africa. By the late 1950s her singing and recording had made her well known in South Africa, and her appearance in the documentary film Come Back, Africa (1959) attracted the interest of Harry Belafonte and other American performers. With their help, Makeba in 1959 settled in the United States, where she embarked on a successful singing and recording career. She sang a variety of popular songs but especially excelled at Xhosa and Zulu songs, which she introduced to Western audiences. She also became known for songs that were critical of apartheid. In 1960 she was denied reentry into South Africa, and she lived in exile for three decades thereafter. In 1963 the South African government banned her records and revoked her passport. In 1964 she married trumpeter and fellow Belafonte protégé Hugh Masekela. Although the couple divorced two years later, they maintained a close professional relationship. In 1965 she and Belafonte won a Grammy Award for best folk recording for their album An Evening with Belafonte/Makeba." | 0:40:50 (Pop-up) | |
Prolapse | I Hate The Clicking Man | The Italian Flag | Jetset Records | 1997 | "Prolapse were an English indie rock band formed in Leicester, England, originally active from c. 1992 to 2000. The group's sound was a mixture of punk rock, krautrock and shoegazing styles. The band's sound was also characterised by the alternating, contrasting vocal styles of Linda Steelyard and Mick Derrick... Their third album, The Italian Flag (1997), was an eclectic 13-track tour de force which saw Prolapse gain significant radio play for the first time, particularly for the lead single "Killing the Bland" and its follow-up "Autocade", though neither single became a hit. The album returned to the more melodic approach of the first LP, though now with a harder guitar sound, but this time there was also a whole diverse array of styles, earning the band many favourable reviews. The album was produced by Donald Ross Skinner, who was invited to join the band for their subsequent tour on keyboards and guitar." | 0:43:23 (Pop-up) | |
Music behind DJ: Jon Kennedy |
Boom Clack |
Corporeal |
Jon Kennedy Federation |
2003 |
Born in the hills of Dukinfield, Stockport, U.K. --- It seems he now hails from the Czech Republic. "Jon Kennedy’s music came to light when he was twenty four and Mr Scruff played his track ‘Tell Me How You Feel’ on the Unfold radio show in Brighton." "He has since worked alongside many labels over the years including : Tru Thoughts, Grand Central, Organik Recordings, My First Moth, Vinylize and now runs his own label The Jon Kennedy Federation. He has remixed over 70 artists and appeared on various films and branded adverts." |
0:48:39 (Pop-up) |
|
Hotel Lux | Old Timer | Hands Across The Creek | The state51 Conspiracy | 2023 | Hotel Lux hail from South London. This is from their new album. We have played some tracks already. Fun fact about Hotel Lux: They're named after a Communist Safe House. Hotel Lux was a hotel in Moscow where communists were exiled to...It’s where a lot of them ended up being killed during Stalin’s purges, taken from Hotel Lux. It was essentially meant to be a safe house, but it didn’t end up being very safe I guess. | * | 0:59:58 (Pop-up) |
Beige Banquet | Acid Bath | Acid Bath Single | Just Step Sideways | 2022 | In every way, London's Beige Banquet are now larger, louder, and more intense. Speaking on the track’s themes, Vocalist Tom Brierley explains “Lyrically it’s an ode to an undefined temporary solution for bitter desperation, almost to the point of nihilism”. So, run yourself an Acid Bath- sit back and marinade in the post-punk bubbles whilst Beige Banquet pull the plug just before you get comfortable. | 1:02:57 (Pop-up) | |
Corker | Lice | Lice Single | Feel It Records | 2023 | "Lice" will appear on Corker's debut album, to be released on LP later in 2023 by Feel It. Cincinnati's Corker dart us around in circles, pinging off the walls in sheer post-punk glory, with the riffs and the stop/start nature of the vocals keeping everything well off-center. It’s a big groove but there’s still plenty of aggression to be found as they dig into the scraping bass and the somewhat harsh bark of the vocals. It feels instantly alive, pushing our sensibilities down a stair case and reveling in the lack of balance. | 1:05:34 (Pop-up) | |
Le Villejuif Underground | Le Villejuif Underground | Heavy Black Matter EP | Born Bad Records | 2016 | “The legend then said that Australia's Nathan Roche, after having scoured many squats, found himself sleeping in a cabin at the bottom of the garden “as big as a football field” of the house in Villejuif which he then shared with his French companions, previous members of Geto Tropic. After a stint at Rock-en-Seine, and an “absurd” tour in China “alongside the TOP 40 Chinese pop stars“, it is not surprising that the VU was quickly inducted into a cool and ramshackle group that was going to save French rock” They are influenced by the Velvet Underground, are very strange, and also have a cool song about cats. MORE PLEASE. | 1:07:55 (Pop-up) | |
Music behind DJ: Les McCann |
Red Top |
Talkin' Verve |
Verve |
1998 |
1:11:39 (Pop-up) |
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Music behind DJ: Cal Tjader |
Souled Out |
The Prophet |
Verve |
1968 |
1:14:33 (Pop-up) |
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Music behind DJ: Cal Tjader |
The Loner |
The Prophet |
Verve |
1968 |
1:18:47 (Pop-up) |
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Water From Your Eyes | Barley | Everyone's Crushed | Matador Records | 2023 | This track was released this Tuesday in advance of a full-length. "Life is horribly dark right now. And yet, it is not unfunny. That’s the sentiment that animates Water From Your Eyes on their new album, and first for Matador, ‘Everyone’s Crushed,’ out May 26. On the follow-up to the Brooklyn duo’s 2021 breakthrough, ‘Structure,’ Rachel Brown (they/them) and Nate Amos (he/him) find silliness and fatalism dancing in a frantic lockstep, using heart palpitating rhythms and absurdist, deadpan lyrics to convey stories of personal and societal unease. Described by Brown as Water From Your Eyes’ most collaborative record ever, it’s a swollen contusion of an album: experimental pop music that’s pretty and violent, raw and indelible." Water From Your Eyes (Bandcamp) | * | 1:19:36 (Pop-up) |
Fuckwolf | Rock Song #1 | Goodbye, Asshole | Silver Current | 2022 | Released Nov 11, 2022. "Goodbye, Asshole, the first proper studio album by San Francisco scuzz-wave merchants Fuckwolf, took the most meandering and unlikely 19 year journey to get here... ...Fuckwolf has haunted the warehouse shows and dive bar gigs of the Bay Area for almost two decades... The band [are] Eric Park (bass, vocals), Simon Phillips (drums) and Tomo Yasuda (guitar)... Goodbye, Asshole was recorded at the end of 2020 at El Studio in SF with Phil Manley (Trans Am/ The Fucking Champs) and in 2021 at the Mansion in SF with Eric Bauer (Osees producer/engineer)... Fuckwolf alumni have co-created (and co-destroyed) bands with the likes of John Dwyer (Osees) and Mike Donovan (Sic Alps/ Peacers) and have shared the stage with Lightning Bolt, Burmese, Black Dice, Intelligence and Wooden Ships to name just a few... After 19 years of turning on and dropping out Fuckwolf have thrown down a record that is quintessential old weird San Francisco, in a time when it’s tough to find many cultural artifacts of said vibes that still have a pulse." Fuckwolf (Bandcamp) | * | 1:23:05 (Pop-up) |
Oog Bogo | DC10 | Beat Session Vol 12 | Shout Recordings | 2022 | L.A.'s Oog Bogo perform a faithful and fantastic cover version of this song (originally by Kleenex/LiLiPUT, the Swiss Punk rock band that formed in Zürich in 1978.) As for Oog Bogo, the project started out as "Weirdo bedroom pop in the so-Cal style of the 21st century - a bit of lo-fi, a funky ripple, some psyched-out post-wave. Kevin Boog, the bassist for The Meatbodies, got up to this when no one else was around." Since then, members have been added, gigs, recordings, a full-length and a "sessions" album have been released. Recent recordings produced or assisted by Ty Segall. This is the last track on the Beat Session Vol.12 Cassette released back on Sep 16, 2022. Oog Bogo (Bandcamp) | 1:26:47 (Pop-up) | |
The Fall | The Past #2 | The Real New Fall LP formerly 'Country On The Click' | Action Records | 2003 | There are 3 versions of this album, the unreleased early mix that was leaked, this UK "official" one with different recordings/mixes/lyrics & a U.S. one released, again remastered with remixes/re-recordings & a couple of new songs. ///////// From the Annotated Fall (website) about this song: "1. Don't ask MES what this lyrics are! From Left of the Dial: "But I love the justice of something something melancholy." Interviewer: 'I couldn't understand the whole line.' Mark E. Smith: "Sometimes I do things like that." /////////// 3. An "abdominizer" is a machine that exercises the muscles of the abdomen. The word also appears in "Noel's Chemical Effluence." /////////// 4. Country on the Click has "Moving around, hitting on Limeys/On the west side of the world..."" [...as the ending lines of the song, as opposed to "Looking for a cheap coffee / Hunting out limeys / Or I'm just buying a drink / Wanna be my one, limey?" | 1:29:19 (Pop-up) | |
39 Clocks | 39 Explosion Heats | Pain It Dark | No Fun Records | 1981 | "The German duo 39 Clocks came of age during the late '70s, but they had no truck with the punk scene; instead they were inspired by the Dada movement, echoing rockabilly and the art-damaged side of the Velvet Underground. The duo eschewed formalities like names or choruses as they alienated local audiences and released records that nobody paid much attention to. History treated them well, however, and even though they didn't make any albums after 1987, their first two albums (1981's Pain It Dark and 1982's Subnarcotic) became touchstones for crate diggers and people looking for off-kilter, inventive, and weird post-punk music. Songs from the albums ended up on collections and mixtapes, reissues were made, and in 2019, a career-spanning box set (Next Dimension Transfer) was issued that cemented their place in the post-punk firmament. The story began in the mid-'60s when Jurgen Gleue and Christian Henjes first met as kids in Hannover, Germany, and realized they shared a lot of the same interests, such as comics, drugs, making films and music. With a series of bassists and drummers, they played in bands throughout the '60s and early '70s before they harnessed their energies under the name Killing Rats in the late part of the decade right around when punk was hitting Germany. They positioned themselves as anti-punks who did things like play vacuum cleaners on-stage, stage odd performances featuring mummies, give themselves numbers instead of names -- JG-39 for Gleue and CH-39 for Henjes -- and basically antagonize people who had shown up to hear Sex Pistols knock-offs. Their sound was a combination of rockabilly rumbling, Velvet Underground artiness, and garage rock attitude all delivered with a sarcastic, almost tossed-off air. Though the duo did record some songs while they were going around as the Killer Rats, their first single, 1980's "DNS"/ "Twisted & Shouts," was released under the name 39 Clocks. Their debut album, 1981's sparse and wiry Pain It Dark, was recorded in a studio in Hannover and featured JG-39 and CH-39 performing all the musical chores apart from drums, which were played by Christian Kuschel on a few songs and a drum machine on the rest." [Extract of 39 Clocks Biography by Tim Sendra, All Music.] | 1:31:40 (Pop-up) | |
Music behind DJ: The Fall |
Recovery Kit |
The Real New Fall LP formerly 'Country On The Click' |
Action Records |
2003 |
More this album & its iterations: "The album was recorded at Lisa Stansfield's Gracieland Studios in Rochdale between December 2002 and January 2003 with producer Grant Showbiz. The subtitle is explained by the fact that the tracks were originally scheduled for release in April 2003 under the title Country on the Click. Promotional copies were sent out and three of the new songs were previewed in the band's 23rd Peel Session, recorded on 19 February and broadcast on 13 March 2003. Smith was unhappy with the mix and decided it needed further work, stating in November 2003: "The frustration is when people embellish what you're doing. I thought this LP was perfect round about March. But then you trust people—them who shall remain nameless—to go away and mix it and it comes back sounding like Dr. Who meets Posh Spice. You have to go back in and strip it down to what it basically was." The early mix appeared on the internet, prompting the change of name when it was finally released, to differentiate it from the mix he was unhappy with. However, the original title still appears on the CD spine." |
1:34:23 (Pop-up) |
|
Non Plus Temps | Terminal Affect | Desire Choir | Post Present Medium | 2022 | This band is from Oakland, CA. ‘Non Plus Temps’ is a garbled curse on time, which we mainly experience in relation to the wage, whether or not we’re getting one. We’re all racing and raging against meaningless gig work. ‘Desire Choir’ refers to the production of wants and needs in capitalist society, which uses them against us, and the desire not to escape or avoid but to end this present state of things.” This is deliciously Gang of Four/A Certain Ratioesque... | 1:43:46 (Pop-up) | |
Nicolini | Sopratutto | Sopratutto | South of North | 2023 | Nicolini is back with the next installment of stripped-down drum workouts and sound system madness. Spread across seven tracks and as many tempos, the dutch multi-instrumentalist and producer veers effortlessly between looped-up sax riffs (with a Twin Peaks ambience), dubby wave, mutant dancehall, low-slung steppers and manic 180 bpm experiments. Along with guest appearances from Nushin Naini and Martha de Barros, Sopratutto is an adventure through bass cones above and beyond what Nicolini has laid down before. This is a side project of the Mauscovic dance band. In case you don't speak Italian...sopratutto means "Above All" | * | 1:46:51 (Pop-up) |
Kairios Creature Club | Doom Funk | Doom Funk Single | Greenway Records | 2022 | Kairos Creature Club is a collection of songwriters and collaborators brought together by Lena Simon (La Luz) and Glenn Michael Van Dyke (Boytoy). They take on lyrical themes on the: confluence of religion, multi-level marketing and multi-level-marketing as a feature of late-stage capitalism. But the irony of music as a commodity is not lost on the group. Their self-aware approach to self promotion amidst a beautiful and tragic world is still unfolding, as is their identity. | 1:50:34 (Pop-up) | |
Tristesse Contemporaine | Daytime Nighttime | Tristesse Contemporaine | Pschent/Dirty | 2012 | Tristesse Contemporaine is glued together by three adopted Parisians : Narumi is Japanese, Maik is English, Leo is Swedish ; Paris is finally the right place for the trio to meet. Raw and minimalist, mesmeric and catchy, pop and melancholic, they seized the hazes of shoegaze, krautrock and madchester to compose the soundtrack of an era lost in the night. They have also released a new album last year, their first in almost a decade and it is very good. We will be playing songs from that very soon! | 1:53:41 (Pop-up) | |
Music behind DJ: Martin Denny |
Midnight Cowboy |
Exotic Moog |
Capitol Records |
1969 |
1:58:11 (Pop-up) |
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Dantalian's Chariot | This Island | Chariot Rising | Esoteric Recordings | 2017 | Dantalian's Chariot was a British psychedelic rock band formed in 1967, led by keyboardist and bandleader Zoot Money, and also featuring Andy Summers (later of The Police).They are best remembered for their single "Madman Running Through the Fields", and for their live performances, which featured early psychedelic light shows.The band would all wear white robes and kaftans in concert, with all of their equipment painted white, to heighten the effect of these light shows.The group disbanded in April 1968, with Money going on to join Eric Burdon & The Animals and Summers joining Soft Machine... | 2:03:46 (Pop-up) |
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Listener comments!
DJ Babs:
Scott_Oz:
🌏☀️🍻😎🤙💨🍺👣👣👣👣👣👣👣
ultradamno:
DJ Blush:
Robm:
Alli B:
Rich in Washington:
laurapanic:
Your Pretend Boyfriend:
DJ Blush:
Robm:
Kristine:
DJ Babs:
laurapanic:
DJ Blush:
DJ Blush:
DJ Babs:
DJ Blush:
Your Pretend Boyfriend:
DJ Babs:
Rich in Washington:
Robm:
DJ Babs:
Derek Westerholm:
ultradamno:
I like this however.
DJ Blush:
laurapanic:
Zipperhead7:
DJ Babs:
Derek Westerholm:
Zipperhead7:
DJ Babs:
Your Pretend Boyfriend:
DJ Babs:
Derek Westerholm:
ultradamno:
DJ Babs:
DJ Babs:
Your Pretend Boyfriend:
DJ Babs:
Zipperhead7:
DJ Babs:
DJ Babs:
ultradamno:
Your Pretend Boyfriend:
DJ Babs:
DJ Babs:
Alli B:
Your Pretend Boyfriend:
DJ Blush:
Your Pretend Boyfriend:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
Tome:
DJ Babs:
DJ Babs:
Derek Westerholm:
Zipperhead7:
Tome:
laurapanic:
Derek Westerholm:
ultradamno:
DJ Babs:
DJ Babs:
ultradamno:
laurapanic:
DJ Babs:
DJ Babs:
ultradamno:
DJ Babs:
ultradamno:
DJ Babs:
ultradamno:
DJ Babs:
Zipperhead7:
DJ Babs:
DJ Babs:
DJ Blush:
Zipperhead7:
DJ Babs:
DJ Babs:
WR:
DJ Babs:
Derek Westerholm:
Alli B:
Derek Westerholm:
gsdoubleu:
DJ Babs:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
Derek Westerholm:
DJ Blush:
DJ Babs:
DJ Blush:
ultradamno:
Derek Westerholm:
ultradamno:
DJ Blush:
DJ Babs:
ultradamno:
DJ Babs:
laurapanic:
Dj Nico:
gsdoubleu:
DJ Blush:
coelacanth∅:
Tome:
ultradamno:
Miserable Sinners is an underrated record too, btw.
DJ Babs:
DJ Babs:
DJ Babs:
DJ Babs:
Zipperhead7:
Derek Westerholm:
Kristine:
laurapanic:
coelacanth∅:
DJ Babs:
DJ Babs:
Derek Westerholm:
ultradamno:
Rich in Washington:
ultradamno:
Kristine:
Tome:
DJ Babs:
ultradamno:
v-dawg:
DJ Blush:
Zipperhead7:
v-dawg:
Likewise. What are u drinking?
DJ Babs:
ultradamno:
DJ Babs:
DJ Babs:
ultradamno:
Zipperhead7:
Derek Westerholm:
DJ Babs:
DJ Babs:
coelacanth∅:
Zipperhead7:
coelacanth∅:
i think the jam had 2 perfect albums
(setting sons and sound affects) and many other good songs besides
Zipperhead7:
ultradamno:
DJ Babs:
coelacanth∅:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Dj Nico:
Zipperhead7:
Scott_Oz:
🌏☀️🍻😎🤙💨🍺🍺🌻🌻
v-dawg:
Derek Westerholm:
Zipperhead7:
Derek Westerholm:
Your Pretend Boyfriend:
Alli B:
Derek Westerholm:
Derek Westerholm:
gsdoubleu:
ultradamno:
gsdoubleu:
v-dawg:
Montclair, Black History Lager.
Kristine:
Mike Rogers:
Dj Nico:
WR:
coelacanth∅:
Derek Westerholm:
DJ Babs:
Mike Rogers:
Derek Westerholm:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Derek Westerholm: