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I play rhinoceros and psychedelic fork.
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September 5, 2023: SHOCK TREATMENT: 5 Straight Hours of Electronic, Electroacoustic, and Computer Music
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Artist | Track | Album | Label | Year | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
The In-Theme | 0:00:00 (Pop-up) | |||||||||
Ricardo Mandolini | Charly (1984) | V.A.: Electroacoustic Music | Academy | 1995 | 0:02:02 (Pop-up) | |||||
Toshi Ichiyanagi | Music for Living Space (1969) | Music for Tinguely | Edition Omega Point | 2006 | 0:10:38 (Pop-up) | |||||
Arie Shapira | Gustl in Theresienstadt (2000) | V.A.: Electroacoustic Music, Vol. VII | Electroshock | 2002 | 0:19:29 (Pop-up) | |||||
Roger Doyle | Spirit Levels (1997) | V.A.: Cultures Électroniques 10 | Le Chant du Monde | 1998 | 0:27:17 (Pop-up) | |||||
Milica Paranosic | Lulla (2002) - 2: Kukka | V.A.: Electroacoustic Music, Vol. VIII | Electroshock | 2003 | 0:43:55 (Pop-up) | |||||
Léo Kupper | Litanea (1988) | V.A.: Cultures Électroniques 4 | Le Chant du Monde | 1989 | 0:47:23 (Pop-up) | |||||
Colby N. Leider | Veni Creator Spiritus (Come Holy Ghost) | V.A.: Sonic Circuits V | Innova | 1997 | 1:05:29 (Pop-up) | |||||
Mark Cooley | Recomposition #4 (2003) | V.A.: Electroacoustic Music, Vol. IX | Electroshock | 2004 | 1:09:28 (Pop-up) | |||||
J.D. Robb | Green Mansions – Abel & Rima (196?) | Rhythmania: Electronic Music from Razor Blades to Moog | Locust Music | 2003 | 1:18:04 (Pop-up) | |||||
Timothy Schmele | The Common Perkins Scream | V.A.: Playing on the Ground | Studio Forum | 2012 | 1:34:03 (Pop-up) | |||||
Yuanlin Chen | Primary Voice - 1: Rite | V.A.: Sonic Circuits IX | Innova | 2001 | 1:43:06 (Pop-up) | |||||
Daphne Oram | Costain Suite (1977) | Oramics | Paradigm | 2007 | 1:46:14 (Pop-up) | |||||
Paul Lansky | ABC | Alphabet Book | Bridge | 2002 | 1:59:32 (Pop-up) | |||||
Vivian Adelberg Rudow | Racing Inside the Milky Way (1994) | V.A.: Electroacoustic Music, Vol. VIII | Electroshock | 2003 | 2:07:26 (Pop-up) | |||||
Ingrid Drese | Amaryllis (1996) | V.A.: Prix International Noroit-Léonce Petitot 1997 | Centre Noroit | 1998 | 2:10:22 (Pop-up) | |||||
Morton Subotnick | A Sky of Cloudless Sulphur (1978) – 2: Dance | Volume 1: Electronic Works | Mode | 2001 | 2:27:17 (Pop-up) | |||||
Ricardo Dal Farra | ...Due Giorni Dopo (1988) | V.A.: Travels of the Spider: Electroacoustic Music from Argentina | Pogus | 1998 | 2:42:14 (Pop-up) | |||||
Max Brand | Rhinoceros: Cortage for a Cat (1968) | In Memoriam | Rhiz | 1989 | 2:45:25 (Pop-up) | |||||
Laurie Speigel | Passage (1987) | Unseen Worlds | Unseen Worlds | 2019 | 2:54:26 (Pop-up) | |||||
Louis De Meester | Incantations (1958) | V.A.: Institute for Psychoacoustics and Electronic Music (IPEM): 50 Years of Electronic and Electroacoustic Music at the Ghent University | Metaphon | 2013 | 3:11:13 (Pop-up) | |||||
Herbert Brün | Futility 1964 (1964) | Language, Message, Drummage | Electronic Music Foundation | 1998 | 3:17:39 (Pop-up) | |||||
Lucien Goethals | Cadenza (From Dialogos) (1963) | V.A.: Institute for Psychoacoustics and Electronic Music (IPEM): 50 Years of Electronic and Electroacoustic Music at the Ghent University | Metaphon | 2013 | 3:25:32 (Pop-up) | |||||
Carl Stone | Banteay Srey | Mom's | New Albion | 1992 | 3:30:24 (Pop-up) | |||||
Michel Redolfi | Too Much Sky (1984) | Desert Tracks | INA-GRM | 1988 | 3:44:42 (Pop-up) | |||||
Charles Amirkhanian | Vers les Anges | Walking Tune | Starkland | 1992 | 3:56:38 (Pop-up) | |||||
Micheline Coulombe Saint-Marcoux | Constellations 1 (1981) | Impulsion | Empreintes DIGITALes | 2001 | 4:02:44 (Pop-up) | |||||
Warren Burt | Miss Furr and Miss Skeene | V.A.: Voys Number Three | Voys | 1998 | 4:21:30 (Pop-up) | |||||
Sten Hanson | Morning on Barsoom (1985) | The John Carter Song Book | Phono Suecia | 1988 | 4:37:20 (Pop-up) | |||||
Alain Savouret | L'ouïe-Spartacus (1981) | Sonate Baroque | Mnémosyne | 1993 | 4:48:51 (Pop-up) | |||||
The Out-Theme | Gelbart: My Favorite Vacation [part of] + Die Trip Computer Die: Airborn [part of] | 4:55:03 (Pop-up) |
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Listener comments!
