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A viking ship appears on the horizon, a likeness of Alice Coltrane carved into its bow. Rare birds flock together to sing Francoise Hardy as soul hits. A sunset of blips and bleeps fills the air.
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Artist | Track | Album | Label | Year | New | Approx. start time | ||||
---|---|---|---|---|---|---|---|---|---|---|
eki shola | the opening | kaeru | jellyfish records | * | 0:00:00 (Pop-up) | |||||
erik friedlander | cham- hypnotique | illuminations a suite for solo cello | 0:04:11 (Pop-up) | |||||||
chants populaires tahitiens | chant d'amour | Hot Women: Women Singers from the Torrid Regions of the World v/a | 0:07:14 (Pop-up) | |||||||
michael galasso | mo-wan's dialogue/angkor wat theme I/ITMFL I | in the mood for love ost | 0:08:15 (Pop-up) | |||||||
Dave Harrington & Kenny Wolleson | juini ( for arthur booth) | wollesonic quatro vol 4 v/a | wollesonic records | 0:12:34 (Pop-up) | ||||||
Dom La Nena | gracias a la vida live at wfmu 2015 ( violeta parra cover) | 0:16:38 (Pop-up) | ||||||||
Las Malas Amistades | dimo lo que suenas | patio bonito | 0:20:25 (Pop-up) | |||||||
ben watt & robert wyatt | walter & john | summer into winter | 0:23:21 (Pop-up) | |||||||
hiroshi yoshimura | green shower | surround | 1986/2023 | * | 0:27:24 (Pop-up) | |||||
0:36:51 (Pop-up) | ||||||||||
alice coltrane | galaxy in satchinanda | world galaxy | 0:38:25 (Pop-up) | |||||||
abbey lincoln | left alone | straight ahead | 0:47:36 (Pop-up) | |||||||
sonic mud | pardise garden | above ground | * | 0:54:42 (Pop-up) | ||||||
laurel halo | sweat, tears or the sea | atlas | awe | * | 0:57:08 (Pop-up) | |||||
UB40 | return of Dr X | UB 40 present arms in dub | 1:10:09 (Pop-up) | |||||||
curtis mayfield | If There's a Hell Below, We're All Gonna Go | curtis | 1:14:36 (Pop-up) | |||||||
betty davis | stars starve, you know | is it love or desire | light in the attic | 1976/2023 | * | 1:27:10 (Pop-up) | ||||
mixed grill | A Brand New Wayo | the rough guide to african disco v/a | 1:32:12 (Pop-up) | |||||||
swan silvertones | if you believe your god is dead | Holy Church of the Ecstatic Soul - A Higher Power: Gospel, Funk & Soul at the Crossroads 1971–83 | soul jazz | * | 1:35:24 (Pop-up) | |||||
afrika & the zulu kings | cars ( zulu club mix ) | Dollar Bill Y'All: Spring Records and the First Decade of Hip Hop (V/A) | BGP/ ace | * | 1:39:08 (Pop-up) | |||||
La Playa Sextet | no me dejas | Boogaloo Pow Wow (V/A) | 1:44:43 (Pop-up) | |||||||
new york community choir | I'll Keep My Light in My Window | mr bongo record club 6 | * | 1:47:10 (Pop-up) | ||||||
Asha Puthli | Chipko Chipko | asha | mr bongo | 1:52:43 (Pop-up) | ||||||
los stop | extiende tus brazos | Chicas! Spanish Female Singers Volume 2 1963-1978 | 1:59:09 (Pop-up) | |||||||
tirzah | today | trip9love...??? | domino | * | 2:09:56 (Pop-up) | |||||
SAULT | gods will | Aiir | Forever Living Originals | * | 2:11:50 (Pop-up) | |||||
maurice deebank | the watery song | Pillows & Prayers | cherry red | 2:17:08 (Pop-up) | ||||||
dengue fever | macho purple sunset | ting mong | tuk tuk | * | 2:21:45 (Pop-up) | |||||
exek | welcome to my alibi | the map and the territory | Foreign Records | * | 2:25:19 (Pop-up) | |||||
nara leao | Derradeira Primavera | Opinião de Nara | 2:29:38 (Pop-up) | |||||||
martin silveira | el congo | Con Piano, Sublime! early recordings from the caribbean V/A | Magnificent Sound Records | * | 2:31:21 (Pop-up) | |||||
graeme miller & steve shill | travelling theme | The Art School Dance Goes On: Leeds Post-Punk 1977-84 (V/A) | caroline true | * | 2:39:13 (Pop-up) | |||||
saucy perila | Studio One Space-Age Dub: Special Intergalactic Dub from Studio One | Soul Jazz | * | 2:40:24 (Pop-up) | ||||||
scritti politti | sugar and spice | provision | 2:44:01 (Pop-up) | |||||||
janet kay | rock the rhythm | The Definitive Hits Collection (1977-1985) | 2:47:14 (Pop-up) | |||||||
hollie cook | sugarwater dub | prince fatty presents: hollie cook in dub | 2:51:45 (Pop-up) | |||||||
barbara lynn | You'll Lose A Good Thing | barbara lynn | 2:53:56 (Pop-up) | |||||||
candi staton | i'd rather be an old man's sweetheart (than a young man's fool) | i'm just a prisoner | kent soul | 1970/2023 | * | 2:56:13 (Pop-up) |
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Listener comments!
Listener Bryan (the Professor):
Handy Haversack:
bradford:
TDK60:
Robm:
love2laf:
bnowb:
kev:
chresti:
Trouble:
Ken From Hyde Park:
Dances with Moomins:
dreamyandseedy:
2/3 of the Perrin Family:
common:
tom tom the pipers son:
chresti:
Listener Bryan (the Professor):
Son Of Pantz:
winston legthigh:
Trouble:
archive.newmuseum.org...
captain beef fart:
Tony From Chicago:
Handy Haversack:
listener james from westwood:
bradford:
bnowb:
Robm:
Faye:
Russo:
captain beef fart:
Daniel Donuts:
Rock on friend !
love2laf:
Thanks for all the hellos, working out some neighbour contractor issues here, frustrating and rude, but will persevere.
winston legthigh:
Robm:
Mike W.:
Peter from Saranac Lake NY:
Chris Hiatt:
∫ydniuß:
unpopularfred:
Mxter Baba:
love2laf:
TDK60:
Damnit.
Zip7:
maurer:
Robm:
Handy Haversack:
Listener Bryan (the Professor):
Mxter Baba:
gauche knee:
Zip7:
love2laf:
@Robm bad gas travels fast in a small town. No police, must do the polite neighbours in the woods thing. Had the contractors asked for permission, we could have discussed them fixing the damage their heavy equipment would cause, still hoping to get to that place.
Handy Haversack:
Robm:
dreamyandseedy:
TDK60:
Charles in Chicago:
Handy Haversack:
None of which at all invalidates the conclusions, exhortations, or diagnoses of the Manifesto -- just does serve to locate it in its own moment in addition to all it continues to have to say to the present condition of the world.
Charles in Chicago:
gauche knee:
Handy Haversack:
Zip7:
Charles in Chicago:
pwrmnstr:
disco_nap_:
Mike W.:
Carmen:
TDK60:
jan:
Handy Haversack:
"Obviously, too, for all such 'prophetic' insight, the specifics of capitalism are not static. The changes in the system since the /Manifesto/ was written are vast: the growth in importance of telecommunications, logistics[,] and data technology, the incredible acceleration of flows of commodities and data. But seeing this as evidence of the outdatedness of the /Manifesto/ would be to focus on the changes -- epochal as they certainly are -- in the surface level of specifics, rather than the continuities on the basis of the fundamental dynamics with which the /Manifesto/ is concerned. Those are profit-extraction by a minority, through the exploitation of the labor of a majority, in the context of competitive accumulation. On *that* basis, in fact, as Jodi Dean puts it in her introduction to the /Manifesto/, its 'description of capitalist society is more accurate today than when it was written. The world in the twenty-first century is entirely subsumed by capitalism. The capitalist system is global. Competition, crises, and precarity condition the lives of and futures of everyone on earth.'"
In other words: what Trouble said.
Ken From Hyde Park:
winston legthigh:
pwrmnstr:
Clincher16":
Brian in New Orleans:
Handy Haversack:
Brian in New Orleans:
sydniuß:
sydniuß:
Russo:
Jason from Houston:
alan the painter:
Thank you for Sonic mud! some musicians my friends, if they remember the guy drawing/painting them from the audience. What a great performance to paint, them with ceramic instruments. Trouble you make Thursday great, thank you big!
Brian in New Orleans:
sydniuß:
davefromtoronto:
Steve Del Sol:
Brian in New Orleans:
Zip7:
Hugo (NL):
Brian in New Orleans:
winston legthigh:
rx "rexy" scabin:
pwrmnstr:
capitalism would have art be clean and monetized but there will always be pimples
pwrmnstr:
devoid.davy:
pwrmnstr:
davefromtoronto:
Hugo (NL):
Rick from SC:
Chief Guy:
Steve Del Sol:
The Oscar:
Roberto:
Listener Bryan (the Professor):
Hugo (NL):
oshiwoshi:
Jacobs:
tom tom the pipers son:
rx "rexy" scabin:
Trouble:
Russo:
Dan S:
PKNY:
The Oscar:
unpopularfred:
love2laf:
Charles in Chicago:
Hugo (NL):
dreamyandseedy:
Santos L Halper:
tom tom the pipers son:
sydniuß:
Brian in New Orleans:
pwrmnstr:
Santos L Halper:
PKNY:
www.sacredbonesrecords.com...
Russo:
Charles in Chicago:
pwrmnstr:
Listener Jonny in MA............. d-_-b:
Charles in Chicago:
maurer:
pwrmnstr:
Trouble:
tom tom the pipers son:
otoh long live betty davis...
pwrmnstr:
Clincher16":
tom tom the pipers son:
maurer:
youtu.be...
Noir Lover:
tom tom the pipers son:
Robm:
pwrmnstr:
Handy Haversack:
rx "rexy" scabin:
Zip7:
∫ydniuß:
pwrmnstr:
Thanks Handy & Zip7!
pwrmnstr:
tom tom the pipers son:
Jason from Houston:
Spence in Baltimore:
pwrmnstr:
Russo:
PKNY:
∫ydniuß:
Dan S:
tom tom the pipers son:
Charles in Chicago:
tom tom the pipers son:
Charles in Chicago:
pwrmnstr:
Charles in Chicago:
∫ydniuß:
tom tom the pipers son:
Charles in Chicago:
Phillippe:
pwrmnstr:
Jason from Houston:
tom tom the pipers son:
rx "rexy" scabin:
Handy Haversack:
Charles in Chicago:
∫ydniuß:
Handy Haversack:
rx "rexy" scabin:
tom tom the pipers son:
Charles in Chicago:
Charles in Chicago:
pwrmnstr:
Charles in Chicago:
rx "rexy" scabin:
Handy Haversack:
?:
∫ydniuß:
Jason from Houston:
Charles in Chicago:
winston legthigh:
Charles in Chicago:
∫ydniuß:
Roberto:
Peter Stastny:
Handy Haversack:
love2laf:
pwrmnstr:
∫ydniuß:
Jason from Houston:
pot8o:
rx "rexy" scabin:
pwrmnstr:
love2laf:
moniker lou wink’ski:
Handy Haversack:
dreamyandseedy:
gauche knee:
Charles in Chicago:
moniker lou wink’ski:
Or sumpin else ?
tom tom the pipers son:
Roberto:
Phillippe:
T in Diego:
duvignau:
duvignau:
Jason from Houston:
Jason from Houston:
Handy Haversack:
The Oscar:
moniker lou wink’ski:
Trouble:
garden state jazz greats, dec 13, Joe PAss
Charles in Chicago:
Charles in Chicago:
∫ydniuß:
Mick:
Phillippe:
dork with a fork:
Handy Haversack:
tom tom the pipers son:
Mick:
∫ydniuß:
Handy Haversack:
?:
spodiodi:
Mick:
∫ydniuß:
∫ydniuß:
Philip:
🛎️ 🛎️ 🛎️:
Been there done that.
✌️
Failure of commenting:
Handy Haversack:
I'm all recovered, thanks! Which is good as we've been taking it on the chin a little this past week. Hoping to make it to the break and get a little space, but it's tough sledding.
spodiodi:
∫ydniuß:
Jason from Houston:
spodiodi:
T in Diego:
tom tom the pipers son:
Russo:
Peter in SEA:
Noir Lover:
dork with a fork:
Muchas Gracias 👏 🙇 🙏
AB in Catskill:
pwrmnstr:
Joe R.:
AB in Catskill:
Brian in New Orleans:
Russo:
Listener Bryan (the Professor):
Trouble:
rx "rexy" scabin:
Listener Bryan (the Professor):
tom tom the pipers son:
common:
Trouble:
tom tom the pipers son:
Handy Haversack:
wfmu.store
∫ydniuß:
Roberto:
Mick:
Handy Haversack:
Jason from Houston:
Jack McGuire:
Mick:
Charles in Chicago:
∫ydniuß:
oshiwoshi:
Brian in New Orleans:
Handy Haversack:
Handy Haversack:
Good chatting, youse. Stay Troubled.
Phillippe:
Yes:
spodiodi:
∫ydniuß:
Brian in New York:
Zip7:
northguineahills:
chresti:
tom tom the pipers son:
Phillippe:
bradford:
Philip:
pot8o:
Tara:
Trouble:
spacecadet:
Trouble:
dreamyandseedy:
eriko-vert:
oshiwoshi:
Andrea:
Ken From Hyde Park:
maurer:
eriko-vert:
- provision , imo , is their least successful album. Kinda obsessed with all the 12” mixes from the Cupid & Psyche period .