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Riff rock for riff raff, pop fizzle for the frazzled, chord changes of life for the menopausal teenagers, a safari in the jingle-jangle jungle. (Visit homepage.)
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Artist | Track | Approx. start time | ||||||||
---|---|---|---|---|---|---|---|---|---|---|
doug gillard | thing with a hook (pseu's theme) | 0:00:00 (Pop-up) | ||||||||
eric carmen | marathon man | 0:03:58 (Pop-up) | ||||||||
r. stevie moore | i am freaking out | 0:06:23 (Pop-up) | ||||||||
sven wunder | chamomile | 0:08:56 (Pop-up) | ||||||||
sun seeker | gettin' tired | 0:11:06 (Pop-up) | ||||||||
frankie valli & the four seasons | something's on her mind | 0:15:16 (Pop-up) | ||||||||
the lemon twigs | any time of day | 0:17:55 (Pop-up) | ||||||||
andy bopp | princess faith | 0:20:39 (Pop-up) | ||||||||
bird streets | the document | 0:24:08 (Pop-up) | ||||||||
weirdos | helium bar | 0:44:27 (Pop-up) | ||||||||
the beths | your side | 0:47:20 (Pop-up) | ||||||||
ninotchka | i've got wings | 0:51:51 (Pop-up) | ||||||||
the smiles and frowns | his final hour | 0:54:38 (Pop-up) | ||||||||
beck | thinking about you | 0:57:09 (Pop-up) | ||||||||
black angels | my tornado | 1:22:24 (Pop-up) | ||||||||
echo and the bunnymen | rollercoaster | 1:25:50 (Pop-up) | ||||||||
robyn hitchcock | sir tommy shovell | 1:32:03 (Pop-up) | ||||||||
big star | you get what you deserve | 1:33:42 (Pop-up) | ||||||||
nick piunti | slave to it | 1:38:07 (Pop-up) | ||||||||
graham gouldman | behind the door | 1:39:40 (Pop-up) | ||||||||
cheap trick | heaven's falling | 2:10:18 (Pop-up) | ||||||||
daryl hall and john oates | yuo're much too soon | 2:14:09 (Pop-up) | ||||||||
lickerish quartet | you all alone | 2:18:07 (Pop-up) | ||||||||
supergrass | beautiful people | 2:22:09 (Pop-up) | ||||||||
lindsey buckingham | trouble | 2:25:29 (Pop-up) | ||||||||
nada surf | under the linden tree | 2:30:23 (Pop-up) | ||||||||
mary hopkin | goodbye | 2:35:16 (Pop-up) | ||||||||
the monkees | look out (here comes tomorrow) | 2:51:58 (Pop-up) | ||||||||
thin lizzy | honesty is no excuse | 2:53:58 (Pop-up) |
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Listener comments!
eastvanhalen:
Magenta:
HyperDose:
BerkeleyGuy:
Magenta:
Triple G:
Mike Sin:
prof.fuzz:
Will thee Sound Guy:
Krys O.:
Krys O.:
Triple G:
Pseu Braun:
Krys O.:
Bloke from the Sukkah:
Karl Ward:
eastvanhalen:
Susan:
Heidella:
BerkeleyGuy:
BerkeleyGuy:
Tinley Park Randy:
DJ Gummie:
paddy in matawan:
paddy in matawan:
Elle Tor’s Husband:
Don S:
Rich in Washington:
Elle Tor’s Husband:
Rich in Washington:
Pseu Braun:
BerkeleyGuy:
Elle Tor’s Husband:
sufferwords:
Elle Tor’s Husband:
BerkeleyGuy:
Don S:
herb.nyc:
alan the painter:
...lv u big li'il pseu!
Marley P. Dogg:
alan the painter:
on the tellie!
Marley P. Dogg:
Bryant in TO:
Roberto:
The Oscar:
alan the painter:
Roberto:
prof.fuzz:
Jack McGuire:
Rich in Washington:
Roberto:
Bryant in TO:
The Oscar:
?:
Krys O.:
Roberto:
alan the painter:
eastvanhalen:
bugreplica:
Marley P. Dogg:
Dano59:
Bryant in TO:
Karl Malden. Man, there was another guy who was born 60.
Dano59:
Shawn:
Rich in Wading River:
Roberto:
egould:
Bloke from the Sukkah:
Bryant in TO:
Krys O.:
Roberto:
Krys O.:
The songs are mainly a collection of sub-personalities, I think, or maybe playing cards. The Shuffle Man is a conjurer; the Scorpio is a TV detective; the Feathery Serpent God is a Mexican deity that brings power and fertility; the Midnight Tram is destiny; Socrates is wisdom and rebellion. On Side 2, Noirer Than Noir is trying to escape; The Man Who Loves The Rain is me as I present in life; The Sir Tommy Shovell is an English patriarch; The Raging Muse is my subconscious, and the female warrior inside it; One Day (It’s Being Scheduled) is a summary of the world I’m in.
www.psychedelicbabymag.com...
Bryant in TO:
Someone I expected to look like they were born 50 was Warren Oates. Found some pictures of him as a younger man, not baby-faced, but definitely had a youthful look. Then, it's like he weathered into classic Oates pretty quickly.
Roberto:
Krys O.:
Bryant in TO:
frenchee:
Roberto:
dale:
Bryant in TO:
Rich in Wading River:
frenchee:
bugreplica:
frenchee:
Bloke from the Sukkah:
DjLorraine:
Krys O.:
morphe':
Erica from Cranford:
frenchee:
morphe':
BerkeleyGuy:
Bryant in TO:
Bob in DC:
morphe':
bugreplica:
*V.D.
alan the painter:
great stage management!!!
drone_B:
DjLorraine:
herb.nyc:
And thx for the sweet words, Pseu and Diane. You exaggerate but I’m not gonna argue. Meow
bugreplica:
DjLorraine:
bugreplica:
herb.nyc:
Krys O.:
bugreplica:
Roberto:
?:
DjLorraine:
bugreplica:
?:
bugreplica:
alan the painter:
DjLorraine:
Krys O.:
Krys O.:
paddy in matawan:
Erica from Cranford:
Roberto:
?:
taryninstereo:
bugreplica:
Jack McGuire:
SeaCreature:
dday:
McGroovey:
dday:
McGroovey:
dday:
Phillippe:
dday:
McGroovey:
Phillippe:
prof.fuzz:
ccahill:
steveo:
McGroovey:
Bryant in TO:
Krys O.:
prof.fuzz:
miketp:
mariano:
PMD:
Krys O.:
steveo:
mariano:
dday:
alan the painter:
Roberto:
Daybreak, just Daybreak:
paddy in matawan:
Jack McGuire:
sydnius:
cvh:
steveo:
Jack McGuire:
Rich in Washington:
dday:
Phillippe:
dday:
steveo:
Rich in Washington:
paddy in matawan:
dday:
Phillippe:
dday:
paddy in matawan:
egould:
Ike:
radioronan:
Phillippe:
Doug in MP:
eastvanhalen:
Krys O.:
PMD:
KDelevati:
common:
?:
HyperDose:
prof.fuzz:
paddy in matawan:
Jason from Houston:
Gotta catch Diane on Wednesdays. Miss her show soooooooo dang much.
Jack McGuire:
Rich in Washington:
eastvanhalen:
?:
Elena:
Chris Hiatt:
Rich in Washington:
cvh:
cvh:
There is no such things as a “permanent”
phonograph needle!
Unfortunately, the public has taken the over-
statements of some enterprising manufacturers
too literally, with the result that countless re-
cordings have been, and continue to be, needlessly
ruined. Microgroove records require precise nee-
dles in good condition for not only best results
at the speaker, but minimum record and needle
wear.
Three types of needles are in general use; those
with a 1-mil point, a 2-mil point, and 3-mil point.
Microgroove records have grooves designed to
accommodate the 1-mil point needle only! Stand-
ard (78 rpm) discs are grooved to accept the 3-
mil point needle. Unfortunately, a 2-mill point
needle (misnamed “universal’) is furnished on
many phonographs with a view of playing all
record grooves and speeds interchangeably. . .
which after a fashion it does. But it is too large
to fill or seat correctly microgroove grooves, and
too small to properly fit standard grooves; with
the result that in both cases maximum quality of
sound is not obtainable. In addition, excessive
wear to both type of groove is induced. Many
owners have been victims of this sad mistake
through failure to appreciate and understand
the true facts of the matter.
For best results and minimum record wear, use
only a needle that is specifically designed to fit
the grooving of your records. In short, a 3-mil
needle only should be used on standard records,
and a 1-mil needle only on microgroove discs.