Tony Coulter:
Listener Phillip (in the Bronx)♎️⚖️:
Andrew in Toronto:
Tony Coulter:
Yvang:
Tony Coulter:
Nick S.:
listener james from westwood:
Oh hell yes to bonus Coulter!
David (in London):
Tony Coulter:
I'm rolling ... I'm bonusing....
Tony Coulter:
Yvang:
Andrew in Toronto:
rw:
Oleh from Pittsburgh:
rw:
Andrew in Toronto:
Tony Coulter:
David (in London):
Community Chest: It's your lucky day. Tony Coulter is doing two extra hours.
Andrew in Toronto:
www.youtube.com...
rw:
David (in London):
Yvang:
Oleh from Pittsburgh:
Tony Coulter:
rw:
rw:
rw:
Listener Phillip (in the Bronx)♎️⚖️:
Tony Coulter:
pot8o:
Tony Coulter:
Andrew in Toronto:
Yvang:
David in London:
Tony Coulter:
Listener Phillip (in the Bronx)♎️⚖️:
Wednesdays with Mary Wing And Irwin
My life is now complete
Tony Coulter:
Sem:
Tony Coulter:
Andrew in Toronto:
Sem:
rw:
doctorjazz:
Sem:
Martyn:
Tony Coulter:
Tony Coulter:
Tony Coulter:
Yvang:
Yvang:
rw:
Tony Coulter:
rw:
rw:
rw:
Tony Coulter:
WR:
David (in London):
Tony Coulter:
doctorjazz:
WR:
WR:
Tony Coulter:
rw:
Oleh from Pittsburgh:
Tony Coulter:
rw:
rw:
listener james from westwood:
David (in London):
Nick S.:
Tony Coulter:
Tony Coulter:
pot8o:
pot8o:
WR:
Tony Coulter:
Miles:
Tony Coulter:
Miles:
Andrew in Toronto:
Tony Coulter:
coelacanth∅:
tuned in sporadically since noon
tuned in sporadically still
Tony Coulter:
WR:
coelacanth∅:
and some of his music was bearable!
Andrew in Toronto:
still b/p:
A Key West busker was claiming to his impromptu audience thirty years ago that his songs were stolen by Buffet, who won his fame with them.
Andrew in Toronto:
Tony Coulter:
coelacanth∅:
still did said busker give you any reason to consider the possibility?
still b/p:
Tony Coulter:
Dean:
Tony Coulter:
Dean:
still b/p:
Dean:
still b/p:
WR:
coelacanth∅:
...so maybe!
coelacanth∅:
i mean, Brian Eno stole all my songs -and we never even met!
coelacanth∅:
it's quite possible; but personally i'd be embarrassed to admit that.
still b/p:
David (in London):
coelacanth∅:
coelacanth∅:
just one song -maybe little fishes...co-write credit...
still b/p:
Dean:
https://www.discogs.com/release/245094-Yves-Daoust-Bruits
Do you know it?
Tony Coulter:
Dean:
coelacanth∅:
the funny thing is -i heard some bootleg demos from just before his first solo album and it sounds astonishingly like Jimmy Buffet.
Tony Coulter:
coelacanth∅:
and then, apparently some street musician stole HIS material.
Dean:
Or Gong's Camembert Electrique?
David (in London):
pot8o:
coelacanth∅:
Dean:
coelacanth∅:
David (in London):
I repeat myself when under stress...
David (in London):
Tony Coulter:
coelacanth∅:
everyone wins.
Dean:
still b/p:
Tony Coulter:
WR:
Dean:
David (in London):
Dean:
David (in London):
Andrew in Toronto:
Thanks Tony.
pot8o:
listener james from westwood:
doctorjazz:
David (in London):
Yvang:
rw:
Yvang:
Tony Coulter:
WR:
coelacanth∅: