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Turning over the toy box and jamming together the gloriously mismatched musical Lincoln Logs, Legos and Tinker Toys from Tin Pan Alley pluggers, pickled egg tavern weepers, lockstep soul ensembles, skinny-tie power poppers, Eurotrash ravers, moontanned art school rockers, drunken soccer anthems and anything else that seems like a good idea at the time. There are no guilty pleasures.
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April 21, 2023: Show #489: "Dopamine Hits"
Listen to this show:
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Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
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Uncle Michael | Hinky Dinky Time Open | |||||||||
Eric Dolphy | Sketches of Melba | Out There | Prestige/New Jazz/(OJC) | 1961/1982 | 0:03:12 (Pop-up) | |||||
Eric Dolphy | Out To Lunch | Out To Lunch | Blue Note | 1964 | 0:08:03 (Pop-up) | |||||
Eric Dolphy Quintet featuring Freddie Hubbard | G.W. | Outward Bound | New Jazz/(OJC) | 1960/1982 | 0:20:07 (Pop-up) | |||||
Music behind DJ: Janko Nilovic |
Blow Down |
Montparnasse 2000 MP 11: Pop' Impressions |
Editions Montparnasse 2000 |
1972 |
0:28:12 (Pop-up) |
|||||
Budgie | You're The Biggest Thing Since Powdered Milk | Never Turn Your Back On A Friend | MCA | 1973 | 0:32:03 (Pop-up) | |||||
Wigwam | Frederick & Bill | Tombstone Valentine | Love | 1970 | 0:40:39 (Pop-up) | |||||
Hackensack | River Boat | single (b-side to Moving On) | Island | 1972 | (From: V.A. Downer Rock Genocide) | 0:45:02 (Pop-up) | ||||
The Tarantulas | Black Widow | single (b-side to Tarantula) | Atlantic | 1961 | (From: Up On The Roof ~ Gems From The Atlantic Vaults) | 0:48:27 (Pop-up) | ||||
Reigning Sound | Reptile Style | Time Bomb High School | In The Red Recordings | 2002 | 0:50:29 (Pop-up) | |||||
Pacific Ocean | Road To Hell | Pacific Ocean | VMC | 1968 | 0:53:45 (Pop-up) | |||||
Music behind DJ: Ray Conniff |
They Can't Take That Away From Me |
'S Marvelous |
Columbia |
1958 |
0:56:33 (Pop-up) |
|||||
Andy Partridge | Mermaid Smiled (Demo) | prev. unr. | n/a | 1986 | (From: Skylarking (2016 Deluxe Edition)) | 1:02:07 (Pop-up) | ||||
Sivuca | Adeus Maria Fulô | Sivuca | Vanguard | 1973 | 1:04:27 (Pop-up) | |||||
Les Baxter His Chorus And Orchestra | Patan | Tamboo! | Capitol | 1955 | 1:07:54 (Pop-up) | |||||
Velvet Underground | I'm Sticking with You (original 1969 mix) | prev. unr. | n/a | 1969 | (From: The Velvet Underground: 45th Anniversary Super Deluxe Edition) | 1:10:16 (Pop-up) | ||||
1910 Fruitgum Company | The Story Of Flipper | Simon Says | Buddah | 1968 | 1:12:41 (Pop-up) | |||||
Zig Zag People | Peel It Off Your Face | Take Bubble Gum Music Underground | Decca | 1969 | (From: Bubblegum MF Volume 26) | 1:16:58 (Pop-up) | ||||
Sooner Or Later | Night Time | single (b-side to This Hammer) | Fontana | 1966 | (From: Incredible Sound Show Stories #3 [200 Feet Deep In A Purple Area]) | 1:20:15 (Pop-up) | ||||
Classie Ballou | Crazy Mambo | single (b-side to Confusion) | Nasco | 1957 | (From: Jookin' - Vol. 12) | 1:22:23 (Pop-up) | ||||
Charlie Cuevias | Do You Wanna Jump | unk. | unk. | unk. | (From: Desperate Rock 'N' Roll Vol.3) | 1:24:42 (Pop-up) | ||||
Walker Brothers | Archangel | single (b-side to Deadlier Than The Male) | Philips | 1966 | (From: 5 Easy Pieces) | 1:27:03 (Pop-up) | ||||
Music behind DJ: Al Caiola |
(I Can't Get No) Satisfaction |
Tuff Guitar English Style |
United Artists |
1965 |
1:30:37 (Pop-up) |
|||||
Buffalo Springfield | Sit Down, I Think I Love You | Buffalo Springfield | Atco | 1966 | (From: Retrospective: The Best of Buffalo Springfield) | 1:37:00 (Pop-up) | ||||
Tennessee Ernie Ford | Nine Pound Hammer | This Lusty Land! | Capitol | 1955 | (From: Portrait of an American Singer) | 1:39:21 (Pop-up) | ||||
Sleepy John Estes | Clean Up At Home | shellac 10" (b-side to Easin' Back to Tennessee) | Decca | 1938 | (From: The Ultimate Jazz Archive) | 1:41:17 (Pop-up) | ||||
Little John | Heart Breakin' Time | single (b-side to Do The Dip) | Martay | unk. | (From: A La Carte Vol. 026a - The Stafford Story Final Chapter (Just Remember Me)) | 1:43:56 (Pop-up) | ||||
Clarence Williams' Blue Seven | Baby, Won't You Please Come Home? | shellac 10" (b/w Close Fit Blues) | Okeh | 1927 | (From: Clarence Williams 1927 Chronological Classics ) | 1:45:35 (Pop-up) | ||||
The Sorrows | Take A Heart | Take A Heart | Piccadilly | 1965 | (From: Fab Gear: The British Beat Explosion And Its Aftershocks 1963-1967) | 1:48:23 (Pop-up) | ||||
The Needy Sons | Roll Call | Vis-A-Vis | self-released | 2016 | 1:51:32 (Pop-up) | |||||
Slade | Wheels Ain't Coming Down | single (b/w Not Tonight Josephine) | Cheapskate | 1981 | 1:53:35 (Pop-up) | |||||
Music behind DJ: Claude Larson |
Amazonas |
Rivers |
Selected Sound |
1981 |
1:57:09 (Pop-up) |
|||||
John Prine | Sins Of Memphisto | The Missing Years | Oh Boy | 1991 | (From: The Oxford American Southern Sampler 1999) | 2:03:15 (Pop-up) | ||||
Kellee Patterson | Jolene | Kellee | Shadybrook | 1976 | 2:07:29 (Pop-up) | |||||
Screamin' Jay Hawkins | Heart Attack And Vine | Heart Attack And Vine (EP) | CBS | 1993 | 2:10:58 (Pop-up) | |||||
Altin Gün | Maçka Yollari | Yol | Glitterbeat | 2021 | 2:15:16 (Pop-up) | |||||
Dust | Learning To Die | Hard Attack | Kama Sutra | 1972 | 2:18:55 (Pop-up) | |||||
Music behind DJ: Jimmy Bryant |
Ten Wheels |
The Fastest Guitar In The Country |
Imperial |
1967 |
(From: Frettin' Fingers - The Lightning Guitar of Jimmy Bryant) |
2:25:16 (Pop-up) |
||||
Mr. Science | Bob Reems | Series 04 | 96x | 1979-83 | 2:29:59 (Pop-up) | |||||
Link Wray | Johnny Bom Bonny | When You Cross Your Heart (EP) | Kay | 1956 | (From: Missing Links, Vol. 1: Hillbilly Wolf) | 2:32:38 (Pop-up) | ||||
Home | Bang, Bang, Bang | Long Long Way To Nowhere | Atlantic | 1974 | 2:34:45 (Pop-up) | |||||
Sandy Coast | Stone Wall | Stone Wall | Polydor | 1973 | 2:41:35 (Pop-up) | |||||
Ariel | Yeah Tonite | single (b-side to (I Am The) Laughing Man (For Leo)) | EMI | 1974 | 2:45:05 (Pop-up) | |||||
The Pretty Things | Death Of A Socialite | Emotions | Fontana | 1967 | 2:48:08 (Pop-up) | |||||
The Incredibles | There's Nothing Else To Say | single (b/w Another Dirty Deal) | Audio Arts! | 1967 | (From: The Northern Soul Top 500) | 2:50:47 (Pop-up) | ||||
The Mills Brothers | Goodbye Blues | shellac 10" (b-side to Tiger Rag) | Brunswick | 1932 | (From: Cronological Volume 1) | 2:53:04 (Pop-up) | ||||
Music behind DJ: Fleetwood Mac |
Albatross |
single (b/w Jigsaw Puzzle Blues) |
Blue Horizon |
1968 |
2:56:03 (Pop-up) |
WFMU's Give the Drummer Radio & Hinky Dinky Time denounce explicit and implicit racism and condemn the culture of White supremacy. We support Black Lives Matter. |
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Listener comments!
Doug Schulkind:
Rich in Washington:
wenzo:
dan:
Roberto:
Alex In Illinois:
Andrew in Toronto:
dutchtheo:
Rich in Washington:
WR:
Hi UM and folks.
Asheville Jon:
doctorjazz:
Alvy Singer:
Uncle Michael:
Uncle Michael:
Uncle Michael:
Jeff Golick:
doctorjazz:
WR:
Uncle Michael:
dan:
Andrew in Toronto:
Andrew in Toronto:
Alvy Singer:
Uncle Michael:
spodiodi:
Gerry from Miami:
Alvy Singer:
Polyus:
Uncle Michael:
Uncle Michael:
dan:
Revolution Rabbit Nov63:
The 'Out To Lunch' album is one of the major thematic anchor points in 'Negative Dialectics of PoodlePlay' about Zappa - the largest & maybe best book about Rawk Ive encountered. & now you know.
doctorjazz:
Uncle Michael:
Andrew in Toronto:
Revolution Rabbit Nov63:
Birth name: James Newell Osterberg Jr.
Born: April 21, 1947, Muskegon, Michigan, U.S.
Origin: Ann Arbor, Michigan, U.S
dan:
doctorjazz:
doctorjazz:
doctorjazz:
Asheville Jon:
Gerry from Miami:
Rich in Washington:
doctorjazz:
Dean:
StringOFperils:
sinner:
Uncle Michael:
dougseidel:
WR:
Uncle Michael:
egould:
Revolution Rabbit Nov63:
Dean:
Listening Out There:
Dean:
Uncle Michael:
Revolution Rabbit Nov63:
Dean:
Uncle Michael:
Dean:
Mike Sin:
doctorjazz:
Uncle Michael:
Uncle Michael:
dan:
Uncle Michael:
Gerry from Miami:
Uncle Michael:
Revolution Rabbit Nov63:
Dean:
Dean:
adamdoesit:
dan:
Dean:
Uncle Michael:
Sheltone:
Uncle Michael:
adamdoesit:
Uncle Michael:
doctorjazz:
Dean:
Sheltone:
Dean:
Uncle Michael:
Dean:
StringOFperils:
dan:
Uncle Michael:
Dean:
Etymology: In early use groaty , representing phonetic respelling of grot- (in grotesque adj.) + -y suffix1. The shift of t to d is accounted for by the phonetic equivalence of intervocalic t and d in U.S. English. Compare grotty adj.(Show Less)
U.S. slang.
Disgusting, revolting, ‘gross’; dirty, unhygienic, squalid; unattractive, slovenly, sloppy. Frequently in grody to the max, unspeakably awful, ‘the pits’.
Dean:
Dean:
Dean:
Uncle Michael:
Dean:
StringOFperils:
dan:
Who is EJO?
Dean:
Dean:
Uncle Michael:
i.discogs.com...
Dean:
egould:
coelacanth∅:
Uncle Michael:
Uncle Michael:
dan:
The only thing I know of EJO pertaining to music is that he sang backup vocals on Todd Rundgren’ “Slut”
?:
Uncle Michael:
YES!
Uncle Michael:
doctorjazz:
Revolution Rabbit Nov63:
...'Love Supreme' wasn't out til '64 ?...
Dean:
Revolution Rabbit Nov63:
Uncle Michael:
johnk77:
iggy/jimbo birthday
ann harbor high 1967
same class as bill kirchen
older than me guys had/having
too much fun!;>
Dean:
doctorjazz:
Uncle Michael:
Revolution Rabbit Nov63:
egould:
johnk77:
big time
bill kirchen in audience for
1st stooges gig
Uncle Michael:
StringOFperils:
Uncle Michael:
Uncle Michael:
johnk77:
Jeff Golick:
Dean:
Uncle Michael:
Uncle Michael:
egould:
WR:
doctorjazz:
egould:
Pedro in Arlington:
Uncle Michael:
Uncle Michael:
doctorjazz:
egould:
Uncle Michael:
doctorjazz:
doctorjazz:
Uncle Michael:
doctorjazz:
KWilde:
Uncle Michael:
Dean:
Uncle Michael:
WR:
doctorjazz:
Looks great!
Dean:
Uncle Michael:
Roberto:
dan:
StringOFperils:
WR:
Uncle Michael:
StringOFperils:
doctorjazz:
PAULS:
Uncle Michael:
"Indian Reservation (The Lament of the Cherokee Reservation Indian)" is a song written by John D. Loudermilk.[1] It was first recorded by Marvin Rainwater in 1959 and released on MGM as "The Pale Faced Indian", but that release went unnoticed. The first hit version was a 1968 recording by Don Fardon – a former member of the Sorrows – that reached number 20 on the Hot 100 in 1968[2] and number 3 on the UK Singles Chart in 1970.[3]
Uncle Michael:
StringOFperils:
PAULS:
egould:
WR:
StringOFperils:
WR:
StringOFperils:
PAULS:
doctorjazz:
PAULS:
Roberto:
PAULS:
Jeff Golick:
Uncle Michael:
Revolution Rabbit Nov63:
PAULS:
coelacanth∅:
coelacanth∅:
Roberto:
Jeff Golick:
Uncle Michael:
Revolution Rabbit Nov63:
PAULS:
doctorjazz:
Flimflamfilmnoir:
WR:
PAULS:
doctorjazz:
Uncle Michael:
StringOFperils:
WR:
PAULS:
Uncle Michael:
egould:
Dean:
Uncle Michael:
coelacanth∅:
Roberto:
doctorjazz:
coelacanth∅:
StringOFperils:
Dean:
coelacanth∅:
WR:
egould:
WR:
Dean:
Revolution Rabbit Nov63:
egould:
egould:
PAULS:
Revolution Rabbit Nov63:
dan:
My grandma was also born in 1927
coelacanth∅:
- now wondering how derivative it is (intentionally, which is kind of a reggae tradition!)
...it's not really a reggae song, but not his disco either...
Roberto:
Flimflamfilmnoir:
Roberto:
egould:
Listener Robert:
Revolution Rabbit Nov63:
StringOFperils:
efd:
Uncle Michael:
Uncle Michael:
Uncle Michael:
StringOFperils:
doctorjazz:
Uncle Michael:
Uncle Michael:
Uncle Michael:
StringOFperils:
doctorjazz:
StringOFperils:
doctorjazz:
Uncle Michael:
doctorjazz:
doctorjazz:
WR:
Uncle Michael:
StringOFperils:
doctorjazz:
doctorjazz:
spodiodi:
WR:
Jeff Golick:
Uncle Michael:
Flimflamfilmnoir:
WR:
egould:
doctorjazz:
Asheville Jon:
StringOFperils:
Revolution Rabbit Nov63:
~ TY Always DJ UM ~
doctorjazz:
spodiodi:
take care everyone!
doctorjazz:
KWilde:
Jeff Golick:
coelacanth∅:
coelacanth∅:
Uncle Michael:
Listener Robert: